Trojan Women (Coleridge Translation)-Euripides

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This episode is 1 hour and 20 minutes long.

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This episode was published on August 5, 2026.

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from Andromache · host Jean Racine

Trojan Women, translated by Coleridge, is a poignant exploration of the aftermath of war, focusing on the plight of the women left behind in the wake of the Trojan War. This timeless tragedy captures the deep sorrow and resilience of those who endure unimaginable loss and suffering, making it a powerful reflection on the human condition. The themes of despair, survival, and the struggle for dignity resonate strongly today, reminding us of the enduring impact of conflict on innocent lives. Listening to this work offers a profound insight into the emotional landscape of grief and the strength found in community, making it a vital addition to contemporary conversations about war and its consequences.

Episode metadata supplied by the publisher feed · Published Aug 5, 2026

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Trojan Women (Coleridge Translation)-Euripides

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Troilus and Cressida by William Shakespeare (1564 - 1616) LibriVox Troilus and Cressida is Shakespeare's "problem" play about the Trojan War. As the opening Chorus tells us, the play "begins in the middle" of the epic conflict, and counterpoints the drama of battle with the romance of the title characters. Just as Agamemnon and his Greek forces (particularly the smooth-tongued Ulysses) attempt to woo the invincible Achilles to resume fighting on their side, the Trojan go-between Pandarus tries to bring together Troilus, a son of King Priam, with his niece, the lovely Cressida. (Summary by Elizabeth Klett)Cast:Achilles: John FrickerAeneas: David RichardsonAgamemnon: Lars RolanderAjax: Arielle LipshawAlexander: David LawrenceAndromache: <a href="http://librivox Andromache by Jean Racine (1639 - 1699) LibriVox In this tragedy [about part of the aftermath of the Trojan War], which made its appearance in 1667, there is a more intricate plot than is usual in Racine's plays, and it offers a greater variety of character and motive. Love, jealousy, friendship, conjugal fidelity, maternal tenderness, anger, and despair are all portrayed with skillful touches; and if the language is that of the French Court of the seventeenth century, the natural emotions of the human heart, the same in all ages, show themselves plainly under the mask of conventional mannerism - Summary by The TranslatorCast list:Andromache, widow of Hector, Captive of Pyrrhus: SoniaPyrrhus, Son of Achilles, King of Epirus: Matthew ReeceOrestes, Son of Agamemnon: Richard JasperingHermione, Daughter of Helen, betrothed to Pyrrhus: <a href="https://librivox. Trojan Women (Murray Translation) Euripides In Euripides haunting play, we delve into the harrowing aftermath of Troys fall, where the citys women grapple with the loss of their husbands and the looming threat of enslavement. The narrative opens with a divine council between Athena and Poseidon, who plot revenge against the Greek forces for their complicity in Ajax the Lessers heinous act of dragging Cassandra from Athenas sanctuary. The unfolding tragedy reveals the depths of suffering endured by the Trojan women, as they confront further calamities while the Greeks coldly distribute their fates. This poignant translation by Gilbert Murray, published in 1915, brings to life the profound grief and resilience of these women. (Summary by Wikipedia and Elizabeth Klett) Cast Poseidon Martin Geeson, Pallas Athena Sweetlilbirdy, Hecuba Ruth Golding, Chorus leader Ransom, Chorus 2 Kelseigh, Chorus 3 Jessamy Gloor, Chorus 4 Leni, Chorus 5 Michele McNeal, Chorus 6 Elizabeth Klett, Talthybius Don Stirno, Cassandra Lucy Perry, Andromache E Orestes Euripides In a gripping tale of revenge and moral conflict, Orestes finds himself haunted by the Furies after fulfilling Apollos command to avenge his fathers murder by killing his mother, Clytemnestra. As he grapples with the torment of his actions, only his sister Electra can bring him solace amidst the chaos. However, a powerful faction in Argos seeks his death for the crime he committed, and Orestes salvation hinges on the return of his uncle Menelaus, fresh from the Trojan War and laden with wealth. Set against the backdrop of a complex web of familial ties and moral dilemmas, this play unfolds after Euripides’ Electra and Aeschylus’ The Libation Bearers, yet precedes The Eumenides and Andromache. As Buckley aptly notes, The play is among the most celebrated on the stage, but infamous in its morals; for, with the exception of Pylades, all the characters are bad persons. - Summary by Wikipedia and Theodore Buckley

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