#TROTO (The Reality Of The Original) --- SynTalk

Is Colin McKenzie for real? What cannot be faked? Are fakes lies? Can copies be more valuable than the original? What is the test of something being original? Is originality a fact? Is it culturally determined? What are the ethics and aesthetics of fakes? How and at what point do we know when an experience is not real? What about reality that cannot be experienced? Is seeing believing, or is believing seeing? Is ‘seeing’ always ‘seeing-as’? Why do some of us prefer artificial flowers over fresh flowers? Does the idea of the original always imply its opposite? What kind of objects can (cannot) have copies (originals)? Can there be fake words? Or chairs? Is the copy of a copy the copy of the same original? Can there be a fake documentary film? Are there false images for astronomers? How does science ‘handle’ reality? What are the (dis)similarities between archaeology, astronomy and film-making? Is most of reality constructed, and do we really know what reality is? Does reality always depend on the technology available? Do we ‘need’ reality? Can we live (largely) with hyperreal simulacra, & will reality be dispensed with in the long run? SynTalk thinks about these & more questions using concepts from philosophy (Prof. Sharad Deshpande, ex-University of Pune, Pune), film-making (Nilita Vachani, Tisch School of the Arts (NYU), New York), & astronomy & archaeology (Prof. Mayank Vahia, TIFR, Mumbai). Listen in....