Welcome. Welcome. We are coming to you live from the woods. Got a little too high.
Got a little turn around. You could say. Could say. Got a little turned around.
This is, of course, Antoine. Antoine speaks. Antoine speaks. So named for commercial from 25 years ago, we remember.
Right. Pepperic farm remembers. Remember that? Nostalgia blast.
Oh, God. The sounds of my childhood. That's the thing. Mom and I come home from school.
Mom and dad, we're working. I just put on that, that boob tube. Oh, yeah. I had an idiot box.
Put on the old idiot box, laid up a candy cigarette and just kick back, relax. No, no, we're not good. We're not taking a walk down memory lane. No, unless the thing we're remembering is Twin Peaks, the return part seven and who Laura Palmer was.
Yes, who could forget? Some people. Yeah. Some people don't remember.
Some people. Or they never knew. I love that scene with Ashley Judd and Ben Horn when they're like, she's like, who is Andrew Cooper? And he's like, he came here.
He was investigating the Laura Palmer murder. And she's like, who's Laura Palmer? And he's like, it's a long story. Yeah.
I believe he gives her the gold. That is a story for another. Yeah, basically. It's a yeah, it's it is weird to think about, but we're we're years and years down the road.
Yeah. This thing, much like a certain other event that's been relegated only to memory. Mm. I seem to have shaped everything that came after it.
Not 9 11. Oh, okay. No, a certain, uh, oh, your different government orchestrated. You're jumping ahead again, Dan.
But yes, my Billy Pilgrim is fucking Billy Pilgrim as shit. All right. So episode seven, right? Entitled, uh, there's a body all right.
Um, as all there is, it opens with a super stoned Jerry Horn lost in the woods, calls up his brother Ben. The conversation is Ben trying to figure out what the hell Jerry is talking about. It's like, somebody stole my car. Ben's like, what somebody stole your car?
Um, I think I'm too high. Ben is just like, Oh God. Yeah. The less we forget Jerry has a transition out of just like out of the food and out of yeah, out of like the business world or whatever he was doing.
Yeah, he no longer can be sated with a cheese pig. He needs weapons, grade marijuana, that West Coast loud. Hell yeah. Uh, and it is destroyed his brain.
Yeah. He is too high and lost in the woods. Um, and that's all we got of Jerry in this episode, which is very funny. We get more Jerry as the season goes on.
Um, I like that. Yeah. He's got his own private pine barons style. Yeah.
His loss situation going. Yeah. Uh huh. We'll have to see where he ends up, you know?
Yeah. It's also fun that like, you know, the wood, like Cooper is also or was for a long time lost in the woods in a sense. Oh, yeah. You get, it's a portal to another dimension for some.
But Jerry can't even figure out the frickin the trees just as they are. You know, I really, yeah, Jerry should do everything you can to stay away from the black lodge, especially in his currency. Oh my God. Would anyone be annihilated faster going into that black lodge?
Uh, no, not, not no way. Um, instant mushroom cloud above the head. Yes. Um, yeah.
So that's Jerry's, that's Jerry's business. All right. Um, and then we go straight to the Twin Peaks police station where the sheriff Truman and Hawk are going over the pages that Hawk found in the door in the bathroom. And these are the missing pages, Dan.
And of course, of course, uh, when we watched Fire Walk with Me, uh, there was that scene where Laura Palmer goes over to Harold's, uh, house and gives her, her diary. And she says that these pages were ripped out and, uh, she doesn't know, she thinks she knows who did it and all this. Um, And now we get the actual missing pages. Um, I gotta tell you, when I first saw this, uh, I was like, Oh man, this is, this is great.
Yeah. It's very satisfying. It's very satisfying to connect like old mysteries to current mysteries. You know, every, every time they tie this back directly to the movie or more so than the series, because the movie does so much that season two doesn't do.
Do you wish it would have done? Um, that, that shit just gets me going. Absolutely. Ooh, we, and, uh, the pages, they say, um, they're obviously, they're from Laura's diary and they're from the night that she had the dream with Annie in it, where Annie was laying next to her in bed and said, uh, the good at Dale is still in the lodge.
Um, is that, uh, the good? Yeah, is, is in the lodge and can't leave is what it says. And, and it also says, I, uh, I know who Bob is now, right? Yeah.
Uh, so Hawk sort of concludes that Leeland must have taken these and stuffed them in the door, like when he was visiting the sheriff station at one point. Um, you know, knowing that it was guilty, right? You know, um, and so on and so on. Yeah.
Um, love that we get the, uh, and then, uh, you know, they're talking about like the good Dale is in the lodge and can't leave. And, uh, you know, Hawk says that, um, but he did come, you know, Cooper did come out of the lodge and he's like, he basically, he gets around to, uh, maybe that was not the good Dale Cooper, but the, uh, Dale Cooper. Lots of, uh, lots of people realizing that the Cooper who came out of the lodge is not the good Cooper. Yeah.
It's a big week for that. And you say it is a big week. Um, and then so, um, Truman asked, talk like who, who was there? Like who else was involved and Hawk says, you know, Doc Hayward was, was involved with it as well.
So, uh, Truman calls up Doc Hayward and he says, do you have Skype? He wants to Skype him in. Um, so the desk situation, did you love this or what? I loved it.
I immediately, like as soon as I saw it, I got, I started thinking, I was like, how can I, how can I have this in my own home? Absolutely. The answer is I can of course. Also, I do love that he like at the end of their call.
Uh, uh, I guess first we should say what happens. Sure. Which is he flips like a little switch on his desk and the screen comes out of the desk. Yes.
Like it rises up from the desk. Um, it's very like 60s idea of the future. Yes. It felt very like bond villain kind of, uh, you know, what something that a bond villain would have.
Also the switch that he uses is not like a light switch or something. It's like a stick. It's almost like a lever, you know, that he has to like pull. But yes.
So the computer screen comes up from the desk and they, uh, they start skyping with each other, which is that's also, you know, love to see an old character that, you know, an old friend here, even if he is a thousand years old. Yeah. That 1000 years old. And, you know, just talking into a Skype camera, but that's okay.
Yeah. I can't, we were saying this before we start recording it. It's such a, such a, uh, it's so cruel that you keep seeing all these old friends, right? Yes.
Like, Oh, there's doc A word. Hey, doc A word. And then at the end of the episode, it's like in loving memory of doc A word. Yeah.
Yeah. Yeah. I mean, I can't act surprised, right? He was he is one million years old.
Yeah. And let's be honest. I mean, it looks great for a million years old, but, but what are we? Undeniably a million years old.
Yeah. Of course. So Truman is asking doc A word about, uh, you know, what he remembers from, uh, that night. And when Cooper came back and, um, you know, Cooper was in the hospital and he remembers seeing Cooper, uh, fully dressed out of his, like, uh, I guess, uh, hospital gown and coming out of the ICU where, and he, he got, and he had a weird look on his face, he says, and he all, he says that, uh, you know, he must have been checking in on Audrey Horn because Audrey was still in a coma from that bank explosion.
Remember that? Yeah. I mean, that is, that is what happened in my head. I was like, Oh, yeah.
Audrey exploded at the bank. Yeah. She went to splozioni because she was doing her little stunt. Yeah.
She was trying to be good like daddy. She was. So yeah, we got, we got some of that business there. Um, also, meanwhile, Andy is talking to the guy who owns the truck that Richard Horn was driving when he, when he ran over that boy and the whole time Andy is asking him questions, the guy's like, I'll tell you, but please leave, you have to leave right now.
Uh, I can't tell you anything here. And Andy's like, okay, where would you like to meet up? And he was like, I'll meet you here in about two hours. All right.
Just, just leave, leave now, please. Um, yeah. So Andy leaves, right? Makes an appointment to meet up with this guy.
Guy's obviously scared of maybe Richard Horn, maybe, you know, maybe, uh, uh, what was that a red, you know, red is involved with Richard Horn? I don't know. Which one is red again? Oh, of course.
Yeah. It's both is our getting. Of course. The, the sparkle.
Magni. Yeah. Oh, isn't it fun that his name is Balthazar? Get in there like, all right.
We got a, we got to pull that back. Just name him. Yeah. Hey, I know it's not break time.
Uh-oh, but Danny, but it's a break, but a break. Yeah, I'm really tired. I just could get like a 20 minute nap in. All right.
Um, we're going to take a break, but not the break. No, we're going to do like a whoosh and we'll be right back. Yeah. Well, it's a whoosh.
You won't, you won't feel a thing. It'll be like anesthesia. Okay. I got to go right now.
And we're back. We're back. Balthazar, Getty, huh? Yeah.
Uh, big red. Uh, yeah. He, uh, he's the captain of the cheer team, right? Yeah.
Yeah. Yeah. Right. That's a bring it on.
Yeah. Is that bring it on big red? I'm doing a, uh, double feature later on. I'm going to watch, uh, bring it on and then I'm going to watch Civil War.
Do it. The done sort of the same, same story. Yeah. So fundamentally, you know, there's only like a handful of stories with just different skins on them, you know, and yeah, that's, that's what they say.
Uh, Plimins in his, uh, his red glasses talking about how this is not a Cheerocracy. Yeah. Um, I can't even think of anything for, for me. I took the one thing that he did.
That was the only thing that anybody remembers. Um, so after, uh, the whole thing with, uh, doc Hayward and, and, and then Andy, um, you know, last week we saw that Lieutenant, Lieutenant Knox, she was sent out by, um, Ernie Hudson, who's like a, what is it? Is he a general? Uh, Colonel, Colonel, Colonel Davis.
And Colonel Davis sends her out to South Dakota, where they got a ping on, um, Major Briggs's fingerprints. So when she gets there, yes, yeah. And this has been happening. Oh, yeah.
Every so often for the past 20 years since he disappeared, yes, died or whatever they think happened. Right. Um, and you know, they don't, they think it's probably nothing. It's, it is nothing where you got to go anyway.
So, uh, she gets there. She talks to the detective. They go down to the morgue where, um, uh, I get what's constant. Constance.
Constance. Constance. I cannot remember. Put some respect on her name.
I know. I really, I love that actress Jane Adams. I think she's, I think she's great. Yeah.
I mean, she's the only, you know, it's like it's hard to think of anyone who could potentially match with, uh, Albert, sure. But if anyone could, my guess is that it's constant is that it would be her. No, interesting. Um, I wonder what you think that Dan, I don't know why I think that it's, it's a bit intuition, isn't it?
All right. I'll tell you what, I lined up some bottles, 60 feet, six inches away from me and grab the sturdiest rock I could find. Yep. And I threw them until I knew for sure that she's the only chick who could match with it's with Albert.
All right. I mean, that's the only way that really, no. So, yeah. Uh, but yeah.
So Constance, uh, shows, uh, lieutenant knocks the body and of course, the body is missing. Well, first knocks is like, where did you get the the fingerprints from? And they're like, uh, this attaches like off the body and she's like, there's a body. Oh, there's a body.
All right. Um, that's the, the episode. So they go to the morgue, they open up the, uh, the filing cabinet of dead bodies, which there's probably a name for. Yeah, but I like to think of it as a filing cabinet.
It is. That's exactly what it is. Yeah. It's on wheels.
You fucking, you pull the drawer out and then you put it back in. It's got the little placard on the front. That's what's in it by any measure. It's a filing cabinet, but yeah, she pulls it open and there we see the corpse, the headless corpse, uh, watch out, Ichabod Crane.
Yeah. Watch yourself. Thank God. They sent Lieutenant Cynthia Knox and not constable.
Like about green. Cause he, he would not have had the constitution for this. No, no, he's a, he's a coward, of course. It's famously a coward.
Um, anyway, they see the headless body of a man in his late 40s. That's what they, yeah. Start going. Well, that's yeah.
Yeah. That's their assessment, of course. That's Constance's assessment. She says that, uh, the body is of a man in his late 40s and of someone who died within the past week, just a few days ago, which makes no sense chronologically because he would be in his 70s and, um, you know, he's been missing for so long.
What are you talking about, right? Constance babe. Babe, babe, babe, what are you doing? So Lieutenant Knox calls up Colonel Davis explains everything to him.
Says the head is missing. Uh, the body is of a 40 late, somebody in his late 40s, somebody who died a few days ago and Colonel Davis is like, that doesn't make any sense. And Lieutenant Knox is like, I know it should be noted. She's taking this call in the hallway.
And man, the way that this shot draws your attention to the out of focus thing in the back is incredible. It's so good, isn't it? Like it's, it's a close up of the actress, right on the phone. And she's delivering all of the lines.
Like she's talking to the Colonel, like these things are happening in the foreground, but in the background, just like a shadow kind of appears at first. Right. And it's out of focus enough that you're like, all right, well, maybe I'm just not getting the details because it's such like a deep focus. Right.
And you're like, you know, it's background stuff. It's extras walking around or doing whatever, right? It's not like, and then it just, but then you notice it's being weird. It is being a bit weird.
It's being peculiar. It's moving like slowly and deliberately. And when she goes back into the morgue to talk to the detective and Constance Talbot, put some respect on her name, please, we see that's one of those guys who one of those fellas. It looks like the guy who was in the cell next to Matt Leillard.
That's right. What's his character's name again? It doesn't matter. It's okay.
It's impossible to know. Yes. It's a, it's a, he looks like a, like a man covered in soot. A chimney sweep.
Yeah, yeah. Like he, like he ran out his, he forgot his chimney, the actual brush. He's like, fuck, I gotta, I gotta do something here. Let me just use my body to scrub the inside of this chimney.
This is such a, a sooty chimney sweep that the Decemberists could write a song about him. And then yes, Lieutenant Knox walks back in. She says, you know, I can't, you know, well, Constance and the detective they asked, like, what's going on? And the lieutenant says, I can't tell you, but what I can say is that this case is probably not going to be yours for very much longer.
And while this is, you know, these lines are being said, we see this is very dirty, dirty man. Walk past the doorway here. Um, I love this. I love that, you know, we've seen like bits and pieces of these guys, like pop up here and there and you're like, what the fuck is going on?
But they keep coming. I hate seeing them too. Oh, it's the other thing. Of course.
It's so dirty. Uh, apropos of nothing. I've been meaning to ask you. Okay.
Got a light. All right. Can you tell that Dan watched ahead to episode eight? Yes, I stopped there.
Oh, you son of a bitch. What can I say? I'm enjoying the show and, uh, so I know it's, you're not my dad. So good luck.
Um, I know it's, it's, it feels even more sort of a bingeable or watchable event, like the first two seasons, right? Like it hooks you even more in with like the mystery of it. You know, like I, I have to know what's going on here. Yeah.
It's like, it's more, more obtuse and also like, I mean, it's Lynch directing every episode and like, Lynch and frost writing every episode. So it's just like, I mean, it is like, it's just pure, it's downright lynching, baby. It's, it's not a term I use lightly, but yeah, this season of Twin Peaks is positively lynching the yeah. And there's something about like, I don't know, like we were talking about, I feel like it's come up a few times the scene of the guy sweeping up like fucking peanut shells at the roadhouse.
Right. Which is at the end of this episode. Yes. Yeah.
But not all the way at the end. Like it is the, it is basically a 30 second establishing shot for the rest of the scene. It's, and it's just like, is it only 30 seconds? It feels so much longer.
It feels, it feels so much longer. I know. That was just a rough estimate. Because I always say things are like 10 seconds when they're actually like two seconds, you know?
Yes. But that is just to say like, man, like it's incredible how little happens and how gripping it is. I don't know. There's so much downtime, but you're never like, you're never bored.
I know even right. I mean, we could talk about that sweeping scene. It's not like super, you know, there's pertinent information being delivered during this man's sweeping. It goes on for a just checked about two minutes, two solid minutes of just a man sweeping doing a pretty good job.
I got to say doing it. Yeah. Well, that's the thing. You become very invested in his techniques and like, Oh, is he going to get that spot?
Oh, he got it. Yeah. Yeah. It's also like one of those.
It's like a joke that just goes on for like way longer, where it's like, Oh, this is funny that they include this. And then you're just watching it. It's, it's not funny anymore. Like this is going on for a really long time.
And then it's like the, the minute 30 mark, you're like, this is fucking hilarious. This is crazy. That this is happening right now. So when, so when Peter Griffin, yeah, when he like hurts his leg and he's going, that could we agree that that is downright lynching?
It's lynching man. It's positively lynching. Yeah. Or is it Mick Farlinian?
Oh boy. And David is just copying from one of the masters. One of the masters. One of the masters.
Oh boy. Has he ever guessed it on Family Guy? Lynch? Yeah.
That's a good question. Seems gettable. He does seem gettable, doesn't he? Well, he is in the Family Guy wiki.
No way. Yes. He has been, he has been on Family Guy. That is actually really funny.
Yep. Yep. So he's a bartender named Gus. What can I get for you?
Oh, I'm sorry. He has appeared in multiple episodes of the Cleveland show is what it's what it's, is what it's 20 episodes of the Cleveland show is what it says here on the wiki. That is insane. And yeah, and two episodes of Family Guy.
Wow. That's pretty wild. So there you go. These guys are swapping notes.
Absolutely. No down in my mind. Lynch was actually going to trim this sweeping scene and Mick Farlin is like, leave it in. Trust me.
Hey, you want to hear me sing some Sinatra? Yeah. No. But if you got some old tiny rock and roll, I'll be into that.
So speaking of Lynch, the next scene we got is in Gordon Cole's office and sitting there, whistling, of course, at his desk in front of a big old black and white picture of the A-bomb going off. Probably probably nothing. I got a hunch. And then Albert walks in and you know, Cole asks how did it go?
And Albert's like, not well. He says, it was fast, basically. He says, I said, hello Diane. She said, is this about, or this is about Cooper, isn't it?
I said, maybe. She said, and I quote, no fucking way. Cole says, oh, and Albert says, I was at home, dripping wet, and on the Virgin Ammonia 15 minutes later. How was your evening, chief?
But then the exchange here is like, you know, I think it's Albert who suggests he's like, I think you have to go talk to her. And Cole is like, he pretends like he can't hear him. He's like, what did you say? And Albert's like, you heard me.
And he's like, oh, no, I'm sorry. He's like, will you come with me? Cole says, will you come with me? And Albert says, say please.
And Cole is like, what was that? And he's like, you heard me. And then like a beat and Cole said, please. It's very good.
Yeah. So they go to visit Diane. I like this, like they knock on the door and like, just like a younger guy, like a guy maybe in his like early to mid 30s or so. Very like sharp dress getting like putting on his clothes essentially.
He's just like, yeah, I guess Diane just has, you know, whether this is one of her, I assume, plentiful gentleman suitors. Absolutely. Diane's got a full fucking, a full bench, you know, but she can, she can pull them deeper than the New York Yankees. And yeah, they come in and they ask, you know, well, first she's like, Cole asks if she has any coffee, well, and she has a, she has a cup in her hand.
She's like, no, and I don't have any cigarettes either as she smokes. Very good. Oh, Diane. Oh, so they convince her to come with them in the South Dakota, because they scoopers in, he's in, he's in Yankton.
Do we talk about how he's in Yankton? No, we didn't talk about how he was in Yankton. Those cocksuckers from Yankton, right? What has Al Swear engine would say?
Oh, well, yeah. Yeah. That's the next town over. I think that's where, what's his name comes from, who plays that detective that everyone's parents likes?
Colombo. No, no, no. Beer is a beer. He's built like a brick shit house.
This is like a famous detective? Yeah, it was on TV. Maybe a streamer is it? Perry Mason.
No, no, this isn't like the past like 10 years. Dan, I know idea what you're talking about. Shame on you. Jack Reacher.
Build like a brick shit house. A beer. No, I don't know. It's okay.
It's okay. In 15 minutes, it'll come surging into my brain. Those synapses will connect. Ah, what's killing me is like, I think his real name is weird too.
I know that's not helpful. Titus Welliver. Oh, Bosch. Bosch, babe.
Yes. Detective, Hieronymus Bosch. Hieronymus Bosch. Played by Titus Welliver.
Hieronymus Harry Bosch. Yeah. You ever watch Bosch? Not a Bosch guy.
I hear it's good though. I hear it's like, you know, in the way that like dad shows are like good. Yeah, like in the way that yellow stone is good, probably. Right, right, right.
Yeah. So they asked I am to come with MC South Dakota to talk to Cooper because also, yeah, sorry. One last thing about Titus Welliver is that he's listed at five, 10 and three quarters. So not the brick shit house, I thought, but he looks like a brick shit house.
Yeah, described as bearded and brick shit house. Titus Welliver, no beard. Five. He has a beard on deadwood.
Oh, I'm deadwood. Yes. Also, when you Google him, he's got a beard in most every picture. Well, not on Bosch.
He doesn't know. Also, a bit of a Daniel Day Lewis situation where he's covered in tats is is a DDL covered in tats. I didn't know that you don't know. You don't know.
Oh, you don't know. Oh, you haven't heard about DDL post retirement. No, I didn't realize this. He's covered in tattoos.
Huh, interesting. Yep. He looks like a, yeah, he just looks like an old punk. Yeah, he does.
Doesn't he? It's got like a Henry Rollins kind of thing going. This guy, he's probably in suffroable to be around, but still pretty cool. Right.
I'm on set. I'm sure he's in suffroable to be around, but I bet he's cool. He looks cool. I was listening for.
Yeah. I was listening to the Conan Conan's podcast and and John C. Riley was on and he was he was they were talking about Daniel Day Lewis and working together on gangs in New York. And he said that like on a day off or something, Daniel Day Lewis like invited a Daniel Day off.
Yes, of course. He invited John C. Riley and his family over and they like they cooked and like they had like a you know, just like a nice day hanging out with kids and shit like that. And then on set like the next day or week or whatever season he's like, Hey, I just want to thank you for you know, having us over and whatever.
And he's like fuck off Riley or whatever because he's Irish because he's in character as Bill the Butcher or whatever. So they recruit Diane. Diane is she is just fucking just pissed off at everyone. I love it pissed off and addressed immaculately.
Oh my god. I love her outfits. Her outfits are great. Her hair is perfect.
Yeah, her hair is a like a silver bob. Yeah, right. Do we agree that that's what a Bob is or is it something else? I think it's Bob haircut.
Yeah, that would be a good name for a barber. It is the right haircut. Okay. Well, Bob haircut.
You think that's a tribute to Bob? Twenties Bob. Uh oh. I hope not.
Uh oh, uh oh. Couldn't help noticing Diane spells her name in all capital letters. Oh god. So yes, they go.
They fly out to South Dakota. I love all this stuff with like, who's the the female agent that they have? Jesus, Rob. I know.
I've been I've been Tammy. Her name is Tammy. That quote unquote female agent has a name and her name is Tammy. Right.
Tammy agent Tammy. I've been throwing around the word chick nonstop. I've got no right. I've got no right.
You got no right. Um but she shows them the only uh well firstly she shows them the uh the fingerprints right and you know compares them to Dale Cooper's fingerprints and compares Cooper's prints to Cooper the one in jail's prints and something about the the one in jail. They don't like they don't match up. They're like kind of reversed or something.
Um and they you know it's she says it's almost as if like somebody was like trying to um like pretend to be Cooper or something right and and then Cole asked her to hold out her hands and and he does a thing where he touches each one of her fingers and he's like you are doing a very very good job in whatever he says. And then he says that the ring finger is the spirit finger I believe. Yeah. I don't know what any of it means.
I don't either. Um that's actually a huge relief to me because as I was unfolding I was like I mean all I could think was just about how lynching it was of course obviously. Uh that is to say I had no idea what was going on. So they get to the prison.
Well before oh sorry. No no yeah I'm sorry you're right you're right. Go on. Well they get to the prison and Diane has talk with evil Cooper.
She does have a talk with evil Cooper and they do that thing with his voice again and I got scared again. It's such a good little thing to do. Yes to me. Um also she's like pretty rattled by this whole thing.
Yeah. Uh and there's a reference to something bad that happened at her house the last time they saw each other. Right. She said she yep to sort of confirm uh that it is him.
Uh she asked when was the last time that we saw each other and he says at your house and he's like I'll never forget it and she says neither will I and then she like closes the window thing right. Yeah um also oh man he keeps calling her by her name which is it just feels so it's so gross. Yeah it's like again it's like such a little thing but we spend so much time hearing him affectionately address her via that tape recorder. Yes.
And so to hear it in this way is it's genuinely upsetting. It is. It is. Um so she leaves she you know she's upset or whatever.
Um they're out there like in the parking lot and she pulls Cole aside and she's like that is not Cooper and Cole is like all right you have to tell me exactly what you mean by that and she's basically like uh it's not him and she like points to her heart right. Um and and then Cole seems to understand this right. This is a blue rose case all right so some weird shit is going to happen and so Cole is like you know he's hip to all this shit he's like I get it all right you know. I don't know exactly what's going on but I know it's not going to be a black and white sort of easy solve here.
Black and white. No it's gonna be blue my boy. That's right. It's and it's furthermore it's gonna be freaked out totally crazy.
It is gonna be a freaked out scene here. Um they uh they bring Cooper Mr. C back to his cell and he and then he tells the guardies that he wants to talk to the warden about a strawberry and we don't know what that means but and we don't find out. Um meanwhile Andy we see Andy you know waiting on the side of the road for this uh this guy to come back that he had an appointment with and the guy never shows up and we see like we just go back to the house first that where the first we're talking and the door is open but we don't see anything else.
Something has happened here. Um and I think Dan this is a time for a real break. A real break. Gonna vanish leave the door open.
Yeah okay yeah leave the door open. I'm I'm a vanish. Alright guys if you want to keep listening of course head on over to patreon.com slash king pod. Patreon.com slash king.
Sign up for the five dollar month here you get one week free. You can listen to all of the episodes or we're gonna stick that dog on ya. No I'm gonna go put him down while we're doing the break. I can't live with I can't live like this.
Uh sign up and then you get all kinds of free stuff for that week and then after that it's five dollars a month and you get uh you know all kinds of bonus content you get the rest of the Twin Peaks episodes and then yes bonus shows every other Friday yes. Preach testify yes uh this uh this coming Friday we're finishing our David Lynch series with Inland Empire. Oh which I have not watched yet. I am me there.
I'm worried. I'm probably sure I did probably should get myself as much time as possible to gather my thoughts. Absolutely. So uh if you want to hear two grown men uh fumble over what the heck that movie is about uh you say that but we've gotten some positive feedback on how smart we're being.
That's true. This is our adult and smart we're being. Well we both have very big brains and very wrinkly brains if I might say. Oh yes fully developed fully developed here.
My skull fully fused shut around it. So patreon.com slash king. We'll be right back. Yes.