Twin Peaks - S03e14

Do dot do dot do dot. Whoa. There it is. I like to let people hear that so they know why you're being a kitty cat.

Well, that's not the reason. Okay. Anyway, welcome to a little thing I like to call and we. Peeks.

I regret that it's not and twin peaks. I know. You said it on the last episode. I was like, Oh, should have been better show.

It would have been called and twins peaks. It's true. But here we are on Antwind Peaks. I'm Dan.

I'm Sheriff Dan. I'm Deputy Rob. I was going to say Special Agent Rob. Okay.

We're on fourth. Wait, what's up? We're kind of like equals on the whole show. You respect my you have an appreciation for my simplicity.

That's right. And you know, I'm not afraid to cold cock a big city suit talking down to me. That's well. Hell yeah.

Right. Dan. Special Agent. What?

I would say said I love fighting. Oh, yeah, you're fist fighting. Yeah. I'm speaking to MMA now, right?

You've been taking some MMA classes. That's right. I recently acquired a green rubber glove, a dishwashing glove and suddenly I'm like, I think this is my calling. The wash and dishes.

Yeah. Dan, we're talking about episode 14 season three. And of course, this one is called We Are Like The Dreamer. Yes, which of course is a reference to the scene where a bus driver goes to pick up Monica Bellucci and her friends.

He says, you girls better watch out. A lot of people who are like the dream around here. And she says, we are like the dreamers, Mr. That is, yeah, that is two things, two obscure things sort of jazz together.

I'm pretty sure everyone knows what everybody gets. Everybody. And I say we are like the dreamer, Mr. Yeah.

But you're right, Dan. The Monica Bellucci is in this episode here as herself as herself because, you know, fucking this was not happy enough with the beautiful women that he was already working with. He was like, what if what if I got an Italian? We need a little marinara in this show.

I think him casting Monica Bellucci as herself in a dream he had about her is like the like the holly weird version of having a sex dream about someone and then texting them and being like, you were my dream. It wasn't weird though. Ha ha ha. Yeah.

But instead of texting someone, he put it in his show for all to see. That's right. Yeah. And it wasn't weird.

It was weird, but in a non-honey way. Yeah, in a non-honey way. It was weird, but in a David Lynch way, which is not horny usually. Well, sometimes.

Once again, Italian involved. It just can you do. You can't even be the prime minister without it being horny. Bungabunga parties.

You kidding me? What is that? What's his name? Silvio Berlusconi.

He used to have I think they were just like Benny Hill style sex parties called bungabunga parties. Was bungabunga just like a... I think that's probably... Just like, you know, like a Italian gibberish for a hanky-panky?

It may be. I've never actually known. I didn't know Silvio Berlusconi was part of the lifestyle. Yeah.

It's sort of like how some countries have military conscription. When you turn 18 and it'll you have to swing for five to 50 years. Right. It's Italian rum-springer.

Yeah. Listen. You're going to go swinging. All right.

You tell me whether or not you like it. I'm going to tell you right now. You're going to like it, all right? You're going to be having your own bungabunga party.

Yes. This episode has Italians, Brits, others as well. What are we in and outside of the EU? Yeah.

It's exactly what we're doing here. Oh boy. I miss the Lyra, don't you? Bring it back.

Bring back the Lyra. Bring back the Lyra. It was a strong currency. I'm not sure how true that is.

Strong. You bite it and it doesn't bend. No bend. It doesn't feel like the idea of a strong currency doesn't even...

It's all fake. Yeah. Adding any sort of strength to a currency is only as good as it is today. And then tomorrow, different story.

I don't know. Uh-oh. Yeah. Tomorrow, it's a classic case of the uh-ohs.

Yeah, but the whoopsie daisies. I was reading a story. We don't have to... We'll talk about the show.

Yeah. No, no. We're getting there. We're diving into European currencies and their economy.

That's right. Well, there's about a decentralized currency, a sort of crypto currency, if you will. Okay. So, I'm going to go to the farm in some town in Texas.

I wish I could remember the name of it. But basically... Is it Austin? Because it's so fucking weird.

It's not Austin. It's a small town. All right. It's sort of a town that's powerless to stop a noise pollution factory.

Yeah. So apparently, this thing was causing so much noise that it was like chronically disrupting the sleep of everyone in the town to such a degree that they all got like sick. Like very sick. Like someone was like fleeking fluid from their ears and it was...

As far as I didn't read the whole article. Let me say that. But it seems like it was just from the noise pollution. Can you believe that?

Gee, that's downright lynching. It hits positive. Right? It's like Bobby Briggs tells you to stop honking her horn.

You're like, we have to get to the crypto farm. Right. She's sick. When is somebody going to make a, a cryptid currency?

Oh, some big foot coins or something. Yeah. I don't have even one other one. Alachnasts, a windingo.

I'm deep in the credits. Well, I know, I know their names. Oh, well. Ingrid Cold.

Sure. The Mothman. Yeah, you love the fucking Mothman. I do love the Mothman.

He's kind of my guy. I'm always hanging out. Well, I mean, I'm always trying to leave Point Pleasant, South Carolina or whatever. And then I wake, I come to it.

I'm back into the city limits. Yeah. Put me there. And then, yeah, we do spend a lot of time on the phone.

I'll reach in my drawer. I'll say, what am I holding now? I'll go chapstick. Yeah.

Not to completely derail everything here. But the Point Pleasant, it's West Virginia. Oh, West Virginia. They have a Mothman statue.

You know what the statue? I do. He's caked up if I recall. He is caked up.

But there is like a, like a, a, a, a, a, a, a, a, a, a crack. Like a defined crack. Oh, where the shit comes out? Yeah.

But instead of shit coming out, people, tourists, put money in. Really? Yep. They, they sandwich coins and dollar bills right between the cheeks.

So that is, we have found actual cryptocurrency. Yeah. I guess that is cryptocurrency. Yeah.

All right. Well, ask an answer, right? Well, never mind everyone. Ask an answer.

Part 14. We are the dreamers, mister. We are like the dreamer. Yep.

We're going to start out in a little South Dakota city. I like to call, maybe this is just me, but I like to call it Buckhorn. Ah, coda. How does that work for you?

Buckhorn. I like it. Yeah. Man.

Yeah. Yeah. Fuckin' Buckhorn dude. Don't even start.

No, I, this episode, I, I mean, there's so many good bits to it, but I really, I mean, it just like sort of right from the jump. They're like, we got to get to the business here. So right off the bat, you know, we have boarding coal calls up Frank. Truman, that is, of course.

And I do like how even though Harry is not present in this show, right, they keep making reference to Harry, but in a extremely natural way and not being sarcastic with that, I really think that, you know, in other shows or whatever, they would make one reference to like, oh, Harry is sick. He's not going to be in this show. Goodbye. Right.

Early on, they'd be like, why is any here? That's why. Never talk about it again. And every time somebody like an outsider or whatever, as a bended twin peeks in some time, comes around and they're like, oh, where's Harry?

And then Frank has to explain where Harry is. That's like a, it's a normal thing. And it is, you know, I don't know. It sticks out to me because you don't see it a lot.

And it's just like in, in this David Lynch ongoing series, he's just like, no, that's like a normal thing. We're going to keep asking where Harry is. Right. Yeah.

I mean, you think that it's like the David Lynch presumably Mark Frost also. Sure. Older, older, older folks. This happens a lot as you get older.

I would imagine. But people are replaced missing. Yeah, replaced with change links. Yeah.

No, you know, it's like people get sick. And if you're like their next of kin, you're the one who's having these phone calls, having these conversations. And this is a show, ultimately, about the passing of time. And I think, I mean, it's obviously not just about that, but it's one of the major themes here and sort of the dissonance that that creates.

And so why shouldn't we keep revisiting it? Well, I'm glad that they are. So Cole calls up. He wants to talk to Sheriff Truman.

Truman picks up the explain. He explains why Harry's not there, et cetera, et cetera. And from there, they start talking about what Laura Palmer's diary, right? Sure.

Frank. Yeah. Go ahead. Oh, I was, this is sort of the first sort of like connection between the Sheriff's Department investigation and the FBI's investigation.

Yes. That acknowledges the two Coopers. This is, they are some Patico, our guys are in lockstep. And Cole's reaction is like, I can't tell you anything that's going on really, but I really appreciate you telling me this.

And it feels like a moment where he's like, okay, they got it. We got it. External validation of what's going on here. To Frank, you're saying.

Or to Cole. To Cole. Yeah. I think Cole is pretty much like the Coleman or FBI agents.

Obviously they're like, they've already said it. This is a Blue Rose case, the Bluest. Yeah, you're right. You're right.

And the idea of two Coopers, not a crazy, not where once we hear in the next scene, the origin of the Blue Rose, right? It's all Tulpas all the way down. All the way down. But when Frank says, you know, we got these pages and there's some sort of an indication of two Coopers, right?

Cole is like, I hear you loud and clear. I can't say anything about this, but I want you to know that I really appreciate the phone call in a, almost like a wink, wink. Yeah, yeah. Over the phone kind of a, you're, you are not going crazy.

And the idea of, you know, two Coopers here may seem like a bit weird, but I'm with you, man. So. So Frank himself being a double. Bit of a double with his brother.

Sure. So yeah, as you, as you mentioned in the next scene, we have Albert talking to Preston about the origin of the, the name Blue Rose, like the Blue Rose cases. It's so good. It is really good.

I just, every scene in this episode, it feels like, oh, that's so good. This is really good. There, there is something that like David Lynch does this so well, kind of like threw out his whole body of work where he's so good at describing things, like having characters recount things in a way that makes them feel like dreamy and eerie and spooky and yeah. And like granted, like what's happening is crazy, but it's like, it, there's just such like poetry to it.

I don't really know how else to say it. No, you're right. I think, um, what's like, oh, sorry. No, no, no, go on.

Even at the end of the episode when, um, forget their names, but the, those two women are talking about Billy at the warehouse. It's like Sophie and I think. And she's like, yeah, even when she's like, what's your mother's name again? There's such like a, there's something so built into that.

It's like, I don't know. Yes. Of course. I mean, that's like part of, you know, his, it lynches whole like deal is like how dreamy and you know, he makes everything, but you're right in that like other people trying to do this and they just are not successful or they only go halfway and it just feels like watered down where like this, it all feels like extraordinarily fleshed out.

Like, you know, him and Mark Frost are like nailing these things down. And the other thing, like we've been hearing, uh, the term blue rose for a long time now within the world of Twin Peaks, right? Since the nineties, we have heard the term blue rose and they have not get, they haven't told you what it meant. Like you were just, you just were sort of, it was just some sort of an indication of like a supernatural thing, but like that's it.

And I don't know, especially in this episode, there are, there are a lot of moments that are just like, you know, the, the part where they bring back Jeffries, like the, the archival footage of like David Bowie and all of that stuff and who do you think that is and shit like that. We're like this off, even if that's not the case, right? Even if it wasn't like, oh, well, maybe we could take this piece. I have an idea for something now.

Maybe we could connect it to this other piece from before, but honestly, I don't think that's the case. Like even with the green glove, which we'll be talking about a little bit later, that was originally an idea that Lynch had for Jack Nance. Nance was going to wear that green glove, which I know we were robbed. We were robbed.

We were clearly robbed of. I bought this green glove just to him saying the power of a pile drive. I know. And just having Nance being able to like crush walnuts with his like two fingers.

Yeah. Yeah. So, oh, yeah, no, just the connections between like past episodes and movie and everything that we're experiencing now with this is just like it, it just puts this like really nice bow on all of it and makes it this sort of, you know, the more that that happens, at least to me, it feels like this impenetrable sort of like piece of art where you're just like, you can watch it and there aren't, there aren't a lot of moments where you're like, you know, this doesn't make sense because of that or whatever, you know, it seems like it's all really well thought out and really like, I mean, tidy for lack of a better word, like everything has purpose and there's a plan in place and all of that. It just, yeah, it is the sort of like beauty of this writing partnership where David Lynch, you know, can cook up the imagery and sort of like the bigger ideas and Mark Frost sort of glues it all together in a way that is pretty or tight, it seems.

It seems pretty airtight. Yeah. So anyway, Albert tells Preston about the first blue rose case involving a woman named Lois Duffy and a woman who looked exactly like Lois Duffy. Yes.

So this one of the lowest stuff he's shoots the other and as she's dying, she says, I am like the blue rose and then she vanishes before their eyes. I love how Albert tells the story too because he's like, there were two FBI agents, they like kicked down the door, they hear a gunshot, they kicked down the door and they were, they were looking for Lois Duffy, the woman that had been shot laying on the floor appeared to be Lois Duffy and then she says, I am like the blue rose and then she dies and then disappears at the end of the thing, right? Yes. And then they realize that the woman holding the gun also is Lois Duffy and Lois Duffy does not have a twin sister and you know, then they say that she was arrested and then later killed herself in prison, right?

Yes. And then we find out that the two FBI agents that were there were a Gordon Cole and Philip Jeffries, right? Great stuff. I love this too because it feels like they fell into this whole thing as much as anybody else in the series.

100%. They happen to respond to this call or whatever. They happen to see this supernatural thing. You know, it feels that way, but it also is like the way that like, you know, like Cooper in when we get that archival footage of David Bowie and he's like, who do you think that is?

And he's pointing to Cooper. You know, like it almost feels like it's like, like, destined or fate or whatever. Like, yeah, it seems like it could have been any other two agents, but maybe not, you know, like, you know, like Gordon Cole and I mean, we don't know a whole lot about Philip Jeffries. We haven't spent as much time with him, but Cole seems like, you know, the man of the job.

Yeah, I know the minded guy, you know, he's like a he believes, you know, he's the kind of guy that well, yeah. And I mean, we know like frickin what's his name, Freddie is sought out to wear the glove. You know, Cooper is pretty sought out. There's like, there's no reason to think these guys are not.

So yeah, that's all very cool. And Preston, I like that Preston just immediately gets it. Yeah, she's like, we're talking to us, aren't we? Yeah, this must be tall.

This must be tall, but shit. Yeah, baby. We're in top of country now. Yeah.

Yeah. Yeah. Yeah. And it's like a doppelganger made of psychic energy and as we'll learn soon a little bit of hair.

Yes. Yes. Like a BZOR. What's BZOR?

I think a BZOR is like a clump of hair that's like, it's fucked up. Oh, gosh. It's a ball of swallowed foreign material, most often composed of hair or fiber. It goes from the stomach and fails to pass through the intestines.

Oh, yeah. Yeah. Okay. Scruss.

Now you know all about it. So Albert tells Tammy all about the blue rose stuff. Then Cole comes in, they bring Diane in, right? Well, Cole comes in and he says, it's coffee time.

Classic. Classic. And that's when they bring Diane in and they ask her, they like kind of, they ask her about the, well, first it's about major pricks. Right.

And they ask her if the last time she saw Cooper, if he had mentioned the good major Garland Briggs, which Diane doesn't want to talk about the last time that she saw Cooper, but she's like, yes, he did. And I think she is aware that major Briggs supposedly died 25 or so years ago. Yes, because they then mentioned that in fact he died last week, right a couple days ago. Yeah.

Or whatever. Yeah. And when his body was examined, they found W's wedding ring with Jamie. He's name inscribed on it.

And guess what? Diane at least claims that Jamie is her half sister. Yep. And she says she has a half sister named Jamie and she's married to Douglas Jones.

They call him Dougie and they live in lost wages. She says that they're strange. She says I hear. Yeah.

I like the way she says I hear. What do you make of this? Do you think this is a lie? Um, I don't, I mean, I know where Diane's story sort of goes after this episode, but like, not knowing that, right?

Just being presented with this information as it is. I don't know if it's a lie or if it's, it seems, I guess it seems sort of possible, but it also just seems like sort of a way to keep Dougie maybe close, we'll say. Yeah, that makes sense, right? Like basically, I mean, Dougie is as much a distraction for doppelcooper as a sort of homing beacon for coal.

Yeah. Right. So like if, you know, if the idea here is that doppelcooper had created the original Dougie, the, the Topa Dougie, right, and put him in place as his placeholder and, you know, potentially set him up with, you know, whole backstory. Somehow Dougie gets involved with Jamie.

We never see that actually happen, but I mean, I don't know, it seems like there were a bunch of other, um, like we were just saying, like there, there are these other people that are just automatically sort of like fate has brought everybody to this place outside forces, bring these people in. So it would make sense that Janie, uh, you know, may not be, she might, she's not aware of any of this other shit going on, but, um, the connection there makes sense to me. I love it too. Cause it also just feels so, so operatic at its core.

Yeah, totally. Let's not forget what show we're watching. Right. Yeah.

That's right. Um, so yes, she says that and then, uh, Cole calls up the FBI in Vegas. I love love this freak. If I get, uh, is this, yeah, Jay Ferguson, who was like, he was on Mad Men for a long time.

Yes. Um, he, I always, I've seen him on Mad Men. I always, I, he, to me, looks so much like Tim Calpakis. 100% yes with maybe a less square head, but only slightly.

Hard to imagine a more square head, certainly. Sure. Yeah. Jay Ferguson played, uh, Stan Rizzo, the, the bearded graphic designer.

Uh, yeah, he looks when he's like clean cut like this, he's got a real Calpakis thing going. Definitely. Would love to see Calpie in this role. Oh my gosh, frankly.

So it's only, he couldn't yell like that and bang on the desk. Of course he could. Uh, so Cole calls up, uh, his name is, of course, FBI, special agents, uh, Randall, uh, something Randall, headley. And he calls up, uh, agent headley and he says, um, I want an APB out on Douglas and Janie Jones.

Uh, they're involved in like a double homicide and extremely dangerous and all of this stuff, right? So, uh, yes, when, when special agent headley hangs up the phone, there's, uh, his assistant, I guess, is, uh, uh, headley says, you know, we have to find these people and his assistant is like, well, how are we going to do that? And then he blows his top and he points and slams down on the desk and he's like, how many times do I have to tell you this is what we do. It's really funny.

Terrific. So then we go into, um, um, Monica Belucci territory. Yeah. Which I mean, who among us would want to stop?

Come on. Come on. Who want to, want to go to Italy, please? Of course.

Where, where went in suit? Yeah. Sounds nice. Cole talks about her just spent some time in Italy.

Ah, the blue tree region. Yes. Yes. Nasty.

Speaking of kelpie. So he, Cole recounts a dream he had. This, something about all this is, is, you know, reminded him of this dream. Tim, uh, at a cafe with Monica Belucci and friends.

Yeah. And he says Cooper was there, but it, but he couldn't see his face. And when they show it, it's like Cooper from like the chin up, chin down rather. Um, he says, they had coffee and Monica said, we are like, we are like at a dream or who lives inside of the dream.

All right. Sorry. We are like the dreamer who dreams and lives inside the dream. Yes.

And Cole's like, heard chef. And then, and then yes, go on. Belucci says, but who is the dreamer? Fuck.

Oh, dude. Belucci, you're blowing my fucking mind here. Uh, spoken like someone who was in the matrix, you know, yeah. It's like, what if this is all just like a simulation?

Um, uh, she's got a point. She brings up excellent points. Um, and then, uh, yeah, and then he, Cole says, and then he turned and he looked and he saw himself. And, but it was from long ago and then we say, February 16th, 1989, a fateful day.

Yes. Yes. And that, that of course was, uh, we saw this exact scene in fire walk with me. And this is when Jeffries, Phil Jeffries, like, you know, materializes out of nowhere.

And he, he walks in and he is crazy. Yeah. He's being crazy for sure. He is talking with a goofball accent he has on.

Who do you think that is that you're talking to? Um, but yeah, he, uh, he does. He walks in, Jeffries walks in and he points to Cooper and he says, who do you think that is? Um, all of this stuff, just, you know, sort of solidifying in Cole's mind the, the idea of the two Coopers.

Yes. Yes. Um, of course this all plays on fire walk with me and makes no sense as it's happening. But that's, I mean, that is what's so fucking amazing about it.

Is that like you, you watch this, like going back once you've watched the entire series, all of season three, you're done, right? And then you go back and you're like, Oh my God, they're, look at this, they call back to this, this scene with Jeffries. And he's just like, who do you think that is? And you're like, I don't know what you're talking about.

And then fucking 25 years later answers, baby. How do you like me now? Ooh, yeah. Speaking of fire walk with me, did you know that, um, actually, Aaron Sorkin took a pass at the script?

Really? Yeah. Of course, when he did fire walk and talk with me, come on. The whole thing was setting the hallway of the FBI headquarters at Quantico.

Um, I walked right into that. I walked and talked right into it. I didn't use son of a bitch. Anyway, back back to back in Twin Peaks.

Some weirds about to happen. Yeah. Um, first, first things first, we got to rest chat. Just get that over with.

I love just dispatching with this. It's like you are a bad criminal. You are sloppy. Yeah.

Like that is sort of a theme throughout the show. We talked about it a lot on the last episode, how criminals are not like none of the criminals are cunning. They're just like dumb guys who basically seem to get away with it because nobody is willing to stop them. And as soon as someone's like, all right, it seems to end.

Yeah. I mean, basically, right? So it's sort of pushback. Usually these criminals, not that they fall to pieces, but their plans fall to pieces.

And then, you know, they, they topple shortly after. Right. Like Chad was made when like front just so fast by Lucy, he was made by Lucy. Yeah.

Yes. No offense. She's not always, I mean, she's a little preoccupied with the chair. She's yeah.

I mean, Lucy is clocking this stuff. Lucy has a lot of other stuff on her mind and she's she works at desk. She's not supposed to be solving these crimes. But you know what, sometimes that's what you need.

You need an outsider's perspective like that. And that is what's up. Yeah. So they rest, Chad.

They take him down to the basement where the cells are the whole time. He's just like, you're making a big mistake, big mistake as if he has some sort of age, some sort of power or. Yeah, right. We tell, you know, you're fucking with kind of an attitude.

But like, yeah, no, we know, Chad. Fuck off. We tell the dickheaded horn child here's about this. Yeah.

Yeah. So they, so then they go to Jackrabbitt's palace, which is as we've learned a place that Bobby and Major Briggs used to go when Bobby was a kid. Yeah, Bobby, named it that very sweet. And follow the instructions that were in the little silver capsule that you unlock by banging on the ground two times.

Yeah, to get up there, they're in the woods. They're in our famous Twin Peaks woods. Yes. And they put some dirt in their pockets and then they go to the spot.

Yes. A vortex opens up. Well, before the four. Oh, right.

Right. They they're walking to this location in the woods and there's a naked woman laying on the on the floor. Yeah, the forest floor. The forest floor.

And they're like, Oh, Jesus. And then Andy runs up and she sort of like turns over. So we see her face and it is the eyeless woman that we saw back in like episode two. Yeah.

Three early on when Cooper was in that that big sort of purple, purple building. Right. And then she fell off of that giant building into like a just an open void of nothing. Right.

Yeah. So when he goes in, it's like this big towering building in the middle of a purple ocean. And then when he goes to that room, yeah, and then leaves that room through like a ceiling hatch. Yes.

They're on a tiny little thing floating through space. Yes. Um, I don't know what drugs David Lynch was smoking when he came up with this. But I want to I want them to be schedule one narcotics.

I think it was Salvia. It was a big Salvia guy. Yeah. It's kind of a it's a good drug for productivity because it's like you pass out for 10 seconds and you whacky idea.

Yeah. Right. Down restart. You ever done solve you down?

No, no, I was too scared at the time. Yeah. Now, of course, it doesn't exist. Oh, it doesn't exist anywhere.

No, I'm sure it exists. But it's like, what am I going to ask someone where I get selfie? Some Salvia. Yeah.

That is like, that's one of those drugs. It was it was legal and then I don't know what the status is right now, but it was one of those things when you were like a younger person, it would have been like, that's when that's the time to do Salvia. Now when you're older and you're like, I could get my hands on decent drugs, not, not whatever this, you know, loony bin shit is. I can get my hands on grown up drugs.

I can do as much Crocodile as I want. Yeah. Give me some Crocodile, please. Scary stuff.

Yeah. I mean, it melts your flesh. It truly does. So I was lady.

Yeah. She's laying there being frankly kind of weird. I don't know what drug she was on. Yeah.

And now I mean, I don't know if we talked about this when we originally saw the Eyeless Lady, but she so she is eyeless, but it's as if like there's no there. No lids either. It's just skin has almost like has grown over the eye sockets, but they were like slits, like kind of in different directions on around her eyes. It's I hate how it looks.

I'll say I know it's very unpleasant looking. Yeah, they look like, I mean, not that this happened, but it looks like stab wounds, maybe. Yeah, I just don't know. Unpleasant to look at and, you know, she she's like, yes, she's a butter face.

OK, which I mean, she has every part of her body, butter face. That's right. So Frank notes that it's two fifty three, AKA is what I call it. Portal time.

Yeah. Well, it's portal time somewhere, baby. A big vortex opens up and who gets sucked in, but do you see Andy? Oh, slow poke yourself.

I love that. It's him. I completely forgot about this whole scene here where Andy gets sucked into the white lodge. I remember thinking the first time, like, oh, man, that's fucking great.

I love that Andy got to see the white lodge. And this time around, I had the exact same reaction. I love it too, because, you know, the white lodge, as I'm sure we've discussed, is in black and white. Yeah.

And Andy with his big hair flip and his goofball expression looks like a silent film character. It just. It makes such perfect sense that it's him. It makes it.

Yeah. And like everybody else, you know, true, chef, true, and obviously, like he's sort of leading this whole case. It was right here, though. That's the thing.

Yeah, he kind of just got here, right? Hawk Hawk is like tuned into all this shit, right? Like he's aware of it. Like we already saw the map, right?

That he laid out and all of this kind of stuff. Bobby, he's had some experiences like, but also like the ship with his dad and like, all that. So he even has a connection. It seems like Andy really up into this point.

No, no real connections. Any of this like supernatural stuff that's happening. Right. I mean, I can't think of a moment when Andy was anywhere really near something extraordinarily blue rose happening, you know?

Yeah. No, not really. Just a car getting stolen. And he's just a simple guy.

A few episodes ago, him and Lucy were arguing over what color chair by sometimes hold days go by and they don't realize it. Yeah. So he's sitting there with the giant who we learn. I think, right?

This is the first time we learned his name. Yes. Where's title? He is the fireman.

Yes. He is the fireman. He's putting out fires, interdimensional fires. That's right.

And he's no, no, he sits Andy down, gives Andy a little, it's like a diffuser, like an aroma diffuser. And what comes out of it? But a vaporized PowerPoint presentation. Yeah.

He sits Andy down and makes him watch the first two seasons, the movie, and then every episode of season three up to this point. Yes. So Andy is completely caught up on everything that is happening. And yeah, he watches the whole thing.

And then we get the scene of, I don't even know how you describe the shot itself. But the sheriff and the deputies or whatever are slowly sort of making their way back. They're like trails of them, like time is sort of like this time is just like, it has happened. And we're just seeing like it's like, yeah, right.

Yeah, we're seeing them in like 50% opacity sort of wandering there on the spot. And there are several of each of them that we can see it once. So yeah, it's basically like time is kind of coming back into focus is what it feels like. Yeah.

Yeah. And Andy reappears now holding the eyeless woman and she's wearing clothes now. Yeah. She wasn't naked when they found her.

She's not wearing clothes. She's like covered up. He like put a coat on her or whatever. But yeah, yeah.

And he is he is all business. He's like, she we need to get her out of here. We need to put her somewhere safe. She is very important.

And there are people who want to hurt her. Yeah. And the other guys are like, they don't know how they got back to Jack Rabbit's palace. You all said Jack Rabbit slim.

I almost did. Yeah. Yeah. Jack Rabbit is it?

Yeah, Jack Rabbit's palace. They don't remember how they got there. They don't know really how long it's been or whatever. But Andy, like, I just I like it.

Andy like comes in. He's holding the girl. He's like, we have to get her down the mountain. She's very important.

I'm taking charge right now. And everybody's like, all right, Andy. Let's go real real quick. And I wish you go to a break.

But do we talk about Jack? Like it being called Jack Rabbit's palace and what rabbits have to do with anything generally? No, in the Empire. All of any reference, maybe.

Also speaking of those rabbits, right? So we watched in the Empire. There's that scene with the rabbits where they're doing weird stuff and saying sort of strange things. And we know that Naomi Watts and Laura Herring are play two of the rabbits.

You know, they were also in the rabbit costumes. Wait, really? Yeah, that's fun. And they couldn't see out of them.

So like Naomi Watts was the one ironing and like she had to like walk out of the room, but she couldn't see where to go. So it was like, it's all very like, yeah. Yeah, it's like still to you. Yeah.

It's like when we put you in that Mr. Met costume that we made. Yeah, it's trying not to fall off the damn stage. That's a good costume, man.

Yeah, pretty good, right? Pretty good. Pretty good. OK, all right.

We will be right back. And when we talk and when we get back, we're going to talk about Chad's new cell mates. Yep. We're going to we're finally going to you've heard so much about the green glove.

We're going to get into that and pay a visit to our dear friend, James Hurley in the process. And we'll catch up with Sarah Palmer. See what she's up to. Man, all kinds of teasers.

So guys, if you want to listen to us, actually get into those things, head on over to patreon.com slash kingypod. Sign up for the $5 month tier. First week is free. And then after that, it's $5 a month.

And you get the complete Twin Peaks episodes on Tuesdays and every other Friday. We release bonus material over there. And we're going to be wrapping up this Twin Peaks thing pretty soon. So we're going to be shifting schedules and whatnot.

So there's going to be more bonus content coming. So stay tuned for that. Hachi machi will be right back.