EPISODE · Aug 6, 2015 · 1H 10M
Under the Cherry Moon • The Next Reel
from The Next Reel Film Podcast · host TruStory FM
“Yes, Christopher lived for all women, but he died for one." Prince has always been a flamboyant and eclectic musician, and with the album and film “Purple Rain,” he found a new art form he enjoyed. And one he won an Oscar for — Best Original Song Score. With his next film, he had conflicts with the director so took over and directed it himself. Join us — Pete Wright and Andy Nelson — as we wrap up this year’s short guilty pleasure with Pete’s pick — Prince’s 1986 film “Under the Cherry Moon.” We talk about what’s in the film and why, despite its flaws, Pete still gets so much pleasure from this film. And we talk about its flaws and everything that doesn’t work in the film. We chat about the actors — Prince, Jerome Benton, Kristin Scott Thomas, Steven Berkoff, Francesca Annis and more — and look at what each of them brings to the table. We discuss the black-and-white look of the film and ponder the reasoning for it, wondering if perhaps cinematographer Michael Ballhaus may know why Prince opted to show it this way despite having filmed it in color. And we touch on the original director and what the circumstances were under which she left the film. It’s the guiltiest of guilty pleasures and Pete still loves it despite all its flaws. Regardless of what either of us thinks, we have a great conversation about it. Tune in! Film Sundries Original theatrical trailerOriginal poster artworkFlickchart Trailers of the WeekAndy’s Trailer: People Places Things — “Jemaine Clement. Who needs another reason to watch this movie? Not me. This looks really sweet and touching, and of course he’s hilarious."Pete’s Trailer: Mississippi Grind — “This is just the kind of road movie that lights me up: poker, bad luck, and the open road, baby. Ryan Reynolds and Ben Mendelssohn look great together — this is one I’m going to catch." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on TwitterFollow Steve Sarmento on TwitterCheck out Tom Metz on IMDBJustin "JJ" JaegerChadd StoopsFollow Steven Smart on LetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible
What this episode covers
“Yes, Christopher lived for all women, but he died for one." Prince has always been a flamboyant and eclectic musician, and with the album and film “Purple Rain,” he found a new art form he enjoyed. And one he won an Oscar for — Best Original Song Score. With his next film, he had conflicts with the director so took over and directed it himself. Join us — Pete Wright and Andy Nelson — as we wrap up this year’s short guilty pleasure with Pete’s pick — Prince’s 1986 film “Under the Cherry Moon.” We talk about what’s in the film and why, despite its flaws, Pete still gets so much pleasure from this film. And we talk about its flaws and everything that doesn’t work in the film. We chat about the actors — Prince, Jerome Benton, Kristin Scott Thomas, Steven Berkoff, Francesca Annis and more — and look at what each of them brings to the table. We discuss the black-and-white look of the film and ponder the reasoning for it, wondering if perhaps cinematographer Michael Ballhaus may know why Prince opted to show it this way despite having filmed it in color. And we touch on the original director and what the circumstances were under which she left the film. It’s the guiltiest of guilty pleasures and Pete still loves it despite all its flaws. Regardless of what either of us thinks, we have a great conversation about it. Tune in! Film Sundries Original theatrical trailerOriginal poster artworkFlickchart Trailers of the WeekAndy’s Trailer: People Places Things — “Jemaine Clement. Who needs another reason to watch this movie? Not me. This looks really sweet and touching, and of course he’s hilarious."Pete’s Trailer: Mississippi Grind — “This is just the kind of road movie that lights me up: poker, bad luck, and the open road, baby. Ryan Reynolds and Ben Mendelssohn look great together — this is one I’m going to catch." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunesThe Next Reel on FacebookThe Next Reel on TwitterThe Next Reel on FlickchartThe Next Reel on LetterboxdGuess the Movie with The Next Reel on InstagramCheck out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on TwitterFollow Pete Wright on Twitter<a...
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Under the Cherry Moon • The Next Reel
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