‘Understand me now: Poetry which cuts into the work’ by Grace Roodenrys episode artwork

EPISODE · Nov 28, 2025 · 7 MIN

‘Understand me now: Poetry which cuts into the work’ by Grace Roodenrys

from The ABR Podcast · host The ABR Podcast

This week on the ABR Podcast, Grace Roodenrys reviews KONTRA by Eunice Andrada, observing that the collection draws on a poetics of cultural excavation. As Roodenrys explains, Andrada retrieves and rewrites the ways that women’s bodies have been framed, worshipped, and fetishised. She goes on to say that ‘KONTRA must work to resist a number of powerful aesthetic schemes – traditions of writing and imagining women in which they wind up silent, grateful, holy, or dead.’ Grace Roodenrys is a writer and critic from Sydney. Her work has appeared in Meanjin, Cordite, Rabbit, The Saturday Paper, and elsewhere. Here is Grace Roodenrys with ‘Understand me now: Poetry which cuts into the work’, published in the November issue of ABR.See omnystudio.com/listener for privacy information.

This week on the ABR Podcast, Grace Roodenrys reviews KONTRA by Eunice Andrada, observing that the collection draws on a poetics of cultural excavation. As Roodenrys explains, Andrada retrieves and rewrites the ways that women’s bodies have been framed, worshipped, and fetishised. She goes on to say that ‘KONTRA must work to resist a number of powerful aesthetic schemes – traditions of writing and imagining women in which they wind up silent, grateful, holy, or dead.’ Grace Roodenrys is a writer and critic from Sydney. Her work has appeared in Meanjin, Cordite, Rabbit, The Saturday Paper, and elsewhere. Here is Grace Roodenrys with ‘Understand me now: Poetry which cuts into the work’, published in the November issue of ABR.

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‘Understand me now: Poetry which cuts into the work’ by Grace Roodenrys

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This episode was published on November 28, 2025.

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This week on the ABR Podcast, Grace Roodenrys reviews KONTRA by Eunice Andrada, observing that the collection draws on a poetics of cultural excavation. As Roodenrys explains, Andrada retrieves and rewrites the ways that women’s bodies have been...

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