Was macht Synthesizer zur Legende? – Synthesizer Studio B...

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Was macht Synthesizer zur Legende? Warum klingt ein Minimoog bis heute anders als seine Software-Emulation? Weshalb hat der Juno 60 einen Sweet Spot, der sich nicht programmieren lässt? Und warum ist der Yamaha CS-80 eher ein Performance-Instrument als ein klassischer Synth?In Teil 1 unseres Gesprächs mit Michael Soltau (Filmmusik u. a. Notruf Hafenkante) und Stephan Bobinger vom Synthesizer Studio Berlin geht es um analoge Synthesizer als echte Instrumente. Wir sprechen über Haptik, subtraktive Synthese, musikalische Entscheidungsprozesse und darüber, warum Hardware das Denken verändert.Mit dabei: Minimoog, Juno 60, Oberheim Matrix 12 und Korg PS-3300 – und die Frage, warum manche Instrumente Jahrzehnte überdauern.Teil 2 mit direkten Hardware-vs.-Software-Klangvergleichen erscheint in der nächsten Folge! Sound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠Website: synthesizerstudioberlin.comWebsite: synthesizermuseum.infoWebinare: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠/webinareWhatsApp-Gruppe: ⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠Instagram: ⁠⁠⁠@soundandrecording.magazin⁠⁠⁠YouTube: ⁠⁠⁠@StudiosofaPodcast⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠

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How long is this episode of Studiosofa by Sound&Recording-Magazin?

This episode is 51 minutes long.

When was this Studiosofa by Sound&Recording-Magazin episode published?

This episode was published on April 9, 2026.

What is this episode about?

Was macht Synthesizer zur Legende? Warum klingt ein Minimoog bis heute anders als seine Software-Emulation? Weshalb hat der Juno 60 einen Sweet Spot, der sich nicht programmieren lässt? Und warum ist der Yamaha CS-80 eher ein Performance-Instrument...

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