Wayne Viar: Process Over Product

Episode 80 of the The Bandwich Tapes podcast, hosted by Brad Williams, titled "Wayne Viar: Process Over Product" was published on October 20, 2025 and runs 60 minutes.

October 20, 2025 ·60m · The Bandwich Tapes

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Summary

In this episode, I reconnect with drummer and percussionist Wayne Viar, a true chameleon equally at home on rudimental snare, timpani, orchestral percussion, hand percussion, and straight-ahead drum set grooves. Raised in Richmond, Virginia, Wayne followed his older brother into the school band and studied at East Carolina University under the guidance of Mark Ford. He marched in the early 1990s with Santa Clara Vanguard in the front ensemble. Those years sharpened the two traits that still define his playing: refined touch and a highly trained ear. Wayne shares how timpani work shaped his sound concept, tuning, touch, and intent, and why those lessons transfer to every instrument he plays.We trade stories from the North Carolina Triangle scene to Atlanta’s deep pool of drummers, reflecting on what makes a rhythm section feel great: listening, placement, and serving the song. Wayne describes his approach to subbing as studying a band’s center of gravity while giving them the feel they expect. He also shares what he learned playing percussion alongside Atlanta stalwarts such as Joe Lee, Scott Meeder, and Jon Chalden. He contrasts the football-team edge of earlier drum corps with today’s more dance-oriented productions. He explains why he writes parts that are musical, supportive, and grooving, using as much as needed but no more, instead of cramming in notes for flash.These days, Wayne splits his time among theater and tribute productions, including A1A, the long-running Jimmy Buffett show he loves for its surprising stylistic range, occasional ABBA productions with original bassist Mike Watson, and writing and teaching for high school programs. Throughout our conversation, we keep coming back to process over product, rehearsing well, building reliable systems, and teaching skills that outlast any single show. It is a deep dive into musicianship, adaptability, and being the kind of player and hang people want to call again.To learn more about Wayne, visit his website.Music from the Episode:Who's Been Talking (Shannon Wickline, Wayne Viar, & Brad Williams)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at [email protected].

Episode Description

In this episode, I reconnect with drummer and percussionist Wayne Viar, a true chameleon equally at home on rudimental snare, timpani, orchestral percussion, hand percussion, and straight-ahead drum set grooves. Raised in Richmond, Virginia, Wayne followed his older brother into the school band and studied at East Carolina University under the guidance of Mark Ford. He marched in the early 1990s with Santa Clara Vanguard in the front ensemble. Those years sharpened the two traits that still define his playing: refined touch and a highly trained ear. Wayne shares how timpani work shaped his sound concept, tuning, touch, and intent, and why those lessons transfer to every instrument he plays.

We trade stories from the North Carolina Triangle scene to Atlanta’s deep pool of drummers, reflecting on what makes a rhythm section feel great: listening, placement, and serving the song. Wayne describes his approach to subbing as studying a band’s center of gravity while giving them the feel they expect. He also shares what he learned playing percussion alongside Atlanta stalwarts such as Joe Lee, Scott Meeder, and Jon Chalden. He contrasts the football-team edge of earlier drum corps with today’s more dance-oriented productions. He explains why he writes parts that are musical, supportive, and grooving, using as much as needed but no more, instead of cramming in notes for flash.

These days, Wayne splits his time among theater and tribute productions, including A1A, the long-running Jimmy Buffett show he loves for its surprising stylistic range, occasional ABBA productions with original bassist Mike Watson, and writing and teaching for high school programs. Throughout our conversation, we keep coming back to process over product, rehearsing well, building reliable systems, and teaching skills that outlast any single show. It is a deep dive into musicianship, adaptability, and being the kind of player and hang people want to call again.

To learn more about Wayne, visit his website.

Music from the Episode:
Who's Been Talking (Shannon Wickline, Wayne Viar, & Brad Williams)

Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at [email protected].