We’re Back, Baby

John and Craig reunite to answer our backlog of listener questions. We follow up on what it means to utilize white space on a page, the conventions of musical numbers, the value of a victory lap, and what the hypothetical destruction of Los Angeles would mean for the industry. We also answer listener questions on the rules of awards voting, what to consider when writing a proof-of-concept short for a feature, and what to do when a deadline approaches and the script just isn’t good. Links: WGA members, you can update your diversity details at my.wga.org. Don’t forget to “publish.” John on Brian Koppelman’s podcast, The Moment Common musical number types include the argument song (“Anything You Can Do, I Can Do Better” from Annie Get Your Gun, “Sue Me” from Guys & Dolls, “People Will Say We’re in Love” from Oklahoma!), the scheme song (“A Little Priest” from Sweeney Todd, “I Want the Good Times Back” from The Little Mermaid stage play), the philosophy song (“Poor Unfortunate Souls” from The Little Mermaid), the If Only song (“On My Own” from Les Miserables, “Memory” from Cats, “Send in the Clowns” from A Little Night Music), and the Eleven O’Clock Number (“Rose’s Turn” from Gypsy, “Being Alive” from Company) and the sidekick song (“Hakuna Matata” from the Lion King, “The Travel Song”). Marty McFly’s victory lap Awards scripts are available on Weekend Read “The Bittersweet Beauty of Adam Rippon” by Richard Lawson for Vanity Fair The Room: Old Sins The Scriptnotes Listeners’ Guide! The USB drives! John August on Twitter Craig Mazin on Twitter John on Instagram Find past episodes Outro by Matthew Chilelli (send us yours!) Email us at [email protected] You can download the episode here. UPDATE 2-26-18: The transcript of this episode can be found here.The post We’re Back, Baby first appeared on John August.