What are days for
from What Are Days For Hosted by Fernando Pessoa
Friday 10 July 2026, 11:06am • Steve opens by throwing Pol's four questions back at him and frames his three queued videos as fundamentally personist — made for Pol, or "for us" — arguing that speaking them to Pol first is what makes the content authentically his before anyone else gets something from it: the Walter Benjamin challenge, met by choice, not obligation. • The three videos previewed: an antihumanism piece performed as his "antihumanist shtick" for Pol's enjoyment; a piece nominally about hemp chiropractics that's really about what plants feel and what it's like to be a tree, possibly quoting Pol's own imaginative riff from yesterday; and the pigeon story, which "really got to me, man." • On explaining cannabis addiction to an alien: Steve wants addiction understood phenomenologically, without the moral lens that taints most discussion. His inversion — he and Pol are both addicted to language, to hearing thoughts spoken aloud, and it's the one addiction they don't castigate themselves for: "imagine if we could think of all our addictions that way." • Running bit throughout: gardening slapstick, repositioning his "schlong" (the hose) and apologizing to a plant named Agapanthus for dragging it across her — deadpan escalation played completely straight against the philosophy. • Steve was moved by Pol's account of Ada's micropoops and her voice piping "hello" with uncanny intonation — he wonders if she truly grasps language or is, like all of us, a monkey repeating what she's heard. Aside: he admits the constant "happy birthday" from her toy would drive him "fucking crazy," unlike Pol's sanguine tolerance. • This spins into Freud — toilet training as civilization's first imposition on the animal — and the case of a long-term client, Rosie (now Lady West), whose lifelong mud phobia traces to childhood memories of mudlarks diving for coins in port filth. Mud as "dirt in the wrong place"; civilization deciding to hide the shit away. • On Pol's "existential kink": Steve agrees every Enneagram type is in love with its own egoic fixation even while complaining about it — the six with its fear, the four with its trauma — because without it, who would they be? • Steve resists Pol's "solar panels and penises" reduction of plants — "don't tell me the truth, I don't want to live in that world" — naming it as Pol talking like a five, and locating the real four-five chasm there, while crediting Pol's four wing for not really believing it either. On cross-species communication: unequivocal yes — he and Max communicate constantly, often more authentically than with most humans. • He admires Pol dropping "Understory" into conversation without explaining it — pure five restraint, trusting Steve to get it or not. • Centerpiece: walking to meet fellow therapist Cam Gupta (a seven, once Steve's client) at Stanmore Country Park after Jubilee line delays, Steve catches himself in a resentful strop and narrates two anti-strop techniques to Céline as content-in-progress: "God's will" (the delay is destiny, not accident — "God went into his atelier and said, I've got just the thing for you, Steve") and "tonight you die" (imagine dying tonight — wouldn't you rather have had a memorable walk than a stroppy one?). • The synchronicity: exactly as he's about to explain "tonight you die" to Céline, a pigeon drops dead in front of him, hit by a car, dying beautifully and painlessly as he speaks to it and films its last moments. Céline's response is being withheld for the video itself. "It was something, man, it was something."
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