EPISODE · Apr 3, 2017 · 37 MIN
What it Takes to Get Your Midnight Short into SXSW
from The No Film School Podcast · host No Film School
When attending film festivals, there is no more exciting prospect than catching a screening of a midnights shorts section. These are generally made up of the strangest, and in many ways, the most innovative projects accepted. They are playgrounds for exploration, coming from filmmakers who are absolutely fearless in exploding the themes and neurosis of their own daily lives. And SXSW selects the best of them. NFS Producer Jon Fusco sat down with a handful of crew members from shorts featured in this year's edition of SXSW, including Drew Maynard and Caleb Dirks from The Saurus, Celine Held and Logan George from Mouse, and Sarah Winshall from Whiskey Fist. We discussed the different favors, planning efforts, and resources it took for each of these filmmakers to get their short into SXSW. There was one constant in every path, however. No one made a short to get into a midnight section or even a film festival. They all just made stories which they felt needed to be told. The stories also just happen to be bat-shit insane. Learn more about your ad choices. Visit megaphone.fm/adchoices
What this episode covers
When attending film festivals, there is no more exciting prospect than catching a screening of a midnights shorts section. These are generally made up of the strangest, and in many ways, the most innovative projects accepted. They are playgrounds for exploration, coming from filmmakers who are absolutely fearless in exploding the themes and neurosis of their own daily lives. And SXSW selects the best of them. NFS Producer Jon Fusco sat down with a handful of crew members from shorts featured in this year's edition of SXSW, including Drew Maynard and Caleb Dirks from The Saurus, Celine Held and Logan George from Mouse, and Sarah Winshall from Whiskey Fist. We discussed the different favors, planning efforts, and resources it took for each of these filmmakers to get their short into SXSW. There was one constant in every path, however. No one made a short to get into a midnight section or even a film festival. They all just made stories which they felt needed to be told. The stories also just happen to be bat-shit insane. Learn more about your ad choices. Visit megaphone.fm/adchoices
NOW PLAYING
What it Takes to Get Your Midnight Short into SXSW
No transcript for this episode yet
Similar Episodes
Mar 26, 2026 ·1m
Mar 19, 2026 ·34m
Feb 18, 2026 ·11m
Feb 11, 2026 ·45m