What’s next for DSTLRY and Neon Ichiban

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon! NEWS Hickman’s ‘Midnight X-Men’ is a ‘mutant, vampire epic’ with Krakoa-era DNA Midnight Previewssssss Marvel’s next Avengers vs. X-Men showdown is happening on the hockey rink Whatever this news is it sounds stupid Vault reveals ‘One Zero Zero One Saves the World’ from Jeremy Robinson and Tiago Palma Vault announces ‘Inanna: The Name She Lost’ from Inanna Sarkis, Tim Seeley and Ademir Leal Dark Horse spotlights Doctor Doom in ‘Marvel’s Most Villainous’ Volume 2 Dark Horse and Marvel celebrate classic X-Men history with ‘The Art of The Uncanny X-Men’ Dark Horse collects Jack Kirby’s Marvel Westerns in new three-volume series Our Top Books of the Week: Dave: Operation: Iron Coffin #2 (Kenny Porter, Tyrell Cannon)   Hammerfist #1 (Rick Remender, Steve Epting) Alex:​​ Fireborn #4 (Curt Pires, Franklin Jonas, Patrick Mulholland) Absolute Wonder Woman #23 (Kelly Thompson, Hayden Sherman) Standout KAPOW moment of the week: Alex: What If… Cassandra Nova Killed Charles Xavier? #1 (Sumit Kumar,  Ashley Allen) Dave: Godzilla Conquers the Multiverse #2 (Gerry Duggan, Javier Garron) TOP BOOKS FOR NEXT WEEK Alex: Crowbound #1 (Jeff Lemire, Dustin Nguyen) & The Doom Patrol #1 (Darcy Van Poelgeest, Nico Henrichon) Dave: Marvel Dimensions (Alex Ross) JUDGING BY THE COVER JR. Dave: Cruel Kingdom #1 (Yanick Paquette) Alex: Legion of Super Heroes #1 (Hayden Sherman) DSTLRY - David Steinberger (co-founder and CEO) and Chip Mosher (co-founder and CCO) DSTLRY has settled into its partnership with Penguin Random House, and readers are starting to see a steadier publishing cadence again. Looking back, what did that transition teach the company, and how does it position DSTLRY differently heading into the rest of 2026? You've said from the beginning that DSTLRY wasn't trying to become "just another publisher." Now that the initial launch period is behind you, what do you think defines DSTLRY's identity today compared to when you first announced the company? We've seen collections like Warm Fusion and A Mischief of Magpies join the schedule alongside new single issues. How important is building a strong hardcover library for DSTLRY's long-term vision, especially as more readers discover these books after their initial release? Neon Ichiban has grown quickly from a digital comics platform into something that feels much more creator-focused. At what point did you realize the platform could become more than simply a place to read comics? The new partnership with Scott's Collectibles brings a huge roster of creators into Neon Ichiban's digital remarques program. Why was that collaboration the right next step, and how do you see it changing the experience for fans who collect sketches and signatures? One of the most intriguing ideas behind Neon Ichiban is the Digital Fast-Pass at conventions. Do you see this as solving a long-standing problem for fans who spend hours waiting in Artist Alley, or is the bigger goal expanding access to creators beyond the convention itself? You've spent years thinking about where comics are headed digitally, first at Comixology and now with Neon Ichiban. What do you think today's readers expect from a digital comic that they didn't expect even five years ago? Both DSTLRY and Neon Ichiban seem to share the same philosophy: giving creators more opportunities while giving fans new ways to engage with their work. Is there a bigger vision connecting those two efforts, and where do you hope they are a year from now after another SDCC has come and gone?