Why is European cinema so different from Hollywood?

Fewer expensive car chases, more moody shots and ambiguous endings: movies made in Europe are often very different from those made in the US. But Europe's more arty film output isn't just a product of our culture — it has a lot to do with how the industry is financed. This week, we're asking: why is European cinema the way it is, and should we be trying to change it? Plus, producer Wojciech Oleksiak joins Katy to discuss Europe's latest far-right alliance and why Kaja Kallas may be glad to be stepping down as Estonia's prime minister.    This episode was supported by KIDS Regio. Thanks so much to project manager Anne Schultka for joining us, along with Tamara Kolarić, assistant professor in social sciences at SALIS, Dublin City University.  Thanks for listening! If you enjoy our podcast, we'd love it if you'd consider chipping in a few bucks a month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/europeanspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (many currencies are available). You can also help new listeners find the show by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠leaving us a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or giving us five stars on Spotify.    This week's Inspiration Station picks: Euro 2024 and Search Engine: 'Why didn't Chris and Dan get into Berghain?' Parts 1 and 2   Other resources:    'The Hungarian presidency: Let the games begin' - Politico Europe, June 25, 2024 00:22 Hot in Warsaw, even hotter in Paris 02:45 Good Week: Kaja Kallas (and her replacement) 12:40 Bad Week: The Mainstream 26:05 Interview: Anne Schultka and Tamara Kolarić on how money shapes Europe's film industry 43:56 The Inspiration Station: Something called 'football', and Search Engine: 'Why didn't Chris and Dan get into Berghain?' Parts 1 and 2 48:58 Happy Ending: Dominic's holiday voice note   Producers: Morgan Childs and Katy Lee Mixing and mastering: Wojciech Oleksiak Music: Jim Barne and Mariska Martina