Why Making a Good Music Documentary Means Speaking Two Universal Languages episode artwork

EPISODE · Jul 16, 2018 · 34 MIN

Why Making a Good Music Documentary Means Speaking Two Universal Languages

from The No Film School Podcast · host No Film School

It’s very hard to make a film about music that’s better than actually just listening to music. That’s the challenge co-directors T.G. Herrington and Danny Clinch took on in A Tuba to Cuba, a documentary the revered New Orleans Jazz band as they travel to post-embargo Cuba. NFS writer Oakley Anderson Moore sat down with Herrington and producer Nicelle Herrington, as well as band leader and doc subject Ben Jaffe at the film's SXSW premiere. They talk The importance of knowing your story, whether or not you know where it will take you, how to capture musicality through visuals and recording sound on a music documentary that contains and live concerts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode metadata supplied by the publisher feed · Published Jul 16, 2018

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Why Making a Good Music Documentary Means Speaking Two Universal Languages

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