EPISODE · Apr 10, 2025 · 1H 9M
WITS chats Shakespeare's King Lear | 2018 Richard Eyre production
from Wallowing in the Shallows
Rebecca, Tori, and returning guest, Louise, delve into the 2018 production of Shakespeare's King Lear, discussing our personal experiences with the play, character dynamics, and the performances of the cast. We discuss various interpretations that arise from different adaptations and how Eyre's choices of what to cut cause confusion in some of the action. We gush over the performances of (most) of the cast, particularly Thompson, Watson, and Pugh's portrayals of the three sisters.MusicApache Rock Instrumental | by Sound Atelier; licensed from JamendoRemember the Way | by Mid-Air Machine; Free Music ArchiveRecord Scratch: Sound Effect free on PixabayPrint SourceAnderson, John. 2018. 'King Lear' Review: A Timeless Tale with a Modern King; Anthony Hopkins's Lear is a Frightening, Ego-Driven Autocrat in 21st-Century Britain. New York, N.Y.: Dow Jones & Company Inc. https://www.proquest.com/blogs-podcasts-websites/king-lear-review-timeless-tale-with-modern/docview/2112753139/se-2.SourcesKing Lear: a mesmerizing Hopkins in a disappearing script | The Book HavenKing Lear review: Anthony Hopkins stars in a murky adaptation | The Independent | The IndependentKing Lear Amazon Review: Anthony Hopkins and Emma Thompson CaptivateKing Lear Amazon Review: Anthony Hopkins Is DevastatingShakespeare Oxford Fellowship | LearAnthony Hopkins’ King Lear, reviewed.
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WITS chats Shakespeare's King Lear | 2018 Richard Eyre production
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