Worlds of Echo: Dub Pt.2 episode artwork

EPISODE · Mar 17, 2022 · 1H 21M

Worlds of Echo: Dub Pt.2

from Love is the Message: Dance, Music and Counterculture · host Love is the Message podcast

In this week's episode Jeremy and Tim move through the late 20th century to trace dub's echoing influence on Disco, Post-Punk, early House and the music of the British Rave scene. Dub's aesthetics of space, minimalism, and bass-centric production are revealed on the New York dancefloor through the early remix experiments of Walter Gibbons and the studio work of Francois K, as well as in the punk clubs of London and the after-party living rooms of late '80s ravers. Tim and Jeremy consider how the Clash came to lean heavily on their fascination with Dub and Rastafarianism; how Reggae as a musical vocabulary was repeatedly drawn on for distinctly Feminist musical projects with explicitly experimental aims; and spend some time discussing one of UK music's most singular figures, Andrew Weatherall. Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast. Produced and edited by Matt Huxley.   Tune in, Turn on, Get Down!   Become a patron from just £3 per month by visiting www.patreon.com/LoveMessagePod Tracklist: First Choice - Let No Man Put Asunder (Walter Gibbons Mix) Disco Dub Band - For the Love of Money The Slits - Shoplifting The Clash - White Man in Hammersmith Palais The Clash - The Magnificent Dance Vivien Goldman - Launderette Tom Tom Club - Genius of Love Chip E - Like This Sandee - Notice Me (Notice the House Mix) The Orb - Earth (Gaia) Books: Vivien Goldman - Revenge of the She-Punks

In this week's episode Jeremy and Tim move through the late 20th century to trace dub's echoing influence on Disco, Post-Punk, early House and the music of the British Rave scene. Dub's aesthetics of space, minimalism, and bass-centric production are revealed on the New York dancefloor through the early remix experiments of Walter Gibbons and the studio work of Francois K, as well as in the punk clubs of London and the after-party living rooms of late '80s ravers. Tim and Jeremy consider how the Clash came to lean heavily on their fascination with Dub and Rastafarianism; how Reggae as a musical vocabulary was repeatedly drawn on for distinctly Feminist musical projects with explicitly experimental aims; and spend some time discussing one of UK music's most singular figures, Andrew Weatherall. Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast. Produced and edited by Matt Huxley.   Tune in, Turn on, Get Down!   Become a patron from just £3 per month by visiting www.patreon.com/LoveMessagePod Tracklist: First Choice - Let No Man Put Asunder (Walter Gibbons Mix) Disco Dub Band - For the Love of Money The Slits - Shoplifting The Clash - White Man in Hammersmith Palais The Clash - The Magnificent Dance Vivien Goldman - Launderette Tom Tom Club - Genius of Love Chip E - Like This Sandee - Notice Me (Notice the House Mix) The Orb - Earth (Gaia) Books: Vivien Goldman - Revenge of the She-Punks

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Worlds of Echo: Dub Pt.2

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This episode is 1 hour and 21 minutes long.

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This episode was published on March 17, 2022.

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In this week's episode Jeremy and Tim move through the late 20th century to trace dub's echoing influence on Disco, Post-Punk, early House and the music of the British Rave scene. Dub's aesthetics of space, minimalism, and bass-centric production...

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