EPISODE · Nov 28, 2011 · 17 MIN
Writing Excuses 6.26: Mystery Plotting
from Writing Excuses · host Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler
Brandon, Dan, Mary, and Howard talk about plotting a good mystery, especially as part of a non-mystery-genre book.Our Sponsors:* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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What this episode covers
Let's talk mystery! Specifically, how do you plot a good mystery? We're not focusing on the mystery genre but many of these principles will apply there. For fantasy and science-fiction work this usually means creating plots or sub-plots in which the main experience for the reader is one of discovery or revelation, rather than anticipation. Tools we discuss include the presentation of clues, unreliable character (and narrator) viewpoints, and how to offer the reader multiple plausible explanations prior to the big reveal. Howard talks about the plotting of the next Schlock Mercenary book, Random Access Memorabilia, and Dan tells us a little about his next book, Partials. Both titles have a mystery and a reveal, while neither is a whodunit. Special Audible Sponsor: Neil Gaiman has teamed up with Audible and the Audiobook Creation Exchange (ACX), personally selecting several of his favorite books and producing them with some of his favorite narrators. Check out " Neil Gaiman Presents " at Audible for a list of titles and the reasons why Neil selected these books. Audiobook Pick-of-the-Week: Snuff , by Terry Pratchett, narrated by Stephen Briggs. Writing Prompt: Write your way backwards into a puzzle-box mystery. The answer is that someone's soul is in the box -- now reverse-engineer the plot so that the presence of a soul in the box is surprising yet inevitable. This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*. *Note: From the Audible website, here are the terms of the free membership. Read the fine print, please! Audible® Free Trial Details Get your first 14 days of the AudibleListener® Gold membership plan free, which includes one audiobook credit. After your 14 day trial, your membership will renew each month for just $14.95 per month so you can continue to receive one audiobook credit per month plus members-only discounts on all audio purchases. A very small number of titles are more than one credit. Cancel your membership before your free trial period is up and you will not be charged. Thereafter, cancel anytime, effective the next billing cycle. Any unused audiobook credits will be lost at cancellation. Our Sponsors: * Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com * Check out Talkiatry and use my code Talkiatry.com/WX for a great deal: https://www.talkiatry.com Support this podcast at — https://redcircle.com/writing-excuses2130/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy
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Writing Excuses 6.26: Mystery Plotting
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