EPISODE · Oct 12, 2017 · 29 MIN
Yosep Anggi Noen - Human Rights On Film
from Talking Indonesia · host Talking Indonesia
In 2016, Tempo magazine named Istirahatlah Kata-Kata (Solo, Solitude) its film of the year. The arthouse film attracted acclaim at festivals around the world, and played to packed houses in cinemas across Indonesia. Since its release, it has sparked discussion, especially among younger audiences, about its subject, poet and activist Widji Thukul, and the mystery still surrounding his disappearance in the last weeks of the New Order. The film raises more questions that it answers about Widji’s disappearance and about the unresolved cases of human rights violations from this period in Indonesia. What has been the response to this film in Indonesia? How can storytelling about the past through film provide new opportunities for dealing with histories that remain obscured? In this week's podcast, host Dr Jemma Purdey explores these questions with the film's director, Yosep Angi Noen.
What this episode covers
In 2016, Tempo magazine named Istirahatlah Kata-Kata (Solo, Solitude) its film of the year. The arthouse film attracted acclaim at festivals around the world, and played to packed houses in cinemas across Indonesia. Since its release, it has sparked discussion, especially among younger audiences, about its subject, poet and activist Widji Thukul, and the mystery still surrounding his disappearance in the last weeks of the New Order. The film raises more questions that it answers about Widji’s disappearance and about the unresolved cases of human rights violations from this period in Indonesia. What has been the response to this film in Indonesia? How can storytelling about the past through film provide new opportunities for dealing with histories that remain obscured? In this week's podcast, host Dr Jemma Purdey explores these questions with the film's director, Yosep Angi Noen.
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Yosep Anggi Noen - Human Rights On Film
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