You've Got Five Pages, Ink Blood Sister Scribe by Emma Törzs, to Tell Me You're Good.

The first chapter can make or break a reader's engagement with a story. We as writers must craft brilliant opening pages in order to hook those picky readers, so let's study the stories of others to see how they do it! I was so happy to discover a new fantasy release at my local library--that's rare! I don't like grabbing hyped books by big news book clubs, but I can see why folks dig Törzs' Ink Blood Sister Scribe. The prose is very descriptive and balanced between action and reflection. The dialogue feels a little awkward at times, but the characterization carries it through, especially when you have such a compelling family dynamic. How could a book kill the father? Why did one sister have to run away but not the other? Is the mother really dead? Because if she is, why must one daughter "never let her in"? I may not be a fan of prologues, but using the prologue to establish the death of the father from one sister's perspective then allows the first chapter to focus on the other sister, allowing her to not only establish the passage of time and her unique life choices, but the mystery in conflicting details about the mother. If you're keen on a contemporary fantasy with a bit of danger and family drama, then I'm sure Törzs' will meet your needs. And what will you learn from these opening pages? Let's find out! Cheers!