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Z'EV

STEFAN JOEL WEISSER ha portat les percussions amb metalls, plàstics i cadenes i els tantejos amb ...

An episode of the Ones de Crom Arxius 15 podcast, hosted by Ones de Crom Arxius 15, titled "Z'EV" was published on July 19, 2012 and runs 56 minutes.

July 19, 2012 ·56m · Ones de Crom Arxius 15

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STEFAN JOEL WEISSER ha portat les percussions amb metalls, plàstics i cadenes i els tantejos amb l'electrònica ambiental cap a vessants destacades de la música experimental, plagades d'esoterisme i tradició. Començant per temes des de finals dels 70 on apuntava a percussions industrials com "My Favorite Things" (1985), "Production And Decay Of Spacial Relations" (1981) i "The Invisible Man-The Old Sweat" (1984) es fa repàs a la seva trajectòria sonora, també vinculada a la performance i la dansa. A "Opus 3" (1990) va iniciar una estreta combinació entre percussions metàl·liques acústiques i electròniques, afegint-hi samplers de TV a "Heads & Tales" (1996) o amb influència de textes i meditacions al treball "The Sapphire Nature" (2002). Les atmòsferes ambientals de "Number One" (2005) uneixen a KK NULL, CHRIS WATSON i Z'EV amb electrònica, gravacions de camp i percussions, ambient percussiu més inquietant l'aporta en solitari a "Symphony #2-Elementalities" (2006) i junt al madrileny FRANCISCO LÓPEZ noves gravacions de camp i percussions a "Buzzin' Fly/Dormant Spores" (2007). D'altres col·laboracions recents l'uneixen a sons manipulats de guitarra amb STEPHEN O'MALLEY a "Magistral" (2007), a OREN AMBARCHI a "Spirit Transform Me" (2007) i al soroll digital de PITA a "Colchester" (2008). De nou en solitari dos àlbums on ambient i percussió s'hi troben millor que mai: "Sum Things" (2009) i "The Deep Path" (2011).

STEFAN JOEL WEISSER ha portat les percussions amb metalls, plàstics i cadenes i els tantejos amb l'electrònica ambiental cap a vessants destacades de la música experimental, plagades d'esoterisme i tradició. Començant per temes des de finals dels 70 on apuntava a percussions industrials com "My Favorite Things" (1985), "Production And Decay Of Spacial Relations" (1981) i "The Invisible Man-The Old Sweat" (1984) es fa repàs a la seva trajectòria sonora, també vinculada a la performance i la dansa. A "Opus 3" (1990) va iniciar una estreta combinació entre percussions metàl·liques acústiques i electròniques, afegint-hi samplers de TV a "Heads & Tales" (1996) o amb influència de textes i meditacions al treball "The Sapphire Nature" (2002). Les atmòsferes ambientals de "Number One" (2005) uneixen a KK NULL, CHRIS WATSON i Z'EV amb electrònica, gravacions de camp i percussions, ambient percussiu més inquietant l'aporta en solitari a "Symphony #2-Elementalities" (2006) i junt al madrileny FRANCISCO LÓPEZ noves gravacions de camp i percussions a "Buzzin' Fly/Dormant Spores" (2007). D'altres col·laboracions recents l'uneixen a sons manipulats de guitarra amb STEPHEN O'MALLEY a "Magistral" (2007), a OREN AMBARCHI a "Spirit Transform Me" (2007) i al soroll digital de PITA a "Colchester" (2008). De nou en solitari dos àlbums on ambient i percussió s'hi troben millor que mai: "Sum Things" (2009) i "The Deep Path" (2011).
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