1st on Film

On this episode of the 1st on Film Podcast, we sit down in person with brothers, comedy duo, and filmmakers Rish Arhant-Sudhir and Kanish Arhant-Sudhir, the writers and directors behind the wild new horror-comedy NAMASLAY.Making their feature-film debut, Rish and Kanish take us behind the scenes of NAMASLAY — a genre-smashing horror satire that uses comedy, scares, and plenty of chaos to explore the Western appropriation and commercialization of yoga and Indian culture.We talk about their journey from performing comedy together to making their first feature film, where the idea for NAMASLAY came from, finding the balance between horror and comedy, creating the film’s unique tone, working with their cast and crew, and the challenges of bringing such an ambitious story to life as first-time feature filmmakers.It’s a conversation about comedy, horror, culture, filmmaking, and what happens when two brothers decide to make a movie together.

In this episode of the 1st on Film Podcast, we sit down with legendary Canadian actor and comedian Kevin McDonald to talk about his role in Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma.McDonald takes us behind the scenes of the new horror-comedy, discussing his character, working alongside an incredible ensemble cast, collaborating with director Jane Schoenbrun, and what drew him to the film. We also talk about the unique tone of the movie and what it was like stepping into such an unconventional project.Toward the end of our conversation, Kevin looks back at one of his beloved television roles — Pastor Dave on That ’70s Show — and shares some memories from his time on the series.From The Kids in the Hall to animation, television, film and now Teenage Sex and Death at Camp Miasma, this is a conversation with one of Canada’s most recognizable comedy and acting talents.Kevin McDonald is a Canadian actor, comedian, writer and director best known as one of the founding members of the iconic sketch comedy troupe The Kids in the Hall. McDonald met Dave Foley at Toronto’s Second City Training Centre, and the pair eventually joined forces with Bruce McCulloch, Mark McKinney and Scott Thompson to form The Kids in the Hall. Their groundbreaking television series ran from 1988 to 1995 and returned for a critically acclaimed revival in 2022Beyond The Kids in the Hall, McDonald has built an extensive career across film and television. His credits include Seinfeld, Friends, NewsRadio, Arrested Development, Corner Gas and That ’70s Show, where he played the recurring character Pastor Dave. He also became a prominent voice actor, most notably voicing Agent Pleakley in the Lilo & Stitch franchise and characters in animated series including Invader Zim, Johnny Bravo, Catscratch and Clerks: The Animated Series.

In this episode of the 1st on Film Podcast, we sit down with Emmy-nominated editor Jon Philpot to talk about his work on HBO Max’s acclaimed comedy series Hacks.Jon takes us behind the scenes of the editing room, breaking down what goes into finding the perfect comedic rhythm, balancing jokes with the emotional beats of the series, and shaping the evolving relationship between Deborah Vance and Ava Daniels. We also dive into the enormous responsibility of editing the show’s series finale and how music played a major role in bringing the final episode together.Jon Philpot is an Emmy-nominated editor whose work spans television, film and documentary. He is perhaps best known for his work on HBO Max’s acclaimed comedy series Hacks, where he edited 10 episodes, including the series finale. His work on the finale earned him a 2026 Primetime Emmy nomination for Outstanding Picture Editing for a Single-Camera Comedy Series.Philpot’s diverse credits include Broad City, Theater Camp, False Positive, Girls5eva, Search Party, Awkwafina Is Nora from Queens, Dying for Sex, At Home with Amy Sedaris, The Shivering Truth and Anthony Bourdain: Parts Unknown. He previously won a Daytime Emmy for his editing work on The Mind of a Chef.

In this episode of the 1st on Film Podcast, we sit down with editor Byron Smith to go behind the scenes of Apple TVs new series Lucky, starring Anya Taylor-Joy.Byron takes us inside the editing room and discusses the creative process behind shaping the series, from finding the rhythm and pacing of individual scenes to building tension, developing character, and turning hours of footage into a cohesive story.We also dive into the unique challenges of editing a television series, collaborating with directors and the creative team, and the decisions that ultimately determine what audiences see on screen.Whether you’re an aspiring editor, a filmmaker, or simply someone fascinated by what happens behind the scenes, this conversation offers an in-depth look at one of the most important — and often overlooked — aspects of filmmaking.

In this episode of the 1st on Film Podcast, we sit down with cinematographer Eric Yue to discuss his work on Teenage Sex and Death at Camp Miasma.Eric takes us behind the camera to explore the visual approach to the film, collaborating with the creative team, and crafting a distinct look that complements its unique blend of genre, humour, and horror. We also dive into his process as a cinematographer, the creative choices behind bringing the world of Camp Miasma to life, and the challenges of telling a story through the lens.Join us for a conversation about cinematography, visual storytelling, and the creative process behind Teenage Sex and Death at Camp Miasma.Eric Yue is a cinematographer known for his visually distinctive work across independent film and television. His approach to cinematography emphasizes atmosphere, character, and visual storytelling, using lighting, composition, and camera movement to help establish the identity of each project.His credits include A Thousand and One, directed by A.V. Rockwell, which won the Grand Jury Prize at the Sundance Film Festival, as well as projects including The Inspection, The Graduates, and Teenage Sex and Death at Camp Miasma.

On this episode of the 1st on Film Podcast, we sit down with director Sophie King, writer and producer Kate Radcliffe, and producer Sarah Roy to discuss their powerful short film, Still Life.Starring Ophelia Lovibond and Jacob Anderson, Still Life follows Jess and Max as they navigate life after the stillbirth of their son at 24 weeks. Blending raw emotion with dark comedy and moments of uncomfortable absurdity, the film explores grief, parenthood, resilience, and the strange reality of trying to move forward when the world around you doesn’t always know what to say.Sophie King is an award-winning British director whose work spans television, short film and comedy, with a particular focus on darkly comedic stories with an emotional edge. Her narrative work has screened at BAFTA- and Oscar-qualifying festivals around the world, and she is a member of BAFTA Connect.King directed the Channel 4 pilot Disability Benefits, which won Best Newform Drama Series at the 2022 C21 International Drama Awards, as well as the second series of ITV comedy Buffering, starring Iain Stirling. Her short film Does Your Condom Make You Fat? has screened at festivals including the Austin Film Festival, HollyShorts and Flickers’ Rhode Island International Film Festival.Kate Radcliffe is a British writer and producer with an extensive background in comedy and entertainment television. Her credits include work on The Graham Norton Show, The Russell Howard Hour, Rhod Gilbert’s Growing Pains, A League of Their Own, CelebAbility and The Overlap on Tour.Radcliffe wrote and produced Still Life, drawing upon her own experience following the loss of her son Dexter. Through the film, she uses dark comedy and emotional honesty to explore the often-unspoken realities of stillbirth, grief and life after loss.Sarah Roy is a British actor and producer and the founder of 19th Street Productions. She trained at the American Academy of Dramatic Arts in New York and worked in Off-Broadway theatre before returning to the UK and establishing her production company.Roy produced, co-wrote and starred in the feature film Zebra Girl, which was released internationally and nominated for Best Thriller at the National Film Awards. Her producing work also extends to theatre, including acclaimed productions of David Ireland’s Yes So I Said Yes and Not Now, as well as serving as an associate producer on A Strange Loop at the Barbican.

From San Diego Comic-Con, we sit down with writer/director Abigail Hing Wen and composer Andromeda Wen to discuss The Vale – Origins, the ambitious new short film expanding the world of Abigail’s New York Times bestselling novel The Vale.Making its world premiere at SDCC, The Vale – Origins blends live action and animation to introduce audiences to a fantasy world powered by imagination and technology, while exploring themes of family, loss, creativity, and our evolving relationship with artificial intelligence.

This week on the 1st on Film Podcast, we’re joined by Elizaveta Neretin, who stars in the highly anticipated third season of Taylor Sheridan’s Lioness on Paramount+.Elizaveta shares what it was like joining one of television’s biggest action dramas, reveals whether she had a favourite day on set, and reflects on the full-circle moment of going from tweeting James Gunn about her love for the Guardians of the Galaxy films to now working alongside Zoe Saldaña.We also put Elizaveta through our brand-new game, “Who’s That Spy?”, before wrapping up with a conversation about her career, fandom, and stepping into the secretive world of Lioness.Elizaveta Neretin is a Ukrainian-born, Canadian actress whose growing body of work spans television, film, and streaming. Having lived in Ukraine, Russia, Moldova, and Canada, she brings a unique international perspective to her performances.Audiences have seen her in series including Mayor of Kingstown, The Flash, The 100, The Good Doctor, and Alert: Missing Persons Unit. She now joins the cast of Taylor Sheridan’s Lioness for its highly anticipated third season, starring alongside Zoe Saldaña, Nicole Kidman, and Morgan Freeman.Known for her versatility and grounded performances, Elizaveta continues to establish herself as one of Canada’s rising talents in television and film.

In this episode of the 1st on Film Podcast, we sit down with writer and director Abby Pierce to discuss her two short films, Run It Back and So, Boom, both of which screened at the Tribeca Film Festival.Abby shares the inspiration behind each film, how the two projects differ creatively, and what it was like premiering both at one of the world’s most celebrated film festivals. We also dive into her filmmaking journey, her approach to crafting compelling stories, and the challenges and rewards of creating impactful short films.From the festival experience to the creative process behind independent cinema, this conversation offers an inside look at a rising filmmaker whose work is making waves on the festival circuit.If you’re passionate about independent film, emerging filmmakers, and the stories behind the screen, this is an episode you won’t want to miss.

In this episode of the 1st on Film Podcast, we sit down with Canadian writer, director, and actor Bryce Hodgson to discuss his feature directorial debut, Thanks to the Hard Work of the Elephants.Bryce takes us behind the scenes of bringing this ambitious independent drama to life, from developing the screenplay and making the transition from acting to directing, to balancing the film’s emotional intimacy with its kinetic, road-movie energy. We also explore the challenges of creating an independent feature, the collaborative spirit that helped make the film possible, and the personal experiences that shaped its story.Known to many audiences for his acting work in iZombie, Diary of a Wimpy Kid, and X2: X-Men United, Bryce reflects on his creative journey and why stepping behind the camera was the natural next chapter in his career.If you’re passionate about independent filmmaking, storytelling, or the creative process behind a debut feature, this is a conversation you won’t want to miss.

On this episode of the 1st on Film Podcast, we sit down with acclaimed writer and director Jérémy Comte to discuss his latest short film, BRUTE, screening at the Future of Film Showcase in Toronto. We explore the film’s haunting story of a young sculptor consumed by crippling anxiety, the creative inspiration behind its striking visual style, and the challenges of bringing such an intensely personal and psychological story to the screen.Jérémy also reflects on his filmmaking journey, the evolution of his work since his Academy Award-nominated short Fauve, and what continues to drive him as a storyteller. Whether you’re an aspiring filmmaker or simply love discovering bold new voices in cinema, this is a conversation you won’t want to miss.Jérémy Comte is a Canadian writer, director, and editor based in Montreal. A graduate of Concordia University, Comte gained international recognition with his acclaimed 2018 short film Fauve, which won the Special Jury Prize at the Sundance Film Festival, earned the Canadian Screen Award for Best Live Action Short Drama, and received an Academy Award nomination for Best Live Action Short. His work is celebrated for its emotionally rich storytelling, poetic imagery, and exploration of the human condition. His latest short film, BRUTE, continues that tradition with a powerful psychological portrait of artistic anxiety and is screening as part of the 2026 Future of Film Showcase in Toronto. The Future of Film Showcase (FOFS) is a Toronto-based, not-for-profit film festival dedicated to championing the next generation of Canadian filmmakers. Each year, the festival brings together emerging artists, industry professionals, and film lovers for a weekend of screenings, panels, workshops, and networking opportunities. With a strong focus on amplifying diverse voices and fostering creative talent, FOFS has become one of Canada’s leading platforms for discovering exciting new filmmakers and celebrating the future of Canadian cinema.

Boldly going where no podcast has gone before! We sit down with Anson Mount, the actor behind Captain Christopher Pike, to discuss the highly anticipated new season of Star Trek: Strange New Worlds.During our conversation, Anson shares which member of the Enterprise crew he connects with the most, teases the show’s unique puppet-themed episode, and discusses the challenges and fun of bringing that story to life through voice performance. We also reflect on his journey portraying Captain Pike over the years and how becoming a father has influenced the way he views the character, including the Pike trait he carries with him in everyday life.Anson Mount is an American actor best known for portraying Captain Christopher Pike in Star Trek: Discovery and Star Trek: Strange New Worlds. His portrayal of the legendary Starfleet captain has earned widespread praise for bringing warmth, compassion, and confidence to one of the franchise’s most iconic leaders.Beyond Star Trek, Mount is well known for starring as Cullen Bohannon in the acclaimed western drama Hell on Wheels. His film and television credits also include Crossroads, Safe, Conviction, Marvel’s Inhumans, and numerous other projects spanning more than two decades.With a career defined by memorable performances across film and television, Mount has become one of the most respected actors in modern science fiction while continuing to take on a diverse range of dramatic roles.

In this special episode of the 1st on Film Podcast, we’re joined by acclaimed Canadian actor Nina Kiri, who will be receiving the Rising Star Award at this weekend’s Future of Film Showcase in Toronto.Nina discusses what the upcoming recognition means to her and reflects on the journey that has shaped her career. We also dive into two of her latest projects, Out Standing and Undertone, exploring the unique challenges of each role, preparing for emotionally and physically demanding performances, and the collaborative process of bringing these stories to life. Plus, Nina shares insights into her evolving career and what continues to inspire her as an artist.Nina Kiri is a Canadian actor known for her fearless, emotionally nuanced performances across film and television. She first gained widespread recognition for her starring role as Grace in the horror film The Heretics and has since built an impressive body of work spanning drama, thriller, horror, and independent cinema.Her credits include acclaimed projects such as The Handmaid’s Tale, The Heretics, Easy Land, Out Standing, and Undertone, showcasing her versatility and commitment to complex, character-driven storytelling. Recognized as one of Canada’s exciting emerging talents, Nina continues to earn praise for her compelling performances and dedication to independent filmmaking. This weekend, she will be honoured with the Rising Star Award at the Future of Film Showcase, recognizing her growing impact on Canadian cinema.

In this special episode of the 1st on Film Podcast, recorded as part of the Future of Film Showcase in Toronto, we sit down with acclaimed cinematographer Natasha Braier to discuss her remarkable career behind the camera. From crafting unforgettable visual worlds to collaborating with visionary filmmakers, Natasha reflects on her approach to cinematography, the importance of visual storytelling, and the creative process that shapes every frame.We also dive into her latest work on I Love Boosters, exploring how she developed the film’s distinctive look while discussing highlights from across her celebrated filmography and the evolving art of cinematography.Natasha Braier is an award-winning cinematographer whose visually striking work has made her one of the most respected voices in contemporary filmmaking. Born in Argentina, she studied at the National Film and Television School in the United Kingdom before building an international career spanning independent cinema, television, music videos, and commercials.Braier is widely recognized for her collaborations with acclaimed directors on films including The Neon Demon, Honey Boy, Gloria Bell, The Rover, and I Love Boosters. Her distinctive cinematography is celebrated for its expressive use of light, color, and atmosphere, creating emotionally immersive visual experiences that elevate each story she tells. Throughout her career, she has earned numerous accolades and continues to be one of the industry’s most sought-after cinematographers, bringing a bold artistic vision to every project.

In this episode of the 1st on Film Podcast, we sit down with the writer, director, and lead actor behind The Tropic Sun and His Eyes. We discuss the journey of bringing such a personal story to life, balancing multiple creative roles throughout production, and the themes that lie at the heart of the film. Join us for an insightful conversation about independent filmmaking, creative collaboration, and the passion that made The Tropic Sun and His Eyes a reality.Elisee Junior St. Preux is a Haitian-American filmmaker, writer, and producer. He made his feature directorial debut with The Tropic Sun and His Eyes, which he also wrote and produced. Filmed on location in Cap-Haïtien, Haiti, the film explores themes of family, identity, faith, and generational healing while showcasing the country’s people and landscapes. The film celebrated its world premiere in the International Narrative Competition at the 2026 Tribeca Festival, introducing St. Preux as an emerging voice in independent cinema.Stevenson Jean is an actor who stars as Ruben in The Tropic Sun and His Eyes. His performance anchors the film as a young man returning to Haiti in hopes of reconnecting with his estranged father, earning praise for its emotional depth and quiet strength. The Tropic Sun and His Eyes marks his first leading role in a feature film and premiered at the 2026 Tribeca Festival.

Welcome back to the 1st on Film Podcast! Today we’re going behind the scenes of one of the year’s most anticipated romantic comedies, Office Romance. Joining us is acclaimed costume designer Caroline Duncan, whose work helps bring every character to life through wardrobe. From collaborating with stars like Jennifer Lopez and Brett Goldstein to balancing style, storytelling, and character development, Caroline shares what goes into creating the distinctive looks for Office Romance. We also dive into her creative process, the collaboration between departments, and why costume design is such an essential part of filmmaking. Here’s our conversation with costume designer Caroline Duncan.Caroline Duncan is an accomplished costume designer whose work spans film and television, creating wardrobes that not only define a character’s appearance but also support the story being told. Known for her attention to detail and collaborative approach, she has worked alongside acclaimed directors, producers, and performers to craft memorable on-screen looks across a wide range of productions. Her latest project is the romantic comedy Office Romance, starring Jennifer Lopez and Brett Goldstein, where she helped shape the film’s visual identity through costume design. Caroline continues to be recognized for her ability to blend fashion, character, and storytelling into every project she takes on.

What happens when you put Tracy and Martina in front of a microphone and let the conversation go wherever it wants?On this episode of the 1st on Film Podcast, we sit down with the comedy duo behind Tracy & Martina: Goin Out West for an unpredictable, laugh-filled conversation that feels like an extension of their own podcast. We chat about life in Cape Breton, heading out west, Canadian culture, friendship, and plenty of completely unexpected tangents that lead to some unforgettable laughs along the way.In Tracy & Martina: Going Out West, the beloved duo leave Cape Breton behind and embark on a cross-country adventure to Alberta in search of a fresh start. Along the way, they encounter new experiences, colourful characters, and plenty of comedic chaos, all while celebrating the humour, heart, and resilience that have made them fan favourites.While we do touch on the film, this episode is less about behind-the-scenes filmmaking and more about enjoying the chemistry, humour, and spontaneity that Tracy and Martina are known for. If you’re looking for a fun, easygoing conversation packed with laughs, this is an episode you won’t want to miss.

Writer and director David Wain joins the 1st on Film podcast to discuss his hilarious new comedy, Gail Daughtry and the Celebrity Sex Pass.Known for his signature brand of absurd, offbeat comedy, David takes us behind the scenes of creating a film that satirizes celebrity culture, Hollywood, and the idea of the infamous “celebrity pass.” We chat about collaborating with longtime creative partner Ken Marino, assembling an incredible cast led by Zoey Deutch and Jon Hamm, balancing outrageous comedy with genuine emotion, and why original comedies still deserve a place on the big screen.Along the way, David also reflects on his career, his approach to writing and directing, and what continues to inspire him after decades of making some of comedy’s most beloved cult classics.If you’re a fan of smart, irreverent comedy—or simply curious about how a filmmaker like David Wain brings wonderfully bizarre ideas to life—you won’t want to miss this conversation.David Wain is an acclaimed writer, director, producer, actor, and comedian whose work has helped define modern cult comedy. A founding member of the influential sketch comedy troupe The State, Wain went on to create and direct numerous fan-favorite films and television series.His directing credits include Wet Hot American Summer, Role Models, Wanderlust, The Ten, They Came Together, and A Futile and Stupid Gesture. On television, he has been a creative force behind acclaimed series including Childrens Hospital, Medical Police, Stella, and the Wet Hot American Summer Netflix series.His latest feature, Gail Daughtry and the Celebrity Sex Pass, co-written with longtime collaborator Ken Marino, is an original comedy starring Zoey Deutch, Jon Hamm, John Slattery, Ben Wang, Joe Lo Truglio, Sabrina Impacciatore, and an ensemble of memorable celebrity cameos. The film premiered at the 2026 Sundance Film Festival before its theatrical release through Sony Pictures Classics. Throughout his career, Wain has become known for blending absurd humor, heartfelt storytelling, and unforgettable ensemble casts into some of the most beloved comedy projects of the past two decades.

Writer and director Christian Nilsson joins the 1st on Film Podcast to discuss his deeply personal new drama, Westhampton.In this conversation, Christian shares the inspiration behind the film, why themes of guilt, forgiveness, and redemption were so important to explore, and how his own experiences helped shape the story. We also dive into working with an outstanding cast led by Finn Wittrock, the journey from its acclaimed Tribeca premiere to audiences, and the challenges of bringing an intimate independent film to life.Christian also reflects on his evolution from Emmy Award-winning journalist and filmmaker to feature director, lessons learned throughout his career, and what he hopes viewers take away after the credits roll.If you’re passionate about independent filmmaking, character-driven storytelling, and the creative process behind emotionally resonant films, this is an episode you won’t want to miss.Christian Nilsson is an Emmy Award-winning filmmaker, writer, director, and producer. He first gained widespread attention with Unsubscribe, the zero-budget horror short that famously became the No. 1 film at the U.S. box office during the pandemic in 2020, before making his feature directorial debut with the psychological thriller Dashcam.His latest feature, Westhampton, premiered at the 2025 Tribeca Festival and stars Finn Wittrock, RJ Mitte, Jake Weary, and Amy Forsyth. The film explores themes of regret, accountability, and redemption, earning praise for its emotional storytelling and powerful performances.Before transitioning into narrative filmmaking, Christian built an award-winning career as a video journalist and commercial director, creating work for outlets including The Atlantic, BuzzFeed, Esquire, HuffPost, and MTV. He is also a member of the Producers Guild of America, and his screenplay Paparazzo was selected for the 2024 Black List, highlighting one of Hollywood’s most acclaimed unproduced screenplays.

What does it really take to bring Hollywood’s biggest action sequences to life?In this episode of the 1st on Film Podcast, we sit down with acclaimed stunt performer Luke Ha for an in-depth conversation about the craft of stunt work and the incredible career that has taken him behind some of the biggest productions in film.Luke shares stories from working on major films including Shang-Chi and the Legend of the Ten Rings, Furiosa: A Mad Max Saga, Ghost in the Shell, The Meg, Hacksaw Ridge, Danger Close, and more. We dive into how stunts are designed, the intense physical and mental preparation required, collaborating with actors and directors, staying safe on set, and the adrenaline that comes with bringing unforgettable action to the screen.From his background in gymnastics and circus performance to becoming an award-winning stunt professional, Luke offers a fascinating look behind the scenes of an industry audiences rarely get to see up close.Whether you’re a movie fan, an aspiring stunt performer, or simply curious about how blockbuster action is created, this is an episode you won’t want to miss.Luke Ha is an Australian stunt performer, stunt actor, stunt rigger, and former competitive gymnast whose career spans feature films, television, and live performance. Beginning with a background in gymnastics before transitioning into circus and aerial performance, he has built a reputation as one of Australia’s most versatile stunt professionals.

Writer and director Maya Gray joins the 1st on Film Podcast to discuss her gripping short thriller Animals. During our conversation, Maya shares the inspiration behind the film, explores its themes of trust, vulnerability, and human nature, and breaks down how she crafted the mounting tension that drives the story. We also dive into her creative process, directing performances, and what she hopes audiences take away after experiencing Animals.If you enjoy conversations about independent filmmaking, psychological thrillers, and the art of telling powerful stories in a short runtime, this is an episode you won’t want to miss.Maya Gray is an award-winning writer, director, and producer from Los Angeles whose work explores complex, often taboo subjects through bold, emotionally driven storytelling. Her debut short film, God, Is That You?, earned critical acclaim on the festival circuit, and she has continued to establish herself as an exciting emerging voice in independent cinema. Her latest short film, Animals, is a tense psychological thriller that follows a simple act of kindness spiraling into a terrifying encounter, showcasing her distinctive ability to build suspense while examining the darker sides of human behavior.

On this episode of the 1st on Film Podcast, we sit down with Gail Maurice to discuss her film Blood Lines. Our conversation explores the importance of Meiti language representation on screen, why authentic Indigenous storytelling matters, and how language can help preserve culture while connecting audiences to a deeper sense of identity.Gail also shares the story behind the film’s title, explaining the meaning and intention behind Blood Lines and how it reflects the themes at the heart of the film. Join us for an insightful conversation about storytelling, representation, and bringing personal and cultural experiences to the screen.Gail Maurice is a Canadian actor, writer, and filmmaker whose work celebrates Indigenous voices through authentic and character-driven storytelling. She has appeared in numerous acclaimed film and television productions while also establishing herself as a writer and director committed to sharing stories that reflect Indigenous experiences, culture, and community.Through her filmmaking, Maurice explores themes of identity, family, language, and resilience, bringing underrepresented perspectives to audiences with warmth, honesty, and humor. Her work continues to highlight the importance of Indigenous representation both in front of and behind the camera.Blood Lines is a heartfelt drama that explores identity, family, and cultural heritage through an Indigenous lens. Blending personal storytelling with themes of belonging and generational connection, the film examines how language, tradition, and ancestry shape who we are while emphasizing the importance of preserving culture for future generations.Grounded in authentic performances and a deeply personal perspective, Blood Lines offers an intimate look at community, resilience, and the enduring ties that connect us across generations.

In this episode of the 1st on Film Podcast, we sit down with writer and director Noam Argov to discuss her acclaimed short film, Verse, which premiered at the Tribeca Film Festival.Noam shares the inspiration behind the film, the creative process of bringing its story to life, and the challenges and rewards of crafting an emotionally resonant short. We also discuss the importance of authentic storytelling, what it means to have Verse showcased at one of the world’s premier film festivals, and the lessons she’s learned throughout her filmmaking journey.Whether you’re an aspiring filmmaker or simply love discovering compelling independent cinema, this conversation offers an insightful look into the making of Verse and the passion behind its creation.Noam Argov is a writer and director whose work explores intimate, character-driven stories with emotional depth and authenticity. Through a thoughtful visual style and a focus on human connection, she creates films that resonate with audiences on a personal level.Her short film Verse premiered at the Tribeca Film Festival, showcasing her distinctive voice as a filmmaker and further establishing her as an emerging talent in independent cinema. Passionate about meaningful storytelling, Noam continues to develop projects that examine the complexities of relationships, identity, and the human experience.

Music plays a vital role in shaping a film’s emotional impact, and in this episode of the 1st on Film Podcast, we sit down with music supervisor Cheryl Wang to discuss her work on I Love Boosters. Cheryl takes us behind the scenes of building the film’s sonic identity, from discovering the perfect songs to navigating the complex world of music licensing and clearances.We also dive into her journey into music supervision, collaborating with filmmakers, balancing creative vision with practical realities, and what it takes to create a soundtrack that resonates long after the credits roll. Whether you’re a film lover, a music fan, or curious about one of filmmaking’s most overlooked creative roles, this is an episode you won’t want to miss.Cheryl Wang is a music supervisor whose work bridges storytelling and music across independent and studio productions. After growing up in China, studying in Shanghai, and later attending graduate school at Columbia University, she found her way into the world of film through post-production before building a career in music supervision. Her credits include I Love Boosters, Splitsville, Bunny, X, and Armageddon Time, where she has helped filmmakers craft memorable musical identities for their projects. Known for her expertise in music licensing, creative collaboration, and securing high-profile tracks, Cheryl works closely with directors to ensure every song enhances the emotional and narrative impact of a film.

What would you do if you woke up in a world you no longer understood?In this episode of the 1st on Film Podcast, we sit down with co-directors Scott Tinkham and Michael Woloson, alongside stars Joe Bader and Oliver Woolf, to discuss their inventive dystopian dark comedy Littermates. We dive into the film’s unique post-apocalyptic premise, the challenges of balancing humor with psychological tension, creating an immersive world on an independent budget, and how the cast brought these complex characters to life. The team also shares behind-the-scenes stories, their collaborative filmmaking process, and what they hope audiences take away from this thought-provoking indie feature. Whether you’re a fan of character-driven science fiction or independent filmmaking, this is a conversation you won’t want to miss.Littermates is a dystopian dark comedy set in the aftermath of a devastating chemical attack that has left survivors struggling to remember language and the world they once knew. When two amnesiac strangers find refuge in the isolated countryside home of a mysterious man named Chester, they are introduced to a strange new existence governed by an unusual reward system and increasingly unsettling rules. As their memories and curiosity begin to return, they start questioning the reality they’ve been taught to accept, leading to a gripping exploration of power, identity, and human nature. Blending sharp humor with psychological suspense, Littermates offers a fresh and intimate take on the post-apocalyptic genre.

In this episode of 1st on Film, we sit down with costume designer Ariyela Wald-Cohain to talk about bringing the world of Scary Movie 6 to life through wardrobe. Ariyela breaks down the challenge of balancing the franchise’s signature comedy and horror influences, reimagining iconic genre-inspired looks, and designing costumes that help sell both the satire and the scares. We also discuss her creative process, collaborating with the cast and filmmakers, and how costume design can shape character, tone, and some of the film’s biggest visual moments.If you’ve ever wondered how a costume designer helps build the look of a horror-comedy — and how Scary Movie 6 plays with recognizable horror imagery while still feeling fresh — this is a fun behind-the-scenes conversation you won’t want to miss.Ariyela Wald-Cohain is a costume designer known for her work in film and television, with a focus on creating character-driven looks that help define tone, world-building, and visual storytelling. Most recently, she worked as the costume designer on Scary Movie 6, helping reimagine the franchise’s signature horror-comedy style for a new generation. Her work blends creativity, collaboration, and a strong sense of character, using costume design to support both performance and story on screen.

This week on the 1st on Film Podcast, we sit down with filmmaker Sam Cutler-Kreutz to explore his journey as a director, cinematographer, and storyteller. From his early short films to his acclaimed collaborations with his brother David, Sam discusses the creative process behind crafting emotionally resonant stories, the challenges of independent filmmaking, and the experiences that have shaped his career.We also dive into the making of the Oscar-nominated short film A Lien, the importance of authentic storytelling, and what audiences can expect from his future projects. Whether you’re an aspiring filmmaker or simply a fan of great cinema, this conversation offers a fascinating look inside the mind of one of independent film’s most exciting creative voices.Sam Cutler-Kreutz is an American filmmaker, director, cinematographer, and photographer known for his emotionally driven and socially conscious storytelling. Throughout his career, he has directed numerous acclaimed short films, including Where We Must Be, Rocket Men, Flounder, Trapped, and the Academy Award-nominated short film A Lien, which he co-wrote and co-directed with his brother, David Cutler-Kreutz.

We caught up with Allan Hawco on the red carpet at the Canadian Screen Awards to talk about the hit crime drama Saint-Pierre. During our conversation, Allan discussed the continued success of the series, what fans can expect moving forward, and the possibilities surrounding a potential third season.To make things a little more interesting, we also put Allan’s character to the test with a fun rapid-fire game, presenting him with a series of unusual police scenarios and asking what his character would do in each situation. The result was a mix of insightful answers, great stories, and plenty of laughs. Whether you’re a longtime fan of Saint-Pierre or just discovering the series, this is an interview you won’t want to miss.Saint-Pierre is a crime drama set on the French territory of Saint-Pierre and Miquelon, just off the coast of Newfoundland. The series follows a seasoned Royal Newfoundland Constabulary officer who is reassigned to the island community, where he partners with a local French police officer to investigate a wide range of crimes. Blending compelling mysteries, character-driven storytelling, and the unique culture and scenery of the archipelago, Saint-Pierre offers a fresh take on the procedural drama genre while exploring themes of justice, community, and second chances.Allan Hawco is an award-winning Canadian actor, writer, producer, and creator best known for his starring role as Jake Doyle in the acclaimed series Republic of Doyle, which he also co-created and executive produced. Born and raised in Newfoundland and Labrador, Hawco has become one of Canada’s most recognizable television talents, appearing in numerous film and television productions throughout his career.In addition to Republic of Doyle, his credits include Jack Ryan, Frontier, Departure, and Saint-Pierre. Known for his charismatic screen presence and passion for telling distinctly Canadian stories, Hawco continues to be a major force in the country’s film and television industry both in front of and behind the camera.

In this episode, we sit down with acclaimed composer Sara Barone to discuss her work on Netflix’s psychological thriller series The Beast in Me. Sara takes us behind the scenes of crafting the show’s tense, atmospheric score, exploring how music helps shape suspense, character psychology, and emotional storytelling. We also discuss her creative process, collaborating with fellow composers, and the unique challenges of scoring a series built on mystery and unease. Whether you’re a fan of film music, television storytelling, or The Beast in Me, this conversation offers a fascinating look at the art of composing for the screen. Sara Barone is an Emmy-nominated composer for film, television, and interactive media whose work spans acclaimed documentaries, feature films, television series, and video games. She is known for her contributions to the BBC’s Planet Earth III, which earned a Primetime Emmy nomination, as well as Netflix’s The Beast in Me, the feature film To Kill a Wolf, and the VR game Alien: Rogue Incursion. Her additional music credits include Zack Snyder’s Justice League, Sonic the Hedgehog, and Love, Death & Robots. A graduate of Columbia University and the USC Thornton School of Music, Sara has established herself as one of the rising voices in contemporary screen scoring, known for creating emotionally rich and immersive musical landscapes.

This week on 1st on Film, we sit down with acclaimed cinematographer Itai Ne’eman to discuss his work on the coming-of-age road trip comedy Driver’s Ed. Ne’eman takes us behind the camera to explore how the film’s visual style was developed, the challenges of shooting on the road, and his collaboration with director Bobby Farrelly.Itai Ne’eman is an award-winning Israeli cinematographer and director of photography whose work spans feature films, television series, documentaries, commercials, and visual art projects. Born in Tiberias, Israel, Ne’eman has built an international career distinguished by a visually dynamic style and a diverse body of work. He has served as cinematographer on acclaimed productions including Outer Range, High Desert, The Spy, Mayans M.C., Mr. Mercedes, Dig, Tyrant, and Homeland.

In this episode, we sit down with filmmakers Woodruff Laputka and Tehben Dean, alongside actress Avise Parsons, to discuss their haunting new feature, The Man Whom the Trees Loved. Inspired by Algernon Blackwood’s classic supernatural tale, the film follows a couple whose vacation on a remote island takes a disturbing turn as an eerie connection between man and nature begins to unravel their relationship. We explore the film’s origins, the challenges of shooting in the wilds of Florida, adapting literary horror for the screen, and the deeply personal themes of grief, inspiration, and renewal woven throughout the story.Woodruff Laputka is a filmmaker, writer, editor, and actor known for his work in independent genre cinema. His directing credits include The Last Incantation, The Herd, and The Man Whom the Trees Loved, which he also co-wrote, co-directed, and stars in as Dave. Through his work, Laputka explores themes of horror, folklore, and the emotional complexities of human experience. Tehben Dean is an award-winning filmmaker and cinematographer whose career spans documentary, commercial, music video, and narrative filmmaking. After beginning his career in Alaska, Dean worked extensively throughout Portland and Los Angeles, creating projects for brands including Nike, Adidas, and Under Armour. His debut feature, All I’ve Got & Then Some, premiered at Slamdance and earned multiple festival awards. He co-directed and produced The Man Whom the Trees Loved, continuing his focus on visually striking and emotionally resonant storytelling.Avise Parsons is an actress who stars as Sophie in The Man Whom the Trees Loved. In the film, she portrays a woman fighting to save her marriage as her husband becomes increasingly consumed by a mysterious connection to the surrounding forest. Parsons brings emotional depth and vulnerability to the role, helping anchor the film’s blend of psychological drama and supernatural horror.

In this episode of 1st on Film, we sit down with filmmaker Jevon Boreland and actor Emidio Lopes to discuss their psychological thriller Welcome. Jevon shares the inspiration behind writing and directing the film, the challenges of crafting suspense and morally complex characters, and his journey from award-winning short films to feature filmmaking. Emidio reflects on bringing Darren Coleman to life, collaborating with the cast and crew, and navigating the emotional intensity of the story. Together, they offer a behind-the-scenes look at the making of Welcome, a tense thriller that explores fear, survival, and the difficult choices people make when pushed to their limits.Jevon Boreland is a Toronto-based Canadian writer, director, producer, and co-founder of Dark Wolf Pictures. Known for creating character-driven stories that blend emotional depth with genre filmmaking, his work has been described as authentic, thought-provoking, and empathetic. Boreland first gained recognition through a series of acclaimed short films, including Stripped, To Kill a Secret, and A Gift, which screened at festivals across North America and earned multiple awards, including several Best Director honors. His feature directorial debut, Welcome (2025), is a psychological thriller that showcases his passion for exploring complex human behavior through suspenseful storytelling. In addition to his film work, Boreland has built a career as an unscripted television producer.Emidio Lopes is a Canadian actor and writer whose screen credits span film and television. He stars as Darren Coleman in the psychological thriller Welcome and has also appeared in projects including The Big Cigar, Hudson & Rex, Youngblood, Pressure Play, Silent, and Mea Culpa. Recognized for his versatility and ability to portray emotionally layered characters, Lopes continues to build a diverse body of work across independent and mainstream productions.

At the 2025 Canadian Screen Awards, 1st on Film caught up with rising Canadian star Miku Martineau for a quick but engaging red carpet conversation. Best known for her breakout roles in Kate, Star Trek: Section 31, and Netflix’s hit series Bet, Miku discusses stepping into a variety of genre projects, what attracts her to unique characters, and her experience leading one of Netflix’s most talked-about new series. In this short but insightful interview, she reflects on her evolving career, the challenges of playing fan-favourite characters, and the excitement surrounding Bet.Recorded live on the red carpet at the Canadian Screen Awards.Miku Martineau is a Canadian actress, voice artist, and singer from Toronto, Ontario. She first gained international attention for her performance as Ani alongside Mary Elizabeth Winstead in Netflix’s action thriller Kate (2021). Since then, she has continued to build an impressive résumé with roles in Honor Society, Ruby and the Well, and Paramount+‘s Star Trek: Section 31, where she portrayed a young Philippa Georgiou opposite Academy Award winner Michelle Yeoh. In 2025, Martineau took on her biggest leading role yet as Yumeko in Netflix’s live-action series Bet, inspired by the popular manga Kakegurui. Known for her versatility across action, science fiction, drama, and thriller projects, Martineau is quickly becoming one of Canada’s most exciting young performers.

This week on 1st on Film, we sit down with the creative team behind Kevin’s Series of Unfortunate Events, the LGBTQ+ romantic comedy that serves as the fourth installment in the anthology series Patterns.Joining us are director Rex Glensy, writer Asad Moghal, and lead actor Jake Watkins for an in-depth conversation about bringing this heartfelt and hilarious story to life. We discuss the inspiration behind the episode, balancing romance and comedy, crafting authentic LGBTQ+ representation, and the unique challenges of telling a complete and compelling story within an anthology format.The trio also shares behind-the-scenes stories from production, insights into their creative collaboration, and what they hope audiences take away from Kevin’s journey.

Actor, writer, and first-time novelist Jon Duque joins the podcast to discuss his debut novel, Letting Go, a heartfelt coming-of-age story that explores grief, resilience, identity, and hope. Jon shares the inspiration behind the book, the personal experiences that shaped its emotional core, and the journey of transitioning from acting and screenwriting to novel writing.In this conversation, we dive into the themes of loss and healing, the role of football culture in the story, the creative process behind building its supernatural elements, and what Jon hopes readers will take away from the novel. Whether you’re a fan of compelling character-driven stories, interested in the writing process, or looking for an inspiring discussion about overcoming life’s challenges, this is an episode you won’t want to miss.Letting Go is available on Amazon June 9th

On this episode of 1st on Film, we sit down with filmmaker Blake Winston Rice and actor/writer Victoria Ratermanis to discuss their acclaimed short film DISC. Premiering at the Toronto International Film Festival, the film follows two strangers whose one-night stand leads to an unexpectedly intimate and chaotic predicament, blending sharp comedy with genuine human connection. Blake and Victoria take us behind the scenes of the film’s creation, from developing the story together to collaborating with star Jim Cummings, navigating the festival circuit, and exploring themes of vulnerability, intimacy, and modern relationships. It’s a candid conversation about independent filmmaking, creative partnerships, and finding humor in life’s most uncomfortable moments. Blake Winston Rice is an award-winning writer and director from New Jersey and a graduate of Rowan University. His breakout short film, Tea (2024), starring Michael Gandolfini and executive produced by Patty Jenkins, premiered in competition at the Cannes Film Festival and went on to screen at numerous Oscar-qualifying festivals.Victoria Ratermanis is an actor, writer, director, and producer who is a lifetime member of the Actor’s Studio. She gained widespread recognition for her role in the Oscar-nominated short film A Lien and has appeared in projects including Fosse/Verdon. A graduate of Pace University with a BFA in Acting and trained in the Meisner technique at Playhouse West Brooklyn, Victoria has built a multifaceted career both in front of and behind the camera. With DISC, she serves as co-writer, producer, and star alongside Jim Cummings, marking a significant step in her filmmaking journey. Born in Baltimore and raised overseas, her unique upbringing has helped shape the imaginative storytelling and versatility that define her work today.

Writer and director Alexandra Bahíyyih Wain joins the podcast to discuss her short film in the clouds, a poignant and imaginative work that explores identity, connection, and the complexities of growing up. In this conversation, Alexandra shares the inspiration behind the film, her creative process as both a writer and director, and the challenges and rewards of bringing such a personal story to the screen.Alexandra Bahíyyih Wain is a British writer and director whose work focuses on unconventional relationships, marginalized communities, and emotionally resonant human stories. Drawing from her experiences as a neurodivergent storyteller, she is committed to bringing diverse and underrepresented perspectives to the screen.

In this episode of 1st on Film, we sit down with filmmaker Shin-Fei Chen to discuss her short film, A Mary Can Dream. As the film’s writer, director, and star, Chen shares the inspiration behind the project, the creative journey of bringing Mary’s story to life, and the themes that shaped the film’s emotional core.We explore her transition from acting to directing, the challenges and rewards of independent filmmaking, and her passion for telling authentic stories that resonate across cultures. Whether you’re a filmmaker, film lover, or simply interested in the creative process, this conversation offers an insightful look into the making of A Mary Can Dream and the artist behind it.Shin-Fei Chen is a Taiwanese-born actress, writer, producer, and filmmaker whose work spans film, television, and digital media. She is known for her performances in projects including The Son, Doctor Who, and the short film A Mary Can Dream, which she also wrote and directed. Beyond acting, Chen has built a diverse creative career as a writer and producer, creating and developing stories that highlight underrepresented voices and cross-cultural experiences. Her work reflects a commitment to character-driven storytelling and authentic human connection.

This week on 1st on Film, we sit down with the creative minds behind County Blooms, the flower-powered Canadian lifestyle series celebrating growers, designers, and floral creatives across Ontario and Québec. Host and creator Jen Pogue and filmmaker Navin Ramaswaran join us to talk about building the series, capturing the beauty of floral culture on screen, and the passion behind telling stories rooted in creativity, community, and nature. From behind-the-scenes production stories to the growing success of the series, this conversation blooms with insight, inspiration, and a whole lot of heart.About Jen PogueJen Pogue is a Canadian award-winning host, creator, actor, producer, and writer best known as the creator and host of County Blooms. She won the 2024 Canadian Screen Award for Best Host, Web Program or Series for her work on the show. Beyond County Blooms, Pogue has appeared in productions including Ghostwriter, I Woke Up a Vampire, Hudson & Rex, and Endlings, while also producing independent Canadian film and television projects through FILMCOOP INCAbout Navin RamaswaranNavin Ramaswaran is a Canadian filmmaker and cinematographer known for his work across independent film and television. On County Blooms: A Flower-Powered Adventure, he served in directing and cinematography roles, helping shape the show’s vibrant visual style and intimate storytelling approach. His work focuses on visually driven narratives that spotlight culture, creativity, and human connection.

At the red carpet event for Shenanigans Toronto, we caught up with creator and host Jen Pogue for County Bloooms alongside directors Michelle Jedrzejewski and Navin Ramaswaran to talk about bringing the project to life. From the inspiration behind the series to the creative process and what audiences can expect, the trio shared insights into the heart, vision, and collaboration that shaped County Blooms.Jen Pogue is a Canadian award-winning host, creator, actor, producer, and writer best known as the creator and host of County Blooms. A passionate advocate for floral design and storytelling, Jen has worked across film, television, and digital media, with credits including Ghostwriter, I Woke Up a Vampire, and Hudson & Rex. She won the 2024 Canadian Screen Award for Best Host of a Web Program or Series for County Blooms. Michelle Jedrzejewski is a Canadian writer, story producer, and director known for her work on County Blooms and County Blooms: A Flower-Powered Adventure. Michelle has contributed as both a writer and director on the series, helping shape its heartfelt storytelling and creative vision through a mix of lifestyle programming and documentary-style filmmaking.Navin Ramaswaran is a Canadian filmmaker, director, and cinematographer recognized for his visual storytelling work across film and television. On County Blooms: A Flower-Powered Adventure, Navin served as both director and director of photography, bringing the series’ vibrant floral landscapes and intimate creative moments to life on screen.

This week on 1st on Film, we sit down with editors Erin DeWitt and Nate DeYoung to discuss their work on Oscar Boyson’s provocative dark comedy-drama Our Hero, Balthazar. The pair break down their collaborative editing process, balancing the film’s sharp tonal shifts between satire and emotional realism, and shaping two contrasting perspectives into one cohesive story. We also dive into their creative partnership with Boyson, the challenges of pacing character-driven tension, and how the film’s themes of online culture and modern alienation informed the final cut. A fascinating conversation about storytelling, rhythm, and finding humanity inside chaos.

In this episode of 1st on Film, we sit down with writer-director John Gray to discuss his powerful short film A Guest in My Country. Gray shares the inspiration behind the story, the themes of identity and belonging woven throughout the film, and the creative process of bringing such an emotional and timely project to life. We also talk about the challenges of independent filmmaking, storytelling through a deeply human lens, and what he hopes audiences take away from the experience.John Gray is an award-winning writer, director, and producer known for his work across film and television. He is the creator of the long-running hit series Ghost Whisperer and has written and directed numerous acclaimed projects throughout his career. With a storytelling style that often explores human connection, spirituality, and emotional truth, Gray has built a reputation for creating thoughtful and compelling narratives that resonate with audiences worldwide. A Guest in My Country continues that tradition, offering a moving and timely reflection on identity, compassion, and belonging.

On this episode of 1st on Film, we hit the red carpet at Shenanigans Toronto, to speak with writer/director Laurel Brady about her short film Eddie. Laurel discusses the inspiration behind the film, and the creative process behind the project,Laurel Brady is a filmmaker and writer/director whose work focuses on character-driven storytelling and emotionally grounded narratives. Through her films, she explores human connection, identity, and personal growth, bringing a thoughtful and authentic voice to independent cinema.Eddie is a short film that follows an emotionally layered journey of self-discovery and connection, exploring themes of vulnerability, relationships, and the complexities of everyday life. With an intimate storytelling approach and strong performances, the film offers a heartfelt look at the moments that shape us.

On this episode of 1st on Film, we sit down with writer-director Joel Veach and actress Liana Wright-Mark to discuss their gritty new indie thriller American Muscle. Veach opens up about crafting the film’s tense neo-noir atmosphere, balancing emotional family drama with crime-thriller intensity, and making his feature directorial debut. Wright-Mark shares insight into building her complex character Maggie, collaborating with the cast, and bringing emotional depth to a story filled with desperation, violence, and buried secrets.Joel Veach is an American writer, director, and producer best known for the indie crime thriller American Muscle, which marks his feature directorial debut. In addition to directing the film, Veach also wrote and produced the project, showcasing his signature character-driven storytelling and gritty neo-noir style. Prior to American Muscle, he wrote the psychological thriller Old Man (2022), directed by Lucky McKee and starring Stephen Lang. Veach has also directed short films, including Guys with Guns, and continues to develop bold independent genre projects. Liana Wright-Mark is a New York and Los Angeles–based actress, writer, musician, and model whose work spans film, television, and theater. She stars as Maggie in Joel Veach’s thriller American Muscle. Wright-Mark previously appeared in Rian Johnson’s Poker Face, Hulu’s Old Man alongside Stephen Lang, and Gary Ross’ Ocean’s 8. A graduate of Pace University’s Musical Theater program, she has also written and produced original stage work, including the award-winning musical Elise. Beyond acting, Wright-Mark has worked extensively in modeling and music, building a diverse creative career across multiple artistic mediums.

In this episode of 1st on Film, we sit down with director Jody Wilson and actor Anwen O’Driscoll to talk about The Bearded Girl, a coming-of-age drama that blends family history, identity, and life in the traveling carnival world. Jody discusses bringing the film’s emotional story to the screen, while Anwen shares what drew her to the role and how she approached portraying a character searching for belonging and self-acceptance.Jody Wilson is a Canadian writer and director whose work explores identity, class, and psychological themes through a surreal and character-driven lens. With a background in screenwriting and visual effects, Wilson first gained attention for her award-winning short film Indigo before making her feature directorial debut with The Bearded Girl.Anwen O’Driscoll is a Canadian actor known for her performances in You Can Live Forever, Burden of Truth, October Faction, and Netflix’s Bet. Originally from Ontario, she began acting at a young age and has quickly become one of Canada’s rising young performers, earning praise for her emotionally grounded and compelling performances.

Welcome back to 1st on Film. Today, we’re joined by an exciting Canadian filmmaker whose work continues to shine a light on identity, family, and the immigrant experience with honesty and heart. Serville Poblete is a Toronto-based screenwriter and director whose latest documentary short, In the Morning Sun, has already made waves on the festival circuit, earning the Jury Award at SXSW before premiering at Hot Docs.The film is a deeply personal portrait of his mother’s connection to home, memory, and migration, exploring how everyday rituals — from music to technology — can bridge the distance between Canada and the Philippines. Known for blending intimate storytelling with poetic visuals, Poblete has also directed acclaimed projects including Altar Boy, Lovely, and the documentary short King’s Court.

This week, we sit down with Canadian producer Christopher Giroux for an in-depth conversation about his journey in the film industry, the lessons he’s learned throughout his career, and the launch of his brand-new production company with wife and actress Ann Pirvu Christopher also discusses his latest project, BEE MY LOVE, the first feature released under the new banner, arriving later this month. From building stories behind the scenes to taking creative risks as a producer, this episode offers a look at the passion, challenges, and vision driving the next chapter of his career.Christopher Giroux is a Canadian film producer known for his passion for independent storytelling and character-driven projects. Over the course of his career, he has worked on a variety of productions while building a reputation for supporting emerging talent and bringing original stories to the screen. Now entering a new chapter, Giroux has launched his own production company with his wife and actress Ann Pirvu with the goal of developing bold and entertaining films for modern audiences. His latest project, BEE MY LOVE, marks the company’s first release and showcases his continued commitment to creative filmmaking and fresh cinematic voices.BEE MY LOVE is a new feature film that blends romance, comedy, and heartfelt storytelling into a charming cinematic experience. The film follows unexpected connections, emotional twists, and the pursuit of love in ways that are both funny and sincere. BEE MY LOVER represents an exciting new creative direction while delivering an entertaining story audiences can connect with. The film releases May 15th

In this episode of 1st on Film, we sit down with director Nora Kirkpatrick to talk about her sharp and insightful new film Couples Weekend. Known for her keen eye for character and emotionally grounded storytelling, Kirkpatrick dives into the complexities of modern relationships through a deceptively simple premise: a getaway that quickly unravels.Couples Weekend follows a group of longtime friends who escape to a remote vacation house for a relaxing retreat—only to find their relationships tested in unexpected ways. As tensions rise and buried truths surface, what begins as a lighthearted getaway turns into a revealing exploration of trust, communication, and emotional honesty.Blending moments of humor with raw interpersonal drama, the film examines how couples navigate conflict and connection in close quarters. With a strong ensemble cast and naturalistic dialogue, Couples Weekend captures the messy, complicated reality of modern relationships.Nora Kirkpatrick is a filmmaker, writer, and actor known for her character-driven storytelling and nuanced approach to human relationships. With a background in performance, she brings a deep understanding of actors and collaboration to her work behind the camera. She has acted in many popular series such as; the office and shrinking, written for the show daisy jones and the sixKirkpatrick has built a reputation for crafting intimate, emotionally resonant narratives that explore connection, identity, and vulnerability. Her work often blends humor with grounded realism, creating stories that feel both personal and widely relatable. Couples Weekend marks her latest directorial effort, continuing her focus on ensemble storytelling and the complexities of modern life.

This week on 1st on Film, we sit down with writer/director Jared Isaac and cinematographer Brandon Somerhalder to discuss their coming-of-age romance An Autumn Summer. The duo breaks down the film’s nostalgic visual style, crafting an authentic story about friendship and young love, and the collaborative process behind bringing the magical lakeside world of the film to life. Film Description – An Autumn SummerAn Autumn Summer is a coming-of-age romantic drama set in a magical Michigan lake town, where one young couple and their close-knit group of friends spend their final summer together before college changes their lives forever. As relationships deepen and the future begins to pull them in different directions, the group chases one last unforgettable season filled with love, uncertainty, friendship, and self-discoveryJared Isaac Jared Isaac is an American filmmaker, writer, actor, and producer whose work focuses on emotionally grounded coming-of-age stories and character-driven drama. He wrote and directed An Autumn Summer, a romantic drama centered on friendship, love, and transition during one unforgettable lakeside summer. Before stepping behind the camera for feature filmmaking, Isaac built his career as an actor, appearing in projects such as Witch Hunt, the mystery series Solve, the thriller Dying for the Crown (also known as Homecoming Revenge), and NBC’s Chicago P.D. His transition into directing reflects his interest in intimate storytelling and nostalgic youth-centered narratives.Branson SomerhalderBrandon Somerhalder is a cinematographer and producer known for creating visually immersive and emotionally intimate imagery in independent film. On An Autumn Summer, Somerhalder served as both cinematographer and producer, helping craft the warm natural lighting and nostalgic visual atmosphere that define the film’s lakeside setting. In addition to his work on An Autumn Summer, he previously worked as a producer on the horror-thriller Head Count. Somerhalder’s filmmaking style emphasizes natural environments, grounded performances, and cinematic realism that supports emotionally driven storytelling.An Autumn Summer is a coming-of-age romantic drama set in a quiet Michigan lake town, where a group of close friends spends one final transformative summer together before college and adulthood begin pulling them in different directions. At the center of the story is Kevin, played by Mark McKenna, and Cody, portrayed by Lukita Maxwell, as the two navigate love, uncertainty, and the emotional weight of growing up. The ensemble cast also includes Jun Yu as Jared, Julian Bass as Martin, Louise Barnes as Marylou, Katie Baker as Annie, Tony Horton as Steve, and Joette Waters as Baba. Through friendships, heartbreak, and self-discovery, the film captures the bittersweet feeling of holding onto one last perfect summer before life changes forever.

On this episode of 1st on Film, we chat with Emily Coutts and editor Kat Webber to discuss their short film Rosebud, which screened at Shenanigans Toronto. We talk about the film’s creative process, collaboration, editing, and bringing an intimate short story to life on screen. Coutts BioEmily Coutts is a Canadian filmmaker and actor known for her work in film and television. With a growing voice in independent cinema, she brings character-driven storytelling and a thoughtful creative perspective to her directing work on Rosebud.Kat Webber BioKat Webber is a film editor whose work focuses on emotionally grounded storytelling and collaborative filmmaking. On Rosebud, Webber helped shape the film’s tone, pacing, and emotional rhythm through the editing process.Short Film DescriptionRosebud is a short film that explores personal connection, emotion, and human vulnerability through an intimate and carefully crafted story. Combining strong performances with thoughtful editing and direction, the film delivers a reflective and emotionally resonant viewing experience.