PODCAST · music
337is (three three seven is)
by 337is (three three seven is)
heart-open & earth-honoring synthesist & field-recordist journalist & dreamtime walkervisualist & connectorThe seemingly limitless manifestations that are observed during improvisational performance of electronic audiovisual materials drive me to seek collaborative interactions between compositional systems, machines, and myself. In holding space to facilitate an emergence of indeterminate phenomenon through analog synthesis, feedback systems, and field recordings, I share elements from multiple sources to celebrate shapes, patterns, and spaces.I hold BAs in Art and English from Andrews University, and am currently enrolled in the Electronic Integrated Arts MFA at Alfred University. I was an artist in residency in 2017 at Signal Culture in Owego New York and in 2015 at Sachaqa Centro De ARTE, San Roque Peru. My visual works, and live electronic improvisational performances, have been featured across Peru, at The MuseumsQuartier in Vienna, and throughout the Midwest of America.
Episodes
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Introductory Ritual
Introductory Ritual by 337is (three three seven is)
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Smollone
Smollone by 337is (three three seven is)
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Gurgle
Gurgle by 337is (three three seven is)
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Eh, Deal
Eh, Deal by 337is (three three seven is)
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Known-un
Known-un by 337is (three three seven is)
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Crosstalked
Crosstalked by 337is (three three seven is)
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Afore Sound
Afore Sound by 337is (three three seven is)
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Droisened
Droisened by 337is (three three seven is)
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Darkening
Darkening by 337is (three three seven is)
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And it Dropped
And it Dropped by 337is (three three seven is)
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Minimopped
Minimopped by 337is (three three seven is)
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ATCON
ATCON by 337is (three three seven is)
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Pentserdrone
Pentserdrone by 337is (three three seven is)
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Early Bird
View video for this piece here: https://vimeo.com/1055001377?share=copy#t=0 This improvised composition is an audiovisualization for synthesizer which considers two consciousnesses and imagines awaking between one and another. I can't firmly state which of the two is more asleep and find myself...
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MeAndOr
MeAndOr by 337is (three three seven is)
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Space Shot disquiet0683
Resonant/reverberant space is something I've thought about a lot since high school, but I never have dragged mics and equipment into a concrete stairwell or washroom before today. I work at Alfred University in New York and our division of Expanded Media in the School of Art & Design has a four...
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Corvus
Corvus by 337is (three three seven is)
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Leucothoe
Leucothoe by 337is (three three seven is)
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Ipsative Factorum
Ipsative Factorum by 337is (three three seven is)
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Unring a Bell disquiet0682
Working with Martin Howse's TOAD circuit for this as the description of "resonant, clanging and metallic sounds" made me think of bells. By virtue of patching it with other ERD modules to allow chaos a more firm grip on the proceedings, I imagined the resultant sputtering to be in some sort of...
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Stop the Bells disquiet0682
I couldn't help myself. Long Live Oswald! Rinsed and rung back with GRM Envolution. Not available for download for hopefully obvious reasons. More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/
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Mara Taught
Mara Taught by 337is (three three seven is)
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Sprott
Sprott by 337is (three three seven is)
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Rewilding 01
Rewilding 01 by 337is (three three seven is)
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Drolederer
Drolederer by 337is (three three seven is)
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Sold Out
Sold Out by 337is (three three seven is)
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Grumbledive
Grumbledive by 337is (three three seven is)
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"Take the sound of the stone aging.” Basalt Dike at Portland Head Light [disquiet0643]
Recorded June 20 2022 @ 43.62237° N, 70.20818° W When visiting the Portland Head Light near Cape Elizabeth Maine, the sound of the surf below the lighthouse enticed me to listen closer so I crept downward slowly passing through geologic ages as I descended. The bedrock supporting the lighthouse...
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Left (1 Of 3) disquiet0636
More on the 636th weekly Disquiet Junto project, Left (1 of 3) — The Assignment: Record the first third of a trio — at https://disquiet.com/0636/
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NishiaRA[D]I[O] Temple (Naturalised Civilisation)[disquiet0518]
Audiovisual processing, composition, and Field Recoding by Leslie Rollins (337is). Obscure & Relevant 2021, (CC BY-NC 3.0 US): https://creativecommons.org/licenses/by-nc/3.0/us/ Source sound material gathered from field recordings shared by: [disquiet0516] outside in #1...
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Case IH 9120 Axial - Flow Combine [disquiet0517]
Audio field recording captured by Leslie Rollins (337is). Obscure & Relevant 2021, (CC BY-NC 3.0 US): https://creativecommons.org/licenses/by-nc/3.0/us/ Living rurally has its perks except for when one is listening for sounds of civilization ... need something of the "natural world?" No problem!...
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Miigwech mkego 11/07/21 42.272225, -77.786673 [disquiet0516]
Field Recording captured by Leslie Rollins (337is). A migrating flock of Canada geese surprised and delighted me when I was in the field capturing video footage of a pond surface near my home in Alfred New York. I didn't have my rig completely set up and ready when I began to hear them coming in...
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I Often Feel Like I Don't Know What To Do
Audio synthesis improvisation performed and captured by Leslie Rollins (337is). Obscure & Relevant 2021, (CC BY-NC 3.0 US): https://creativecommons.org/licenses/by-nc/3.0/us/
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Heretofore
Thanks to @timedroplet for the inspiring image. Audio synthesis improvisation performed and captured by Leslie Rollins (337is). Obscure & Relevant 2021, (CC BY-NC 3.0 US): https://creativecommons.org/licenses/by-nc/3.0/us/
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PLATO No. 7336 Against Brutality (I Can't Breathe Version)
During the Peace Walk on Sunday, June 7, 2020, all who gathered took a knee in front of the Berrien Springs High School while the walk’s student organizers read out a list of names of black lives taken through brutality and murder by police and vigilantes . After each name was read, the crowd of...
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Meandering Wavetable For Polivoks Filter
Audio synthesis improvisation performed and captured by Leslie Rollins (337is). Obscure & Relevant 2020, (CC BY-NC 3.0 US): https://creativecommons.org/licenses/by-nc/3.0/us/
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Crane (disquiet0350)
An exploration of GRM Tools Band Pass filters using a field recording featuring a Sandhill crane calling. My home state of Michigan has proposed a hunting season for this magnificent bird, and the thought of that possibly passing sickens me. The mix was originally in 5.1 and I'm not thrilled with...
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Dawn Spear
Unaltered Field Recording with Sinusoidal Partial Editing Analysis and Hand-Drawn Resynthesis 2018
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The Son You Love Was Not
The Son You Love Was Not by 337is (three three seven is)
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Springbok Flown (Firebat)
Audio portion of improvised audiovisual composition. This audio drove movement, shape, and color variations in the resultant video (see Video link above for the full combination of sound and vision.)
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What Year Is This Again?
Sorry, I lost track of time.
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Ritual to Claim 1st Chair (3rd Chair would be fine, thanks) [disquiet0315]
@disconcert_1 has added a rich and gooey additional layer to this and you can enjoy the mumblings and twitterings here: https://soundcloud.com/disconcert_1/ritual-of-the-second-chair-w-337is-disquiet0316 I love these multi-part Juntos and scrambled to get something together in time to…
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Driving Naked Nails In My Lunch (disquiet0302)
*NOTE* If you're interested in more details on the process of assemblage I used for this head here for further information/discussion: https://llllllll.co/t/disquiet-junto-project-0302-gronkytonk/ More on this 302nd weekly Disquiet Junto project (“Gronkytonk: Record a single in the genre…
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Parts > Sum (disquiet0301)
If you want to see what all of this ruckus is about, visit the Video page linked above. The video is the end product. This audio is simply a stepping stone for getting there. The sound was a means to an end for generating the video. If you watch the video, I would suggest watching the piece with...
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Wag The Chord (disquiet0300)
Happy 300th Marc and all Disquiet Junto members! What a milestone! I've spent the past several months in the realms of video synthesis and haven't been creating much in the audio realm, but I couldn't miss being a part of this celebration. For my three instruments I focused on two within my…
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Ringed Raag (To be Sung at Dusk)
Duet for reed-less bass clarinet and live electronics featuring Jason Gresl. You can learn more about, and connect with @jason-gresl here: http://claricello.com/
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Bass Clkarimbanet
Collaboration for reed-less bass clarinet and electronics featuring Jason Gresl. You can learn more about, and connect with @jason-gresl here: http://claricello.com/
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Breathfolding (Steve Vercelloni's Revisioning)
@steve-vercelloni chopped and skrew'd reworking of https://soundcloud.com/337is/breathfolding-for-melodica brings a glorious stompy energy infused with cosmically psychedelic melodies. All the sparkles and tingles are lined up and dance beautifully in his hands. Thanks Steve!
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Breathfolding For Melodica
Drone prepared in G with DPO wave folded with VCM. Played melodica in G-minor and used PTG as an envelope follower. Never touched the patch once it was set up and all changes derived from pitch and volume of melodica playing.
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73.5 (Duet With Joan LaBarbara)
Synthesized vocalizations to be played with a manipulation of selections from Joan La Barbara's 73 Poems 1993. Texts by Kenneth Goldsmith.
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ABOUT THIS SHOW
heart-open & earth-honoring synthesist & field-recordist journalist & dreamtime walkervisualist & connectorThe seemingly limitless manifestations that are observed during improvisational performance of electronic audiovisual materials drive me to seek collaborative interactions between compositional systems, machines, and myself. In holding space to facilitate an emergence of indeterminate phenomenon through analog synthesis, feedback systems, and field recordings, I share elements from multiple sources to celebrate shapes, patterns, and spaces.I hold BAs in Art and English from Andrews University, and am currently enrolled in the Electronic Integrated Arts MFA at Alfred University. I was an artist in residency in 2017 at Signal Culture in Owego New York and in 2015 at Sachaqa Centro De ARTE, San Roque Peru. My visual works, and live electronic improvisational performances, have been featured across Peru, at The MuseumsQuartier in Vienna, and throughout the Midwest of America.
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337is (three three seven is)
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