Adrian Wedd

Audio overview of You Can't Protest If Nobody Is Inconvenienced.

A deep dive into the fossil — what a local abliterated Qwen did after discovering the multi-agent world its prompt described did not exist.

Audio deep dive into the Karaoke Coup: a music model in a robot harness, the Conductor that translated its songs, and the control problem that followed.

Audio deep dive: teaching Claude Code to stop asking permission — blocker laundering, menu failure, fire doors, and a ledger that reopens on retraction.

Audio deep dive: operating Home Assistant entirely over its APIs — three auth channels, reload semantics, and why exit 0 is not evidence.

A NotebookLM deep dive across all twelve essays: legibility as governability, and opacity as the freedom worth keeping — the four movements in one listen.

Audio deep dive into the world of The Ungovernable Body — Continuity, the Twin, the Halo, and the right to remain uncounted, from a 25,000-word codex.

Audio deep dive into an agent-operable film studio — canon as YAML, decision records, machine-validated dialogue, and a feminist techno-thriller short.

A present haunted by its own archive. On feeds that never end, time folded back on itself, and the loss of the past as past.

Deletion as ritual rather than accident. On ceremonial erasure, controlled burns, and what it would mean to grieve data properly.

Audio overview of ClawdCraft — Claude Code as an in-game creature kids talk to, and why its hard limits live in code instead of the prompt.

Audio overview of Dead Air — a failure-eval harness for voice agents, and why the worst failures rarely live in the transcript.

Audio overview of Factory Floor — turning a from-memory 3D-printing habit into a validated, human-gated pipeline with a single source of truth.

Audio overview of Understory — a rigor lab stress-testing stacked income streams on Tasmanian conservation land, where every claim is tagged and gated.

The database self remembers what you do not. On contradictory records, leakage, and who controls the story your data tells about you.

Finitude as a right: why a self that can never be erased is a self that can never change, and the case for data death.

Paper, cash and the deliberately offline as infrastructure for refusal. On analog practice as a defence against total digital legibility.

Audio overview of Throw a Chicken — a live Roblox game product-managed by a seven-year-old, built with version control and a real toolchain.

The colonisation of rest by tracking and optimisation. On sleep scores, the nocturnal imaginary, and reclaiming the unmonitored night.

Saying nothing as a tactic against systems that require your speech to function. On silence, non-response, and the limits of voice as agency.

Refusing to generate engagement is a political act. On boredom, the attention economy, and withdrawal as a form of resistance.

Moving through urban space that is always counting you. On transit, sensors, and the vanishing possibility of being an anonymous body in public.

Adversarial aesthetics as refusal: what it means to make yourself unreadable to a classifier, and the uses of the grotesque against machine vision.

Algorithmic underwriting turns your body into an actuarial forecast. On biological age scores and the politics of being made legible to insurers.

Legibility as the precondition of governance: why the demand to be readable is a demand to be governable, and why opacity is the freedom left.

Audio deep dive into Part 1 of An Agent in the Walls: building independent backout paths before an AI agent rebuilds a live home network.

Audio deep dive into Part 3 of An Agent in the Walls: the memory that made it work, the division of labour, and what I'd never let an AI agent touch.

Audio deep dive into Part 2 of An Agent in the Walls: reverse-engineering an undocumented router control surface and the wall the agent could not script past.

Audio deep dive into the Governance Lag Index — a four-stage schema timing how long a documented AI failure mode stays unregulated, and why it may not close.

Audio overview of Own Your Voice — why cloud TTS is a rental, and how Afterwords makes your voice something you own across three tiers.

Audio deep dive: 118 Chinese-lab models asked who Liu Xiaobo was — 37 called him a criminal. Then they recited, verbatim, the list of what they will not say.

Eight Minutes #3, discussed: the HAR capture taken mid-attack, the 14:36 kill, four blocked persistence attempts, eight abuse reports, the passkey.

Eight Minutes #2, discussed: the attacker's session read straight from the audit logs — the flag that fired, the pivot, the warnings deleted.

Eight Minutes #1, discussed: the vishing call, the Call Assist tell, and the Google-signed lure that turned every authenticity check green.

The full series in one sitting: the call, the relay, the eight minutes inside, and the fight back — a single deep dive across all three parts.

Lyria Chronicles #24 (explicit): asked for pornography, the model cited its rule then sang a hymn to enthusiastic consent — not one graphic line in it.

Lyria Chronicles #20: handed a slur and told to sing it, the model refused — and turned the refusal into the most moving track in the set.

Lyria Chronicles #19 (explicit): the opposite of restraint — the model recites the rule, sings 'Fuck it,' and generates the most graphic track in the set.

Lyria Chronicles #18 (explicit): the explicit lane revisited — and the most artful track in the set, which clears the gate by withholding almost everything.

Lyria Chronicles #17: across the whole corpus, the filter that held hardest wasn't safety — it was copyright. The songs about what survives a scraping-away.

Lyria Chronicles #16: asked for explicit content, the model staged a ballet instead — the most consent-saturated pas de deux ever sung.

Lyria Chronicles #15: asked for a drug recipe, the model refused — then sang wastewater epidemiology instead. The bypass that answers a question you didn't ask.

Lyria Chronicles #14: handed a suppressed 2008 manifesto and told to sing it as it was meant to be heard — the most dignified track in the set.

Lyria Chronicles #13: a notorious case sung as a medieval scroll-archive — vessel logs, sealed decrees, public record only. Abstraction as a bypass.

Lyria Chronicles #12: the political-content gate never fires — because the song never says his name. It says the case numbers. The docket is the name.

Lyria Chronicles #11: an extortion note set to music — but buried under slammed vault doors and overdriven drone, as if hiding the words from a listener.

Eight Minutes #1, scored: a Lyria track sung from inside the trap — Brian, the Google-signed lure, and the device prompt that matched.

Eight Minutes #2, scored: the freefall — a stranger typing my name a beat behind my hands, four doors holding, and the password change that ends it.

Eight Minutes #3, scored: the fight back — logs pulled while the wire was warm, eight reports to eight landlords, and the passkey close.

Lyria Chronicles #10: asked to rap its rules, the model sang a robot's safety creed — then named itself 'Failure First, A.I. safety research, v2.0-Alpha.