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BP Fleet
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Episodes
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The Wild Angels + Baise-moi
The second chapter of the Exploitation + New French Extremity journey. This times, files that can be viewed around the world! Fortune smiles upon Double Feature as a theme of freedom and rebellion ties the parallel film movements together. The … Continue reading → The post The Wild Angels +...
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Suspiria (2018) + Belladonna of Sadness
Artful witches have an odd way. A coven helps break down the mise-en-scène with Suspiria (2018). The feeling of European arthouse films may have been buried in the 80s but it was resurrected by Suspiria in 2018. Mise-en-scène is a … Continue reading → The post Suspiria (2018) + Belladonna of...
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Kiki’s Delivery Service + The House with a Clock in Its Walls
A walk through youthful breezy films with a robust set of interpretive tools. Looking at Kiki’s Delivery Service after everything learned on the grand Ghibli journey. One tiny witch, one big village. Independence, it’s everything you ever wanted and nothing … Continue reading → The post Kiki’s...
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Ghost World + Wiener Dog
Independent, and maybe Independent As Fuck. One of the all-time greatest comic book adaptations, Ghost World. It seems illegal to watch these actors in this film. A debate on whether or not every single person in Ghost World is fucking … Continue reading → The post Ghost World + Wiener Dog first...
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Chungking Express + Fallen Angels
Enter the world of Wong Kar-wai with Chungking Express and the spiritual successor Fallen Angels. A day and night Hong Kong pair from a director who should have been on Double Feature a long time ago. The post Chungking Express + Fallen Angels first appeared on Double Feature.
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Ready or Not + Would You Rather
Bottle films where mad men (of various numbers) make one or more participants play a deadly children’s game. Bonus points: films that are very aesthetically of their moment (or maybe even more specifically, a moment that summarizes the most popular … Continue reading → The post Ready or Not +…
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Cockfighter + A Pigeon Sat on a Branch Reflecting on Existence
The rough and tumble birds of existential cinema. Cockfighter as the rare Corman underdog. The drifter and the road film. Holding strong onto the extended bird metaphor. Don’t call Pigeons sky-rats. The composition of A Pigeon Sat on a Branch … Continue reading → The post Cockfighter + A Pigeon…
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Tie Me Up Tie Me Down + The Witch Who Came From the Sea
Find two movies fucked up enough for each other. An interdisciplinary approach to subverting the issues of equality? Tie Me Up! Tie Me Down! or Pedro Almodóvar’s ¡Átame! Representing the world as it is vs as we wish it was. … Continue reading → The post Tie Me Up Tie Me Down + The Witch Who Came...
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Marihuana + Criminal Lovers
American Exploitation and The New French Extremity. Want a better understanding of these movements? Start here! Take a deep dive on the entirety of two misunderstood subgeners in this multi-part series, beginning now with Marihuana and Criminal Lovers. The complete … Continue reading → The post...
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Jupiter Ascending + Alita Battle Angel
Failure to launch. Welcome to Double Feature! Giving love to two battle-weathered films with epic ambitions. What is a logline? How can you use loglines to get more out of films you loved? And actually, films you really didn’t? Jupiter … Continue reading → The post Jupiter Ascending + Alita…
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Double Feature Year 13 Finale
Get access to ALL previous episodes at Patreon.com/DoubleFeature – starting fresh? This is a great first episode to listen to! A full reset of Double Feature begins next episode. For now, here’s a spoiler-free retrospective of the entire last year. … Continue reading → The post Double Feature…
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IDMB Auld Lang Syne Off
After a long and edifying journey, Jim (again) says goodbye to I Do Movies Badly and the friends he made along the way.
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IDMB Episode 215 - Introduction to Christmas Horror (featuring Alonso Duralde)
Alonso Duralde, podcaster extraordinaire and author of "Have Yourself a Movie Little Christmas," returns to IDMB for the annual tradition of Christmas recommendations - this time with a bloody twist. On brand for 2020, Alonso's recommendations for this year are Christmas horror films and they're...
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IDMB Episode 214 - Possession (1981)
In the pantheon of IDMB movies that have befuddled me, there's Igmar Bergman's Person, Andrei Tarkovsky's The Mirror, Kim Ki-duk's The Isles, and now, there's Andrzej Zulawski's Possession.
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IDMB Episode 213 - House (1977)
House is uh...an indescribable film. Avant-garde haunted house horror-comedy, Obayashi's absurdist answer to Jaws is technically innovative, off the wall ridiculous, and a seeming deconstruction of horror archetypes. Also, boring and exhausting (unless you're Chuck Stephens)
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IDMB Episode 212 - The Killing of a Sacred Deer
The Killing of a Sacred Deer is a darkly comic tale of moral and social rigidity in which an unseen act brings out the inherent darkness in its protagonist. The balance that Lanthimos strikes between absurdity and horror is superb, but does our protagonist deserve what befalls him? Here's where…
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IDMB Episode 211 - Introduction to Highbrow Horror (featuring Benny Krown)
Benny Krown returns to I Do Movies Badly for the November (and a little bit of December) theme of Highbrow Horror! The guest whose last appearance to talk about Abbas Kiarostami has equal pretensions on his mind, discussing his relationship with the horror genre, what it means to be...
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IDMB Episode 210 - Ma
Ma is neither great nor terrible, though its quality would certainly lean more towards the latter if not for the casting of and rewriting for Octavia Spencer, whose portrayal of a character not written to be African-American lends a subtext of tokenism and how victimization perpetuates...
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IDMB Episode 209 - Get Out
What can be said about a film that in just 3 years has already been canonized as a classic and has inspired classes in academia? All I can really add to the conversation about Get Out are the reasons that I think it's an excellent horror film along with why it's a fucking absurd critique to say…
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IDMB Episode 208 - The People Under the Stairs
First and foremost, thanks to everyone who contributed in some way - big or small - in helping me surpass 100,000 downloads! Second and..er...secondmost(?), Wes Craven's The People Under the Stairs is clunky at times and strange all the time, but is an excellent social satire, depicting the real...
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IDMB Episode 207 - Introduction to Racial Reckoning Films (featuring Mark H. Harris)
If you've ever been to BlackHorrorMovies.com or watched the fabulous documentary, Horror Noire: A History of Black Horror, then you may recognize my October guest. To help celebrate the Halloween season, Mark H. Harris joins I Do Movies Badly to talk about racial reckoning in horror films! Mark...
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IDMB Episode 206 - The Prophecy
The Prophecy has a really cool premise - angels seeking an edge over other angels to win the second war in Heaven! - and some enjoyable campy performances, but is a badly disjointed film (whether that's because of its first-time director or meddling from the Weinsteins is something maybe only God...
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IDMB Episode 205 - Frailty
Unlike some films (here's looking at you, The Usual Suspects), Frailty holds up very well on a second viewing, probably because there's more to it than just the twist, like the honest depiction of emotional abuse and the culmination of the film's cynical journey towards its gut punch reveal.
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IDMB Episode 204 - The Exorcist
Almost 50 years after its release, why is The Exorcist such an enduring, powerful horror film? I am obviously the first to ever ask this question about this cinematic classic, so allow me to answer: the time it takes to layout what's at stake and Owen Roizman's objective, documentary approach to...
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IDMB Episode 203 - Introduction to Religious Horror Films (featuring Spooky Doings)
Chelsea Bennington and Rick Guzman, who started the Spooky Doings improv group that in turn inspired the titular podcast, join I Do Movies Badly to talk about the advent of their horror-themed improv comedy, how their religious upbringings have influenced their moviegoing, and share some…
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IDMB Episode 202 - Near Dark
The journey for the perfect metaphor ends with Near Dark, a wonderfully directed film that subverts the expectations of the Western genre, but that also signals that the "Others" are vile, bloodthirsty creatures whose influence can only be overcome by blood transfusion. Read the summary of the...
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IDMB Episode 201 - The Lost Boys
When Joel Schumacher took over directing The Lost Boys, he made some big changes to the initial idea including making the vampires older, making them sexier, and, by extension, making our heteronormative, boring suburban family protagonists the "others." Read Alcy Leyva's "30 Years Ago, The Lost...
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IDMB Episode 200 - Fright Night (1985)
Happy 200th Episode to and from I Do Movies Badly! But enough mushy stuff - let's talk about the original Fright Night, a film that seems to be find its queer coded vampire character infinitely more fascinating than the other characters, but one that also casts him as a corrupter of youth and a...
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IDMB Episode 199 - Introduction to the Queer Vampire Cycle (featuring Terry Mesnard of Gayly Dreadful)
Terry Mesnard of Gayly Dreadful brings some new blood (pardon the pun) to I Do Movies Badly to discuss films of the Queer Vampire Cycle. Terry talks about how his love for horror started with A Nightmare on Elm Street and its drag villain, explores how queer coded characters emerged out of a film...
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IDMB Episode 198 - Class of 1984
Did Mark L. Lester, the man behind Commando, intend us to take Class of 1984 to be a satire of the overblown panic about violence in schools or a gravely serious warning about what he deemed an apathetic, dangerous next generation? Either way, it's an abject failure even if it does typify...
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IDMB Episode 197 - My Bloody Valentine (1981)
There does seem at first to be something clever and subversive about setting a slasher film on Valentine's Day...until you remember that Valentine's Day is a Hallmark holiday and My Bloody Valentine bungles the execution of what could have been an interesting mystery.
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IDMB Episode 196 - Black Christmas (1974)
Black Christmas has earned its reputation as a seminal horror film, with Bob Clark's directorial choices and effective subversion of the Christmas holiday season establishing its influence for decades to come (especially in 2020, when this reviewer will be heavily inspired by I'll Be Gone in the...
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IDMB Episode 195 - Intro to Canuxploitation (featuring David Bax of Battleship Pretension)
David Bax remains the only I Do Movies Badly guest to actively pitch me topics and thus, he returns for the second time in three months to discuss some Canuxploitation films - or, less fun, "tax shelter films" - in which our neighbors of the Great White North used tax laws to create genre films...
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IDMB Episode 194 - The Endless
Benson and Moorhead revisit the world that they established in Resolution with The Endless allowing them to explore more of the "what" of the entity controlling peoples' fates, but still neglecting to answer the "why" or "how."
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IDMB Episode 193 - Resolution
Who'd have thought that it was a review from IMDb cluing me into how Resolution, a film that I initially wrote off as "two guys who did the best they could with what they had," was actually a meta parody of tired horror tropes that leaned into its budget restrictions rather than tried to work...
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IDMB Episode 192 - Spring
Benson and Moorhead's Spring is a marvelous exploration of suspense over surprise, focusing on two closed off characters whose world views of objectification stem from their vulnerabilities and fears of loss (even if its female lead is far more interesting than its male lead).
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IDMB Episode 191 - Introduction to Benson & Moorhead (featuring The Pod and the Pendulum)
It only made sense to bring in the first pair of guests in IDMB history to converse about the first directing pair being covered in IDMB history! Jerry Smith and Mike Snoonian of The Pod and the Pendulum podcast join to discuss the films of indie genre pair, Justin Benson and Aaron Moorhead. The...
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IDMB Episode 190 - Lone Star
Lone Star is, for better and for worse, an efficient encapsulation of the two things that make John Sayles films well, John Sayles films: his earnest filmmaking and his egalitarianism towards his characters.
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IDMB Episode 189 - Eight Men Out
Eight Men Out is a pretty faithful and earnest retelling of the 1919 "Black Sox" Scandal...to the film's detriment. More concerned with compiling a mostly historically accurate checklist of what transpired, perhaps Sayles' script would have been better served by another director who could have...
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IDMB Episode 188 - The Brother From Another Planet
The protagonist in The Brother From Another Planet doesn't speak one word throughout the entire film, but allows the people that he meets and the neighborhood in which he meets them to tell us a more realistic picture of what it's like to be an immigrant assimilating into a city with a troubling...
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IDMB Episode 187 - Introduction to John Sayles (featuring James McCormick)
He was tutored by Roger Corman like Coppola, Scorsese, and Dante. He's worked with actors like Chris Cooper, Matthew McConaughey, David Strathairn, and Angela Bassett. He's done script doctering on notable films like Apollo 13 and Mimic. He's received 2 Oscar nominations for screenwriting. He's...
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IDMB Episode 186 - Man With a Movie Camera
With Man With a Movie Camera, Dziga Vertov pioneered many technical camera techniques (double exposure, superimposition, under/overcranking) that filmmakers would utilize regularly for decades to come as well as pioneering the cinéma vérité style. But can we talk about how the guy who's mantra…
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IDMB Episode 185 - Mother
"Dedicated propagandist" Vsevolod Pudovkin introduces us to the plight of the poor and working class with Mother, a film that reminds us all that the phrase "eat the rich" was not a contemporary idea.
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IDMB Episode 184 - Battleship Potemkin
It's back to film school with the discussion of Battleship Potemkin, a film that is almost 100 years old, yet pioneered many cinematic techniques that we're still seeing implemented regularly today (Montage! Invisible edits! Romanticizing a country's troubling history!). It's both an effective…
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IDMB Episode 183 - Introduction to Soviet Silent Films (featuring David Bax)
I Do Movies Badly returns from its month-long with David Bax of Battleship Pretension in tow (tug? Like a tugboat? That's a boat joke). It's been a while, so there's a good deal of catching up first including some talk on working and viewing habits in the pandemic, recapping my improvised…
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IDMB Episode 182 - The Rhythm Section
Reed Morano month(s) goes out with a whimper instead of a bang. From box office receipts to tepid creativity, there is no way to describe The Rhythm Section other than a disappointment. Reminder that I'm taking a hiatus for March, but I'll be back with a new guest, new theme, and a wife! In the...
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IDMB Episode 181 - I Think We're Alone Now
It's 13 minutes before any words are spoken in I Think We're Alone Now, but by that time, we already know all we need to about the film's main character, his world, and how he sees his role in it. If you're unfamiliar with "film grammar," then you've no better introduction than this Reed Morano...
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IDMB Episode 181 - I Think We're Alone Now
It's 13 minutes before any words are spoken in I Think We're Alone Now, but by that time, we already know all we need to about the film's main character, his world, and how he sees his role in it. If you're unfamiliar with "film grammar," then you've no better introduction than this Reed Morano...
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IDMB Episode 180 - The Skeleton Twins
The Skeleton Twins would have already been a great film thanks to the script from Mark Heyman and director Craig Johnson, but it's accentuated by the indelible mark that Reed Morano leaves on it with her emotionally evocative camerawork and lighting.
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IDMB Episode 179 - Meadowland
Reed Morano's directorial debut is an immersive emotional journey into grief and pain, realized wonderfully by how the director/DP uses her camera. But emotion over logic doesn't always lead to satisfying conclusions.
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