BUCKET CITY MOUTHWASH

Tennessee Blues Mob blends the raw energy of blues-infused rock, the emotional depth of Americana, and a slice of black metal's roots. This band is carving out a unique lane on the music industry expressway. “It’s not your granddaddy’s blues, but it's blues influenced,” Bassist Damian Robinson puts into picture.Along with Robinson, in the Tennessee Blues Mob are the members – lead vocalist Michael Phillips and keyboardist Terry McClain. Joined by guitarist Shane Borchert and drummer Scott Mincey, the group has honed its craft over decades of playing together in various projects. “Really, the key for us is that a lot of us have played together in the past and really know how the other one operates, and I think when you’re standing in a room that’s really important,” explains Robinson. This intuitive understanding of one another’s musical prowess translates to a captivating live performance.https://im-musicmagazine.com/f/tennessee-blues-mob-bringing-the-grit-and-soul-of-the-south-to-the-stage/

Jason Deitz has a significant impact on the local music scene in Murfreesboro. A post-emotional hardcore band sticks out before he was in the Harden Draw, Amigo the Devil, IV and the Strange Band, and many other notable works. Deitz relocated to Murfreesboro from Washington, D.C., in 1993. In 1995, he became the bassist for the band Serotonin. In this episode, we discuss Serotonin's recent reunion after a 20-year hiatus, as well as the members' successes both outside of the band and during that break. We conclude with a Q&A session based on questions from a recent post on the Bucket City Mouthwash Facebook page.

You might recognize Henry "The Knife Daggs" from his appearance in a Sir Pizza commercial. However, there is much more to Daggs than just that. Behind the counter at 1902 E Main St, Murfreesboro, TN, lies a rich history of the area's music scene. Alongside his impressive talent, Daggs has worked on a make line with a remarkable staff at Sir Pizza for 23 years.Daggs shares stories ranging from the mythos of being a knife fighter on the road to living at House Pride.For additional information:Two of my friends, Jayme Brunson and Jake Umberger, have been extra hard at work developing these websites with extensive archives for those who feel like diving into some homework!https://bucketcitydiy.com/?fbclid=IwY2xjawLoGkpleHRuA2FlbQIxMABicmlkETFzSkNRZElRU1pkdWVUWkF2AR7vXSa6F0lTHSEDZNvZF5g1NUB2L_3RmQjHlHNTHJW5qUThbsOvVMlDYSJtSA_aem_qaJQTFztiBHxevTghdZDmghttps://atlasmusica.neocities.org/https://tomatojake.neocities.org/lastly, If anyone wants to make a financial contribution to BCMW we have a Gofundme, Cash app and Venmo.https://www.gofundme.com/f/support-bucket-city-mouthwash?lang=en_US&fbclid=IwY2xjawLoIJJleHRuA2FlbQIxMABicmlkETFIcEdhOEY1ZzBkRHFQMExmAR4Y_nCRFsCqJ92ZZXMFL4n2SwHwwLgdcU9iQ58eln3pA35pXUre0OBY6XGveg_aem_6j9VTWX0xBv1Ll_I2FoFIQ$coolgrady3@Grady-Olson-3

Thom was in a band called The Buffalo Saints. They were an alt-country band from Kansas City and released their album "Walking the Dead" in 2005. Additionally, Thom has released three solo EPs. Thom Hoskins has experience as a Front of House Engineer. He has managed all audio, visual, and lighting aspects during live shows. Before performances, he conducts sound checks, discusses sound goals with the band or songwriter, and adjusts volume, balance, and EQ. Throughout shows, his skills come into play when he has to listen and make real-time adjustments, ensuring that performers and audience members receive the best sound.

Scufflemöss Treemen is a forest troll from the Black Forest in Germany. He began making music in 2018 and formed a band called Wüden Boi with fruends! Scufflemöss has also been involved in creative projects such as storytelling and online shows. He recently appeared on "America's Got Talent" and has released three self-produced albums.

Milton Chavez is a key figure behind the Muddy Roots Festival, a DIY music event that has evolved from its beginnings at June Bug Boogie Ranch into an international phenomenon. He co-manages the festival with his wife, Delane Chavez, and Jason Galaz, known as the Mudfather. Milton is passionate about supporting local music scenes, helping bands connect across countries, and maintaining the festival's community-driven spirit. This includes expanding Muddy Roots to locations in Belgium, Argentina, and the UK while preserving its grassroots ethos.

Ethan Rose recounts their experiences living on Eagle Street, including house shows and their introduction of Murfreesboro’s music scene. Rose highlights the challenges of maintaining DIY music spaces due to gentrification and real estate market changes. The speakers also touch on their involvement in various bands, such as Uncle Skunkle and Toxic Culture, and their efforts to support community through Boro Fondo and CXR.

Jay Palmer started skateboarding around age 8, began playing drums and guitar in his teens, and was part of multiple bands including Thrash Biscuits, Bottle Tosser and Boyfriend. He was close friends with musician Andy Johnson who is remembered as the keyboardist, vocalists and visionary for Boyfriend. He has been active in the local house show scene since his youth. Jay has filled in for plenty of bands as well such as Casual Sects and currently Spinal fluid. Jay is passionate about music, having experimented with multiple instruments and participated in various local music projects throughout his teenage and young adult years.

Lei Tellez has been actively involved in the music scene since the age of 16, booking shows and organizing events. During a challenging period in their life, they found refuge and solidarity within the Murfreesboro house show community, which provided safety and support when they needed it most. Currently, Lei is the lead singer of the band Misandry and is eager to start more musical projects. They emphasize the importance of community, harm reduction, and the need for more venues and support for emerging bands.

Hunter Bates and Hope H. discuss their early band experiences, including their first time playing at Draculand and Dad's Garage and their transition to playing in Murfreesboro. They detailed their involvement in various bands, including F Hero, Shin-kira, and Bleached Out, and their experiences at music festivals like Muddy Roots. They also touched on their screen printing business, Gnarly Prints, and their contributions to local music events like Boro Fondo, which they've helped organize. The discussion includes their plans, potential tours, and continued involvement in the local music scene.

Hayden Gist is a local musician, music producer, and sound engineer who has been involved in the Murfreesboro, TN music scene for about 12 years. He started out playing in bands like Neptune the Mystic and later bands such as the Colonist and Skeetzo N Krysis and later helped formed the punk band The Oitakus. Olive Hoover recently moved to Murfreesboro from Dallas, TX. She became familiar with the local punk scene before moving and has continued to be involved in the Murfreesboro scene. He is passionate about the Murfreesboro music community and encouraging more bands to come play shows there.

Jess Hayes discusses her involvement in the artistic community of Murfreesboro, Tennessee, highlighting her experiences with house show venues, noise music, and art projects. She recounts her time at Noise House and the Crossroads, her involvement in the Art Fuckers collective, and organizing shows, including the memorable "Dad Show" featuring her father's band. Jess also shares her experiences at Boro Fondo, which inspired her to pursue art more seriously. She emphasizes the importance of community, creativity, and supporting local artists, expressing hope for the future of the music and art scene.

Weston Morgan, AKA Hambone, joined the band Apathy Wizards in college. The band's transition to Murfreesboro is discussed, emphasizing the welcoming music scene and the challenges, including financial struggles. He also talks about his new band, Sick Burnout, and his foray into comic book creation. The discussion concludes with reflections on the importance of community, constructive criticism, and the value of giving back through his nonprofit, Let's Rock Camp.

Ethan Rose and Jack Brunson are both from Kentucky and shared a formative experience at the same high school. They are the originators of Funky Frankenstein Records and are well-known together in their band Unkle Skunkle. In 2010, Ethan and Jack relocated to Murfreesboro, Tennessee. This move proved pivotal as they quickly integrated into the local music scene. They became active participants in booking shows and collaborating with various bands, further expanding their community connections.

Joseph Glisson began promoting shows in Murfreesboro at the age of 13, booking his first show in 2019. He highlights his involvement with local venues like Media Rerun and discusses the impact of all-age shows on the community. Additionally, he addresses the decline of bike culture in Murfreesboro due to safety concerns and city regulations. Glisson emphasizes the potential for combining bike and music events during Boro Fondo. Furthermore, he notes the overlap between skateboarding and music culture, recognizing the supportive role of local skate shops while also acknowledging the challenges of organizing skate events. Lastly, he discusses the evolution and recognition of the “Bucket City Punxs” name within the local music scene.

Greg Warrick, also known as Wak, plays Tanks Rats and Wrekt. He delves into the history and evolution of the local music and skate culture scene. He recounts his early days playing music, and his performances in the Army. He discusses the transition from skate culture to counterculture, the impact of house shows, and the challenges of maintaining a music scene amidst changing regulations and venue closures.

Rebecca Shockley reflects on her final shift at the Boro Bar and Grill. Her departure is marred by an unfortunate incident involving the ATM, adding complexity to her farewell.Adam Kaauwai discusses his criminal history and how he has transformed into what he describes as a “good boy” in the eyes of the law. He emphasizes his commitment to change and personal growth. To break free from what he calls the “Murfreesboro curse,” he undertakes a symbolic act by defiling the Obelisks in the geographical center of Murfreesboro. This act represents his desire to leave behind his past and embrace a new beginning.

TN Blues Mob is a hard-hitting blues-rock band that has been making waves. Made up of seasoned musicians who have played together in various lineups over the years, TN Blues Mob blends traditional Americana influences with a modern, gritty edge.Photo credit; Ashley Riggs

Jason Deitz significantly impacted the local music scene in Murfreesboro, Tennessee. Dietz has built a dedicated following among the area's music enthusiasts. Through consistent involvement and dedication, Deitz has established himself as an integral part of Murfreesboro's thriving local music community.Notable Works; The Hardin Draw, Serotonin, Amigo the Devil, IV and The Stange Band.

Joe Ok is a modest singer-songwriter known for his contributions to the local music scene, as the touring manager of the Joey Fletcher Band, and as a member of The Hellbillies.

Craig Murphy and Kevin Robertson, affectionately known as Bling, are the creative forces behind the band Boo Boo Bunny, a name that became well known with the Greenland Dr. bar music scene in Murfreesboro.

Joey Fletcher’s musical influence began early, with his grandfather and local artists. Initially a touring musician, Joey now focuses on his band. His approach to music is characterized by a laid-back attitude and playing from the gut. The Joey Fletcher Band has recorded songs and plans to release new material in 2025. Fletcher is known for his love for Toots. He values the camaraderie within his band and his connections in the music industry, including opportunities to play with some of his musical heroes.Live music recorded at The Boro bar and Grill of The Joey Fletcher Band courtesy of Rob Tank.Photo taken by. Jacob Rawson

Aaron Swisher's is an artist on winding path, shaped by his family's heritage and his own evolving artistry. Swisher has continuously reinvented his sound, always seeking authentic expression. Swisher's story is one of versatility and resilience. As he looks to his next chapter following his departure from The Harden Draw and a time out for rest needed to recollect himself.