Casper Hernández Cordes

Arbejder med at finde de matematiske formler, omsat til lyd, som skal lukke op for kragekanalen, dvs. kragernes kollektive erindring... Her har jeg analyseret et kragekald, fundet overtonerne, omsat disse til talforhold, - 10 8 3 2 1 - og disse tal er omsat til tempo, rytme og tonehøjde, samt klanglige farvninger.

Solo klarinet og analog synth. Før koncerten i morgen; en forpremiere.

A synth 'improvisation' on maxmsp, played in the room, recorded by a geophone attached to the window...

More experiments with maxmsp to prepare for my forest concert... Developing an 'analog' synth in maxmsp, and using 'cellulose' sounds, IE, sounds made of wood things, as 'percussion'; and, finally, using the poetry of Inger Christensen as basis for the melodic parts.

This is music, that I suppose mycelium would love. Based on cellulose IE sounds from branches, leaves, fruits, seeds, etc., that are the things mycelium feed on. When doing my outdoor mycelium concerts, this is the basic soundscape I'll 'feed' to the environment, thus creating a fertile ground (literally) for the mycelium to engage in a fair trade - cellulose (sound) for bioelectricity (used in my eurorack modular setup via Scion Instruo, to give the mycelium a voice)

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

Listen to this episode of the podcast Building Sound Collectives https://cultural-sustainability.eu/2022/03/13/1632-11-24-spinoza-numbers-and-human-emotions-in-music/

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

"Epilogues". Improvisations using the composition #011300 as a 'landscape'..

#011000 - #0114000 Improvisations over the composition #000000 "Last Dream" Read more about the method and philosophy behind this improvisation here: https://cultural-sustainability.eu/2021/11/05/music-as-an-ecosystem/

This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

“This is the first variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

This is the a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

This is a variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

This is the second variation based on the score based on the improvisation Last Dream https://soundcloud.com/chcordes/last_dream

Piano improvisations in the dark...

sy å te ba 1 - 8 å nu æ klåk ås be mang

Hjemme igen 7 by Casper Hernández Cordes

Music as an ecosystem. This is the first proposition. An improvisation on the piano from which I have written a composition for piano. See the score here: https://cultural-sustainability.eu/2021/10/28/thomas-bs-last-dream-2021/

Another impro on top of Satie's Gymnopédie no. 1..

An impro on Satie´s Gymnopédie no. 1

do you ask the leaf for an explanation why it moves left then right then up down whirl a movement that can be heard or not heard just stating the occurence of an event not expecting it to make sense in the way you expect an action directed towards you to make sense but the way a leaf makes sense when it moves left right then up down in the wind sometimes resulting in a sound sometimes not

motor movements like the wind blowing not manifesting as sound unless meeting resistance in leafs grass high voltage lines movement manifesting as sound Watch the music video here: https://youtu.be/_EZFR25X7Y4

black keys and then some white ones by Casper Hernández Cordes

Starting on track, going off rail, back again..

Eyes closed, no planning, total improvisation, no editing.

Eyes closed, no planning, total improvisation, no editing. I used this impro for my composition for Saxophone Quartet "When will this change"

Stem cells, small pieces, each with its own individual DNA..

Stem cells, small pieces, each with its own individual DNA..

Stem cells, small pieces, each with its own individual DNA..

Stem cells, small pieces, each with its own individual DNA..

Stem cells, small pieces, each with its own individual DNA..

Stem cells, small pieces, each with its own individual DNA..

Stem cells, small pieces, each with its own individual DNA..

This piano improvisation is recorded with the Røde M5 MP dual set, using iD14 as audio interface. The mics were placed approx 10-15 cm from the hammers of my upright piano (top parts removed)... I have done NO EDITING, except from hard limiting and adjusting amplitude. Please listen and give me feedback on the sound, thanks!!!!!

Piano Improvisation.

Piano Improvisation.

Piano Improvisations.

Piano Improvisations.

Piano Improvisations.

Piano Improvisation.