PODCAST · music
Classicalbanksy
by Classicalbanksy
https://about.me/classicalbanksy (photo by Ki Price)2020 marked Simon Roberts’ mainstream debut as Media Music Composer, with a nomination from ITV, for a Royal Television Society Crafts and Design Award for his score for “Return to Belsen,” directed by Simon Broughton, and written and presented by Jonathan Dimbleby. Simon teams up with MultiStory again in 2021, for the follow-up, “The Cellist of Auschwitz,” featuring Anita Lasker-Wallfisch."Return to Belsen" - broadcast 7th April, 2020, ITV1:https://youtu.be/UKzQm-eeSRwAn early successful Opera career, which saw him managed by Luciano Pavarotti and living in Italy, Simon was forced to prematurely retire from the opera stage for health reasons, and the enforced convalescence that followed, gave him time to consider new professional directions. Having worked as an opera agent for a while, he decided to pursue a career as composer, inspired by Gian-Carlo Menotti, for whom he worked as PA between 2003-2005. Following a year of study
-
5
"Father's Eyes" - from "Transgenre" Album (demo mix 3)
With lyrics written from recollections of the last time I saw him, in 2012, just before he passed away...
-
4
"Go Boris, Go!" NOT a Tribute Song!
OUT 10th JUNE 2019 - IF YOU DON'T BUY IT, WHO KNOWS WHAT MIGHT HAPPEN!!! LISTEN TO THE MUSIC, ENJOY THE SOUND… THINK OF NAZANIN SAGHARI-RATCLIFFE AND HOPE FOR HER SPEEDY HOMECOMING, And, if you like and appreciate this track, then PLEASE - SHARE IT, TALK ABOUT IT, RETWEET IT, REMIND PEOPLE OF IT… Help me make it FLY! Thank you, and God Bless, Classicalbanksy xxx
-
3
Futureblind (Ray Tarantino, remixed by Classicalbanksy)
OUT NOW across all streaming platforms, and via iTunes: https://itunes.apple.com/gb/album/futureblind-single/1424744936 If you like the track, PLEASE - click the link, buy yourself a copy to keep forever, and help me to complete the album TRANSGENRE - for YOU, which I just know you will just LOVE! Pop, Opera, Hip Hop, Grime, Trap, Classical, Progressive Dance, QUALITY MUSIC that brings these forces together like no one has EVER done before! My sincere thanks to Ivo Grasso at Massive Arts Milano for his acquiescence on Ray's behalf, but most especially to the two musicians who just make this remix of mine something very, very special: Of course - Ray Tarantino - for a GEM of a song in the first place - it was a delight to work with you, thank you for letting me 'do my thing!' And to my wonderful mate, and occasional musical partner in crime, Andrew Keeping, for some sumptuous ad lib guitar playing the quality and beauty of which are just out of this world, and which grab me every time I listen to this track. And to Simon Napier-Bell, who didn't know me from Adam, but who was gracious enough to have a listen, and commented that Futureblind was: "... a massively rewarding listen. A massage for the ears..." He didn't know it at the time, but that was a big deal for me, as he was the first seriously influential music industry figure to comment publicly on my work. Simon - thank you x
-
2
"In Memoriam" - a song from George Michael, by Classicalbanksy
A unique George Michael tribute - a song written "from his perspective." “In Memoriam” The George Michael Tribute Song Apple / iTunes: https://music.apple.com/gb/album/in-memoriam-single/1496975711?app=music&ign-mpt=uo%3D4 Spotify https://presave.to/pCLBA00DB1 (Mastered by Mike Hillier at www.thisismetropolis.com, Distributed by Kate Hendry at Absolute Services) "IN MEMORIAM" - a song "from" George Michael - by CLASSICALBANKSY Lyrics: The Look was good, The Songs were right, (I was)Enchanted, It’s granted - You’d have made the same mistakes, Had you been me my friend. For my Mother’s Pride, I tried to hide, And put in place - some innocent and foolish face. How could anyone have known - that this would be my end. Then, like a gift from God - an Angel came my way, To Whom I could give my heart, Oh, Oh, Oh, Oh, But the deadliest of irony, that took him away from me - It was plain to see, Would come back for me. I had no choice, I could not bear my destiny - Without the Angel who loved me, I wanted to be with the Angel who loved me. ***Instrumental*** Now that we’re worlds apart, it’s easier to say: I know that I should not have walked away, Oh, oh, oh, oh, (Yeah) I must apologise, I was too scared to recognise, Didnt realise I was paralysed. So grateful that you heard me without prejudice. But I just couldn’t love me. I have always loved you, but I just could not love me. (Words and Music copyright 2019 Simon Roberts / Classicalbanksy / Lyric Media Group)
-
1
"The American Dream?" (2021 mix)
"America is good... And if America ever ceases to be good, America will cease to be great..." This was the first track I released commercially.... Love and thanks to my college mates, "The RAM Boys:" Andrew Keeping - Guitars (keepingmusic.co.uk) Oliver Preece - Trumpets Justin Thorogood - Trombone Thanks too to Jonathan King for some savvy advice about the title! And thanks to you, for taking the time to listen to it. The album "Transgenre" will be out in Feb 2022.. Simon (Classicalbanksy) xx
We're indexing this podcast's transcripts for the first time — this can take a minute or two. We'll show results as soon as they're ready.
No matches for "" in this podcast's transcripts.
No topics indexed yet for this podcast.
Loading reviews...
ABOUT THIS SHOW
https://about.me/classicalbanksy (photo by Ki Price)2020 marked Simon Roberts’ mainstream debut as Media Music Composer, with a nomination from ITV, for a Royal Television Society Crafts and Design Award for his score for “Return to Belsen,” directed by Simon Broughton, and written and presented by Jonathan Dimbleby. Simon teams up with MultiStory again in 2021, for the follow-up, “The Cellist of Auschwitz,” featuring Anita Lasker-Wallfisch."Return to Belsen" - broadcast 7th April, 2020, ITV1:https://youtu.be/UKzQm-eeSRwAn early successful Opera career, which saw him managed by Luciano Pavarotti and living in Italy, Simon was forced to prematurely retire from the opera stage for health reasons, and the enforced convalescence that followed, gave him time to consider new professional directions. Having worked as an opera agent for a while, he decided to pursue a career as composer, inspired by Gian-Carlo Menotti, for whom he worked as PA between 2003-2005. Following a year of study
HOSTED BY
Classicalbanksy
CATEGORIES
Loading similar podcasts...