Colour and Ceramics

On today's show, Bob Acton @bobacton, interviews Deana Bada Maloney, an Illinois-based ceramic artist and wildlife sculptor whose work brings together hand-built clay, animal anatomy, drawing, expressive surface, and mixed media.With a background in drawing, painting, anatomy, and scientific illustration, Deana has developed a highly observational approach to ceramic sculpture. She often thinks about working in clay as a form of three-dimensional drawing, using gesture, texture, and carefully observed anatomy to build animals that feel both physically convincing and full of character.Teaching has also become an important part of Deana’s practice. Through workshops and mentoring, she shares her approach to sculpting animals, studying anatomy, developing form, and using clay as a way of seeing more closely.Surface is another distinctive part of Deana’s work and teaching. She uses oxides to emphasize the marks made during sculpting and also works with inks on fired ceramic surfaces, allowing drawing and mark-making to continue after the firing process. Her workshops on inking ceramics explore how these materials can add depth, contrast, and character without completely covering the clay beneath.In this episode of the Colour and Ceramics Podcast, we talk about ceramic animal sculpture, drawing in three dimensions, studying anatomy, hand-building techniques, working with ink on ceramics, developing expressive surfaces, and what Deana has learned through teaching and mentoring other ceramic artists.If you are interested in ceramic sculpture, wildlife art, hand-building, clay workshops, animal anatomy, ceramic surface techniques, or using drawing as part of your ceramic practice, I think you’ll enjoy this conversation.

My guest today is Drew Caines, a ceramic artist based in Leeds in the north of England who has been working with clay for almost 30 years.Drew creates richly textured, often sculptural work that brings together influences from very different points in human history. He draws inspiration from ancient Palaeolithic, Mesolithic and Neolithic art, folklore and ethnography, while also pulling in contemporary influences such as street art and Pop art.There is a wonderful sense of something both ancient and strangely familiar in Drew's work. Pattern, texture and intricate detail are central to his making, but beneath the surface is a deeper interest in memory, emotion and our connection to the people who made things thousands of years before us.You can find his work here: https://www.instagram.com/drewcainesceramics/

In this episode of Colour & Ceramics, Bob Acton @bobacton speaks with Susie Kathol, a ceramic artist, wildlife biologist, and botanist based in Revelstoke, BC.Susie brings her scientific knowledge and deep connection to the natural world into her ceramic practice, using sgraffito to carve images of plants and wildlife into the surfaces of her work.We talk about the relationship between science and art, learning ceramics within a supportive studio community, and how close observation of the natural world can find its way into clay.A lovely conversation about curiosity, nature, and developing an artistic practice alongside a life in science.Susie's Instagram page: https://www.instagram.com/susiekatholceramics/Susie's Website: https://susiekatholceramics.ca/

SPECIAL EDITION: In this episode of the Colour & Ceramics Podcast, we explore the Surface Stories Collective, https://surfacestoriescollective.lovable.app/, a Toronto-based initiative bringing non-ceramic artists from equity-deserving communities into the world of ceramic surface design.Through workshops, studio sessions, and a culminating exhibition at Gallery 1065 from July 24 to August 2, participants are expanding their creative practices, experimenting with clay, and building new connections across Toronto’s arts communities.It is an inspiring conversation with Natalie Waddell https://claygirl.ca and Christina Leslie https://www.christinaleslie.com/ about access, collaboration, and the possibilities that emerge when artists step into unfamiliar creative territory.Listen now wherever you get your podcasts.Produced with the support of the City of Toronto through the Toronto Arts Council.#ColourAndCeramics #SurfaceStoriesCollective #CeramicArt #TorontoArts #ContemporaryCraft

My guest today is British ceramic sculptor Paul Smith, who has worked full-time from his studio in North Derbyshire since 1998. Paul is known for his bold, semi-abstract animal sculptures, combining simplified forms with expressive, richly layered surfaces.Inspired by ancient sculpture and pottery, Inuit and folk art, and his lifelong fascination with the natural world, Paul is especially drawn to horses, cattle, wolves, bears, and big cats. His recent work uses layers of slips, engobes, oxides, and underglazes to create sculptures that feel like treasured objects, marked by age and history.Alongside his studio practice, Paul now teaches his distinctive hand-building methods through masterclasses in the UK and internationally.You can find him here on his website: https://paulsmithsculptures.co.uk/ and on his Instagram page here: https://www.instagram.com/paulsmithsculptures/

This week we're joined by Mary Fox, a self-taught BC potter who turned a lifetime of "learning at the school of hard knocks" into an acclaimed artistic career. Mary shares her journey from functional pottery to exploratory art, her approach to surface design and colour, and why she created the Legacy Project Apprentice Program — a rare two-year apprenticeship helping young Canadian potters become studio professionals. 🎧 Listen now!See her work and all about her apprentice program https://maryfoxpottery.ca/

In this episode, Bob Acton joined by interdisciplinary artist Kristine Zingeler.Kristine works across photography, collage, drawing, painting, and sculpture, creating subtle but powerful work that explores interconnectedness, time, and the constant state of change in both humanity and the natural world.Her practice begins with close observation and collecting, giving new significance to rocks, feathers, nests, insects, plants, and other overlooked fragments of the everyday. Her recent work moves beautifully between image and object, ancient and immediate, tiny and monumental.Listen in for a thoughtful conversation about attention, process, material, and the quiet power of noticing.You can find her work on her website at: https://www.kristine-zingeler.com/ and on her Instagram page at: https://www.instagram.com/kristinezingeler/

This week on Colour and Ceramics, Bob Acton is joined by Sarah Pike, one of Canada’s top ceramic artists. Sarah is a full-time potter based in Fernie, British Columbia, where she makes functional slab-built pottery from her home studio. Her work carries a wonderful sense of movement and personality, shaped by the mountain landscape around her and inspired by antique tinware, textured metal, and old handmade objects. Sarah studied ceramics at ACAD in Calgary, and also studied at the University of Colorado and the University of Minnesota. It was a real pleasure to talk with her about clay, making, and the ideas that continue to shape her distinctive body of work.Find her website and Instagram page here: https://www.sarahpikepottery.com/ https://www.instagram.com/sarahpikepottery/

In this episode of the Colour and Ceramics Podcast @colourandceramics I @bobacton speak with Calgary potter Teresa Wyss @teresawysspottery about her striking functional ceramics, made with porcelain stoneware and decorated using hand-carved sgraffito. Inspired by wildlife, landscape, and the vivid colours of nature, her work has a bold, graphic presence that really stands out.We also talked about something many artists wrestle with: the business side of art making. From delegation to managing time and energy, Teresa shared thoughtful insights into what it takes to sustain a creative practice beyond the studio bench.See her work on her website at https://twpottery.ca and her Instagram page at https://www.instagram.com/teresawysspottery/

Today on the Colour and Ceramics Podcast, host Bob Acton shares his interview with Robbin Harris. Robbin Harris is a crystalline ceramic artist based in Calgary, Alberta, whose creative path reflects both resilience and reinvention. A former jazz musician, Robbin turned to clay after a life-changing accident ended his drumming career, discovering ceramics in 2017 under the mentorship of Dave Settles at Fairview Studios.His artistic direction shifted again in 2020 when he encountered crystalline glazes, a discovery that opened a deep exploration into their unpredictable beauty and technical complexity. Through a practice rooted in experimentation, Robbin creates work that balances cosmic imagery with organic decay, revealing the delicate tension between creation and destruction. Each firing becomes an act of discovery, inviting viewers into a conversation about fragility, transformation, and the unexpected beauty that emerges when control meets chance.You can find Robin here on his website https://robbinharrisceramics.com/ or on his Instagram page here https://www.instagram.com/robbin.harris.ceramics/

This week Bob Acton @bobacton joined by ceramic and installation artist Heidi McKenzie, whose work uses clay and image as archive—exploring ancestry, migration, race, and belonging through powerful abstract portraiture.From Reclaimed: Indo-Caribbean HerStories to the Indian Ceramics Triennale in Delhi, Heidi’s work reminds us that ceramics can hold memory, heal, and tell the stories history forgets.Check out her work at https://www.heidimckenzie.ca/

I’m thrilled to welcome Gillian Boon to the podcast, an Alberta-based ceramic artist whose work carries the pulse of the ocean, even from the heart of the prairies.Inspired by coral reefs, tide pools, and the intense blues and greens of Grassi Lakes, Gillian’s ceramics explore movement, surface, and a deep sense of place. We talk about making ocean-driven work far from the sea, the role of teaching and community in a studio life, and how landscape leaves its mark on clay.🎧 Listen now wherever you get your podcasts.#ColourAndCeramics #CanadianCeramics #CeramicArtists #OceanInspired #SurfaceAsNarrative #CalgaryArtistsYou can find her work at https://www.gillianmitchellceramics.com/ and https://www.instagram.com/gmitchellceramics/

This week I’m @bobacton joined on the Colour and Ceramics Podcast @colourandceramics by Australian ceramic artist Maricelle Olivier, whose work is deeply shaped by memory, landscape, and line.Drawing inspiration from South Africa’s Kruger National Park, a place tied to generations of family history, Maricelle meticulously draws and etches every line into her ceramic surfaces. The result is a layered, rhythmic abstraction of landscape and emotion, brought to life through colour.We talk about: • drawing as a way of remembering • surface as emotional terrain • translating childhood landscapes into contemporary ceramic language🎙️ Now live on the Colour & Ceramics Podcast 🔗 Website Link: https://maricelleolivier.com/🔗 Instagram Link: https://www.instagram.com/molivier_ceramics/

Ceramic artist Shae Bishop joins me @bobacton on the Colour and Ceramics Podcast @colourandceramics this week for a rich conversation about material, curiosity, and community.Shae’s practice moves between ceramics, textiles, and the body, shaped by residencies at places like the Archie Bray Foundation and Kohler Arts/Industry, and by years embedded in craft communities from North Carolina to Japan, Turkey, Mexico, and beyond.🎙️ Now live on the Colour & Ceramics Podcast🔗 Website Link https://www.shaebishop.com/🔗 Instagram Link https://www.instagram.com/shae_bishop/

Meet Jane Sheppard, a UK-based ceramic artist whose hand-built, smoke-fired vessels echo ancient artefacts and the sacred threads of human experience. Her award-winning work blends ritual, memory, and earth-rooted simplicity—inviting us to pause, feel, and reconnect.You can find Jane via her website here: https://www.janesheppard.me/ and her Instagram page here: https://www.instagram.com/rev_jane_sheppard/

Today, Bob Acton introduces us to South African–born ceramic artist Susan Trimble who creates joyful, nature-inspired work from her Brisbane studio. After a long career in graphic design, she discovered clay in 2020 and quickly developed a distinctive practice shaped by painting, mark-making, and mentorship under artist Jane du Rand. A 2024 solo exhibitor and finalist in the North Queensland Ceramic Awards,You can find her work at https://www.susantrimbleart.com.au/ and on her Instagram page at https://www.instagram.com/susantrimble.artist/

Today, I’m excited to introduce you to Nicole Windblad, the creative force behind the Calgary Art Market.Nicole isn’t just curating a show; she’s shaping opportunities. As someone who runs one of the most respected art markets in Alberta, she understands what makes artists stand out, what helps them succeed, and yes—what can hold them back. She, and her family, have many years of experience operating this show so she has great wisdom for artists and makers of all sorts.In this conversation, you’ll hear what Nicole looks for when selecting artists, how she evaluates applications, and the do’s and don’ts every artist should know when they’re trying to secure a spot in a major show.

Today, Bob and Zana interview ceramic artist and designer Emily Holmes on the Colour and Ceramics Podcast, who joins us from Los Angeles to talk about her practice of transforming familiar, textile-like forms into ceramic keepsakes. Emily’s background in Art Therapy at the Art Institute of Chicago shaped her early relationship with clay as a tool for healing, and later led her to open her studio full-time after relocating to LA.You can find out more about Emily at https://www.emilyholmesceramics.com/ and on her Instagram page at https://www.instagram.com/emilyholmesceramics/And more about Bob at bobactonceramics.com and Zana at https://www.instagram.com/zanaoheart/

Today's podcast introduces Peter Beard. Peter first discovered clay as a kid, and that early fascination never really left him. While studying industrial and furniture design at Ravensbourne College of Art in London, he found himself spending more and more time in the ceramics department. After graduating, he helped set up a pottery in Scotland making domestic stoneware, and not long after, opened his own studio in Kent where sculpture became his main focus.These days, Peter works from his studio in Leamington Spa, creating stoneware pieces that are both thrown and hand-built. He fires in oxidation to around 1280°C, building up layers of coloured clays and matte glazes, using wax resist and surface grinding to reveal these intricate, textured patterns underneath.He’s also worked in bronze and stone, and has been exhibiting his work since the mid-70s, both in Britain and internationally. What I love most about Peter’s approach is how design precision meets quiet emotion. Each piece feels carefully considered but deeply human.You can find his work on his website at https://peterbeard.co.uk/ and on Instagram at https://www.instagram.com/peterbeardceramics/

I’m excited to welcome Miae Kim—a London-based ceramic artist originally from South Korea. After a career in animation and VFX in L.A., she fell in love with clay at Glendale College and never looked back. Miae is known for two threads: sculptural pieces inspired by whales—symbols of wisdom and endurance—and work that blends Korean motifs and Hangul with Western aesthetics. She’s a 2024 London Potters award winner and a selected member of the Craft Potters Association. You can find her work on Instagram here https://www.instagram.com/miae_kim_ceramics/ and on her website here: https://www.miaekimceramics.com/

Today we’re stepping into the strange, beautiful world of Canadian sculptor David Altmejd. Born in Montreal in 1974 and now based in Los Angeles, David is obsessed with what makes a person a person—the body, yes, but also the mind, imagination, and whatever we mean by ‘soul.’ His figures often feel like they’re falling apart and coming together at the same time, opening little doorways into places beyond what we normally recognize.What blows me away is his materials list: clay and foam next to mirror, quartz, resin, and even human and synthetic hair. He’s just as comfortable casting as he is building through intuitive, almost scavenger-style making—so every piece feels singular, even when it echoes another. Scale doesn’t scare him either: he brings the same intensity to a room-sized environment as he does to a small bust, packing surfaces with tiny inventions that reward long looking.David has shown all over the world—most recently at the McMichael in Ontario—and he represented Canada at the Venice Biennale back in 2007. His work lives in major collections like the Whitney, the Guggenheim, MOCA Los Angeles, and the Art Gallery of Ontario.You can find his work on his Instagram page at https://www.instagram.com/daltmejd/ and his website at https://www.davidaltmejd.net.

We’ve got an exciting show today talking with the wonderful Carol Long — a ceramic artist whose work blooms with the influence of plant and animal life. Infused with joy, whimsy, and a deep connection to nature, Carol’s intricate, organic forms reflect her Kansas farm roots and a lifelong curiosity for the beauty around her. Her pieces can be found in galleries and museums across the U.S., and she’s shared her artistry in workshops nationwide. From childhood experiments with mud to internationally recognized ceramic sculpture, Carol’s journey is one of imagination, craftsmanship, and an ever-evolving exploration of the natural world.Her information can be found here https://www.carollongpottery.com/and her Instagram page can be found here https://www.instagram.com/carollongpottery/​

Today on the podcast, Bob Acton @bobacton is joined by Brooklyn-based ceramic artist Kyle Scott Lee @ceramicmeltdown. Known for his bold use of color, expressive brushwork, and inventive surface treatments, Kyle’s work bridges tradition and innovation. Over the past two decades, he’s developed a distinctive style combining classical vessel forms with vibrant, abstract design. His ceramics have been exhibited internationally, featured in major publications, and collected across the globe. Kyle is a founding member of BKLYN CLAY, teaches at GasworksNYC, and currently collaborates with brands like West Elm, bringing his dynamic vision to a wide audience.Kyle can be found on his website here https://ceramicmeltdown.com/ and on Instagram at https://www.instagram.com/ceramicmeltdown/

Today’s featured artist is Carmen D’Apollonio, sculptor who explores everything from abstraction to figuration in her ceramic practice. Self-taught in ceramics, Carmen creates sculptural lighting and vessels that fuse craftsmanship with functionality, often infused with humour. As she puts it, “My work is simple; it often gives way to humor. As if clay had its way of being, its own personality.”Carmen began her creative career as an art director for short films and commercials in the 90s. She then worked alongside artist Urs Fischer for over a decade before launching her own fashion brand, Ikou Tschuss, in 2006, combining modern textiles with traditional artistry.Since 2014, she’s been working out of her own studio in Los Angeles. Her process begins with sketching, then sculpting the clay form, allowing the piece to evolve along the way. Titles like “I Wish You Were Beautiful” and “Here Comes the Light” hint at her playful, open-ended approach to artmaking.Today, Carmen continues to create from her Los Angeles studio, bringing clay to life with humour, honesty, and a touch of poetic storytelling.You can find her work at her website here https://carmendapollonio.com/ and her Instagram page here: https://www.instagram.com/carmendapollonio

Join us on the Colour and Ceramics Podcast today as our host Bob Acton @bobacton strums up an exciting conversation with Vancouver's vibrant artist Suzy Birstein @suzy_birstein! Hold onto your mugs as we dive into Suzy's world of whimsical, figurative ceramic works and paintings. Ready for some artful chit-chat? Tune in! Check out her work at https://www.suzybirstein.com/

Join Bob, Jess, and Rob Sutherland, founders of Good Dirt Studio in Athens, Georgia—a dynamic ceramics space dedicated to creativity, community, and clay on today's podcast episode.As artists and educators, Jess and Rob have cultivated a welcoming environment where students of all levels can explore the joy of working with their hands. Through their thoughtful teaching and community-focused approach, they’ve built more than just a studio—they’ve created a space for connection, curiosity, and artistic growth. Today on Colour and Ceramics, we talk about their journey, their philosophy on teaching, and how they’re shaping the clay community in Athens and beyond. And, of course, their pottery and approach to ceramic art.You can find their work on Instagram at https://www.instagram.com/gooddirt_athens/ and on their website at https://www.gooddirt.net/

Bob Acton, the host of the Colour and Ceramics Podcast, shares his conversation with CJ Jilek. CJ creates beautiful, colourful work that is inspired by the sensuality of nature. Her work explores the connection between botanical forms and human sexuality. By abstracting flower blooms and focusing on their reproductive elements, she invites viewers to engage with themes of beauty, desire, and attraction—drawing subconscious links between the natural world and human instinct..Her work can be found on her Instagram page at https://www.instagram.com/cjjilek/ and on her website at https://cjjilekartist.wordpress.com/

Welcome to today’s episode! In this conversation, Bob sits down with the incredibly talented Emily Stubbs to dive into her journey with clay—how it all began, the evolution of her stunning work, and some fascinating insights into the techniques she uses in her ceramics practice.Emily’s work is both playful and refined, with a unique voice that really stands out in the world of contemporary ceramics.You can check out her creations at emilystubbs.com and follow her studio life on Instagram @emilystubbsceramics.Let’s get into it—enjoy the show!

Sandy Brown is a renowned British ceramic artist celebrated for her expressive, spontaneous approach to clay. Her work is characterized by bold colors, free-flowing brushwork, and an energetic, intuitive style that challenges conventional ceramic traditions. After being introduced to ceramics in Japan, Sandy learned there that pots can be dynamic, exciting, free, and irregular. She has since built an international reputation, creating large-scale installations, sculptural ceramics, and functional pottery that exude a sense of freedom and joy. With a career spanning decades, Brown continues to push boundaries, inspiring both artists and collectors with her dynamic, uninhibited approach to ceramics.https://sandybrownarts.co.uk/Facebook: https://www.facebook.com/sandy.brown.904108

Welcome to the Colour and Ceramics Podcast. Today's episode is with Karen Adams from Lush Brush Studios.Karen is a sculptor and painter based in Roswell, Georgia in the USA. She does some lovely sculptures using multi-media and found objects. You can find her website and Instagram sites here https://lush-brush.com/ and https://www.instagram.com/kalushbrush/

A big warm welcome to Jack Durling, a wonderful animal sculptor and conservationist from the UK. Jack @jackdurlingceramics and Bob Acton @bobacton had a great conversation about Jack's work, how he approaches his work and, of course, surface design.You can find Jack at his website at https://www.jackdurling.co.uk/Enjoy the show!

Bob Acton, host of the Colour and Ceramics Podcast, shares a lovely conversation he had with Susan Halls from Yorkshire in the UK. They talked her approach to ceramics and, of course, colour and surface design. I hope you enjoy the show.Susan can be found on her website at https://susanhalls.com/ and on her Instagram page at https://www.instagram.com/susanhallsceramicsuk/

Welcome to the Colour and Ceramics Podcast. I’m Bob Acton and I’m pleased to introduce you to the wonderful Sara Moorhouse.Her work on ceramics, colour and spatial perception began with a master’s degree at Cardiff, Wales and then onto a PhD to develop the ideas with more emphasis upon spatial colour phenomena on a three-dimensional form.She went beyond the basics of colour theory and tested out ideas on the conical form. She found that colours behave differently when viewed across three-dimensional space than on a two-dimensional surface, particularly on the inner bowl form where illusions can appear much stronger.And, Sara and I talked about a job she had with colour that will surprise you.You can find her on her website at saramoorhouse.com.

Hey there, folks! We're thrilled to bring you Season 2 of the Colour and Ceramics Podcast @colourandceramics! Get ready for a heartwarming chat between our host, Bob Acton @bobacton, and the charismatic Anastassia Zamaraeva @a_zama_ceramics. Anastassia, an incredible potter and art therapist hailing from London, shares her captivating journey in the realm of clay. We delve into how she cleverly intertwines clay into her art therapy while exploring the spellbinding world of colour and surface in ceramics. So turn up the volume and join us for an unforgettable episode. Hope it brings as much joy to your day as we had recording it.You can catch more of Anastassia on her website: https://www.azamaceramics.co.uk/ and her Instagram page: httpS://instagram.com/a_zama_ceramics. Happy listening! And, of course, you can find us at https://colourandceramics.com or wherever you find your podcasts.

Bob Acton shares his conversation with the Canadian ceramic artist Janet Macpherson. She began studying ceramics at Sheridan College, in Toronto, ON Canada and for six years operated a studio practice making functional ceramics, participating in exhibitions, and selling her work at various Toronto galleries. In 2008 she began her MFA in ceramics at The Ohio State University in Columbus, Ohio where she explored a more figurative approach to ceramics. Janet held an artist-in-residence/faculty position at Sheridan College in the 2012 Fall Semester, and was an artist in residence at the Harbourfront Centre in Toronto from 2011 - 2014. In 2013 she was the recipient of the Winifred Shantz Award for Ceramics, given by Clay and Glass Gallery in Waterloo, Ontario, and in 2014 she was artist in residence at the Zentrum Fur Keramik in Berlin, Germany.Jennifer's work explores the complicated relationship humans have with their physical bodies. My work explores this idea, specifically the denial of this physicality that was prevalent in my Catholic upbringing, while simultaneously asserting the body’s messy and powerful presence. This work is influenced by the history of Christianity, martyrdom, and the monstrous. Like the fragmentation of the martyred body, the monstrous body exhibits dissolution of parts, and shows in its disquieting form, hybridization, lack and excess.You can find Jennifer at her website here: https://www.janetmacpherson.com/ and on Instagram here: https://www.instagram.com/janetmacpherson/

Welcome to this episode with Russell Kingston from Devonshire in England. His roots are in North Devon where everyday medieval pots from that region drew him to this work. His pots are wheel thrown and slab built. Pots are to be used, so forms are simple and robust. Rims are rolled for strength and to mirror the chunky ring at the bottom; which is used for slipping and glazing. Handles are pulled from the pot as if they have grown there. Slip is dipped, poured, brushed, trailed and splashed with animated movements. Colour is achieved using oxides in slips. Pots are then fired in a large homemade gas kiln in oxidation to 1100c or so.You can find Russell on his website here: https://www.russellkingstonceramics.co.uk/ and on his Instagram page here https://www.instagram.com/russellkingstonceramics/

This is a brief interview of Rick Rubin, author of The Creative Act: A Way of Being by Jay Shetty. Rick's written a fantastic book on creativity and his thoughts in this clip can be of value to all creative. I hope you enjoy it. You can find Rick in every streaming service such as YouTube and you can find his book here https://www.penguinrandomhouse.ca/books/717356/the-creative-act-by-rick-rubin/9780593652886You can find Jay Shetty here: https://www.jayshetty.me/

Dive into the captivating world of ceramics with UK's Georgie Gardiner!Sip your favourite brew while listening to a delightful dialogue between host Bob Acton @bobacton and our dazzling guest, Georgie @georgieceramics. Get an insider's look at her artistic process as she crafts her eye-catching surface designs that keep inspiring us all.Don't miss the chance to see creativity in action! Join us today on the show.Georgie also has a video on YouTube presented by Ceramic Review Masterclass @ceramicreview. Check it out here https://www.youtube.com/watch?v=vAoajCl8PVI&t=71sImmerse yourself in our universe of ceramics! You can find Georgie on Instagram here https://www.instagram.com/georgieceramics/ or on her website here: https://www.georgiegardiner.co.uk/

Come and join us today for a a great conversation with the wonderful Morel Doucet. Morel, currently residing in Florida, and originally from Haiti, is now a full time artist and educator. Bob Acton and Morel https://www.moreldoucet.com/ had a wonderful conversation about his work, his purpose in producing they type of work he does, and, of course, colour and surface design.From his artist statement: My work explores the cultural disparity of self- realization, assimilation, and transnational identity as a Haitian immigrant. Using direct or implied human figures, I explore narratives of vulnerability, isolation, and alienation within various cultures across the globe. Within the vocabulary of indigenous art and my dreams, I create whimsical forms resulting in a diary of self-mythology.These exchanges allude to a larger conversation about sea-level rise, environmental pollution, and the displacement between descendants of the African diaspora, and their physical environments. Through intensive detailed labor, my work mimics the current state of Black fragility. I employ ceramics, illustrations, and prints to examine the realities of climate- gentrification, migration, and displacement within the Black diaspora communities. In addressing these issues, I merge my Afro-Caribbean culture with flora and fauna and draw from the concerns of the collective consciousness of my community.In my quest to illustrate the impact of climate-gentrification, I present work with visual impact and sensitivity —and draw inspiration from the indigenous cultures of the Amazon, Aboriginal people of Australia, and the Yoruba tribe of West Africa.

Welcome to this episode with Michelle Gregor. She is a leading sculptor and painter in California, USA . We discussed her approach to ceramic sculpture and her style in using colour in surface design. Her sculptures have remarkably nuanced surfaces that are the end product of a great deal of improvisation and hard work. We talked about her work, each of which often goes through as many as seven or eight firings at a high temperature (low stoneware) setting that gives them their characteristic hard surfaces. Using water as a medium, Gregor applies color in pools, patches and slashes, letting gravity have its way with the wet pigments. “I like working with water as a medium for color both in fired clay work and on canvas and paper,” Gregor explains. “It pools, drips, follows contour, dries slowly and has a beautiful life of its own.”See Michelle's work on her website here: https://www.michellegregor.com/ and her Instagram page here: https://www.instagram.com/michellegregor/

Bob Acton had a delightful conversation on the Colour and Ceramics Podcast with Margaret Keelan, a Canadian sculptor now living in California. Bob and Margaret spoke about her journey in clay, her approach to colour and surface design, and she shared some helpful ideas for clay artists. You can connect with Margaret on her Instagram page here. https://www.instagram.com/margaretkeelan and her website https://margaretkeelan.com/We hope you enjoy the show.You can check out all the episodes on our website at https://colourandceramics.com/

In this episode, Bob talks with Chris Riccardo who works out of Montana, USA. Chris is known for his figurative sculptures both human form and animals. Bob and Chris talked about his journey in clay, how he approaches his work, and Chris talks about his current studio Omerta Arts in Helena, Montana. You can reach Chris at his website https://chrisriccardo.com/ or his Instagram page https://www.instagram.com/chris_riccardo.

Welcome to the Naomi Clement episode where Bob and Naomi talk all things clay. Bob and Naomi talk discuss her approach to colour and Naomi's approach to her rich, dynamic surface design. Naomi also talks about her journey in clay, her mentoring program, and her school "Maker's Mark" as she is focused on helping creatives make a living from art. Join us for a great conversation with this wonderful Canadian artist.You can reach Naomi here on her website https://naomiclement.com and you can also reach here here on her Instagram page https://www.instagram.com/naomikclement

Bob Acton had a great conversation with Melissa Weiss about her work. Bob and Melissa talked about approaches to creative work, her processes of clay selection, colour and surface design (of course), and she had some wonderful ideas about her creative process. You can find Melissa at her website https://www.melissaweisspottery.com/ and on her Instagram page at https://www.instagram.com/melissaweisspottery/We hope you enjoy the show.

Today's Colour and Ceramics Podcast episode, features the vibrant Nick Benard from @nbernardpottery. Prepare for a whirlwind discussion with Bob @bobacton, as we dive into Nick's art, enveloped in mesmerizing colours and intricate surface designs. Spoiler, he's also got some killer tips on navigating the art world!Operating from scenic Scottsdale, Arizona, Nick crafts breathtaking vessels that we're absolutely smitten with! Don't just take our word for it, hop over to his Instagram @nbernardpottery and let your eyes feast on his creations! Go a little further down the rabbit hole and explore at https://nbenard.com - you won't regret it!

In this episode, Bob Acton and Lisa McGrath had a great conversation about her beautiful work. While we talked about her functional and sculptural work and her approach to colour and surface design, she shared an interesting story about how her use of a coloured lichen glaze came to be,You can find more about Lisa on her Instagram Page here https://www.instagram.com/ipotlisa/ and on her website https://www.bramblestudio.ca/I hope you enjoy the show!

Bob @bobacton had a great conversation with Mark Dally @markdallyceramics about his beautiful work using mostly black slips. We talked about his journey in clay, how he overcomes problems in his practice, some of his business practice, and, of course we talked about surface design and his thoughts about the use of colour.You can find Mark on his website here https://www.markdallyceramics.co.uk/ and on his Instagram page here https://www.instagram.com/markdallyceramics/.Mark also produces his own line of slip trailers and you can find them here https://www.sliptrailer.com/

We are beyond thrilled and blessed today to have the distinctive talent of Craig Underhill gracing the Colour and Ceramics Podcast! @colourandceramics Hailing from the UK, Craig is an extraordinary ceramic artist and painter whose exceptional use of colour and surface design gives birth to truly awe-inspiring hand built sculptural works. Craig generously offered insights into his creative process, his unique style reflected in his treatment of surfaces, and his passion for colour (you guessed it, it's a colour podcast after all). Not only did Craig and I engage in this exploration, but our friend Bob @bobacton also contributed to the conversation, exchanging exciting ideas tailor-made for the ceramic artists among us. Experience the magic of Craig's creativity on Instagram at @craigunderhill7 and through his website at craigunderhill.com.Eager to learn from the master himself? Craig shares his wealth of knowledge and experience in a hands-on course on slab building and surface decoration at The Ceramic School - https://bit.ly/craigunderhill. Let your creativity soar and become a part of this artistic journey.

Welcome to the Colour and Ceramics Podcast.Bob Acton @bobacton had a great conversation with Adrian Arleo about her sculpture work and her use of colour and surface design.Check out Adrian's website here https://www.adrianarleo.com/ and her Instagram page here https://www.instagram.com/adrianarleo/

Bob Acton enjoyed a good conversation with Mathew O'Reilly about his work, his use of colour, and his thoughts about surface design. You can find about about Matthew on his website here http://www.mattheworeilly.ca/ and his Instagram page here https://www.instagram.com/matthewosmileyDon't forget to subscribe wherever you find your podcasts and leave us a review as it helps others find the podcast.