Communication and Media Studies (Video)

Troubled interactions are moments when communication breaks down in subtle, often unnoticed ways. In this program, Waverly Duck, an urban ethnographer and professor of sociology at UC Santa Barbara, discusses these breakdowns, revealing surprising aspects of how we create meaning and self-identity. Through video and audio recordings, Duck shows how misunderstandings lead people to assign motives to each other, creating conflict. Examples from Duck's research include neighborhood poverty, food inequality, and autism assessments. These cases highlight hidden social rules and practices, demonstrating how studying these troubles can help us understand everyday interactions better. Series: "GRIT Talks" [Humanities] [Show ID: 40131]

Moderator Bhaskar Sakar joined Professor Moinak Biswas, Professor Emerita Supriya Chaudhuri, and graphic illustrator-designer Pinaki De for a post-screening discussion of two films by Satyajit Ray, The Adventures of Goopy and Bagha (Goopy Gyne Bagha Byne) and The Kingdom of Diamonds (Hirak Rajar Deshe). Together, they addressed the personal background of Satyajit Ray, his contributions to Indian cinema, the historical and political contexts of the films, and their artistic significance. Pinaki De elaborated on the significant detail and craftsmanship of Ray’s set design, while Supriya Chaudhuri and Moinak Biswas weighed in on the political and literary influences of the films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38564]

Fake news. Misinformation. Disinformation. The role of journalism in society has never been more important. So what's the future of news in a country deeply suspicious of information? Veteran journalists Kevin Merida, Los Angeles Times executive editor, and Donna Britt, author and Washington Post syndicated columnist, talk about the state of news and information. The discussion is moderated by Point Loma Nazarene University journalism professor Dean Nelson. This event is supported by the UC San Diego Helen Edison Lecture Series which offers free public lectures that advance humanitarian purposes and objectives. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Show ID: 38462]

Production designer Chae Kyoung-Sun discusses with moderator Rita Raley and interpreter Eunjin Choi her design work for the TV sensation, Squid Game. Kyoung-Sun goes into detail on her design process, all the way from her initial ideas and discussions with her creative collaborators to how the final products were built and used on set. She discusses how her collaborations with the director, cinematographer, and other design departments completed the iconic look of Squid Game, such as the pink and green color scheme and the final design of the guards’ masks. Kyoung-Sun also recounts the hidden meanings and influences in her designs that reflect the hierarchies of the world of Squid Game as well as evoke cultural references like children’s games, school tracksuits, and fairy tales. Apart from Squid Game, Kyoung-Sun reflects on her early influences that inspired her to work in production design, which involved going to see films with her parents starting from a young age. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38312]

Director Marc Shaffer discusses his documentary Exposing Muybridge, which sheds light on the life and impact of photographer Eadweard Muybridge, a pioneer of early motion pictures. Muybridge is most famously known for capturing consecutive images of a galloping horse, which proved that all four hooves leave the ground mid-stride. Shaffer details the importance of this photographic experiment in the development of cinema, as well as the other strange and captivating details of Muybridge’s life. He also elaborates on the interview subjects of the film, including the involvement of actor Gary Oldman. He talks through the process of recreating and reimagining Muybridge’s famous multi-camera shoot and explains the importance of Muybridge in photographic and cinematic history, as well as the lasting influence of his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38155]

Rick Prelinger, Professor of Film and Digital Media at UC Santa Cruz, is a world-renowned archivist, writer, filmmaker, and founder of the Pray-linger Archives and the Pray-linger Library in San Francisco. He’s also been a pioneer in making archives accessible to the public. In this episode, Prelinger talks about his work and how it has been influenced by diversity, equity, and inclusion issues. Series: "The Art of Change" [Humanities] [Show ID: 38123]

Professor Sharon Daniel talks about a remarkable undergraduate class called Making an Exoneree that she currently teaches with Georgetown University. This unusual class consists of a group of highly motivated undergraduate students who reinvestigate likely wrongful conviction cases, produce short documentaries that suggest innocence, and create social media campaigns calling for exonerations. Series: "The Art of Change" [Humanities] [Show ID: 38078]

Journalist and Los Angeles Times columnist Jean Guerrero covers immigration issues and the current political climate. She is the author of "Hatemonger: Stephen Miller, Donald Trump and the White Nationalist Agenda." Her first book, "Crux: A Cross-Border Memoir," won a PEN Literary Award and was named one of NPR's Best Books of 2019. Her writing is featured in Vanity Fair, Politico, The Nation, Wired, and The New York Times. Series: "Helen Edison Lecture Series" [Public Affairs] [Humanities] [Show ID: 38003]

Moderator Jennifer Tyburczy discusses the production and impact of HBO miniseries Veneno with star Daniela Santiago. Santiago talks about the process and pressures of portraying transgender icon La Veneno, and the importance of representation both in front of and behind the camera. She detailed the significance of La Veneno, including her famous charisma and glamor, as well as the struggles she faced in her life. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37991]

Our series of artists and educators connecting arts and humanities to medicine continues with educators Holly Walter Kerby and H. Adam Steinberg as they show you a simple and repeatable method you can use to explain your work to the public via story and poster design. Series: "Let's Jam: The Arts in Medicine" [Health and Medicine] [Humanities] [Show ID: 37996]

Christopher Markus and Stephen McFeely, screenwriters of "Captain America: The First Avenger," discuss the film with moderator Matt Ryan. Markus and McFeely cover how they adapted the beloved comic book hero to the screen, and their collaboration with director Joe Johnston. They explained in detail how they crafted the characters of Steve Rogers, Bucky Barnes, and Peggy Carter, as well as some of the behind-the-scenes work they witnessed while on set. They also spoke about their role in crafting the larger Marvel Cinematic Universe with their other Captain America and Avengers films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37986]

Kate Crawford, author of "Atlas AI: Power, Politics and Planetary Costs of Artificial Intelligence," is a leading international scholar of the social and political implications of artificial intelligence. This program looks at the intersection of art, activism and artificial intelligence. Series: "Tanner Lectures on Human Values" [Humanities] [Science] [Show ID: 37967]

The last decade has seen a dramatic capture of digital material for machine learning production. This data is the basis for sense-making in AI, not as classical representations of the world with individual meaning, but as mass collections: ground truth for machine abstractions and operations. What happens when data is seen as an aggregate, stripped of context, meaning, and specificity? In what ways does training data limit what and how machine learning systems interpret the world? And most importantly, what forms of power do these approaches enhance and enable? Professor Kate Crawford is a leading international scholar of the social and political implications of artificial intelligence. In this lecture, Crawford shares new work that reflects on what’s at stake in the architecture and contents of training sets, and how they are increasingly part of our urban, legal, logistical, and commercial infrastructures. Series: "Tanner Lectures on Human Values" [Humanities] [Science] [Show ID: 37729]

Moderator Wendy Eley Jackson speaks with Gareth Crocker about his film-making process for the South African television show, Shadow. Crocker discusses various elements of the series, including his decision to shoot in his hometown of Johannesburg to lend authenticity to location, the process of collaborative writing with his friend and co-creator, seeking feedback from diverse voices to craft genuine characters, and acknowledging the room for growth. He also spoke on internet bandwidth issues in some parts of the country and the accessibility of Netflix. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37611]

Moderator Patrice Petro speaks with Scott Frank about the influence of German series Babylon Berlin on his own series, The Queen’s Gambit. Scott discusses multiple aspects of Babylon Berlin, including the score, location, plot structure, and production choices, which contributed to his appreciation of German history and television as well as influenced his own choices when making The Queen’s Gambit. Frank explores both the making of The Queen’s Gambit and his opinions on Babylon Berlin. He also comments on viewing habits in the modern era and whether the ability to watch episodes all in one sitting changes the way we experience television. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37629]

Moderator James McNamara speaks with writer Ben Power about his adaptation of Shakespeare’s Richard III for the BBC series, The Hollow Crown. Power discusses various elements of the series, commenting on the casting choices, which included actors of color and the political context of the series, which was developed during a visible rise of authoritarian figures in the United Kingdom. He also speaks on the challenges of adapting from Shakespeare and offers his perspective on what allowed the series to be engaging for audiences while still remaining true to Shakespeare’s vision. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37610]

How can parents help their children develop healthy habits around gaming and technology? Game developer Hilary Lok and digital well-being expert Nadja Streiter discuss current gaming models, technology addiction warning signs, helpful guidelines and more. Series: "Education Channel" [Humanities] [Show ID: 37007]

This discussion considers the contemporary politics of wireless communication, with special attention paid to the cultural and governmental imaginaries that accrue to emerging wireless infrastructures like 5G. In conversation with Tyler Morgenstern, Marisa Duarte, Shannon Mattern and Rahul Mukherjee explore how wireless ICTs shape historical and current understandings of uncertainty, conspiracy, and development. Together, panelists considered how dreams of untrammeled, high-speed connectivity tend to obscure or crowd out alternative imaginaries of relation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36885]

The challenges of the past year have shaped the way we think about and watch television. Moderated by Patrice Petro, this conversation explores how television continues to mediate urgent debates over questions of community, racial justice, and protest. In addition, panelists consider how the pressures of the current moment—viral pandemic, social unrest, and political upheaval—are reshaping our understanding of news, sports, and celebrity culture. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36828]

In his new book, Transmitted Wounds, Amit Pinchevski explores the ways media technology and logic shape the social life of trauma both clinically and culturally. Drawing on a number of case studies such as radio broadcasts of the Eichmann trial, videotapes of Holocaust survivor testimonies, and the recent use of digital platforms for holographic witnessing, he demonstrates how the technological mediation of trauma feeds the traumatic condition itself. His insights have crucial implications for media studies and the digital humanities field as they provide new ways to understand the relationship between technology and human suffering. Pinchevski is an associate professor in the Department of Communication and Journalism at The Hebrew University of Jerusalem. Series: "Library Channel" [Humanities] [Show ID: 35017]

Contextualizing the fight for healthcare reform, honoring the connection between nurses and patients, and personalizing the struggles with the US healthcare system all arise in this conversation between activist Ady Barkan, Uncovered: Healthcare Conversations with Ady Barkan series creator Liz Jaff, director Nick Bruckman, and Carsey-Wolf Center Associate Director Emily Zinn. This powerful discussion explores the complex challenges of navigating healthcare in the US and the urgency of political reform. Series: "Carsey-Wolf Center" [Health and Medicine] [Humanities] [Show ID: 35393]

Jeremy Prestholdt examines how Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden are major "dissenters" who have represented challenges to the world order. Prestholdt explores the appeal of these four figures over five decades, in part revealing two aspects of an increasingly interconnected world: the tension between shared global symbols and their local interpretations, and the intersection of political vision and consumerism. Series: "Library Channel" [Humanities] [Show ID: 35243]

Celebrated leaders in their respective fields discuss the initiatives and breakthroughs that they spearheaded in areas that people thought were impossible or ahead of their time. Featuring Martin Cooper of Dyna, LLC, Arlene Harris of Wrethink, changemaker John Ross, Carrie Hessler Radelet of Project Concern International, and Larry Smarr of University of California, San Diego. Series: "Global Empowerment Summit" [Public Affairs] [Humanities] [Business] [Show ID: 35332]

Empathy and grace in business and society can lead to profound change. Neal Nybo, Ken Blanchard, Nicole J. Phillips, Barbara Glanz and Jacques Spitzer discuss enthusiastic servant leadership and the practice of being tender with each other. One kind act can change a life and motivate a community. Series: "Global Empowerment Summit" [Humanities] [Business] [Show ID: 35333]

Director Jeremy Podeswa joins Pollock Theater Director Matt Ryan for a Script to Screen discussion of the season 7 finale of Game of Thrones, “The Dragon and the Wolf.” Podeswa recalls his admiration for the cast, the challenges of creating a show that transcends the episode length and production values of typical television programming, and his creative influences. The talk focuses in particular on shooting a complicated ensemble showdown where many main cast members finally share a scene simultaneously and what was involved in bringing that moment to the screen. Series: "Script to Screen" [Humanities] [Show ID: 34755]

Noted tech venture capitalist Roger McNamee, an early mentor to Mark Zuckerberg, woke up to the serious damage Facebook and other social media outlets are doing to our society and set out to try to stop it. McNamee is in conversation with Jeff Light, publisher and editor of The San Diego Union-Tribune. Series: "Helen Edison Lecture Series" [Humanities] [Show ID: 34249]

Constructed languages, or conlangs, are well-known in science fiction and fantasy literature as ways of creating an immersive world-building experience. Join us in learning how linguists design the sound systems and grammars to behind some of our favorite conlangs.  With Grant Goodall (Professor and Language Program Director, UC San Diego Linguistics), David J. Peterson (Creator of Dothraki, Game of Thrones), and Paul Frommer (Creator of Na’vi, Avatar). Moderated by Tamara Rhodes (Linguistics Subject Librarian, UC San Diego Library). Series: "Library Channel" [Humanities] [Show ID: 34407]

A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]

Screaming girls, overwhelmed security, and segregated auditoriums all arise in musicology Professor David Novak (UC Santa Barbara) and rock journalist Ivor Davis’ discussion about Richard Lester’s A Hard Day’s Night (1964) and the Beatles’ American audience reception. Part of a small cadre of British journalists invited, Davis accompanied the Beatles for the entirety of their astonishing first US tour. The two discuss the Beatles’ connections to earlier musicians and the unprecedented passion they were showered with by young American fans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34473]

As a music supervisor and executive on such films as The Big Lebowski, Sweet Home Alabama and Dead Man Walking, Dawn Solér joined ABC Studios in 2006 to bring her extensive film experience to the world of television. Once there, she established a full-service music department that manages every musical component on all of its shows -- the hiring of music supervisors and composers, budgets and integrating music from programming into marketing. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 34368]

Communicating through the Internet is different than face-to-face interaction. No matter how familiar people are with email, chat, and the web, differences in the availability of nonverbal cues lead people to underestimate the interpersonal and emotional impact of online interaction. Joe Walther (UCSB Communication) explores the hyperpersonal model of communication and explains how people actually create more intense impressions and relationships as they influence each other online, often more positive than those occurring face-to-face. The results of studies from several online settings show how we and our communication partners sometimes unwittingly affect our perceptions of others and ourselves through computer-mediated interaction. Series: "GRIT Talks" [Humanities] [Show ID: 34027]

Deborah Tannen discusses how interacting via text messaging services challenges relationships. Tannen is on the faculty of Georgetown Universitys Department of Linguistics. Series: "UC Berkeley Graduate Lectures" [Humanities] [Show ID: 34069]

UCSB Pollock Theater Director Matt Ryan and crew meet Comic-Con 2018 participants in San Diego. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33951]

Novelist Sinaan Antoon and journalist Leila Fadel join UCSB’s Mona Damluji for a post-screening discussion of Kasim Abid’s 2008 film Life After the Fall. They discuss the difficulties of living and working in U.S.-occupied Iraq after the fall of Saddam Hussein, the decline of security and safety, loyalties-of-necessity to one’s particular neighborhood in the power vacuum that ensued, and the complications and sometimes harrowing difficulties of everyday life. At issue in particular is each guest’s struggle to tell stories about Iraq that felt honest, empathetic, and adequate when most narrativization of Iraq at the time tended to feel too superficial (U.S. media coverage), too insular (stories from inside the Green Zone), too nostalgic (for a functional Iraq, if one under dictatorship), or too limited in scale (to the scope of whatever groups, such as families or friends, that were intimate enough to permit trust). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33760]

Hari Kondabolu, comedian and star of The Problem With Apu (2017), joins UCSB’s Kum-Kum Bhavnani for a conversation about the film. Kondabolu reflects on what it means to retrospectively reexamine offensive stereotypes about race, culture, and forms of work, as well as the power of humor to disarm and dismantle them. Kondabolu and Bhavnani discuss at length how, rather than creatively being intended as hurtful or offensive, stereotypes can enter the cultural lexicon as struggling/tokenized forms of representation in cultures where there is otherwise none, or as a form of insensitive marketing of foreignness in and for a dominant culture, as well as the eventual dilemmas this can cause for the creators and the legacy of their works. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33754]

This Q&A features Dave Stewart, Executive Producer for the North American League of Legends LCS, moderated by Alexander Champlin (Film & Media Studies, UCSB). Their conversation covers the growth of the esports industry and the work of producing videogame competitions. Stewart discusses the growing esports scene in Los Angeles, the global scale of these competitions, and draws comparisons between traditional sports and gaming competitions. Stewart began his career as a writer for cable sports broadcasts before joining Riot Games to direct the NALCS, and brings insights about the way esports and traditional sports programing intersect. He discusses his work on one of the largest and most successful esports franchises, the growing appeal of esports, the fans who consume this media, and the places where this industry is gaining the most traction. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33759]

Bambi Haggins (Film and Media Studies, UC Irvine) joins Patrice Petro (Director of the Carsey-Wolf Center) for a conversation about the 2013 documentary "Whoopi Goldberg Presents Moms Mabley." Haggins, who served as a historical consultant to the film, reflects on the five-decade career of Moms Mabley, the raucous, pioneering African-American vaudeville performer and comedian. Haggins discusses the timelessness of Mabley’s material, her popularity and ability to command an audience, and her influence on contemporary comedy, as well as the broader significance of race, gender, sexuality, and cultural respectability in the reception of comedians and their work during different historical moments. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33753]

When Saturday Night Live debuted in 1975, it gave the sketch/variety show format a twist, offering high-concept comedy sketches and political satire that attracted a younger audience than its competitors on late night television. It also featured pioneering work by female comedians. Laraine Newman, a member of the show’s legendary original cast, talks about the show and the work of women comedians on television. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33758]

Orson Welles direction and his performance as Shakespeare’s legendary Falstaff are at the center of this conversation about Chimes at Midnight, Welles’ 1965 film masterpiece that was unavailable to the public for decades. Professors Jim Kearney (UC Santa Barbara) and Joseph McBride (San Francisco State University) discuss Welles’ lifelong admiration of the Bard and the film’s complicated production and distribution history. The two professors also explore Welles’ ambitious adaptation of story material from five different Shakespeare plays into this single film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33498]

Karen McCullah and Kirsten “Kiwi” Smith are one of the most prolific and successful female writing teams in Hollywood. Among their many credits is She’s the Man (2006) that resets William Shakespeare’s cross-dressing comedy Twelfth Night in a contemporary boarding school. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33504]

Oscar, Golden Globe and Grammy-nominated composer, Robert Kraft, talks with David Novak (Music, UCSB) about the power and influence of film scores and the unique challenges with the process. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33501]

Laurence Olivier’s Hamlet (1948) was adapted and directed by its star. Mark Rose (English, UCSB) and Jim Kearney (English, UCSB) discuss this cinematic treatment of Hamlet and examples of Shakespeare on film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33503]

Revenge, justice, and betrayal in Shakespeare’s play and in the history of the politically-disputed Kashmir region arise as core topics in this discussion about the Hindi film Haider between Priya Jaikumar (USC) and Bhaskar Sarkar (UC-Santa Barbara.) The two professors interrogate and celebrate the film and play’s ability to combine local cultural specificity and popular accessibility. Arguing Haider offers new understandings of the character of Hamlet, the pair also question the concepts of “the original” and “the derivative.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33500]

Populist rhetoric, the influence of religion in politics, and the role of the media in elections all arise in this conversation about Gregory La Cava’s 1933 film Gabriel Over the White House. Carsey-Wolf Center director Patrice Petro and renowned journalist Jeff Greenfield explore the influence of financier William Randolph Hearst on the film’s ideology, and the circuitous legacy of this once-popular, then largely-forgotten story of a driven politician who attempts to strong-arm his way through domestic and foreign entanglements. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33502]

Screenwriters Todd Louiso and Jacob Koskoff join moderator Jim Kearney (UCSB, English) for a conversation about their 2015 adaptation of Macbeth starring Michael Fassbender and Marion Cotillard. Louiso and Koskoff discuss how the film was originally intended to star the late Philip Seymour Hoffman, the challenges of making the supernatural elements of the play scarier, and unraveling the metaphor of Shakespeare’s soliloquies through foregrounding grief, trauma, and reinterpreting key scenes. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 33499]