PODCAST · arts
Cort and Luke
by Cort Letcher Media and Luke Montgomery Media
🎙️ Weekly show📸 Full-time photographers🗣 Part-time yappers
-
97
Why making money in concert photography could be an impossible task.
Why making money in concert photography could be an impossible task.
-
96
Would unlimited money fix your photography?
Would unlimited money fix your photography?
-
95
Genius business venture or MASSIVE RISK
Genius buisness venture or MASSIVE RISK
-
94
Would you take this gig: Photography Edition
Would you take this gig: Photography Edition
-
93
Our future as photographers?
Our future as photographers?
-
92
How could this broken camera still shoot his magnum opus?
How could this broken camera still shoot his magnum opus?
-
91
Should this be your next camera?
Should this be your next camera?
-
90
It always comes back to your basic camera kit...
It always comes back to your basic camera kit..
-
89
Buy, Keep, Sell. Camera Gear Edition.
Buy, Keep, Sell. Camera Gear Edition.
-
88
Why does bigger camera mean better camera?
Why does bigger camera mean better camera?
-
87
Sony Cameras are not fun cameras
Sony Cameras are not fun cameras
-
86
A Photographer's Advice to New Business Owners
A Photographer's Advice to New Business Owners
-
85
Do all the new cameras really make a difference??
Do all the new cameras really make a difference??
-
84
There is no reason for this camera to exist!
There is no reason for this camera to exist!
-
83
If only we could change this about our photography!
If only we could change this about our photography!
-
82
When was the last time you saw a truly timeless photo?
When was the last time you saw a truly timeless photo
-
81
The secret way videographers get clients...
The secret way videographers get clients...
-
80
-
79
Hacking the brain with photography.
Hacking the brain with photography.
-
78
Photographers, is the customer always right?
Photographers, is the customer always right?
-
77
The Future of Ai Editing is HERE!
The Future of Ai Editing is HERE!
-
76
Shooting Weddings: Long term success or short term profit?
Shooting Weddings: Long term success or short term profit?
-
75
10 steps to get to fulltime freelance filmmaker.
10 steps to get to fulltime freelance filmmaker.
-
74
Is the DJI OSMO better than the Sony FX3??
Is the DJI OSMO better than FX3
-
73
What happens if you don't niche down your creative work...
What happens if you don't niche down your creative work...
-
72
Going back in time to fix a photo...
Going back in time to fix a photo...
-
71
Top 10 CAMERA accessories we can't live without.
Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
70
Has copying content gone too far?
Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
69
Will Photographers survive the end of the world?
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
68
Are camera resellers too greedy?
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
67
Be careful cheaping out on lenses
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
66
We get real about media...
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
65
This camera brings IMAX to everyone!
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
64
The importance of physical media.
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
63
Good script writing is a lost art.
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
62
The only way to get better at photography
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
61
Is making movies a waste of time?
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
60
Is the experience of a camera more important than the specs?
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
59
The Truth Behind That Controversial Megachurch Christmas Show
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
58
Indie films are now more important that ever!!
DISCORD: https://discord.gg/kVh5eRccK3Website: https://www.cortandluke.comInstagram: https://www.instagram.com/cortandlukeTik Tok: https://www.tiktok.com/@cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher#photography #filmmaker #camera
-
57
Don't ruin your lenses by doing this!
We’re back with another deep-dive—this time unpacking the painful realities of gear maintenance, the chaos of wedding season, and the business side of being a creative. From ruining expensive cinema lenses to structuring airtight contracts, from mastering harsh lighting to finalizing your folder structures, this one’s full of practical insights (and some expensive lessons).We start with the most expensive mistake we've ever made: ruining lenses with fungus. We talk about the misconception that all high-end glass is weather-sealed and the heartbreaking realization that treating your lenses like "plants"—giving them air and light—is actually crucial. If you think your gear is safe in a dark case, this segment might save you thousands of dollars.From there, we jump into shooting conditions. Shooting a wedding in direct sunlight at noon is a nightmare for most, but we break down how to handle it when your "moody" presets fail. We discuss the essentials of flash photography—why you need to graduate from TTL to manual power, how to bounce light effectively, and why off-camera flash is worth the hassle even for a one-man band.Then it’s time to get technical with data and business. If you don't back up your footage immediately, you aren't just lazy; you're asking for a lawsuit. We share our exact folder hierarchy for video projects to keep editors sane and dive deep into contracts. We explain why you must separate "content creation" from "usage" in your agreements so you get paid for the work you did, even if the client never posts the video.But it’s not just about the tech. We dig into the mindset side too—specifically the debate of "how you do anything is how you do everything." We argue why you should bring your best gear and effort even to low-budget shoots to build consistency, and why relying on electronic shutters or underexposing images by four stops "to be safe" is actually holding you back.We wrap with some hot takes: why owning more than 20 presets is a trap, why the "vintage film" editing phase is inevitable for everyone, and the real definition of a "filmmaker" (hint: it’s about way more than just recording a pretty image).If you’re a beginner looking to avoid costly gear mistakes or a working creative trying to refine your contracts and workflow, this episode is packed with advice that’ll keep you sharp, motivated, and grounded in what really matters.🔗 Website: https://www.cortandluke.com📸 Instagram: https://www.instagram.com/cortandluke🎬 TikTok: https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher
-
56
Why movies keep looking worse and worse
We’re back with another deep-dive—this time unpacking the realities of consistent color grading, the shifting landscape of cinematography, and why your favorite modern movies might be driving you crazy visually. From the technical nuances of DaVinci Resolve to the philosophy of content consumption, this one’s full of practical insights.We start with the technical baseline: exposure. We talk about why hitting the right exposure isn't just about looking good—it’s about algorithm performance. We discuss the grind of weekly color grading, the steep learning curve of switching from Premiere Pro to DaVinci Resolve, and why consistent practice is the only way to look back at your old work and realize how far you've come.From there, we jump into a heated critique of Wicked Part 2. Is shooting an entire blockbuster wide open actually cinematic, or just annoying on a massive screen? We debate the trends of modern cinematography versus the nostalgia of film, the overuse of shallow depth of field, and why the lack of contrast in high-dynamic-range cameras is changing the way movies feel.Then it’s time to get into the industry shifts. With YouTube moving to TV screens, is audio becoming more important than visuals? We break down why the listening experience is overtaking the viewing experience, the rise of "bait-and-switch" AI tool ads, and why we’re seeing a resurgence in radio-style consumption even on video platforms.But it’s not just about the tech. We dig into the culture gap—specifically, why a new generation of creators doesn't know the OGs like Peter McKinnon or Casey Neistat. We discuss the balance between watching tutorials and actually shooting, and why long-form education beats short-form trends when you're trying to actually learn a craft rather than just chasing engagement.We wrap with some hot takes: the "slow-motion" epidemic (stop shooting everything at 120fps), why APSC sensors are still viable for professional work, and the painful reality that it might finally be time to upgrade your M1 MacBook if you want to keep up with modern 6K codecs.If you’re a creator trying to decide on your next laptop upgrade or just wondering why movies look different these days, this episode is packed with advice that’ll keep you sharp, motivated, and grounded in what really matters.🔗 Website: https://www.cortandluke.com📸 Instagram:https://www.instagram.com/cortandluke🎬 TikTok:https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher
-
55
This one thing is KILLING creatives!
We’re back with another deep-dive—this time unpacking the realities of subscription fatigue, client management, and the ever-present debate over gear and skills. From Adobe price hikes to avoiding bad clients, and from the Kit Lens test to off-camera flash, this one’s full of practical and business-focused insights.We start with the business baseline: subscriptions. We talk about why the $10/month Adobe price increase is infuriating, the concept of subscription fatigue (and why paying annually is superior), and how the photography world needs more open-source editing platforms, mirroring the progress of DIY camera builds.From there, we jump into client dynamics. We discuss the ultimate red flag: clients who demand the RAW files (and what that says about your editing). We break down why client experience justifies premium pricing (six meetings before the wedding!) and the non-negotiable importance of writing revision limits into every contract to prevent endless editing cycles.Then it’s time to get technical with gear and mindset. We talk about the Kit Lens Test ("If you can't shoot a good photo on a kit lens, you can't shoot a good photo") and how TFP (Time for Prints) is the ultimate free solution for overcoming creative humps and building a better portfolio. We also weigh in on the controversial topic of off-camera flash in daylight, defending its use in street photography when done correctly.But it’s not just about the tech. We dig into the social side too—specifically, why posing clients like mannequins doesn't work. We discuss the importance of prompting movement and conversation to capture authentic smiles, and share a hot take: bringing a friend to a photoshoot often results in the best, most relaxed photos.We wrap with some gear hot takes: the true importance of weather sealing (only if you live by the beach), why you should fear your shutter speed (because it's the one thing that can't be fixed), and the timeless truth that a cheap tripod will eventually fail you (and your camera).If you’re a creative trying to escape the subscription trap, refine your contracts, or just need the motivation to shoot with the gear you already own, this episode is packed with advice that’ll keep you sharp, safe, and grounded in what really matters.🔗 Website: https://www.cortandluke.com📸 Instagram:https://www.instagram.com/cortandluke🎬 TikTok:https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher
-
54
The crutch of a low aperture...
We’re back with another hot-take episode—this time coping with the grief of selling our favorite cameras, breaking down the specs of the Canon R6 Mark III, and delivering some controversial opinions on gear.We start with the emotional side of being a photographer: the grief of selling an old workhorse like the R6 (Luke compares it to putting a kid up for foster care). This leads straight into the hype for the R6 Mark III ($2,800), which we call the "perfect camera" for bringing back C-Log 2, 7K open gate, and 4K120 with audio. We question why Canon dropped this killer camera without major fanfare.Then, we dive into the ultimate hot take: Your camera settings don't matter if your lighting sucks. We discuss the importance of professional lighting and how you can get away with "terrible buns cameras" (like the M50) if you light a set properly. This segues into a debate on technical truth—like the fact that most major TV shows are shot at F 5.6 (or its T-stop equivalent).Next up is the gear advice for beginners. We defend the classic Shure SM58 as the best mic of all time and roast creators who switch to the SM7B for "status." For new video shooters, we recommend the Sony A6700 paired with the 18-105 F4 or, for a killer budget build, the R50V with Sigma RF lenses. We also explain our anti-Tamron bias due to their history of plastic lenses.Finally, we hit the essential truths about accessories:Flash: You don't need a new flash; you need to master manual flash. We recommend the Godox AD200 for off-camera work and the MagMod system for better light quality.Filters: We defend creative filters like Glimmer Glass and Pro Mist for adding character and functionality, and urge everyone to buy a Polar Pro UV Haze Filter to protect their front element from dust and oxygen.Viewfinders: Essential for photo, but not video.If you're upgrading to the Mark III, trying to get better color out of C-Log 3, or just need the motivation to prioritize lighting over gear, this episode is packed with the raw, honest advice you need.🔗 Website: https://www.cortandluke.com📸 Instagram:https://www.instagram.com/cortandluke🎬 TikTok:https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort LetcherWhat else can I help you format or find information about?
-
53
Luke's photo studio is ruined!!!
We’re back with another deep-dive—this time unpacking the painful realities of selling sentimental gear, the latest Canon R6 Mark III hype, and the business side of being a creative. From arguing about ISO placement to mastering hard light, from the tyranny of black-and-white editing to the necessity of good lighting, this one’s full of practical insights (and some controversial hot takes).We start with the most emotional moment: the grief of selling your beloved workhorse camera, which Luke compares to putting a "kid up in foster care." This leads immediately into the specs of the newly dropped Canon R6 Mark III ($2,800), which we call the "perfect camera" for its return of C-Log 2, 7K open gate, and 4K120.From there, we jump into technical fundamentals. We break down our biggest hot take: Your camera settings don't matter if your lighting sucks. We debate the proper use of ISO—it's noise control, not brightness—and discuss how you can shoot with "terrible buns cameras" if you light the scene correctly. This segues into a debate about dynamic range and why some photographers overexpose to maximize highlight recovery.Then it’s time to get technical with gear and mindset. We argue against the beginner urge to buy a gimbal and defend Shure SM58s over the popular, often-misused SM7B. We tackle composition by arguing that the Rule of Thirds is meant to be broken and that you should prioritize balancing the visual weight of your image. We also address the ultimate gear hot take: Any camera made after 2010 is good enough for photography today.But it’s not just about the tech. We dig into the editing side too—specifically the debate between Lightroom Classic vs. Lightroom Mobile (we defend Classic as flying a "plane" versus riding a "scooter"). We argue that you must know how to shoot manual to be a professional, even if you sometimes use Aperture Priority. We also stress that not enough photographers know how to edit black and white properly; you must manually adjust the luminance of individual colors instead of using the one-click button.We wrap with some gear hot takes: the true importance of UV Haze Filters (to protect your lens), why shooting in One Shot drive mode at concerts is guaranteed to get closed eyes, and the ultimate worst client feedback: "Change the song."If you’re a creative trying to avoid gear regret, decide on your next Canon body, or just need the motivation to prioritize lighting and fundamental skills, this episode is packed with advice that’ll keep you sharp, safe, and grounded in what really matters.🔗 Website: https://www.cortandluke.com📸 Instagram:https://www.instagram.com/cortandluke🎬 TikTok:https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher
-
52
Our best episode yet! (1 year of podcasting)
We’re back with another deep-dive—this time unpacking the painful realities of a disastrous wedding day, the chaos of last-minute gear setups, and the business side of being a creative. From undercharging by $25/hour to using couch pillows as speaker protection, and from the debate over FX3 to the necessity of clear overtime contracts, this one’s full of practical insights (and some hilarious lessons).We start with the most expensive mistake of the day: undercharging for a second-shooter gig. Cort breaks down his decision to charge a mere $75/hour for an independent video role, when he should have charged $100-$110/hour, teaching us the different price tiers for second-shooting based on gear usage and independence.From there, we jump into shooting conditions and gear hacks. Luke tells the story of a torrential rainstorm forcing a last-minute indoor wedding setup and the frantic process of saving his equipment. We reveal the suitcase and couch pillow hack for transporting expensive, non-portable speakers and why the Rode Wireless Pros are the ultimate plug-and-play mic system, despite what Guitar Center (or ChatGPT) tells you.Then it’s time to get technical with gear and business. We stress the non-negotiable importance of writing an explicit per-hour overtime fee into every contract, as weddings constantly go over schedule, and relying on goodwill is not a business strategy. We also debate the merits of Canon vs. Sony for video, arguing that the FX3 is overrated, but the Cine line (C500, C80) still dominates the high-end documentary market.But it’s not just about the tech. We dig into the mindset side too—specifically the unspoken duties of a wedding vendor. We discuss why you often end up being the person tying bow ties for groomsmen and why, as a videographer, you must shut up and let the photographer lead the posing (unless they're so inexperienced you have to take over). We also call out the weird trend of content people and why it's valid to question who this extra person is at your wedding.We wrap with some hot takes: why buying a premium camera like the Fuji X100VI just to shoot on Auto 24/7 is a waste, and the bizarre and awkward encounter with a lady who kept calling the wedding DJ a "gorgeous human being."If you’re a beginner looking to avoid costly gear transport mistakes or a working creative trying to refine your contracts and handle on-the-spot chaos, this episode is packed with advice that’ll keep you sharp, motivated, and grounded in what really matters.🔗 Website: https://www.cortandluke.com📸 Instagram:https://www.instagram.com/cortandluke🎬 TikTok:https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher
-
51
YOU don't have to be a perfect creative.
We’re back with another deep-dive—this time unpacking the painful realities of Canon R6 Mark III rumors, the chaos of personal content creation, and the business side of being a creative. From arguing about the FX3's overrated status to the subtle art of the histogram, from mastering two-light setups to why you need to stop ignoring your calibration tab, this one’s full of practical insights (and some controversial hot takes).We start with the most essential thing we've ever learned: your body position is part of your camera settings. We talk about the major mental hurdle and loss of muscle memory that comes with the transition from crop sensor to full frame, forcing you to relearn how to frame a shot. If you thought your 50mm was actually 50mm, this segment will make you feel broken (and slightly poorer).From there, we jump into technical setups. We break down the challenges of lighting a modern YouTube vlog, revealing the common issue where your key light and camera are too close together. We discuss the essentials of a good video rig, detailing how to attach a Peak Design plate and an ARCA Swiss plate to a small rig cage simultaneously for instant tripod/hip deployment, and why the Rode Wireless Pros are the ultimate plug-and-play solution for audio.Then it’s time to get technical with gear and business. If you don't understand how a histogram works, you don't know how to edit; you're just moving sliders blindly. We share why we now put the Calibration tab in front of the Basic tab in Lightroom to master white balance and correct color shifts. We dive deep into the ultimate price debate, arguing that the Sony FX6 is a better value proposition than the FX3 once you factor in the thousands of dollars spent rigging out the smaller camera.But it’s not just about the tech. We dig into the mindset side too—specifically the debate of "natural grade vs. teal & orange." We argue that many modern cinematographers obsess over creative grades because they perform better on social media, but the ultimate color grading is done in-camera by mastering set design and matching outfits. We also argue why 24mm is inherently harder to shoot than 85mm—it requires superior composition.We wrap with some hot takes: why AI won't kill photography but will definitely crush the photo culling business, why the FX3 is wildly overrated, and why buying a premium compact camera just to shoot on Auto 24/7 is a complete waste of money.If you’re a beginner looking to understand the fundamentals of light and editing, or a working creative trying to decide if the next piece of gear is worth the hassle, this episode is packed with advice that’ll keep you sharp, motivated, and grounded in what really matters.🔗 Website: https://www.cortandluke.com📸 Instagram:https://www.instagram.com/cortandluke🎬 TikTok:https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1Hosted by: Luke Montgomery and Cort Letcher
-
50
Getting out of our slump (with an FX3?)
We’re back with another deep-dive—this time unpacking the painful realities of a **messy studio**, the chaos of corporate creative demands, and the business side of being a content creator. From a **$42,000 website video project** to the crucial role of the **calibration tab** in Lightroom, from the debate over **FX3 vs. R5C** to the surprisingly relevant comparison between a **photographer and a truck driver**, this one’s full of practical insights (and some controversial hot takes).We start with the most essential thing we've ever learned: **your body position is part of your camera settings**. We talk about the major mental hurdle and loss of muscle memory that comes with the **transition from crop sensor to full frame**, forcing you to relearn how to frame a shot. We reveal why **24mm is inherently harder to shoot** than 85mm—it requires superior composition, and anyone who can master it has truly transcended the hobby.From there, we jump into shooting conditions. We break down the challenges of lighting a modern YouTube vlog, revealing the common issue where your **key light and camera** are too close together. We discuss the essentials of a good video rig, detailing how to attach a **Peak Design plate and an ARCA Swiss plate** to a small rig cage simultaneously for instant tripod/hip deployment, and why we’re now confident in shooting in **harsh midday light** after mastering our editing workflow.Then it’s time to get technical with data and business. If you don't understand how a **histogram** works, you don't know how to edit; you're just moving sliders blindly. We share why we now put the **Calibration tab in front of the Basic tab** in Lightroom to master white balance and correct color shifts, especially when dealing with problematic colors like **green grass** and varied skin tones. We dive deep into the corporate creative world, detailing the nightmare of being a single person expected to handle a **$42,000 video budget's worth of work** across multiple platforms.But it’s not just about the tech. We dig into the mindset side too—specifically the debate of **"natural grade vs. teal & orange."** We argue that many modern cinematographers **obsess over creative grades** because they perform better on social media, but the ultimate color grading is done **in-camera** by mastering set design and matching outfits. We also dig into the painful experience of being told to **"cut on quality"** in favor of speed, forcing you to use gear like an iPhone and damaging your future portfolio.We wrap with some hot takes: why the **Sony FX6** is a better long-term investment than the **FX3** once you factor in rigging, why the single biggest regret is buying a **gimbal** that’s now too small and useless, and the most shocking redemption of the year—Cort's full apology and conversion to loving modern **drone footage** because of the massive leaps in sensor quality.If you’re a beginner looking to avoid costly creative mistakes or a working creative trying to refine your contracts and navigate the speed vs. quality trap, this episode is packed with advice that’ll keep you sharp, motivated, and grounded in what really matters.---🔗 Website: [https://www.cortandluke.com](https://www.cortandluke.com)📸 Instagram: [https://www.instagram.com/cortandluke](https://www.instagram.com/cortandluke)🎬 TikTok: [https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1](https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1)Hosted by: Luke Montgomery and Cort Letcher
-
49
Maybe we don't hate Sony like we thought
We’re back with another deep-dive—this time unpacking the painful realities of a **messy studio**, the chaos of corporate creative demands, and the business side of being a content creator. From a **$42,000 website video project** to the crucial role of the **calibration tab** in Lightroom, from the debate over **FX3 vs. R5C** to the surprisingly relevant comparison between a **photographer and a truck driver**, this one’s full of practical insights (and some controversial hot takes).We start with the most expensive mistake we've ever made: the belief that **dual card slots** are just for extra storage. We talk about the traumatizing reality of **losing wedding footage** and the heartbreaking realization that **dual backup** is the *only* proper way to shoot for a client, especially for weddings. If you think switching cards and backing up on a laptop during the reception is good enough, this segment might save you thousands of dollars in lawsuits.From there, we jump into shooting conditions. Shooting in **direct sunlight** is not the nightmare people make it out to be. We discuss the essentials of **ND filters** and **off-camera flash** in bright light, arguing that the combination not only saves your exposure but also delivers a desired **editorial look** that separates you from the crowd. We also share why your first light should always be a **Bowens mount constant light** and not a basic LED panel Then it’s time to get technical with gear and business. If you're relying on cheap storage, you're asking for a data loss crisis. We share our advice on **portable SSDs** (like the Crucial X9 Pro) over slow, corruptible hard drives (like Western Digital). We dive deep into contracts and pricing, discussing the dilemma of **charging for film photography** (less work for you, more expense for you) and why you must charge your **contracting rate** *above* your new full-time salary. We also share a real-world example of taking a **$1,000 wedding video gig** and how to manage client expectations for a two-to-three minute recap.But it’s not just about the tech. We dig into the mindset side too—specifically the debate of **"I'll fix it in post."** We argue why you should bring your best effort to **fix hair, jewelry, and blemishes** in the moment, rather than relying on Photoshop for a batch of 2,000 photos, especially in the age of easy **AI manipulation** (Sora is here, and we're cooked). We also argue why owning an **f/1.4 lens** doesn't make you a professional, even though the *look* it provides is fantastic.We wrap with some hot takes: why **weather sealing is overrated** for the average senior portrait photographer (since you reschedule for rain anyway), why the **Sony A7IV** is capable of delivering colors that look like "Canon but better" (a confession of bias), and the real definition of **making it as a creative** (it's when you start factoring in rental costs and upcharging your contracted time).---🔗 Website: [https://www.cortandluke.com](https://www.cortandluke.com)📸 Instagram: [https://www.instagram.com/cortandluke](https://www.instagram.com/cortandluke)🎬 TikTok: [https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1](https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1)Hosted by: Luke Montgomery and Cort Letcher
-
48
Is this ruining the exposure triangle?!?
We’re back with another deep-dive—this time unpacking the painful realities of a **broken Leica Q3**, the chaos of high-stakes corporate gigs, and the business side of being a creative. From why **AI noise reduction is killing the exposure triangle** to the terrifying future of **Sora-generated video**, from mastering **overcast light** to structuring airtight contracts that ensure you get paid, this one’s full of practical insights (and some expensive lessons).We start with the most expensive mistake we've ever made: believing that **dual card slots** are only for extra storage. We talk about the trauma of **losing footage** and the heartbreaking realization that **dual backup** is the *only* way to shoot weddings or any high-stakes job. If you think constantly switching out full cards will suffice, this segment might save you from a catastrophic data loss event.From there, we jump into shooting conditions. Shooting in **direct sunlight** is not the nightmare most beginners believe it to be. We break down how to handle it by combining **ND filters** with **off-camera flash** to achieve a stunning, **editorial look** that thrives in bright conditions. We discuss the essentials of lighting—why you need a **Bowens mount constant light** before you buy a basic LED panel, and why **overcast light is superior to golden hour** for capturing perfect RAW images *in-camera*.Then it’s time to get technical with data and business. If you don't use contracts, you're asking to be **ghosted on payment**. We share our advice on using **AI (GPT)** to draft a **semi-airtight contract** to protect yourself, and we dive deep into pricing, discussing the dilemma of **charging for film photography** (more cost, less editing time) and the need to charge a **contracted hourly rate above your full-time salary**. We explain why you must cut the fat from your portfolio because it’s only as good as its **weakest picture**.But it’s not just about the tech. We dig into the mindset side too—specifically the debate of **"I'll fix it in post."** We argue why relying on software to fix **compositional errors** or **physical blemishes** (like an Apple Watch tan) is lazy, and why you should take the time to fix things **in the moment** for consistency. We also argue why becoming the **"camera guy/girl"** is necessary for word-of-mouth marketing, and why the new era of flexible **ISO (especially on Sony)** combined with AI noise reduction is making photographers forget the fundamental exposure triangle.We wrap with some hot takes: why **Nikon's Z-mount** is the most **future-proof full-frame ecosystem** (due to its short flange distance), why owning an **f/1.4 lens** doesn't automatically make you a professional, and the terrifying reality of **Sora**—the AI video generator that is making it impossible to know what's real and what's fake, threatening the very core of documentary and creative work.If you’re a beginner looking to avoid costly gear mistakes or a working creative trying to refine your contracts and workflow, this episode is packed with advice that’ll keep you sharp, motivated, and grounded in what really matters.---🔗 Website: [https://www.cortandluke.com](https://www.cortandluke.com)📸 Instagram: [https://www.instagram.com/cortandluke](https://www.instagram.com/cortandluke)🎬 TikTok: [https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1](https://www.tiktok.com/Cortandluke?_t=8r93xifpxqy&_r=1)Hosted by: Luke Montgomery and Cort Letcher
We're indexing this podcast's transcripts for the first time — this can take a minute or two. We'll show results as soon as they're ready.
No matches for "" in this podcast's transcripts.
No topics indexed yet for this podcast.
Loading reviews...
ABOUT THIS SHOW
🎙️ Weekly show📸 Full-time photographers🗣 Part-time yappers
HOSTED BY
Cort Letcher Media and Luke Montgomery Media
CATEGORIES
Loading similar podcasts...