Episodes
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CCU61: The Rose
Mark and Aaron take a trip down memory lane. This is not only the first Criterion Close-Up episode, but the first time that we had podcasted together. The episode is a little rough, as would be expected, but we hope you’ll enjoy hearing us as we learned our way. Subscribe: iTunes | Stitcher Or...
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CCU60: Julien Duvivier in the 1930s
Mark, Aaron, David and Trevor return for part two of our exploration of the under-appreciated French director, Julien Duvivier. The first episode, Eclipse Viewier 54, looked at the first two films in his Eclipse set. This episode looks at the peak of his career, particularly La Belle Equipe, Pépé...
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CCU59: Late Spring and the Films of Yasujiro Ozu
Mark, Aaron and Matt Gasteier explore the filmmaking world of Yasujirō Ozu, centering on his pivotal masterpiece Late Spring (1949). It would be impossible to explore all of his dozens of his films in one episode, so we give an overview of his work, his style, and his contributions towards...
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CCU58: Punch-Drunk Love and the Films of Paul Thomas Anderson
Mark and Aaron get back to this century with a look at Paul Thomas Anderson’s Punch-Drunk Love. Naturally we talk about Adam Sandler’s dramatic acting jobs, and … well … what happened to them? We go further into PTA’s career, film by film, chronicling the evolution of his craft and style. We...
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CCU57: French 1930s 2 – Early Jean Renoir
Mark and Aaron continue the French 1930s series by exploring the early career of Jean Renoir, easily the most recognizable director from the period. We begin with the beginning, by looking at his origins and childhood. We look at his early silent films, his first sound adaptations, and a couple…
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CCU56. Blood Simple
Mark and Aaron are joined by Keith Silva to look at the Coen Brothers’ debut to cap of #Noirvember. The film cannot be viewed without the exploring the context of the Coen library and their successful career to follow, but it stands alone as a debut film that sets the stage for their style. We […]
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CCU55: Cronos
Mark and Aaron tackle Guillermo Del Toro’s debut film, recently re-released as part of the Trilogía boxset. Cronos is technically in the vampire genre, but even for his first film, has a distinctive Del Toro feel. We get into the character of Jesus Gris, and how Del Toro uses him as a tragic…
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CCU53: The Vanishing
Mark and Aaron cover the Dutch and French horror/suspense classic, The Vanishing. Having experienced this film numerous times before, we are able to explore the foreshadowing and narrative structure that led us on a wild journey to an even wilder ending. We talk about obsession, control, that...
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A Criterion Podcast
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