Daughter of Today

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

"Astrophel and Stella" by Sir Philip Sidney is a seminal work of English poetry that explores the themes of love, desire, and the complexities of human emotion. Through a series of sonnets, Sidney articulates the joys and sorrows of unrequited love, reflecting on the nature of beauty and the pain of longing. This collection remains relevant today as it delves into the timeless struggles of the heart, inviting listeners to contemplate their own experiences with love and longing. The eloquence and depth of Sidney's verse continue to resonate, making it a profound exploration of the human condition that transcends the ages.

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie

The Canadian author Sara Jeannette Duncan (aka Mrs. Everard Cotes) is today best known for her 1904 novel of Ontario life, “The Imperialist” (also available as a LibriVox recording), but in Duncan’s own time readers were impressed more by her other works, including “A Daughter of Today,” published in 1894. “A Daughter of Today” follows the story of Elfrida Bell, a young woman who escapes the American Midwest to pursue first an artistic education in Paris, and then a novice career in journalism in London. As the novel’s title indicates, Elfrida is a product “of today,” i.e., of her day — the 1890s. She is swept up in the heady notions of that period: Aestheticism (“art for art’s sake”), fin-de-siècle Decadence, and ideas about the “New Woman” who breaks free of bourgeois conventions. With the self-absorption of youth, Elfrida sets about constructing herself along these lines. She pursues this project with bracing energy, mixed with pretension and affectation: “In nothing that she said or did, admired or condemned, was there any trace of the commonplace, except, perhaps, the desire to avoid it.” Early reviewers debated whether the character of Elfrida was “fresh and original,” or simply “ill-bred.” This novel explores clashes between convention and originality, cultural differences (American /French /British), and rivalry between friends. - Summary by Bruce Pirie