PODCAST · arts
Defense of Poesy
by Sir Philip Sidney
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by
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Soren Kierkegaard, Various Readings-Various
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Astrophil and Stella (Version 2)-Sir Philip Sidney
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Ingersoll on ROBERT BURNS, from the Works of Robert G. Ingersoll, Volume 3, Lecture 2-Robert G. Ingersoll
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Stage Land-Jerome K. Jerome
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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American Women's Literature, 1847 to 1922-Various
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Some German Women and Their Salons-Mary Hargrave
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Art of Fiction-Walter Besant, Henry James
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Vision of Piers the Plowman (Warren translation)-William Langland
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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English Prose Style-Herbert Read
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Gossip in a Library-Edmund Gosse
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Poems-George Murray, John Reade
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Rover Vol. 01 No. 09-Lawrence Labree, Seba Smith
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Address to Certain Goldfishes-Hartley Coleridge
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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EDWY A Poem, in Three Parts-Ann Radcliffe
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Essays on Paul Bourget-Mark Twain
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Rover Vol. 01 No. 17-Lawrence Labree, Seba Smith
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Trees and Other Poems-Joyce Kilmer
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Afternoon in July-Rosanna Eleanor Leprohon
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Omar Resung-Charles G. Blanden
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Rover Vol. 01 No. 16-Lawrence Labree, Seba Smith
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Rover Vol. 01 No. 14-Lawrence Labree, Seba Smith
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Dreams-Olive Schreiner
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Farmer's Bride-Charlotte Mew
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Poems of American History, The Colonial Era-Various
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Defense of Poesy-Sir Philip Sidney
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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Into The Valley Of Death Crimea, Balaklava, The Light Brigade Russell, Tennyson And Kipling-Various
"Into The Valley Of Death Crimea, Balaklava, The Light Brigade Russell, Tennyson And Kipling-Various" delves into the profound historical events of the Crimean War, particularly the fateful Charge of the Light Brigade at Balaklava, as captured through the voices of notable figures like Russell, Tennyson, and Kipling. This collection not only recounts the bravery and tragedy of warfare but also reflects on themes of valor, sacrifice, and the complexities of heroism that resonate deeply in today's world. The poignant narratives and evocative poetry invite listeners to contemplate the enduring impact of war on society and the human spirit.
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Defense of Poesy - Sir Philip Sidney
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by T. A. Copeland
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ABOUT THIS SHOW
Sidney envisions the world as an ideally ordered structure that rewards good and punishes evil, but this order, vitiated by sin, has fallen prey to random chance. The function of poetry is, by teaching (through delight of various sorts), to restore the original order so far as is humanly possible. This treatise defends the dignity of poetry, by which Sidney means literature in general, and criticizes the literature of his own day. Much of this criticism sounds to a modern ear like unimaginative carping, but its probable function was to defend the author against the charge of partiality arising from naïve idealism. Albert S. Cook, the editor of the edition chosen in this project, wrote in 1890, “In this essay [Sidney] appears as a link between the soundest theory of ancient times and the romantic production of the modern era, as a humanist actuated by ethical convictions, as a man of affairs discharging the function of the scholar with the imaginative insight of the poet.” - Summary by
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Sir Philip Sidney
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