PODCAST · music
Driver Joe
by Driver Joe
Seeking NYC collaborator(s) for live electronic/(electric) project. I'm into original sound design and intelligent remixes of nostalgia. Into Heavy, Dark, and Funky - Not into "Pop".Mostly "Reason" "Subtractor" now -- sometimes metal and rock sampled, justified to bpm in "ableton" -- multiples of 11bpm -- ie 33, 44, 55 etc. Bars ripped in "Audacity" via bpm - best ones kept and randomized again in "Reason" xxnt. I use separate matrix's for each "note'' ''gate'' and additional gate-mask on "master volume 0 or 100" for glitching. Add lfo automation all over... adjust freq, res, pan, scream, reverb, eq... etc...I eq by eye with spectrographs in "Audcity" by recording my soundcard via "vb-audio cable" -- meat and potatoes 40-400hz.Basically all slicing, picking, re-randomizing and further tweeking... 3 or 4 generations tends to get her done.
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ABOUT THIS SHOW
Seeking NYC collaborator(s) for live electronic/(electric) project. I'm into original sound design and intelligent remixes of nostalgia. Into Heavy, Dark, and Funky - Not into "Pop".Mostly "Reason" "Subtractor" now -- sometimes metal and rock sampled, justified to bpm in "ableton" -- multiples of 11bpm -- ie 33, 44, 55 etc. Bars ripped in "Audacity" via bpm - best ones kept and randomized again in "Reason" xxnt. I use separate matrix's for each "note'' ''gate'' and additional gate-mask on "master volume 0 or 100" for glitching. Add lfo automation all over... adjust freq, res, pan, scream, reverb, eq... etc...I eq by eye with spectrographs in "Audcity" by recording my soundcard via "vb-audio cable" -- meat and potatoes 40-400hz.Basically all slicing, picking, re-randomizing and further tweeking... 3 or 4 generations tends to get her done.
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Driver Joe
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