PODCAST · arts
Duchess of Langeais
by Honoré de Balzac
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Prisoner of Morro-Upton Sinclair
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Whose Body (Version 3 - dramatic reading)-Dorothy L. Sayers
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Frailty and Hypocrisy (Figaro Trilogy #3)-Pierre Beaumarchais
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Letters of a Portuguese Nun-Mariana Alcoforado, Gabriel-Joseph de Lavergne
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Cradock Nowell Vol. 3-Richard Doddridge Blackmore
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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House Behind the Cedars-Charles Waddell Chesnutt
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Ivory Tower-Henry James
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Unknown Masterpiece-Honoré de Balzac
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Wanted A Husband-Samuel Hopkins Adams
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Uncle's Dream-Fyodor Dostoyevsky
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Idle Hours In A Library-William Henry Hudson
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Shoemaker's Holiday-Thomas Dekker
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Ball at Sceaux-Honoré de Balzac
"Ball at Sceaux" by Honoré de Balzac delves into the intricacies of social ambition and the quest for love within the context of a lavish ball in 19th-century France. The narrative captures the essence of societal expectations and the tension between personal desires and public image. This exploration of human relationships and the pursuit of status remains relevant today, as it reflects the timeless struggle for acceptance and the complexities of romantic entanglements. Balzac's keen observations of character and society invite listeners to reflect on their own experiences with love and ambition, making this tale an enduring classic that resonates across generations.
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Duchess of Langeais - Honore de Balzac
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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ABOUT THIS SHOW
“The Duchess of Langeais” (1834) is part of Balzac’s great life’s work, the sprawling novel series called “The Human Comedy.” This novel is set in Paris, in the years after Napoleon’s fall and the restoration of the Bourbon monarchy. In Balzac’s view, the aristocracy had squandered its chance to bring leadership and stability to France, and was instead seduced by a sense of entitlement, wasting away in “the sterility of the salons.” We follow the story of a love affair that is frustrated by the obsessive, willful manipulations of its two principal characters. The duchess is a “spoilt child of civilization.” Her opposite is a military hero, naïve in the ways of the salon, but accustomed to winning his battles. “Love” is confused with “passion” and twisted by the elegant artifices of polite society. Originally titled “Don’t Touch the Axe,” Balzac's novel is a searing examination of the pathology of love, as experienced by the privileged of his day. - Summary by Bruce Pirie
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Honoré de Balzac
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