PODCAST · arts
Electra (Murray Translation)
by Euripides
Electra (the Unmated One) is eaten up with hatred of her mother Clytemnestra and stepfather Aegisthus for their murder of her father Agamemnon. Married platonically to a good-hearted but poverty-stricken old peasant, she longs for the return of her brother Orestes to help her wreak vengeance. Orestes finally returns and together they carry out their fated work, but find the result to be as tragically meaningless as the lust for vengeance had been poisonous. Strikingly different from Sophocles, who wrote his “Electra” with full sympathy for the divine ordinance of revenge, Euripides squarely blames the God Apollo for putting an evil commandment on the shoulders of the siblings. He also shows the tragic ambiguity of the entire situation, pleading a strong, emotional case for Clytemnestra and showing her vulnerable motherliness at the moment of her death. Deeper, more human psychologically than Sophocles or Aeschylus, Euripides is compared with good reason in the translator’s introduction
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On the Sublime-Unknown
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Agamemnon (Browning Translation)-Aeschylus
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Ten Books on Architecture-Marcus Vitruvius Pollio
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Androcles and the Lion-George Bernard Shaw
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Ajax (Campbell Translation)-Sophocles
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Agamemnon (Morshead Translation)-Aeschylus
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Gorgias-Benjamin Jowett, Plato (Πλάτων)
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On Benefits (De Beneficiis)-Lucius Annaeus Seneca
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Furies (Morshead Translation)-Aeschylus
Furies (Morshead Translation) by Aeschylus presents a powerful exploration of vengeance, justice, and the complexities of human emotion. This ancient tragedy delves into the relentless pursuit of retribution by the Furies, embodying the primal forces of anger and guilt that resonate deeply within the human experience. Its themes of moral conflict and the quest for balance between punishment and forgiveness remain relevant today, inviting listeners to reflect on the consequences of their actions and the cyclical nature of violence. Engaging with this timeless work offers profound insights into the darker aspects of human nature, making it a compelling listen for anyone interested in the enduring questions of justice and morality.
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Electra (Storr Translation) - Sophocles
Electra (Storr Translation) by Sophocles delves into the profound themes of vengeance, justice, and familial loyalty, as it explores the emotional turmoil of its titular character, Electra, in the wake of her father's murder. This timeless tragedy captures the essence of human suffering and the quest for retribution, resonating with audiences today as they grapple with issues of morality and the consequences of revenge. The intensity of Electra's grief and her unwavering determination to avenge her father speaks to the enduring struggle between duty and desire.
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Electra Murray Translation - Euripides
Electra (the Unmated One) is eaten up with hatred of her mother Clytemnestra and stepfather Aegisthus for their murder of her father Agamemnon. Married platonically to a good-hearted but poverty-stricken old peasant, she longs for the return of her brother Orestes to help her wreak vengeance. Orestes finally returns and together they carry out their fated work, but find the result to be as tragically meaningless as the lust for vengeance had been poisonous. Strikingly different from Sophocles, who wrote his “Electra” with full sympathy for the divine ordinance of revenge, Euripides squarely blames the God Apollo for putting an evil commandment on the shoulders of the siblings. He also shows the tragic ambiguity of the entire situation, pleading a strong, emotional case for Clytemnestra and showing her vulnerable motherliness at the moment of her death. Deeper, more human psychologically than Sophocles or Aeschylus, Euripides is compared with good reason in the translator’s introduction to modern playwrights such as Browning or Ibsen. ( Expatriate)
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ABOUT THIS SHOW
Electra (the Unmated One) is eaten up with hatred of her mother Clytemnestra and stepfather Aegisthus for their murder of her father Agamemnon. Married platonically to a good-hearted but poverty-stricken old peasant, she longs for the return of her brother Orestes to help her wreak vengeance. Orestes finally returns and together they carry out their fated work, but find the result to be as tragically meaningless as the lust for vengeance had been poisonous. Strikingly different from Sophocles, who wrote his “Electra” with full sympathy for the divine ordinance of revenge, Euripides squarely blames the God Apollo for putting an evil commandment on the shoulders of the siblings. He also shows the tragic ambiguity of the entire situation, pleading a strong, emotional case for Clytemnestra and showing her vulnerable motherliness at the moment of her death. Deeper, more human psychologically than Sophocles or Aeschylus, Euripides is compared with good reason in the translator’s introduction
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Euripides
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