Episodes
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Hypercine | Tron (1982)
REFERENCIAS: Hill, T. (2012). New William Kallay book reveals “How Tron Changed Visual Effects and Disney Forever”. Jim Hill Media. Recuperado de...
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Bollywood | Salaam Bombay! (1988)
REFERENCIAS: Atkinson, Alan. Salaam Bombay! Proceeds from prize-winning film will benefit street children in India. Context Institute. Recuperado de https://www.context.org/iclib/ic20/bombaypp/ Kulkarani, V. (2018). The uncomfortable truth about Indian cinema. Arts&Culture. Recuperado de...
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Cinematografía Oriental del Nuevo Milenio | In the Mood for Love (2000)
REFERENCIAS: Camhi, L. (2001). Film: Setting His Tale of Love Found in a City Long Lost.The New York Times. Recuperado de https://www.nytimes.com/2001/01/28/movies/film-setting-his-tale-of-love-found-in-a-city-long-lost.html Kaufman, A. (2009). Decade: Wong Kar-wai on “In the Mood for Love”....
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Cine de Japón | Tetsuo: The Iron Man (1989)
REFERENCIAS: Jolliffe, T. (2020). A Cult Cinematic Oddity - Tetsuo: The Iron Man. Flickering Myth. Recuperado de https://www.flickeringmyth.com/2020/03/cult-cinematic-oddity-turns-30-tetsuo-the-iron-man/ Mes, T. (2005). Iron Man: The Cinema of Shinya Tsukamoto. FAB Press. Recuperado...
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Cine de china (5ta y 6ta generación) | Suzhou River (2000)
REFERENCIAS: Alikhan, A. (2016). Look Out Hollywood, here comes Chollywood. Scroll.In. Recuperado de https://scroll.in/reel/816729/look-out-hollywood-here-comes-chollywood Clode, J. (2002). Suzhou River. Intersections: Gender, History and Culture in the Asian Context. Issue 7. Recuperado de...
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Cine americano independiente de los 90's | Blue Velvet (1986)
REFERENCIAS: Aubrey, E. (2019). David Lynch is releasing 51 minutes of lost footage from his iconic film, ‘Blue Velvet’. NME. Recuperado de https://www.nme.com/news/david-lynch-releasing-lost-footage-iconic-film-blue-velvet-24498 Ferreirós, H. (2019). Terciopelo Azul, la película que salvó la...
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Dogma 95 | Los Idiotas (1998)
REFERENCIAS: Christensen, O. (2000). Spastic Aeshtetics - The Idiots. Revista P.O.V, Núm. 10. Recuperado de https://pov.imv.au.dk/Issue_10/POV_10cnt.html Dobler, H. (2001) Lars Von Trier, el niño terrible del cine danés. Revista Latinoamericana de Comunicación Chasqui. Núm. 95. pp 79-80.…
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Nuevo Cine Europeo | Moscú no cree en lágrimas (1980)
REFERENCIAS Halperin, H. (1987). The Other Side: How Soviets and Americans Perceive Each Other. Transaction Publishers. pp 115-116. Hosking, G. (2020). Russia. Encyclopædia Britannica. Retrieved from https://www.britannica.com/place/Russia Koslov, V. (n.d) Moscow does not Believe in Tears.…
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Nuevo Cine Europeo | El cocinero, el ladrón, su mujer y su amante (1989)
REFERENCIAS: Bradshaw, P. (2013). Margaret Thatcher: the Iron Lady of the British Film. The Guardian. Recuperado de https://www.theguardian.com/film/filmblog/2013/apr/09/margaret-thatcher-british-film-industry Ebert, R. (1999). The Cook, The Thief, His Wife and Her Lover. Roger Ebert.com....
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El Tercer Cine en África | Mooladè (2004)
REFERENCIAS: Bayon, M. (2007). Ousmane Sembene, padre del cine africano. El País. Dupont, J. (2004). An African director takes up his banter. The New York Times. Recuperado el 15 de septiembre, 2020, de https://www.nytimes.com/2004/10/14/style/an-african-director-takes-up-his-banner.html Festival...
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El Tercer Cine en Latinoamérica | Memorias del Subdesarrollo (1968)
REFERENCIAS: Berthier, N. (2004). Cine y revolución: memorias del subdesarrollo de Tomás Gutiérrez Alea (1968). In En torno a las Antillas hispánicas: ensayos en homenaje al profesor Paul Estrade (pp. 564-575). Recuperado de...
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Hollywood y Blockbusters | El Padrino (1972)
REFERENCIAS: Brody, R. (2013, Agosto 08). "The Godfather" and Style. The New Yorker. Recuperado August 30, 2020, de https://www.newyorker.com/culture/richard-brody/the-godfather-and-style Sragow, M. (1997, Marzo 17). Making of The Godfather. The New Yorker. Recuperado August 30, 2020, de...
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