Hazard of New Fortunes

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

"Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the intricate dynamics of imperialism and its profound impact on global politics. This compelling exploration reveals the underlying forces shaping international relations and the consequences of imperialist ambitions. As we navigate an increasingly interconnected world, the themes of power, dominance, and the struggle for resources remain ever relevant, echoing the complexities of contemporary geopolitical tensions.

"Imperialism and World Politics, Part 3 of 4" by Parker Thomas Moon delves into the intricate dynamics of imperialism and its profound impact on global politics. This compelling exploration reveals the underlying forces shaping international relations and the consequences of imperialist ambitions. As we navigate an increasingly interconnected world, the themes of power, dominance, and the struggle for resources remain ever relevant, echoing the complexities of contemporary geopolitical tensions.

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth. Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of some of the social and economic contradictions that beset the city of the time (though some of Howell’s analysis sounds as if it well might fit New York today). Characters such as, among others, Dryfoos’s children, a German socialist immigrant who fought for the Union cause, an impoverished Southern colonel still persuaded that a reformed slavery might work, a young woman drawn from the upper reaches of Old New York society, help to enrich the story and its setting with their differing viewpoints. ( Nicholas Clifford)