KROQ Sound Space Artist Interviews

As Death Cab for Cutie returns with their 11th studio album, 'I Built You A Tower,' the band joined us inside the In-N-Out Burger Sound Space in Los Angeles for a special performance and conversation about the latest chapter from the GRAMMY-nominated group. Before an electrifying set for fans inside the Sound Space, Ben Gibbard and Nick Harmer dove into the band's creative legacy, their ongoing connection with their fans, and the foundation that has kept DCFC strong for over 25 years. With Miles The DJ acknowledging Death Cab for Cutie’s incredible longevity, Gibbard explained that his primary satisfaction comes from the internal process of creation, writing a song in his home studio and sharing it with his bandmates. “I've always thought that if I have a strong feeling that's put into a song that we all, the band, initially connects to and feels like it's expressing something about the human experience, that other people will connect with it too,” he reveals. “I write a lot and a lot of the stuff I write, you guys will probably never hear, but the stuff that does cut through and we choose to release, we feel we're releasing it because we feel it says something about what it means to be alive, what it means to be a human being.” “It's been one of the greatest honors of my life to have people such as yourself have this connection with this music. It's really, it has so much more to do with you than it does with us, and it has so much more to do with you than it does with me, because without you guys, I guess I would exist on this planet, but as a songwriter, the music would not have the breadth and the reach that it has without you guys and how you've integrated into your life. So we have to say thank you to all of you, we're here because of you.” The foundational strength of DCFC remains their genuine friendship, with Ben noting that he and Harmer have been best friends since they were teenagers. "There's no better feeling than being in a band with your friends. It's just the best. So we figure why stop doing it, you know, keep going." Fresh off anniversary celebrations for 'Plans' and 'Transatlanticism,' Death Cab got to revisit those initial bonds that solidified their approach to music, and helped inform their next project. “I think playing those anniversary shows were about as close to getting into a time machine as I'll ever get in my life," Harmer admits. This reflection ultimately provided them with renewed confidence and momentum to channel into their new project, 'I Built You a Tower.' For more from Death Cab for Cutie, check out the full Sound Space interview above. 'I Built You A Tower' is now available everywhere.

Mike Ness and Social Distortion recently joined us inside the In-N-Out Burger Sound Space in Los Angeles for a special performance, and a conversation with KROQ’s Megan Holiday and Kevin Ryder about their new album, 'Born To Kill,' the frontman’s health, career philosophy, and the early days of the band. Social Distortion’s new album, 'Born to Kill,' is now available everywhere, and it’s the first from the group in 15 years. Ness explains that the gap was due to a combination of personal crises, including his own cancer diagnosis halfway through recording the album. This health crisis deeply impacted his perspective and his approach to finishing the record, intensifying his focus. "It really takes something like going through something like this that really makes you realize that, you know. every day above ground is a good day,” Mike admits. “When it was time to come back to the record and finish it, it was time to do vocals, it felt like I was singing like there was no tomorrow." The album's title track, "Born to Kill," was the song that set the tone for the entire record, serving as the band's "mission statement," according to Ness. “I couldn't deliver a sleeper,” he shares. “I needed to get this out.” Watch the full performance and interview above. Social Distortion’s 'Born To Kill' is now available everywhere.

Inside the newly minted In-N-Out Burger Sound Space at KROQ in Los Angeles, Jack Antonoff opened up about his thoughts on the music industry, touring, and the creative process behind Bleachers’ upcoming album, 'everyone for ten minutes,' due out on May 22. Talking with Klein and Ally, Antonoff detailed his desire to keep music authentic, his fight against high ticket prices, and his unique pre-release ritual for new music. “I listen to every album I made like a few days before,” Antonoff shares. “I listen to every album, and then I'll listen to the new one and then I'll feel in touch with the journey.” Jack doesn’t feel tempted to make changes after listening to the entirety of his discography, knowing that the studio is a safe space for him. “I don't ever want to change anything,” he says. “I'm filled with regrets in other ways, but not with the music. I think that's why I stay in the studio and stay on tours, that's like the one place where I really like, for lack of a better word, feel myself. Everywhere else is really complicated.” Antonoff also spoke in-depth about his relationship with his audience, and the importance for him to continue the conversation with the people that get it. Reflecting on the lyric, "only my people can see me," Jack explained that his music is intentionally designed to "sift out anyone who's not gonna get it." “When the band started the first song I put out was ‘I Wanna Get Better,’ and it was really intentional because I thought to myself, ‘I don't want anyone misgivings about who I am or where this thing is going.’ I remember at the time it was like, ‘oh we should put out ‘Rollercoaster,’ you know, it's such a catchy song,’ and I was like, ‘I love that song, but there's this other song I wrote.’” “I remember telling this to everyone, ‘I wanna like sift out anyone who's not gonna get it,’ which they thought was maybe a problem, but It's nice to just come forward as who you are,” Jack reveals. “Then you're just on a journey and a conversation with your people and it goes this way and it goes that way, but I'm not ever taking my eye off of them. And it sounds reductive, but if you just do the things that you love and are really authentic about what you do, it's hard to lose sleep at night.” 'everyone for ten minutes' is out everywhere on May 22.

To celebrate the release of their new album, 'Everything Glows,' Cannons stopped by the KROQ Sound Space in Los Angeles for a special performance and an exclusive interview with Kevin Ryder and Megan Holiday. Cannons describes 'Everything Glows' as their first album that they treated as a "full time job," making the entire process "very intentional, start to finish.” After rigorous touring to support the 'Heartbeat Highway' album, Michelle Joy took time to tend to her health, including a surgery and recovery, before diving into writing the next album with support from her band. “They made me feel so supported, this album we've grown closer than ever and we understand each other in new ways,” she says, “know how to hold space for each other and bring out the best in each other, and we wouldn't have reached this point in our relationship together without going through the struggles that we went through.” Check out the full interview above. 'Everything Glows' is now available everywhere. The band’s co-headlining 'Afterglow Tour' with electronic duo, Bob Moses, is also now officially underway. Find a full list of dates at LiveNation.com.

Celebrating the release of their new album, 'Everyone's Talking!,' All Time Low joined us inside the Helpful Honda Sound Space in Los Angeles for an exclusive performance for a room full of fans, along with an interview where the band unpacks their latest project and more. 'Everyone's Talking!' arrived earlier this month, marking All Time Low's 10th studio album, featuring the new single, "The Weather." ATL will also continue their tour across America through the end of November before taking the trek international. You can find the full list of dates here. 19 years since their debut album, Miles the DJ asked the band if there are ever conversations about continuing to grind it out in the same way they have for nearly 2 decades. "I think going into making this album, there was that conversation," shares Alex Gaskarth. "I think this many years into a career and this many albums into a career, there's that moment that you confront yourself in the mirror and you kind of go, 'does the world need another All Time Low record or have we told all the stories that we need to tell,' you know what I mean?" "I think we face that every time we sit down to start a new creative process, but last year we spent the year kind of doing these 20 year celebration shows and that put us in this frame of mind that we were just so appreciative and grateful for the fact that people were rallying around this band the way they were, and celebrating all the eras and all the albums, and we were like, 'look, I think there's more in the tank.'" "We either write a record or do happy 17 years of 'So Wrong, It's Right' or something," jokes Jack Barakat. "Make up anniversaries." For more about the band's new album, don't miss All Time Low in the Helpful Honda Sound Space, now playing above.

Earlier this month, Royel Otis stopped by our Helpful Honda Sound Space in Los Angeles to talk about their new album, 'hickey,' and to perform for a room full of fans. The Australian duo opened up about the making of their sophomore effort, talked touring and more with KROQ's Klein and Ally, before ripping through a set of songs to kick off a holiday weekend. Don't miss the full interview above. Talking about the "summer vibes" of the new LP, Royel Maddell was quick to admit that sound is likely subconscious. "I thought this one was like a bit darker," he says. "Like 'PRATTS & PAIN' I thought it was like super dark, but everyone's like, 'it's so summery and Australian beach sounding.' I'm like, 'f***, didn't mean to do that." To hear more from Maddell and Otis Pavlovic, check out the full Royel Otis interview above. 'hickey' is now available everywhere

Before sharing their debut album with the world, Good Neighbours gave us a glimpse inside the Helpful Honda Sound Space with a special interview and performance. Watch as the band talks with Miles the DJ about their upcoming LP, 'Blue Sky Mentality,' due out everywhere on September 26. Plus, stay tuned for an exclusive performance from the group. After viral success last year with "Home," the London duo appear on the cusp of something big, so we invited a room full of fans to come hang in our Los Angeles Sound Space and watch it all unfold live. ""Honestly, now I feel like we're in a place where we're just so grateful that that song did what it did," the duo says of "Home" when asked about it's success. "At the time, we probably gave it no respect. We had written the chorus and we thought, that's good. Like, it's a feasible chorus for us to play. But we never thought, 'this is going to be a smash.' And then the second we put it out, people just received it in such an amazing way that it almost educated us to be like, 'you should go off and finish this song as quick as you can.'" After years of making music, things have finally clicked for Oli and Scott, partly because they started making music for themselves. "It kind of started last year, almost by accident, really. We've been doing music for like 10 plus years, and kind of like not doing very well at it, and then like, yeah, we were just making stuff for ourselves and just stuff that sounded good, and it felt right. So we put it out, and it's going down pretty well." For more from Good Neighbours and an exclusive performance, check out the full video above.

Shinedown continues to surge ahead towards their next chapter, hitting the road all summer with Bush and releasing searing single after single on their way to a new album, becoming unmissable in 2025. The "Dance, Kid, Dance" band recently stopped by our Helpful Honda Sound Space to talk about it all, and unleash a performance for a packed house of fans that you won't want to miss. When asked how Shinedown became "a band for everyone," Zach Myers admits it comes down to how they treat each other. "We get along better now than we ever have, and we've never had like a bunch of problems with each other," he shares. "I've always said 'you can fool some of the people some of the time, you can't fool all the people all the time.'" "I think that subject matter of songs too, you know. We chose not to write songs about getting laid, you know what I mean? We would rather write a song that makes you feel like you can jump through the roof of a building or run through a brick wall than something that's gonna fade," he adds. "I think that combined with just how we treat each other. I think that we are a people's band. I think that people notice that about us when we're on stage together. If you don't notice us having fun, you are not paying attention." With so much of Shinedown's music playing a huge role in helping the mental wellness of fans, the group was asked what they do for their own mental health. Along with faith and working out, Eric Bass knows it's just about taking each moment as it's own. "It's just one day at a time," he shares. "It's one thing, just take the next step, just one step in front of the other, and I know that's cliche, but stereotypes and cliches are in place for a reason." "It's one of the positives about being in a band. You're not alone," adds Brent Smith. "You can bounce things off each other." To hear much more from the band on the legacy of Ozzy Osbourne, their plans for the next album, and their thoughts on Rock representation at the GRAMMYs, check out the full conversation above.

Rise Against remain one of music's great antagonists, always outspoken with an eye towards what's next and what's right. Their latest effort, 'Ricochet,' will arrive everywhere on August 15, but first the band pays a visit to the Helpful Honda Sound Space for an exclusive performance and conversation. Nicole Alvarez talks with the band about their upcoming album, experience at Warped Tour, and more. When asked if they have ever been scared to speak their mind in a polarized political world, Tim McIlrath simply says no. "That's who we are, we've always been. We didn't walk into this room somebody different and then try to pretend like we're something else," he shares. "We didn't pivot to politics or away from politics, it's just when you met us this was the band that we were, this is the band that we are, we've never done anything different. So if nothing else, it must be something in that DNA that has attracted you to identify with this band." "Not only are we unable to pivot away from it, but like I don't think it would be smart for us to pivot away from it. The people... when their ships find the lighthouse to Rise Against, they want that light to keep shining. So we're just going to keep shining and keep doing it." Check out the full interview above for much more from 'Rise Against.' Ricochet is out everywhere on August 15.

To celebrate the release of their new album, 'I Beat Loneliness,' Bush joins us inside the Helpful Honda Sound Space for a special interview and performance. Watch the band rip through a few of their biggest hits and tracks from the new LP, and check out Gavin Rossdale as he sits down to talk with Kevin Ryder and Megan Holiday about music, cooking, and more. "I sort of looked around, and feel that life is really centered around people's aspirations, and we look at social media and we think we're kind of inadequate to the people we're following or they're having a better time, there's that real sort of sense of FOMO," Gavin shares on the inspiration behind 'I Beat Loneliness.' "People want instant success, so people get inevitably lost behind and ostracized or left, they fall off the grid, and they can't keep up, and so I wanted to write a record so everyone knew that it's difficult for all of us." "If I wrote a really personal record about my own challenges, I thought people would read that and just simply not feel alone, that's it, and then use the music as they see fit." Don't miss our Sound Space interview and performance with Bush, and be sure to check out 'I Beat Loneliness,' out everywhere.

It's time to step into summer with some help from our friends Slightly Stoopid. Don't miss a special performance and interview from the band inside the Helpful Honda Sound Space, now playing above. The band is set to bring their good vibes across the country with their Step Into The Sun tour, kicking off this month with help from Iration and Little Stranger, but first they talk with Kevin Ryder and perform for a room of listeners in our Helpful Honda Sound Space. "Honestly, we have a lot of music coming and we're going to debut 3 songs today live that are for the record," shared Miles before the performance. "We're even learning it ourselves just because recording is different than playing live. We waited, they've waited so long for music, so we're just going to start dropping singles until the record comes out." "We're excited honestly. It's been a long time and in all honesty, all of us started families, and we've dedicated our lives on the road. To take time to actually enjoy your families as well, because we used to spend 200 days a year on the road, just partying with all you guys, and so we took that time to actually enjoy some of those things that everyone gets to enjoy as well and and now we're ready to release music." Check out the complete conversation and performance from Slightly Stoopid above.

The Hives are back and once again pulling no punches. Following their roaring return with the song, "Enough Is Enough," featuring an all-time opening line of "everyone's a little f***ing b****," the band stopped by the Helpful Honda Sound Space in Los Angeles to perform, talk about their longevity, and even pass along some wisdom from The Rolling Stones' Mick Jagger. Set to arrive in August, 'The Hives Forever Forever The Hives,' is the latest album from The Hives, this time featuriing an assist from Rock royalty with Mike D of the Beastie Boys and Josh Homme of Queens of the Stone Age both having a hand in the project. "It was really helpful," singer Pelle Almqvist shares on their influence and involvement. "I mean, we were thinking about who has cool sounding records, and that's the Beastie Boys. So we figured if our record's gonna sound cool, we should get him involved. He flew over and stuff and also sent us some stuff, which was great. "And Josh more kind of in a cheerleader capacity. When we were trying to work on the quality, he said it's already good. And that was very helpful because we can kind of shoot above the goal sometimes, like you can't make it too good. We got to keep a balance of popular and good, which is really hard. You want to be so popular they can keep doing it, but not so popular that the music sucks. Which is a hard balance to tread." The band also took a hilarious look back through their over-30-year career, sharing stories of the scene and even some advice from the iconic Mick Jagger. "Never buy your own yacht, always borrow a friend's," the Stones frontman sagely said. "Invaluable information, because we were just about to buy a yacht each," Pelle explains. "So that really helped."

Wet Leg is back, as the band prepares to unleash their second album upon the world, 3 years after their debut LP made the group a GRAMMY-winning force. But first, they join us in the Helpful Honda Sound Space in Los Angeles to talk with Megan Holiday, and perform for a few select fans. "It was pretty overwhelming," says Rhian Teasdale of the success of the band's debut. "But we were so new to it all and so naive that you just kind of, would like take one step and then take another step." The first taste of the sophomore effort, 'moisturizer,' is "catch these fists," an angular assault that still takes time to wink between calls to fight. "It was funny actually, because we had like the whole, we had so many songs written and we were kind of ready to like, 'OK, shall we like record them now,' and it just kind of like slipped on in there at the end," reveals Rhian. "It was probably I think it was the last song." To hear more from Wet Leg, listen to the full interview from the Helpful Honda Sound Space above.

The Lumineers joined KROQ hosts Klein and Ally, along with a room full of lucky listeners, at Audacy’s Helpful Honda Sound Space in Los Angeles to celebrate the release of the group’s 2025 album, Automatic, and give us a taste of what’s ahead on their upcoming world tour. The Lumineers recently revealed details surrounding the highly-anticipated North American leg of their Automatic 2025 World Tour -- with dates beginning July 3. As the band gets set to drop by stadiums, arenas, and amphitheaters across the US and Canada through mid-October in celebration of their 2025 album Automatic, Jeremiah Fraites and Wesley Schultz gave fans a taste of what's to come with a special set recorded live in Los Angeles. Sitting down to chat with one half of the duo, Wesley Schultz, during the event, Klein began by questioning him about a crime that is mentioned in their track “Same Old Song,” which he believes took place when the band last visited KROQ. “Wesley, are we responsible for you losing your mom's guitar forever?” Klein wondered. “It was 2011 actually, so you guys wouldn't have played us back then, sadly,” Wes explains. “We were filming a takeaway show, where you would show up and it was one take, so you couldn't edit, and you couldn't fix anything. We went into La Brea Park by the tar pits and we -- I think the only instrument we have is a mandolin -- so we're playing that song ‘Classy Girls,’ and our friend was filming us. We came back to the minivan and it was like 3:30 in the afternoon, and the trunk had been just popped open… Anyway, we were just confused. Like, we opened up the trunk and we're like, ‘Oh, where are they?’ That’s funny, where are the instruments?’ Because it's just daytime you don't think, and it's a really busy street. Yeah, they took everything, but they left the keys behind, meaning they left the keyboard because that was too heavy for them, or too big. Too worthless. I don't know.” “I wrote a lot of those songs on my mom's guitar that they took, so it was kind of sad,” he adds. “We filled out a police report and on the top right, it has your number of the day of crime and we were like 1,472 of that, and the cop was like, ‘You're not gonna see that.’” “The other cool thing,” Wes continues, “We had three more weeks to tour and everyone along that tour lent us instruments. I remember one of the cities, the guy from the 4 Non Blondes who played acoustic guitar gave us a guitar for that gig. Everywhere we went with a cello, with guitars, with bass guitars… You know, a side of people that were so kind for the rest, and we were again nobodies. They [KROQ] weren't playing us,” he jokes. “I don't know if I said that before.” Touching on the new record, Automatic, which arrived Valentine's Day 2025, Wes tells us the band didn’t initially intend on releasing the album on the lover’s holiday, “But in our first music video for this album, on ‘Same Old Song,” Jerry [Fraites] was drumming with roses that were attached to his sticks.” Followers quickly surmised that the band was alluding to a release date. “They were actually correct,” he says, “because it was coming out on Valentine's Day, but no we're not that well planned out.” But don’t be fooled, Wesley definitely has a romantic side, explaining how his wife, Brandy, technically co-wrote the album track “Dead Sea.” “She said, ‘You're like my dead sea,’” he says. “We were just dating at the time and I was like, ‘Did you come up with that?’ Then on Valentine's Day, I actually gave her a demo of that and I snuck it into a box of chocolates. I cut out a CD shape, put the CD and hid it in the box. I did it to kind of roast her, because she said she hates people that give boxes of chocolates as a gift. We were apart, I was recording, and I sent it to her, and she didn't even open it. She's so mad, like ‘He doesn't listen to me,’ and I was like, ‘Well did you open it?’ She turned around, opened it up, and ...

Sum 41 joined us for a special performance and interview from the Helpful Honda Sound Space at KROQ in Los Angeles, giving us a taste of their 2024 live set as they continue the second North American leg of their Tour of the Setting Sum -- and speaking with us about how the outing has been going so far. It truly was a historic night at KROQ, with Sum 41 joining the station that has been with the band for all 23 years of their epic run, now as they give fans one more go before packing things up for good. Just months ago, the band released their final album Heaven X Hell, with Heaven representing their Pop-punk side and Hell focusing on the heavier side of their songwriting -- two equally tense worlds that the group has brilliantly straddled since the start. “I don't know if we call it tension,” says frontman Deryk Whibley. “We're fans of that kind of music and other kinds of music as well. I think we just, I don't know, I don't think we ever really talked about it or thought about it, we just did stuff. Even with this record, ‘Heaven and Hell,’ we didn't say, ‘Let's make a double record.’ The music was just there, and we all collectively listened to it separately, but came up with the same idea.” This year has been feeling like a throwback to 2001 for the band members as they make the press rounds amid their current tour. “I think the funniest thing that I think back to is that it doesn't feel like it was that long ago,” Deryck says. “It really just feels like a couple of years ago.” Back then he adds, “It was a lot of work and it was a lot of fun -- everything was happening so fast. It's kind of the only difference now with everything happening so fast and so much going on is that we're old enough to recognize it and take it in because back then you're just like, onto the next thing, onto the next thing, and you kind of forget. You don't take those moments in.” Calling it quits after this record Deryck explains “was never the plan. Nothing was ever thought of this whole record. Like I said, the songs are by accident. The idea was just a thing that the music spoke to us, and then I think once the record was finished and it was mixed and recorded, the whole thing was done is when that hit me. I felt like this to me was the record that we've always been trying to make -- this encapsulates everything that we've always wanted to do.” “That's the sound of Sum 41 from the beginning to now,” he says. “It just kind of made too much sense for this to be the final one.” Words by Joe Cingrana Interview by Kevan Kenney

Earlier this month, host Miles the DJ was joined by current Sublime frontman Jakob Nowell's solo band -- Jakobs Castle -- for a special performance and interview live from the Helpful Honda Sound Space at KROQ in Los Angeles. Jakobs Castle’s 2024 debut, Enter The Castle, was released in April coinciding with frontman Jakob Nowell’s Coachella performances -- not only with Sublime -- but also a pre-party held with his solo band. “It was a lot of fun out there, Coachella,” Jakob tells us. “Super excited to be playing with my dad's band Sublime and continuing to do Jakobs Castle all together. It's one big family out there, let me tell you!” “To keep that vibe,” Nowell explains, “every single Sublime show I play, you know, obviously a lot bigger and stuff, I always try to go out into the audience and just have fun and romp around a little bit.” Gesturing off stage to his friend, “My boy Mark over there saved me from drowning on three occasions,” he laughs. “I like to usually like jump in the water if we're playing by a beach or in a pool.” Following Sublime's second Coachella weekend set, fans may have noticed Jakob screaming to the crowd when the microphones were cut. “I think I was just trying to incite chaos if I remember correctly, that's usually my goal,” he says. Though both weekends were amazing and “different in their own ways," he tells us of his time with Sublime, “The more we play shows, the more we just get locked into that vibe and we get more comfortable with one another," describing it as “totally a surreal experience.” “It's so amazing,” he continues, “how many people's lives have been touched by that music and that sound, and this amazing, amazing scene we have here in Southern California, the best place to be in the f***ing world.” “It's so beautiful because every show I play, whether it's a Sublime show or Jakobs Castle show, people come up to me with amazing stories and ways that that music has affected their life and continues to do it,” Jakob explains. “I think playing with my uncles like that has just sort of strengthened our relationship, and it's challenged me as a musician, and its shown me that music goes beyond just the sounds that we make and the fun events that we do. It's the memories that we create here, you know, all these things that we do -- we do it because those are the memories that no one can take away from us.” Stepping into the Castle today, a place that would exist “somewhere in the present that's also rooted in history,” according to the band’s bio, Jakob states further, “To be my most authentic self, I have to draw from where I come from -- the sounds of the past. That's sort of referencing the entire Skunk Records scene in Long Beach in general, in Southern California, but with also an eye towards the future, and innovation, and all the amazing musicians in many different scenes, and many different genres, that have also been inspired by that.” <p data-uri="www.audacy.com/_components/paragraph/instances/cm0v3vkt600243b7kc00r62s7" ...

Imagine Dragons joined us for a special performance and interview in the Helpful Honda Sound Space to give fans a preview of their brand new album LOOM, upcoming tour dates, and more. With the arrival of their brand new, sixth studio album LOOM, Imagine Dragons dropped by Audacy's KROQ in Los Angeles to give fans a taste of the new record, as well as what to expect from the band on their impending tour which kicks off at the end of July. LOOM is available now. Looking back on the band's relationship with KROQ, frontman Dan Reynolds remembers the first time he heard their music played on the radio back in 2012, recalling they were driving from Las Vegas to L.A. to play a show. “We were just getting in range to pick up the station and -- this sounds like such a made-up story, it's so dramatic -- it was fuzzy," he says as their single "It's Time," came through the speakers. "We were just racing as fast as we could to kind of get a better signal to hear it. It was straight out of a movie. We were all just like, ‘This feels too weird.’” 12 years after their debut, the group just released their sixth studio album, LOOM, and are feeling familiar excitement and relief now that it’s finally been delivered. “You know, when you make a record -- you're working on it for over a year, sometimes two years," Reynolds says. "So, we've been sitting with this music for a long time, and it's really hard for us to sit on that. I hate it, I'm always anxious about it, waiting. So we've been counting down the days for a long time… It's a relief and we also are really proud and excited about this record and we hope everybody likes it as much as we do.” “You have given me purpose and a place to sing and dance,” Dan stated when announcing the new offering. “You have continually stood by our side now for over a decade. in return we will always be here singing along with you. I always and only hope that it helps you feel less alone. It brings you joy. makes you cry. makes you angry. makes you dance. makes you FEEL something.” “I've just spent a lot of my life numb,” he tells us. “I had a hard time expressing myself. That's why I turned to music in the first place -- I found that it was something I could always turn to and feel any emotion. I'm kind of one of those people who doesn't cry for a long time and then when you cry, you just cry really hard in a long time. Or, when you get angry you're really angry because you've been holding it in, and that's really unhealthy. I did that for a long time,” he admits. “Now I'm just angry all the time, I cry all the time,” he laughs. “But only a little bit angry,” bassist Ben McGee adds. Guitarist Wayne Sermon says of the new record, “The album cover itself, you don't even know if it's necessarily a sunrise or a sunset… The word ‘Loom,’ it can be a positive or negative connotation just depending on what's going on. I think o ...

311 joined host Nicole Alvarez for a special interview and performance recorded live at the Helpful Honda Sound Space at KROQ in Los Angeles giving fans a preview of what the band has in store on their upcoming Unity Tour. “You can't spell community without unity… So we keep a spirit of love and we have to be ready to communicate openly,” frontman Nick Hexum says of the group's longevity. “We're very grateful to get to do this,” he adds now approaching 34 years as a band. “We know we're very lucky. We keep an attitude of gratitude and just appreciate these wonderful fans.” Getting into the band’s brand new single “You're Gonna Get It,” Hexum explains, “For my portion of the lyrics, putting myself in the mindset that we had back in like 1990… just when you're young and dumb, and feeling indestructible. For example, when we would play trashcan bowling with Chad's Buick Monte Carlo and crash into trash cans. Just stuff like that.” 311 will be touring this summer beginning on July 20 in Cincinnati, OH with AWOLNATION and Neon Trees as opening support. Tickets and VIP Meet &amp; Greet packages are available now. Take a look at the full list of scheduled dates below. 311 2024 Tour Dates: July 20 l Cincinnati, OHJuly 21 l Chicago, ILJuly 23 l Indianapolis, INJuly 24 l Huber Heights, OHJuly 26 l Interlochen, MIJuly 27 l Sterling Heights, MIJuly 28 l Cleveland, OHJuly 31 l Niagara Falls, ONAugust 2 l Scranton, PAAugust 3 l Bridgeport, CTAugust 4 l Columbia, MDAugust 6 l Gilford, NHAugust 7 l Boston, MAAugust 9 l Outer Banks, NCAugust 10 l Raleigh, NCAugust 11 l Charlotte, NCAugust 13 l North Charleston, SCAugust 14 l Atlanta, GAAugust 15 l Albertville, ALAugust 17 l St. Augustine, FLAugust 18 l Tampa, FLAugust 20 l Houston, TXAugust 21 l Austin, TXAugust 22 l Grand Prairie, TXAugust 24 l Phoenix, AZAugust 25 l San Diego, CAAugust 27 l Costa Mesa, CAAugust 29 l Bend, ORAugust 30 l Troutdale, ORAugust 31 l Redmond, WA Listen to Nicole's full interview with 311 above and stay tuned for more conversations with your favorite artists right here on Audacy. Words by Joe Cingrana Interview by Nicole Alvarez

Check out a special interview with Cage The Elephant, recorded live at the Helpful Honda Sound Space at KROQ in Los Angeles. Before taking to the stage for a blistering set, Cage The Elephant sat down for an interview with hosts Klein and Ally to discuss the release of their brand-new offering, Neon Pill -- the band’s sixth studio album and first collection of original songs since 2019’s Social Cues. Talking about the album’s lead title single which arrived earlier this year, Matt and Brad opened up about including the very personal track on the project. “I mean, it was undeniably part of my life and part of the story of this past five years,” Matt expressed. “I was prescribed a medication and unknowingly slipped into psychosis and it was terrifying and terrible.” He continued, “And I think while we were writing some of the songs before I was even ready to deal with that stuff to confront it full on, I was already kind of working it out internally and that was one of the first songs that was written. And so it felt like the right move to make that the title track, you know, I mean, it's a miracle that I got through all of that stuff. And here today, very, very thankful.” Answering Klein’s curiosity on whether they think Neon Pill “is the best album to date,” the duo agreed that they don’t look at it that way, but rather, “it’s a record that kind of embodies all of the different kind of phases that we've gone through.” “There's a great Paul McCartney quote and he said, ‘you can't beat your previous work, you can just move in a different direction.’" Matt added. Catch Cage The Elephant on tour with Young the Giant and Bakar this summer as they make stops in Los Angeles, Chicago, NYC, and more -- including a few festivals thrown in for good measure, such as Bonnaroo and Oceans Calling. Tickets are on sale now -- take a look at their full itinerary below. Cage The Elephant 2024 Neon Pill tour dates:June 20 – West Valley City, UT at Utah First Credit Union Amph.^June 22 – Seattle, WA at Climate Pledge Arena^June 23 – Ridgefield, WA at RV Inn Style Resorts Amphitheater^June 24 – Bend, OR at Hayden Homes Amphitheater^June 26 – Vancouver, BC at Rogers Arena^June 28 – Edmonton, AB at Rogers Place^June 30 – Spokane, WA at BECU Live at Northern Quest^July 2 – San Francisco, CA at Bill Graham Civic Auditorium*July 3 – Santa Barbara, CA at Santa Barbara Bowl^~July 5 – Phoenix, AZ at Talking Stick Resort Amphitheatre^July 6 – San Diego, CA at Viejas Arena^July 7 – Los Angeles, CA at Kia Forum^July 9 – Albuquerque, NM at Isleta Amphitheater^July 11 – Austin, TX at Moody Center^July 12 – Houston, TX at The CWM Pavilion presented by Huntsman^July 13 – Fort Worth, TX at Dickies Arena^July 15 – Rogers, AR at Walmart AMP^Aug 2 – Alpharetta, GA at Ameris ...

Joining host Kevan Kenney at KROQ in Los Angeles -- what could be considered their second home at this point -- Ryan Clapham, Michelle Joy, and Paul Davis of Cannons took over the Helpful Honda Sound Space for an intimate performance and interview just as their 2019 single “Fire For Fou” reached Platinum status. “It's really exciting,” Michelle says of the news. “It was kind of a funny story, right?” adds Ryan, “because we didn't really know at first.” Michelle explains, “We didn't know for a little while, but it was really exciting. I mean, ‘Fire For You’ changed our lives and just makes us really happy to know that the fire keeps on burning.” Keeping true to the sonic and aesthetic universe the band has created, they recently dropped their moody music video for their new single, “Sweeter.”  “We like to make mood boards for everything,” Michelle says, “and I feel like, for every music video we'll discuss what kind of visuals we're into at the moment, what movies we're watching, what kind of colors, what kind of things we feel represent Cannons and tie those into the music, the visuals and just try and create a world that does feel cohesive and that makes us feel like it's a nice escape that's beautiful and fun to enter.” Cannons are currently on tour with U.S. dates scheduled for this summer and fall. Don't miss Kevan Kenney's full interview with Cannons above, and stay tuned for even more action from the Sound Space right here on Audacy. Words by Joe Cingrana Interview by Kevan Kenney

The Black Keys joined host Nicole Alvarez live from the Helpful Honda Sound Space at KROQ in Los Angeles for a special interview and performance, talking about their brand new album, Ohio Players, and giving a taste of what's to come on their International Players Tour kicking off in September. The Black Keys just dropped their 12th studio album, Ohio Players -- featuring the previously revealed single "Beautiful People (Stay High)" and more -- on April 5 via Nonesuch Records. Just before the release, Patrick Carney and Dan Auerbach gave some lucky fans at KROQ an exclusive preview of the record and spoke candidly about their early days together, making the new album with a who's-who list of collaborators, and more. Since Dan and Patrick have known each other for most of their lives, Nicole started off the conversation by showing off a few photos of the duo when they were younger. “The first time I met Dan, it was like, right when I moved to the neighborhood,” Patrick remembers. “It was dusk and all the kids were riding bikes. I had grown up in a neighborhood where it was just like, really old people who just yell at us all the time. So, it felt like I had moved into the Goonies’ neighborhood. They kind of had all the characters; I'm not sure which one I was, but there's definitely a Chunk and all that.” “I mostly remember his older brother Will, because he was a train enthusiast,” says Dan about his first impressions of Pat. “He was the local eccentric kid,” Patrick says of his brother. “You would focus on Will,” Dan adds. “You wouldn't see Pat or his brother, Michael.” Diving into their new album, Ohio Players, which features collaborations with Beck, Oasis’ Noel Gallagher, Juicy J from Three-Six Mafia, and more, “on the last album we started to dip our toes into collaborating with people, which we really hadn't done much of… like when we worked with Danger Mouse on a record, it was just him and the two of us. So, it was only in the last couple of years that we actually felt comfortable, I guess being in the studio with other people creating stuff from scratch. Once we broke through that barrier, and we needed to start this new record, we thought we’d dig into the Rolodex a little deeper.” “The first person we thought of was Beck because he was someone who helped us out very early on, took us on tour very early,” he continues. “He always talked about making some music with us and it, we'd never gotten around to doing it. So we reached out to him and that kind of got the ball rolling -- and it was that spirit of collaboration that we carried on making the record.” “I think the only thing that you need to know is that we've been doing this for a long time,” Patrick says, “and I think we just really figured out how to really enjoy it seriously. This is a product of us working harder than we ever have, but having more fun than we ever have.” “We got to this collection of songs, they all work together and it is different than anything we've made," he e ...

Chicano Batman joined host Canyon Cody for a special interview and performance, giving fans details on their 2024 album Notebook Fantasy and upcoming tour, live from the Helpful Honda Sound Space at KROQ in Los Angeles. Kicking off Alternalido this past Sunday (3/31), Carlos Arévalo, Bardo Martinez, and Eduardo Arenas of Chicano Batman previewed a few songs from their new album Notebook Fantasy and sat down with host Canyon Cody to discuss the release and much more. After working, as he feels, harder than anyone else over the course of the pandemic and exhausting every socially distant angle they could, Eduardo tells us there's nothing that matches the feeling of “getting live in a room with people… you can't replace it.” “We record all our music live,” he adds. “’Notebook Fantasy,’ this new record, we did all that live (and we do overdub), but it's what happens in the room. That is the magic that you can't replace.” Offering some advice for rising artists, Eduardo says, “If you have something compelling to say or play or art or anything or display, go do that and keep doing that, and don't rely on anybody else on the outside to give you that confidence to keep doing that. It's hard when you depend on other people to like you to upgrade your art. You gotta like yourself… put the blinds on, just do it ‘cause you like it. It really pays off.” “Nobody's gonna feel you unless you feel what you're doing,” adds Bardo. "For me, Chicano Batman was always about doing what I was feeling inside… the words on the paper, this is my experience that I'm writing. I would say, just really dig into yourself. Cheesy but hey, f*** it!” The band will hit the road this year in support of Notebook Fantasy, with U.S. tour dates kicking off on April 19 at Brooklyn Bowl in Las Vegas, making stops in major cities across the country through the end of June. Don't miss Chicano Batman's full interview above, and stay tuned for even more action from the Helpful Honda Sound Space at KROQ right here on Audacy. Words by Joe Cingrana Interview by Canyon Cody

The Beaches recently joined host Megan Holiday for a special interview and performance, giving us a preview from the Helpful Honda Sound Space at KROQ in Los Angeles of what to expect while on the road on their current Blame My Ex Tour. Canadian Alt faves The Beaches made their U.S. Billboard debut in 2023 with “Blame Brett,” helped along by TikTok which pushed the single to go viral and grab the attention of the likes of Demi Lovato, Mark Hoppus of blink-182, and more. Keeping the momentum going, Leandra Earl, Jordan Miller, Eliza Enman McDaniel, and Kylie Miller are currently on the road with G Flip as well as a number of dates supporting girlinred, making stops in the U.S, Australia, and Canada through September -- with a few festival dates thrown in as well. Diving right in, the band discussed their most recent milestones; of course getting into their entire sold-out tour, including two shows at the iconic Troubadour in Los Angeles and a performance on Jimmy Kimmel Live. “They were so cool. Obviously, growing up, we've heard about that venue and we know how infamous and iconic it is,” says Kylie. “So, to be able to sell it out and play it twice was such a crazy feeling --and we had a bunch of friends and family in the house yesterday. It was such a fun experience.” “Yeah, we made my mom cry,” Jordan adds. “She was like gasping for breath, like so sad.” Adding to the emotional responses, Eliza admits, “Our manager cried when we did, ‘Kimmel,’ there's been a lot of major milestones just in the last like 48 hours, and then to do this here with you guys today is a dream too.” It's all thanks to the tremendous success the group has seen since the release of their 2023 album Blame My Ex, which has without a doubt resonated on a deeply personal level with fans, highlighted by their single "Blame Brett," which was inspired by a real-life breakup. As host Megan notes, “When there is this good of a story behind a song, we have to tell it for people that may not know.” Breaking down the track, Jordan explains: “I was in a relationship with this guy who is also in a big Canadian band, Brett [Emmons] from The Glorious Sons, and we broke up, and it was pretty brutal. We broke up during a very tumultuous time for us as a band. We had just been dropped by our label, we had just fired, our two managers, COVID had happened. It was a very difficult period for any musician, and then on top of that, like the person who I thought was gonna be my soul mate, broke up with me.” After a chorus of boos from the crowd, Leandra clarified, “No guys, it’s OK. She's in love again,” which elicited a round of cheers -- and the rest of her bandmates to out her new flame, Ryan. “We’re not gonna blame Ryan,” Jordan says. “Not yet. Hopefully, this next sucker's happier.” Jordan continues, “We had started writing what was gonna be ‘Blame My Ex.’ ‘Shower Beer’ had been written, ‘Kismet’ had been written... But, you know, once I had my heart broken, there was really nothing else I wanted to write about. I sort of used the record as sort of a way t ...

Royel Otis (Royel Maddell and Otis Pavlovic) join us for a special performance and interview with Kevan Kenney from KROQ's Helpful Honda Sound Space in Los Angeles as the Australian Alt-Pop duo gets set to drop their debut studio album, Pratts &amp; Pain, scheduled for release on February 16. After forming in Sydney in 2019, Royel Otis have three official EP's under their collective belts (2021’s Campus, 2022’s Bar &amp; Grill, and 2023’s Sofa Kings) as they're steadily ramping up anticipation for the release of their full-length debut, Pratts &amp; Pain, in just a few short weeks. Already on the minds of music fans following the release of their 2023 single “Sofa King,” it was their recent cover of “Murder on the Dance Floor” that has gone nuclear right at the moment. The fan reaction has been “crazy,” they both admit.  “We rehearsed it one day before we started doing it,” says Pavolic. “Yeah, we had about an hour to get it done and then well, that’s what happens,” adds Maddell. They had a few ideas in mind for the session, including the classic, “Build Me Up Buttercup.” “We were just running through ideas, pretty stressed out,” Royel admits, “ and then someone was like, ‘just try ‘Murder on the Dance Floor,’ and we were like, ‘give it a crack,’ and then it worked out.” Flipping the script, if the guys could pick a contemporary artist to cover their single }Sofa King,” Maddell chooses fellow Aussies DMA'S... “I reckon they'll do it, however expanding the pool of artists to those who have already passed, Sinéad O'Connor was first to be mentioned. Discussing their hit single, they explained how it came about as a demo that Royel had, being good friends with the DMA’S guys who were starting to take off. “I was like, ‘I'm gonna take advantage of my friends, capitalize on it,’ and I was like, ‘Try to write a song that I thought would suit them. And then I was like, ‘no, it's better for me.’ Then Otis and I started doing music, and I was like, ‘it's actually better for Otis.’ Royel Otis is currently on the road in New Zealand and Australia, with plans to hit North American cities beginning in April supported by Girl and Girl.  Listen to Kevan Kenney's full interview with Royel Otis above -- and stay tuned for more conversations with your favorite artists right here on Audacy.  Words by Joe Cingrana Interview by Kevan Kenney

Nathan Willet and Matt Maust from Cold War Kids chat with KROQ's Nicole Alvarez before their performance in the Helpful Honda Sound Space at KROQ.

Micah Pueschel from Iration chats with host Nicole Alvarez before the band's performance inside the Helpful Honda Sound Space at KROQ.

Fall Out Boy chats with host Megan Holiday before their performance in the all-new KROQ Helpful Honda Sound Space!

Beach Weather chats with host Megan Holiday in the KROQ Sound Space.

The Yeah Yeah Yeahs joined us for a special performance and conversation today, hosted by Klein. Ally. Show from the DTS Sound Space in Los Angeles, giving fans a taste of what to expect on their 2023 summer tour now underway. Currently on the road in support of their 2022 comeback album Cool It Down, Karen O, Nick Zinner, and Brian Chase of the Yeah Yeah Yeahs kicked off their 2023 tour itinerary at the beginning of May and will be making stops in several major U.S. cities including Atlanta, Houston, Chicago, and more before hopping across the pond to wrap in Europe at the end of August. It’s an exciting time for the Yeah Yeah Yeah’s, performing at the Just Like Heaven festival on May 13 amid a headlining tour, new music recently released, and on top of all that it’s the 20th anniversary of their 2003 debut, Fever To Tell. “We had like an early dinner, that was really celebratory,” singer Karen O. says. “Mother Wolf, I think it was… they spoiled us, and it was like one day into practice, which is probably too early into practice. Yeah, there's no real knowing how to celebrate 20 years,” she admits. One form of commemoration arrived via a new-to-most video short, There Is No Modern Romance, shot back when the band was on their 2003 U.K. tour. As huge fans of Alternative music in the ‘90s and 2000s, Ally says, those are the decades that will always be obsessed over, while wondering if the band members have the same kinds of attachments. Guitarist Nick explains, “I mean… I still don't really know how to answer this question. It's so abstract and it was such a, obviously completely different time, and a lot of ways, a much more innocent time… The 'indie sleaze' times. But, I don't know, like, I still can't really wrap my head around it. We are the same people, but we're also totally different people.” Looking back at their beginnings, “We had no plan,” Nick admits. “Absolutely. No plan.” Karen adds, “Not only did we have no plan, I remember around the time before we put out ‘Fever To Tell,’ we were touring with some friends of ours, and I remember being like -- this isn't like throwing shade -- but I was just like, our friends who we were playing with were like a bit older than us. And I was just like, ‘Man, I will never be a band for more than 12 years… There's no way.’ And now I'm like, wow, we're the luckiest band in the world to be around for 23 years. It's so my perspective has changed a lot on that.” With the Just Like Heaven festival fast approaching, drummer Brian says the band is looking forward to catching up with old friends. “We're gonna get to catch up with a lot of people we haven't seen in a while, like The Walkmen especially, who I think we played one of our earlier shows with them back at this venue called The Cooler. And here we are maybe 22 years later playing a major festival in the Los Angeles area. So, super amazing." <p data-uri="www.audacy.com/_components/paragraph/instances/clhk ...

Matty Healy from The 1975 joins Klein &amp; Ally for a conversation in the DTS Sound Space at KROQ.

The Smashing Pumpkins' Billy Corgan joins host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Marcus Mumford joins host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Death Cab For Cutie joins KROQ morning show hosts Klein &amp; Ally for a conversation in the DTS Sound Space at KROQ.

Wet Leg's Rhian Teasdale and Hester Chambers join KROQ morning show hosts Klein &amp; Ally for a conversation in the DTS Sound Space at KROQ.

The Interrupters join host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Jack White joins KROQ morning show hosts Klein &amp; Ally for a conversation in the DTS Sound Space at KROQ.

Bob Moses joins host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

The Black Keys join hosts Klein &amp; Ally for a conversation in the DTS Sound Space at KROQ.

Tropa Magica join host Canyon Cody for a conversation in the DTS Sound Space at KROQ.

Yungblud joins host Megan Holiday for a conversation in the DTS Sound Space at KROQ.

Cannons joins host Megan Holiday for a conversation in the DTS Sound Space at KROQ.

Dashboard Confessional's Chris Carrabba joins host Kevan Kenney for a conversation in the DTS Sound Space at KROQ.

Bring Me The Horizon joins host Megan Holiday for a conversation in the DTS Sound Space at KROQ.

The Regrettes join host Megan Holiday for a conversation in the DTS Sound Space at KROQ.

Måneskin joins host Megan Holiday for a conversation in the DTS Sound Space at KROQ.

The Lumineers join host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Cold War Kids join host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

Tai Verdes joins host Megan Holiday for a conversation in the DTS Sound Space at KROQ.

KennyHoopla, Travis Barker, and guitarist Nick Long join host Nicole Alvarez for a conversation in the DTS Sound Space at KROQ.

AJR joins host Megan Holiday for a conversation in the DTS Sound Space at KROQ.