Letters of a Portuguese Nun

The Letters of a Portuguese Nun (Les Lettres Portugaises) were first published anonymously in Paris in 1669. The five passionate letters in book form were a publishing sensation since their appearance, with five editions in the first year, followed by more than forty editions throughout the 17th century. A Cologne edition of 1669 stated that the Marquis de Chamilly was their addressee, but, aside from the fact that she was female, the author's name and identity remained unknown. The letters were translated in several languages, and set a precedent for sentimentalism in European culture at large, and for the literary genres of the sentimental novel and the epistolary novel into the 18th century. The interest in the Letters was so strong that the word "portugaise" became synonymous with "a passionate love-letter" in the 17th century. The authorship of the work was assigned to Mariana Alcoforado, a Portuguese nun, as early as the 18th century. During the 20th century, however, many scholars have supported the idea that they are a work of epistolary fiction written by Gabriel-Joseph de La Vergne, comte de Guilleragues, a French politician, who had been secretary of the King's Chamber and also director of the Gazette de France. Nevertheless, any doubts about the authorship do not detract from the beauty and power of the letters themselves, presented here in a prose translation followed by a versified one. - Summary by Leni

The Letters of a Portuguese Nun (Les Lettres Portugaises) were first published anonymously in Paris in 1669. The five passionate letters in book form were a publishing sensation since their appearance, with five editions in the first year, followed by more than forty editions throughout the 17th century. A Cologne edition of 1669 stated that the Marquis de Chamilly was their addressee, but, aside from the fact that she was female, the author's name and identity remained unknown. The letters were translated in several languages, and set a precedent for sentimentalism in European culture at large, and for the literary genres of the sentimental novel and the epistolary novel into the 18th century. The interest in the Letters was so strong that the word "portugaise" became synonymous with "a passionate love-letter" in the 17th century. The authorship of the work was assigned to Mariana Alcoforado, a Portuguese nun, as early as the 18th century. During the 20th century, however, many scholars have supported the idea that they are a work of epistolary fiction written by Gabriel-Joseph de La Vergne, comte de Guilleragues, a French politician, who had been secretary of the King's Chamber and also director of the Gazette de France. Nevertheless, any doubts about the authorship do not detract from the beauty and power of the letters themselves, presented here in a prose translation followed by a versified one. - Summary by Leni

The Letters of a Portuguese Nun (Les Lettres Portugaises) were first published anonymously in Paris in 1669. The five passionate letters in book form were a publishing sensation since their appearance, with five editions in the first year, followed by more than forty editions throughout the 17th century. A Cologne edition of 1669 stated that the Marquis de Chamilly was their addressee, but, aside from the fact that she was female, the author's name and identity remained unknown. The letters were translated in several languages, and set a precedent for sentimentalism in European culture at large, and for the literary genres of the sentimental novel and the epistolary novel into the 18th century. The interest in the Letters was so strong that the word "portugaise" became synonymous with "a passionate love-letter" in the 17th century. The authorship of the work was assigned to Mariana Alcoforado, a Portuguese nun, as early as the 18th century. During the 20th century, however, many scholars have supported the idea that they are a work of epistolary fiction written by Gabriel-Joseph de La Vergne, comte de Guilleragues, a French politician, who had been secretary of the King's Chamber and also director of the Gazette de France. Nevertheless, any doubts about the authorship do not detract from the beauty and power of the letters themselves, presented here in a prose translation followed by a versified one. - Summary by Leni

The Letters of a Portuguese Nun (Les Lettres Portugaises) were first published anonymously in Paris in 1669. The five passionate letters in book form were a publishing sensation since their appearance, with five editions in the first year, followed by more than forty editions throughout the 17th century. A Cologne edition of 1669 stated that the Marquis de Chamilly was their addressee, but, aside from the fact that she was female, the author's name and identity remained unknown. The letters were translated in several languages, and set a precedent for sentimentalism in European culture at large, and for the literary genres of the sentimental novel and the epistolary novel into the 18th century. The interest in the Letters was so strong that the word "portugaise" became synonymous with "a passionate love-letter" in the 17th century. The authorship of the work was assigned to Mariana Alcoforado, a Portuguese nun, as early as the 18th century. During the 20th century, however, many scholars have supported the idea that they are a work of epistolary fiction written by Gabriel-Joseph de La Vergne, comte de Guilleragues, a French politician, who had been secretary of the King's Chamber and also director of the Gazette de France. Nevertheless, any doubts about the authorship do not detract from the beauty and power of the letters themselves, presented here in a prose translation followed by a versified one. - Summary by Leni

The Letters of a Portuguese Nun (Les Lettres Portugaises) were first published anonymously in Paris in 1669. The five passionate letters in book form were a publishing sensation since their appearance, with five editions in the first year, followed by more than forty editions throughout the 17th century. A Cologne edition of 1669 stated that the Marquis de Chamilly was their addressee, but, aside from the fact that she was female, the author's name and identity remained unknown. The letters were translated in several languages, and set a precedent for sentimentalism in European culture at large, and for the literary genres of the sentimental novel and the epistolary novel into the 18th century. The interest in the Letters was so strong that the word "portugaise" became synonymous with "a passionate love-letter" in the 17th century. The authorship of the work was assigned to Mariana Alcoforado, a Portuguese nun, as early as the 18th century. During the 20th century, however, many scholars have supported the idea that they are a work of epistolary fiction written by Gabriel-Joseph de La Vergne, comte de Guilleragues, a French politician, who had been secretary of the King's Chamber and also director of the Gazette de France. Nevertheless, any doubts about the authorship do not detract from the beauty and power of the letters themselves, presented here in a prose translation followed by a versified one. - Summary by Leni

The Letters of a Portuguese Nun (Les Lettres Portugaises) were first published anonymously in Paris in 1669. The five passionate letters in book form were a publishing sensation since their appearance, with five editions in the first year, followed by more than forty editions throughout the 17th century. A Cologne edition of 1669 stated that the Marquis de Chamilly was their addressee, but, aside from the fact that she was female, the author's name and identity remained unknown. The letters were translated in several languages, and set a precedent for sentimentalism in European culture at large, and for the literary genres of the sentimental novel and the epistolary novel into the 18th century. The interest in the Letters was so strong that the word "portugaise" became synonymous with "a passionate love-letter" in the 17th century. The authorship of the work was assigned to Mariana Alcoforado, a Portuguese nun, as early as the 18th century. During the 20th century, however, many scholars have supported the idea that they are a work of epistolary fiction written by Gabriel-Joseph de La Vergne, comte de Guilleragues, a French politician, who had been secretary of the King's Chamber and also director of the Gazette de France. Nevertheless, any doubts about the authorship do not detract from the beauty and power of the letters themselves, presented here in a prose translation followed by a versified one. - Summary by Leni

"Letters of Mrs. Adams, the Wife of John Adams, Vol. 1-Abigail Adams" offers a unique glimpse into the life and thoughts of Abigail Adams, one of America's most influential women. Through her letters, listeners will discover her insights on family, politics, and the role of women in society during the formative years of the United States. Abigail's correspondence with her husband, John Adams, reveals her intellect, strength, and unwavering support, making her an enduring figure in American history. The themes of resilience, partnership, and the fight for equality resonate today, reminding us of the importance of women's voices in shaping the future.

Romance of Polar Exploration by G. Firth Scott delves into the thrilling and romanticized tales of explorers venturing into the frigid, uncharted territories of the polar regions. This work captures the spirit of adventure, the allure of the unknown, and the profound human emotions that accompany such daring journeys. As we navigate our own explorations in life, the themes of courage, discovery, and resilience resonate deeply, reminding us of the timeless quest for knowledge and connection. The enduring nature of these stories continues to inspire, inviting listeners to reflect on their own pursuits of passion and purpose in an ever-changing world.

The Letters of a Portuguese Nun (Les Lettres Portugaises) were first published anonymously in Paris in 1669. The five passionate letters in book form were a publishing sensation since their appearance, with five editions in the first year, followed by more than forty editions throughout the 17th century. A Cologne edition of 1669 stated that the Marquis de Chamilly was their addressee, but, aside from the fact that she was female, the author's name and identity remained unknown. The letters were translated in several languages, and set a precedent for sentimentalism in European culture at large, and for the literary genres of the sentimental novel and the epistolary novel into the 18th century. The interest in the Letters was so strong that the word "portugaise" became synonymous with "a passionate love-letter" in the 17th century. The authorship of the work was assigned to Mariana Alcoforado, a Portuguese nun, as early as the 18th century. During the 20th century, however, many scholars have supported the idea that they are a work of epistolary fiction written by Gabriel-Joseph de La Vergne, comte de Guilleragues, a French politician, who had been secretary of the King's Chamber and also director of the Gazette de France. Nevertheless, any doubts about the authorship do not detract from the beauty and power of the letters themselves, presented here in a prose translation followed by a versified one. - Summary by Leni