London Writers' Salon

Debut novelist Rebecca Fallon on ambition, motherhood, crafting dual timelines, and writing a novel built around the person who isn't there. We discuss Why quitting a stable job to write a novel can be framed as a calculated bet rather than a leap of faith. How to prototype the writer's life before fully committing to it. What genre fiction can teach a literary novelist about plotting and structure. How a single late-stage scene revealed who the actual protagonist of the book had been all along. The unsexy spreadsheet work behind a novel that moves between timelines. A method for getting inside a child's consciousness on the page. Why each character has to serve a distinct function—and what happens to the ones that don't. How music, photographs, and even PowerPoint can become tools for holding a character's voice. The difference between flow-state writing and the surgical work that comes after. What changes when you stop drafting airy scenes and start asking what each scene needs to earn its place. About Rebecca Fallon Rebecca Fallon is a New England-born Londoner and a graduate of Williams College and the University of Oxford. Family Drama is her debut novel. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Bestselling author Steven Pressfield on what it means to have a creative calling, battling resistance, the role of faith in writing, and his memoir Govt Cheese. A remastered version of episode #058. You'll learn: Why a typewriter sat untouched in the back of a van for seven years before becoming a career. How self-sabotage shows up at the finish line, not just at the start. A rule of thumb for telling resistance apart from legitimate doubt. Why the more important a project is, the more terrifying it should feel. When you can finally write about pain, and why distance matters more than rawness. How an idea for a book might arrive as a single sentence and refuse to leave. A one-page method for outlining a novel, and why one page is enough. What John Keats's concept of negative capability can teach a writer in the dark middle of a draft. The metaphor that reframes writers as delivery drivers rather than creators. Why faith in the muse matters most when the writing feels too good to be your own. Resources & Links 📄 Transcript (unedited) Govt Cheese The War of Art Put Your Ass Where Your Heart Wants to Be Nobody Wants to Read Your Sh*t "This Might Not Work" – Seth Godin The Writer's Journey by Christopher Vogler Steve's 'passage through the wilderness' series on Instagram The Creative Act by Rick Rubin The Foolscap Method Instagram videos John Keats's concept of 'Negative Capability' Joanna Penn About Steven Pressfield Steven Pressfield (@SPressfield) is the author of The War of Art, which has sold over a million copies globally and been translated into multiple languages. He is a master of historical fiction, with Gates of Fire being on the required reading list at West Point and the recommended reading list of the Joint Chiefs. His other books include A Man at Arms, Turning Pro, Do the Work, The Artist's Journey, Tides of War, The Legend of Bagger Vance, Last of the Amazons, Virtues of War, The Afghan Campaign, Killing Rommel, The Profession, The Lion's Gate, The Warrior Ethos, The Authentic Swing, An American Jew, Nobody Wants to Read Your Sh*t, The Knowledge, and his memoir Govt Cheese. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Debut novelist Debra Curtis on teaching herself to write by copying poems by hand as a dyslexic child, using contemporary novels as craft manuals to learn structure, meeting the Dalai Lama, the importance of radical forgiveness & publishing her first novel in her sixties after years of rejection.  You'll learn: Why copying poems by hand into a composition notebook secretly teaches a dyslexic child to write. The hospital-bed moment with her dying father that became a three-decade family motto. A vision at a marina, a prescription bottle, and the woman who became her protagonist. What hundreds of rejections actually teach you about persistence. Using contemporary novels as instructional guides while drafting your own. How a psychic’s prophecy and a chance encounter in Paris both pointed toward the same agent. Finding your future agent’s name in the acknowledgments of a book you’ve never read. The big editorial note that hurts to hear, and why listening anyway is still the right call. Radical forgiveness as the emotional heart of a novel. The writing ritual built around a sleep mask, noise-cancelling headphones, and a sound machine. Resources & Links: 📄 Interview Transcript The Freeing of The Dust by Denise Levertov Laws of Love and Logic by Debra Curtis Olive Kitteridge by Elizabeth Strout Fates and Furies by Lauren Groff Lessons in Chemistry by Bonnie Garmus Publisher’s Marketplace Debra’s Instagram Debra’s TikTok About Debra Curtis: Debra Curtis is a retired professor of cultural anthropology at Salve Regina University, where she specialised in gender and sexuality. This is her first novel. She is the mother of grown-up twin girls and lives in Rhode Island with her husband and her English bulldog, Harry, who is the star of much of her TikTok content. TikTok: @EnglishHarry; FB: @DebCurtis; Instagram: @Deb.curtis.906. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Screenwriters Hannah Bos (HBO’s Somebody Somewhere), Kim Krizan (Before Sunrise, Before Sunset) and Selina Lim (Sex Education, Hanna) on building writing partnerships, developing characters from the inside out, and finding your way into a writers’ room.   You'll learn Why a writing partnership only works when you can separate your ego from your ideas. How seven years of making weird theatre in Brooklyn quietly set the stage for an HBO show. What it takes to write a quiet, character-driven show in a TV landscape built for plot. How a master’s thesis on a diarist turned into one of the most beloved screenplays of the nineties. How Before Sunrise was built from index cards on a living room floor. Why thinking about the product kills the work, and what to focus on instead. The case for starting with character before plot, and letting the story follow. What breaking into TV actually looks like. How to set the tone in a writers’ room so the ridiculous ideas can surface. A practical approach to dialogue. Episode Links #070: Hannah Bos — Writing TV From The Heart, HBO’s Somebody Somewhere, Artistic Partnerships, Writing Friendships For The Screen #99: Kim Krizan — Writing 'Before Sunrise' series, Crafting Memorable Characters For Ethan Hawke & Julie Delpy & Other Screenwriting Tips #013: Selina Lim — Writing Authentic Dialogue for TV, Writing about Sex, Love & Drama, and A Peek Into a Writers’ Room About the Guests Hannah Bos is a Brooklyn based writer who, along with her writing partner Paul Thureen, is the creator and showrunner of HBO’s Somebody Somewhere. The first season received an AFI Award and Peabody nomination, and Hannah and Paul were nominated for a 2022 Humanitas Prize for Comedy Teleplay for the pilot episode. Together they have also written for HBO’s High Maintenance and Amazon’s Mozart in the Jungle, and received an Independent Spirit Award nomination for Best First Screenplay for their feature Driveways (dir. Andrew Ahn), which premiered at the Berlin Film Festival. Along with Oliver Butler, Hannah and Paul were founders and co-Artistic Directors of The Debate Society, a multiple-Obie award-winning, Brooklyn-based theatre company. As an actor, Hannah has received a Drama Desk Award and Lortel Nomination. Contact: www.hannahbos.com Kim Krizan is the Academy Award-nominated writer of the films Before Sunrise and Before Sunset. Her book Original Sins: Trade Secrets of the Femme Fatale is a tongue-in-cheek examination of history’s dangerous women. She is also the author of Spy in the House of Anaïs Nin, an analysis of the life of the 20th-century rule-bending diarist. Krizan’s work has been hailed as insightful, penetrating, and profound. She lives and writes in Los Angeles, California. You can find her on Instagram and Patreon. Contact: www.instagram.com/kimkrizan Selina Lim is a BAFTA and BIFA-nominated screenwriter, with credits on Sex Education (Eleven/Netflix) and Hanna (Amazon/NBC). Her short films include Painkiller (BBC/B3 Media) starring Benedict Wong, Keeping Up with the Joneses (BFI/Lighthouse) with Maxine Peake and Adeel Akhtar, and BBC Studios/Green Door’s Five By Five starring Ruth Madeley. Selina has also written for Hollyoaks (Lime Pictures/Channel 4) and was in the writers’ room for The Night Manager Series 2 (The Ink Factory/AMC). Contact: www.curtisbrown.co.uk/client/selina-lim For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Literary agent Juliet Mushens on what makes her offer representation, how she builds bestselling careers from debut to long-term success, and why writers need a life outside of publishing. We discuss Why tension is the single most important quality an agent looks for in any genre of fiction. How personalized feedback from an agent signals you’re closer than you think. The editorial conversation that happens when an agent offers representation. What to consider when choosing between multiple agent offers, and why gut matters more than questionnaires. How some of today’s biggest bestsellers had their first and second books rejected — and what changed. Why writing for the market rarely produces the best books, and how to hold the tension between passion and positioning. The publishing myths that refuse to die, from social media requirements to green book covers. How agents negotiate contracts and why an escape clause matters. The concept of inconvenience over convenience and what it means for writers in the age of AI. Why building a sense of esteem outside writing is essential to surviving the highs and lows of publishing. Resources & Links 📄Interview Transcript Mushens Entertainment Submissions Mushens Entertainment Blog Get Started in Writing Young Adult Fiction by Juliet Mushens Juliet Instagram  Mushens Entertainment Instagram About Juliet Mushens Juliet Mushens has been an agent for over a decade. More than a dozen of her clients are Sunday Times bestsellers, with half a dozen claiming the number one slot in the last two years alone. Her clients include million-copy no. 1 bestseller Jessie Burton, multi-million copy NY Times bestseller Taran Matharu, and record-breaking multi-million copy no. 1 bestseller Richard Osman. The Times ran a piece recognising her as the first agent to represent the number 1, 2, and 3 UK bestsellers in the same week: ‘Star literary agent first to top the charts three times’, a feat she repeated in 2022. Juliet sits on the advisory board of Book Brunch, is currently President of the British Fantasy Society, and sits on the board of the Women’s Prize Trust. You can find her on Twitter as @mushenska. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Singer-songwriter and author Josh Ritter on writing songs for the muse instead of waiting for it, letting creative ideas find their shape across songwriting, painting, and fiction, and building a sustainable creative life over more than two decades. We discuss: Writing for the muse instead of waiting for it. Why working across multiple art forms keeps each one alive. The craft behind a single narrative song, from first image to finished track. Balancing creative compulsion with everyday life. What sharing work publicly teaches you about your own work. How the relationship between an artist and their audience evolves over decades. Mental health and the myth of the tortured creative. Getting through the dead stretch when nothing seems to come. The campfire model of building a creative career. Resources & Links: 📄Interview Transcript Josh’s Substack Hello Starling I Believe in You, My Honeydew  Truth is a Dimension (Both Invisible and Blinding) About: Josh Ritter is an American singer-songwriter, musician, artist, and author. He performs and records with The Royal City Band. He writes on Substack at  Josh Ritter’s Book of Jubilations. His latest album, I Believe In You, My Honeydew, is out now. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Novelist, memoirist, and Corporeal Writing founder Lidia Yuknavitch on writing from the body, finding form in the natural world, and why the stories we need most come from the places we’ve been afraid to go. We discuss: Why the element that makes you vibrate — water, forest, rock, wind — might be the key to unlocking your creative access path. How to find your core metaphors through a body-based meditation practice. A practical portal for memoir writers. Why abandoning linear plot doesn’t mean abandoning form. The difference between prompts and portals. Why writers who’ve survived the hardest things carry a skillset the rest of the world urgently needs right now. A reframe for anyone afraid of writing badly. Resources & Links 📄Interview Transcript Corporeal Writing The Chronology of Water Thrust Meander, Spiral, Explode by Jane Alison She Had Some Horses by Jo Harjo Diving into the Wreck by Adrienne Rich Writers’ Hour About Lidia Yuknavitch is the National Bestselling author of four novels: Thrust, The Book of Joan, Dora: A Headcase, and The Small Backs of Children, winner of the 2016 Oregon Book Awards Ken Kesey Award for Fiction as well as the OBA Reader’s Choice Award. She has also published a critical book on war and narrative, Allegories Of Violence (Routledge). The Misfit’s Manifesto, a book based on her recent TED Talk, was published by TED Books in 2017. Verge, a collection of short fiction, was released in 2020. Her widely acclaimed memoir The Chronology of Water was adapted for film directed by Kristen Stewart. Her newest memoir, Reading the Waves, was published by Riverhead books in 2025. She founded the workshop series Corporeal Writing in Portland Oregon, where she teaches both in person and online. She received her doctorate in Literature from the University of Oregon. She is a very good swimmer. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Award-winning journalist and bestselling author Jennifer Breheny Wallace on mattering, resilience through relationships, and the writing practices behind two New York Times bestselling nonfiction books. You’ll learn Why resilience as a writer has far less to do with self-care routines and far more to do with the people you surround yourself with. How to tell whether your idea is a series of articles or a book, and what structural test separates one from the other. A practical way to ask for feedback on your writing that actually leads to useful criticism instead of vague encouragement. Why putting yourself in a nonfiction book can transform it, even if every journalistic instinct tells you not to. The writing schedule that let a journalist with three kids produce two bestselling books, and why it starts at 4AM. Why your inner critic tends to sleep in, and how to take advantage of the hours before it wakes up. A visual trick involving artist sketches that can help you push through the frustration of early drafts. What a lesson from Morley Safer at 60 Minutes reveals about the tension between accuracy and storytelling in nonfiction. The surprising research behind mattering and why it goes deeper than self-esteem, belonging, or purpose on their own. A 30-second daily practice that can help you reconnect to your sense of purpose when long-term projects leave you feeling stuck. Resources & Links 📄Interview Transcript The Mattering Movement Mattering by Jennifer Breheny Wallace Never Enough by Jennifer Breheny Wallace Lives Well Lived Podcast Episode w/ Jennifer Breheny Wallace Julia Cameron on LWS Podcast The Oprah Podcast w/Jennifer Breheny Wallace Subscribe to Jennifer’s Newsletter Jennifer’s IG About Jennifer Breheny Wallace Jennifer Wallace is an award-winning journalist and author of the New York Times bestselling book Never Enough: When Achievement Culture Becomes Toxic — And What We Can Do About It, which was named an Amazon Best Book of the Year. Wallace has contributed to The Wall Street Journal and The Washington Post. Jennifer began her journalism career in television at “60 Minutes”. She lives in New York City. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Description: Neuroscientist and bestselling author David Eagleman on the brain science behind creativity, what actually causes writer's block, and how pre-commitment strategies like the Ulysses contract can help writers finish what they start.   You'll learn: Why creativity isn't a rare gift, and what's actually happening in every brain when it absorbs and remixes the world around it. The three core algorithms behind creative thinking, and how to use them deliberately when you're stuck on a project. What's really going on in the brain when a writer feels blocked, and why the fix might be simpler than you think. A compelling case against the "shower idea" myth, and why sitting down to work may be where your best thinking actually happens. How a concept from ancient Greek literature can help you set up contracts with your future self to finish what you start. A surprising writing routine behind roughly a million published words, and why it happens at the same chain restaurant every time. A method for juggling multiple creative projects without losing momentum on any of them. Why switching genres and feeling like a beginner is one of the best things you can do for your brain as a writer. How to think about the difference between fiction and nonfiction when it comes to what AI can and can't replace. The moment at age 13 that shaped an entire career in science communication, and what it reveals about writing for an audience. Resources & Links: 📄 Interview Transcript David’s Website Inner Cosmos The Creative Brain Cosmos by Carl Sagan The Runaway Species Ulysses contract Sum David’s Substack About David Eagleman: David Eagleman is a neuroscientist at Stanford University and an internationally bestselling author. He is co-founder of two venture-backed companies, Neosensory and BrainCheck, and he also directs the Center for Science and Law, a national non-profit institute. He is best known for his work on sensory substitution, time perception, brain plasticity, synesthesia, and neurolaw. His books include Incognito: The Secret Lives of the Brain, Sum: Forty Tales from the Afterlives, The Runaway Species, and Livewired. He is the writer and presenter of the Emmy-nominated PBS series The Brain with David Eagleman and hosts the podcast Inner Cosmos with David Eagleman. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Acclaimed short fiction writers Sarah Hall, Jonathan Escoffery, and Niamh Mulvey on building immersive worlds in compressed spaces, grounding stories in real human stakes, and writing openings and endings that transform both character and reader.   Timestamps: (00:01:06) Sarah Hall, from Episode 161 (00:14:43) Jonathan Escoffery, from Episode 56 (00:26:40) Niamh Mulvey, previously unreleased conversation   You'll learn: Sarah Hall's "keyhole" approach to short stories — and how the unseen world beyond the scene gives a story its depth. Why trusting your preoccupations beats forcing a theme, and how over-awareness of your own subject can kill the fiction. A technique for thickening a thin first draft: telescope into your character's childhood, then out to their future. Why Jonathan Escoffery believes stories without real-world stakes will lose to equally crafted stories that engage with the world, every time. How Escoffery pairs imagination with lived emotional experience to make unfamiliar settings resonate — and why personal growth feeds artistic growth. What choosing a linked story collection over a novel taught Escoffery about pacing, pause, and propulsive energy. Why Niamh Mulvey thinks showing off your best writing in an opening is a mistake — and what to do instead (start specific, name a character, put two people in relation). A prompt for finding your story's urgency: ask "why this moment?" and aim for the energy of really good gossip. How character desire shapes place and plot at the same time, so setting becomes what your character wants rather than backdrop. Mulvey's "third element" — a character, object, or event seeded early that can emerge later to unlock your ending. Resources & Links: Join our LWS community! Sarah's full episode and notes Jonathan's full episode and notes If I Survive You by Jonathan Escoffery Hearts and Bones: Love Songs for Late Youth by Niamh Mulvey The Amendments by Niamh Mulvey Sombrero Fallout by Richard Brautigan About Sarah Hall: Sarah Hall is one of the UK's most talented authors. Twice nominated for the Man Booker Prize, the first and only writer to win the BBC National Short Story Award twice, she has written ten highly acclaimed novels and short story collections. About Jonathan Escoffery: Jonathan Escoffery is the author of the linked story collection If I Survive You, a New York Times and Booklist Editor's Choice, an IndieNext Pick, and a National Bestseller. His stories have appeared in The Paris Review, Oprah Daily, Electric Literature, Zyzzyva, AGNI, Pleiades, American Short Fiction, Prairie Schooner, Passages North, and elsewhere. About Niamh Mulvey: Niamh Mulvey is from Kilkenny, Ireland. Her short fiction has been published in The Stinging Fly, Banshee and Southword and was shortlisted for the Seán O'Faoláin Prize for Short Fiction 2020. Her short story collection Hearts and Bones: Love Songs for Late Youth was published by Picador. The Amendments is her first novel. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Memoirist and filmmaker Curtis Chin on pitching for national press, booking venues through cold emails, and making a high-volume book events strategy financially sustainable.   You’ll learn:Why Curtis booked readings before his memoir released to drive pre-orders, and what that early push unlocked. How he found venues by researching programs and series online, then sending cold outreach without overcomplicating it. A practical way to define your “audience” so your outreach targets the right communities and institutions. How to write a venue email that creates urgency (a “hook” and a reason to say yes now), without sounding gimmicky. A press pitching approach that starts local, builds credibility, and then moves toward national outlets. What his spreadsheets are (and aren’t) for, and a lightweight way to track outreach and payments without building a complicated system. How he initially used a publisher budget, then supplemented it with community funding when the budget wasn’t enough. Why momentum compounds (your growing “resume” of events and media makes the next invitations easier), and how to lean into that effect. How he structures his day to keep writing, business logistics, and book marketing moving at the same time. How getting paid for talks changed the economics of touring, and why nonfiction subject expertise can create more paid speaking opportunities.  Resources & Links:📑 Interview TranscriptEverything I Learned, I Learned in a Chinese Restaurant by Curtis ChinAsian American Writers’ WorkshopCurtis’ NYT articleCurtis’ WebsiteAbout Curtis Chin:Curtis Chin is the author of the award-winning memoir, Everything I Learned, I Learned in a Chinese Restaurant. A co-founder of the Asian American Writers’ Workshop, Curtis Chin served as the non-profit’s first Executive Director. He went on to write comedy for network and cable television before transitioning to social justice documentaries. Chin has screened his films at over 600 venues in twenty countries. He has written for CNN, Bon Appétit, The Detroit Free Press and The Emancipator. A graduate of the University of Michigan, Chin has received awards from ABC/Disney Television, New York Foundation for the Arts, National Endowment for the Arts, and more. His essay in Bon Appétit was selected for Best Food Writing in America 2023 and his short doc, Dear Corky premiered on American Masters. He is currently working on a new docuseries on the history of Chinese restaurants in America.  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Writer and director Morgan Cooper on turning a self-funded Bel-Air short into a series, building creative audacity before opportunity arrives, and staying resourceful across drafts, collaboration, and a children’s picture book.You'll learn:Why “imperfect action” can be a practical antidote to creative paralysis, especially early in your craft.How he found a compelling dramatic lens by stripping away sitcom expectations and focusing on character archetypes and real-world stakes.What it can look like to invest commercial income back into self-initiated work to build a body of proof.Why “waiting for permission” often hides fear, and how starting anyway can change what’s possible.Why the “angle” of your idea matters, and how recalibrating it can be the difference between a draft that stalls and a draft that lands.How identifying the “big question” of a story can give your scenes direction and your revisions momentum.Simple ways to keep the creative channel open using a notes app, project scrap bins, and a journaling method that functions like index cards.How collaboration becomes part of the craft when you treat writing as iterative perspective-building, not a solitary performance.What writing a picture book can teach about economy, structure, and building an arc inside tight page limits.How designing a kid-led mission around resourcefulness can create momentum and emotional payoff in short form.Resources & Links:📄Interview TranscriptCooper’s original Bel-Air concept trailerBel-Air on PeacockThe College Dropout - Kanye WestKind of Blue - Miles DavisI Can Make A Movie! Geneva Bowers - Illustrator and ArtistHair love - Matthew A. CherryFilm LondonMediatrust.org - Mentoring OpportunitiesDancing Ledge Productions - Mentoring OpportunitiesAbout Morgan Cooper:Morgan Stevenson Cooper is a Los Angeles-based writer and director and the creative force behind Bel-Air, the dramatic reimagining of The Fresh Prince of Bel-Air that grew out of his self-released short film in March 2019. After the film drew widespread attention, Will Smith and Westbrook Studios came on board as collaborators, and the series premiered in February 2022, with Cooper serving as creator, director, co-writer, and executive producer. He is a two-time Tribeca X winner for U Shoot Videos? and Pay Day, and is developing BLKCOFFEE as writer, director, and executive producer. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Essayist and fiction writer Erica Stern on writing hybrid nonfiction, weaving memoir with research and a ghost-story thread, and finding a publishing home for genre-defying work.   You'll learn:What “hybrid nonfiction” can look like when memoir, research, and a fictional thread are all working toward one emotional truth.Ways to make a genre-bending draft feel cohesive, even when it’s built from multiple modes and timelines.How reverse outlining can help you figure out what each section is really doing, and tighten the book’s throughline in revision.Why “moving the pieces around” for a long time can be part of the process when the structure has to be discovered, not imposed.A mindset shift for writers making unconventional work: follow what the project needs first, before you worry about outcome or category.How to treat “weirdness” as an asset (not a liability) when the form is doing meaning, not just style.Practical publishing encouragement for genre-defying books: small presses can be a strong fit, and there’s a growing audience for hybrid forms.What it can look like to publish without chasing “bestseller” logic, and instead focus on reaching the right readers with the best version of the book.Why writing “for the market” isn’t the only path to publication—and how commitment to the story can be what ultimately helps it find a home.  Resources & Links:📑Interview TranscriptFrontier: A Memoir and A Ghost Story by Erica SternLWS SubstackBitter Water Opera by Nicolette PolekAbout Erica Stern:Erica Stern is an essayist and fiction writer whose debut memoir, Frontier, was published by Barrelhouse Books in 2025. Her work has appeared in the Mississippi Review, The Iowa Review, and Denver Quarterly, and she has been a finalist for the Noemi Press Book Awards and the Mississippi Review Prize. She has received fellowships and residencies from the Vermont Studio Center, Martha’s Vineyard Institute for Creative Writing, and the Virginia Center for the Creative Arts, and holds a BA in English from Yale University and an MFA from the School of the Art Institute of Chicago. She is from New Orleans and lives with her family in Evanston, Illinois. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Novelists Maggie O’Farrell, Stacey Halls, and Ruta Sepetys on turning research into living scenes, building non-linear structure that still feels clear, and writing voice and dialogue that make the past feel immediate. Timestamps:00:01:30 Maggie O’Farrell00:26:14 Stacey Halls00:49:33 Ruta Sepetys You’ll learn:The importance of "reading like a writer" to reverse-engineer time, tense, and technique from books you love.How to structure a non-chronological narrative using flowcharts and “breadcrumb trails” so readers never feel lost.Where to look for small, specific historical details that unlock character, scene, and momentum.A practical way to treat research as idea-generation, not “homework you must finish” before you start drafting.A simple plotting method (index cards + one-sentence scenes) that helps you see the whole book at a glance.Why a first draft is allowed to be rough, and how that mindset can help you write faster and finish.How “writing toward a feeling” can guide structure when you can’t see the whole plot in advance.Ways to keep going through the long middle by focusing on the work itself, not external noise.How to use collaboration and expert readers to pressure-test cultural and historical authenticity. Resources & Links:Join our LWS community!Maggie's full episode and notesStacey's full episode and notesRuta's full episode and notes About the authors:Maggie O’Farrell is the bestselling author of Hamnet and The Marriage Portrait, noted for lyrical prose and inventive structure; her craft insights span sentence-level cadence, non-linear timelines, and historically grounded voice.Note: Our episode with Maggie was done in collaboration with Arvon, the UK’s leading creative writing charity. Arvon believes everyone can benefit from the transformative power of creative writing. It hosts residential, online and community-based writing courses and events, embracing over 6,000 people each year, tutored by some of the most respected writers in the UK today. Find out more at arvon.orgStacey Halls is the UK author of The Familiars, The Foundling, and Mrs England, known for vivid period settings, propulsive plotting, and character-driven suspense; she outlines with index cards and drafts quickly before deep revision.Ruta Sepetys is a Lithuanian-American novelist (Between Shades of Gray, Salt to the Sea) whose work uncovers suppressed histories with YA-accessible clarity; she emphasizes collaboration, ethical research, and a clear “why” for every project. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Playwright and BAFTA-nominated screenwriter Moira Buffini on moving between theatre, film, and fiction, writing for yourself instead of the market, and shaping structure by rewriting toward the ending you want readers to feel.    You’ll learn:Why “you are the audience” can be a practical rule for cutting through market noise and writing with conviction. A useful way to handle reviews and outside opinions without letting them steer the work. How to build story momentum when you can’t fully plot ahead, and why not knowing the next move can be a strength. A structure approach based on “writing toward a feeling” at the end, then layering drafts until the story clicks. What discipline looks like when you’re writing big worlds in prose, and how constraints can keep you from getting lost. How a dramatist’s instincts (plot, structure, obstacles) can transfer into long-form fiction and help sustain narrative drive.   A grounded reminder about the “mundane” day-to-day of being a professional writer, and why that doesn’t cancel the magic. The practical foundations she names for keeping your mind working (sleep, movement, and treating the body as part of the instrument). What it can take to keep writing alongside caring responsibilities, and why persistence is often the hardest part.   The simplest career advice she returns to: don’t accept the story that you “can’t,” and keep putting in the hours. Resources & Links:📑Interview TranscriptMoira’s Agent WebsiteMoira’s screenwriting creditsNational Youth Theatre in LondonCaryl ChurchillThe National Theatre LondonDinner (play)Byzantium (film)Jane Eyre by Charlotte BrontëHarlots (tv series)The Torch Trilogy: Songlight, TorchfireThe Chrysalids by John Wyndhamdeus ex machina definitionraconteur definitionRobert ProskyThe Dig (film)About Moira Buffini:Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Harlots. Songlight is her debut novel. She lives in London. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

London Writers’ Salon co-founder Matt Trinetti and Head of Writer Experience Lindsey Trout Hughes share prompts from our Dreaming Big in 2026: Creative Goal Setting for Writers workshop – designed to help writers get clear on what they actually want from their writing life in 2026, and translate that desire into a plan that can survive reality in the first 1-3 months of the year.Through 8 steps – from identifying desire to committing to a 48-hour move – Matt and Lindsey step through over a dozen prompts, discuss why each is important for writers to think about, and share what’s coming up for them personally for the year ahead.Download the free workbook: community.londonwriterssalon.com/dreamingbigTimestamps:(00:00) Introduction(02:07) Step 0: Two Words (bringing in & leaving behind)(08:05) Step 1: Identifying what we truly desire(17:42) Step 2: Vision (translating desire into clear vision)(25:18) Step 3: Moving from wanting to deciding(34:35) Step 4: Building a project bank(42:02) Step 5: Finding a first season focus(47:32) Step 6: Designing your creative practice(59:00) Step 7: Your 30-day plan & 48-hour move(01:04:50) Step 8: Opening up to support(01:09:40) Conclusions and next steps You’ll learn:A simple “two words” ritual to decide what you’re bringing into 2026 (and what you’re leaving behind).Prompts to identify what you truly desire, including what you might feel embarrassed to say out loud.How to reframe desire as a helpful signal instead of something “selfish” you should downplay.How to build a project bank so you can choose one focus without feeling like you’re abandoning your other ideas.Ways to use simple lists to spark clearer project options.How to choose a first-season focus (a three-month container) so you’re not trying to hold the entire year at once.The importance of defining what “done” looks like for the season and setting milestones that make progress visible.How to design a writing practice while planning for obstacles before they derail you.How to set a measurable 30-day goal, choose your first moves, and turn intention into proof.   About London Writers’ Salon:London Writers’ Salon is a community and membership that helps writers make meaningful progress on their work, stay committed to a writing practice, and find creative friends around the world. Members can build consistency through Writers’ Hour, develop craft through interviews and workshops, and connect with a global community of writers.  Resources & Links: Download the free workbook at: community.londonwriterssalon.com/dreamingbigJoin Writers’ Hour - daily silent writing sessions: writershour.comAttend live events and workshops – Become a Member: community.londonwriterssalon.com/membership For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Translator, performance artist, writer, and educator Haleh Liza Gafori on translating Rumi with fidelity and music, and what his poetry can teach us about liberation, attention, and love.You’ll learn:Habits Haleh uses to re-centre and get quiet enough to work.How she learned to trust sound and rhythm first, and let meaning arrive through the ear.The moment she realised she needed to make her own translations, and what triggered that decision.A simple test for “is this translation working?”, including why one wrong image can flip the whole poem.Principles Haleh uses to keep translations clear, musical, and emotionally true in English.What an editor can mean by “find your voice,” and how to develop a consistent voice as a translator.How to work with old texts honestly, including naming what doesn’t align with your ethics today.What Rumi can teach modern readers about attention, ego, and compassion in daily life.How love shows up in Rumi as a discipline, not a vibe, and why that matters in hard times.What Haleh is building next, and how teaching can deepen (not dilute) your creative practice.Resources & Links📄Interview TranscriptGold: Poems by Rumi Water: Poems by Rumi Rumi’s Secret by Brad Gooch Haleh’s Website Haleh’s Instagram  About Haleh Liza Gafori:Haleh Liza Gafori is a New York City-born translator, performance artist, writer, and educator of Persian descent. A 2024 MacDowell fellow, she has translated the poetry of the Persian mystic and sage Rumi. Her book of translations, Gold: Poems by Rumi, was published by New York Review Books in 2022. Her second volume of translations, Water: Poems by Rumi, was released in 2025, also by NYRB Classics. Supported by an NYSCA grant, Gafori has created a musical and cross-media performance based on the book, and has presented her work through performances, lectures, and workshops at institutions such as Lincoln Center, Stanford University, the Academy of American Poets, and Sarah Lawrence College. Her book of translations Gold has been incorporated into curricula at universities across the country. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Writer and editor Mason Currey on what artists’ routines can teach us about focus, discipline, procrastination, and building a sustainable creative life.You'll learn:What led Mason to writing, and the early pressures that shaped his relationship with the work.Why he started Daily Routines as a side project, and what he was trying to solve with it.The moment the blog went viral, and what changed when an audience arrived.What it took to turn a quote-collecting blog into a book, including the research and structure behind it.Why routines work best when they’re personal and flexible rather than prescriptive.Ideas for protecting your best hours, including Nicholson Baker’s “double morning.”The difference between physical routine and creative routine, and why both matter.A realistic way to design an hour of writing, including what to do when “nothing happens.”What Worm Zooms are, and why “small progress” can be a powerful creative philosophy.The question underneath every routine: how artists make time for the work while paying the bills.Resources and Links:📑Interview TranscriptNicholson Baker BooksMaking Art and Making a Living by Mason Currey Daily Rituals by Mason CurreyDaily Rituals: Women at Work by Mason CurreyWorm ZoomsDeath in Venice by Thomas Mann Mason’s SubstackAbout Mason CurreyMason Currey is a writer and editor living in Los Angeles and the author of the Daily Rituals books. In addition to compiling the Daily Rituals books, Currey was a design-magazine editor for ten years, working as the managing editor of Metropolis, the executive editor of Print, a senior editor at Core77, and the programming chair for the 2015 Core77 Conference. His freelance writing has appeared in the New Yorker, the New York Times, the Wall Street Journal, the Atlantic, and Slate, and he has delivered talks on the creative process to high school and college students, writers’ groups, and the partners of the design consultancy IDEO. Currey is currently writing a new nonfiction book and sending out a fortnightly newsletter on routines, rituals, and wriggling through a creative life. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Debut novelist and 2023 Reese’s Book Club LitUp fellow Allison King on blending history with magical realism, and what it takes to build a writing life while navigating the modern publishing landscape.We discuss:Allison’s early relationship with stories and the role her grandmother played in shaping it.The path from fan fiction and short stories to publishing a debut novel.The dual timeline and braided structure of The Phoenix Pencil Company, moving between WWII-era Shanghai and contemporary Cambridge.Building a magic system at the heart of the novel, and why its consequences matter more than its mechanics.Pragmatic outlining and structural tools (including reverse outlining) for managing timeline-heavy drafts.Researching family history without turning the book into an autobiography.Writing about Alzheimer’s with care, and what Allison learned in revision about emotional precision.Resources and Links:Margo’s Got Money Troubles by Rufi ThorpeRedwall by Brian JacquesThe Phoenix Pencil Company by Allison King Last Boat Out of Shanghai by Helen Zia LitUp FellowshipOnce Upon a Time in Dollywood by Ashley Jordan My Brilliant Friend by Elena FerranteA Tale For the Time Being by Ruth Ozeki About Allison KingAllison King is an Asian American writer and software engineer based in Cambridge, Massachusetts. In technology, her work has ranged from semiconductors to platforms for community conversations to data privacy. Her short stories have appeared in Fantasy Magazine, Diabolical Plots, and LeVar Burton Reads, among others. She is also a 2023 Reese's Book Club LitUp fellow. The Phoenix Pencil Company is her first novel. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Neuroaesthetics researcher Susan Magsamen and Google design leader Ivy Ross on creativity as a biological necessity, intuition, and the aesthetic mindset for a good life.   You'll learn:Habits that Susan and Ivy turn to when they need to re-centre.What Susan and Ivy are trying to change in the world with their day jobs. The beginning of Susan and Ivy working together.Clear evidence that proved to Susan and Ivy that their work was needed.Advice for using your intuition to be more creative.How a writer might find their voice.Questions to ask yourself if you’re writing a similar book to Your Brain on Art.Principles that Susan and Ivy use to help them live a good life. The link between nature and neuroaesthetics.The transforming power of journaling.Resources and Links:📄Interview TranscriptYour Brain on Art: How the Arts Transform UsWebsiteNeuroarts Resource CenterAbout Susan Magsamen and Ivy RossSusan Magsamen is the founder and director of the International Arts + Mind Lab, Center for Applied Neuroaesthetics at Johns Hopkins University School of Medicine, where she is a faculty member, and she co-directs the NeuroArts Blueprint. Ivy Ross is Vice President of Design for hardware product area at Google, leading an award-winning team, and is also an arts grant recipient and recognised creative leader. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Poets Mary Jean Chan, David Whyte, and Anthony Anaxagorou read their work and unpack emotional truth, craft choices, and poems built from lived detail.  You'll learn:How early “bad” poems can still be soothing and give you a way through angst. Why simplicity of voice can beat complexity when a poem needs clarity. How form and layout can carry a poem’s physicality, including a modern sonnet’s constraints. How to face writer’s block by writing directly about the ways you can’t write. Why repetition works in live readings, helping the audience “hear” what just landed. How to mine notebooks for strong lines, then iterate through multiple drafts and edits. A simple morning practice for capturing overheard language until you find where the poem starts.  Resources and Links:Mary Jean Chan: maryjeanchan.comDavid Whyte: davidwhyte.com  Anthony Anaxagorou: anthonyanaxagorou.comOur full episode with Mary Jean Chan, #170: https://podcast.londonwriterssalon.com/episodes/170-mary-jean-chan-emotional-truth-in-contemporary-poetry-imagery-juxtaposition-and-finding-the-right-formOur full episode with David Whyte, #32: https://londonwriterssalon.simplecast.com/episodes/032-david-whyte-poetic-imagination-the-way-of-the-poet-PdTckwKEOur full episode with Anthony Anaxagorou, #12: https://podcast.londonwriterssalon.com/episodes/012-anthony-anaxagorou-push-past-self-doubt-and-think-like-a-poet-fHa8ehM1About the poets:Mary Jean Chan is the author of Flèche and Bright Fear (Faber), and their work has won and been shortlisted for major prizes. David Whyte is a poet and writer whose books include Consolations and The Bell and the Blackbird, alongside ongoing poetry and speaking work. Anthony Anaxagorou is a poet and publisher, founder of Out-Spoken, and author of After the Formalities and Heritage Aesthetics. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

What does it mean to turn a life of art, love, and loss into story? How do we write honestly about the people who shaped us? And what can theater teach us about the art of memoir?In her debut memoir No Stars in Jefferson Park (Northwestern University Press), writer and professor Maggie Andersen tells a Chicago coming-of-age story that alternates between the exhilaration of founding a theater company and the devastating realities of loss, resilience, and rebuilding.In this conversation with Maggie Andersen, we discuss the craft of storytelling at the intersection of theater and memoir, what it means to write through loss, and the risks and revelations of choosing your own story.Resources and Links:No Stars in Jefferson Park About Maggie AndersenMaggie Andersen has published fiction and nonfiction in magazines such as Salt Hill, Blood Orange, the Los Angeles Review, Creative Nonfiction, Grain, Cutbank, and DIAGRAM. She has been a finalist for the Montana Prize for Nonfiction and has been nominated twice for the Pushcart Prize. She is an Associate Professor of English at Dominican University and an ensemble member at the Gift Theatre. Her debut memoir, No Stars in Jefferson Park, was published by Northwestern University Press in October 2025.   For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

The Diary of a CEO’s Director of Trailers, Anthony Smith, on capturing attention in the first few seconds, building cliffhangers and emotional momentum that keep audiences watching (or reading), and testing hooks and packaging without losing trust or story.You'll learn:Why you only have 3–5 seconds to earn attention, and what that changes about your opening lines and first scenes.How to take the guesswork out of hooks by testing titles and thumbnails to see what audiences actually care about.Ways to pull a more compelling later moment forward and work in reverse when the early material is setup.What makes a cliffhanger work across books and videos, and how to raise the stakes so people feel “gutted” not knowing the answer.How to build an “emotional rollercoaster” so the narrative never flatlines.Why sound and silence can help storytelling work, creating intensity and then giving the audience space to breathe.How to balance intrigue with respect for your audience by offering a “moment of value” instead of holding everything back.Why giving away too much can kill curiosity, and how to protect the reason someone keeps reading or watching.Resources and Links:📄 Interview transcriptMichael Bublé on The Diary of a CEO The Diary of a CEO YouTube ChannelJürgen Klopp on The Diary of a CEOSimon Kernick books Peter James BooksAnnie Jacobsen on The Diary of a CEOCreativity, Inc by Ed Catmull The Chimp Paradox by Steve PetersIncrease Your Productivity! Playlist - The Diary of a CEO CapCut for DesktopAdobe Premiere ProAnthony’s LinkedIn About Anthony SmithAnthony Smith is Director of Trailers at The Diary of a CEO with Steven Bartlett, where he leads storytelling through video for one of the world’s most-watched podcasts, and his work spans Disney, Marvel, Star Wars, Sky, and Netflix. Through talks and consulting, he helps creators and brands combine narrative craft with human psychology to make emotionally engaging, purposeful content. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Poet, novelist, and broadcaster Salena Godden on turning love, grief, and fury into books and poems, surviving years in the wilderness before publication, and sustaining a boundaryless creative life through performance, early-morning writing, and community.You'll learn:Why you don’t have to be a “starving artist” and how to make powerful work while loving yourself and looking after your health.How to treat your story as uniquely yours, with material that no one else can reproduce.How Salena’s “rule of three” can help you balance meaning, generosity, and income in a creative career.Ways to draft poems and prose from an image or phrase and reshape darker early drafts into a final piece.How to write for “tomorrow you” first, using self-doubt and a critical future self as fuel for deeper revision.What it looks like to carry a memoir from years of rejection to publication without letting the work disappear.How to “compose on the lips” by walking, speaking drafts into your phone, and writing in the space between sleep and waking.Ways to ground yourself after writing emotionally charged work, including nature, slow rituals, and leaning on trusted loved ones.Resources and Links:📑Interview TranscriptSalena’s Books: Mrs Death Misses DeathPessimism is for LightweightsWith Love, Grief and FurySpringfield Road - A Poet's Childhood RevisitedFishing in the AftermathSalena's Instagram Poets, Musicians, and Authors mentioned: Jock ScottShane MacGowanJohn Cooper ClarkeNeneh CherryJoelle TaylorJenni FaganCider with Rosie by Laurie LeeBurning Eye BooksNational Theatre At Home - Medea (Greek Tragedy)Salena’s Roaring 20s Radio Show (Soho Radio)About Salena Godden:Salena Godden FRSL is an award-winning novelist, poet, and broadcaster of mixed Jamaican–Irish heritage, and the author of the acclaimed debut novel Mrs Death Misses Death, which won the Indie Book Awards for Fiction and the People’s Book Prize and was shortlisted for the British Book Awards and the Gordon Burn Prize. Her books include the poetry collections Pessimism is for Lightweights – 30 Pieces of Courage and Resistance and With Love, Grief and Fury, and the literary childhood memoir Springfield Road: A Poet’s Childhood Revisited, and she is a Fellow of the Royal Society of Literature, a Patron of Hastings Book Festival, and an Honorary Fellow of West Dean, Sussex.    For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Award-winning poet Mary Jean Chan on emotional truth in contemporary poetry, the imagery and juxtaposition that hold big feelings on the page, writing queerness, family and grief with care, and what submissions and prize judging reveal about poems that endure.You'll learn:Why emotional truth sits at the centre of Mary Jean’s work and how you can use it as a compass in your own poems.How to move from a single striking line into a finished poem by working on rhythm, line breaks, and imagery.What juxtaposition and understatement can do for poems about grief and other intense subjects (and how to avoid tipping into melodrama).How to decide whether a memory or idea belongs in a poem, a short story, or another form.Ways to write about queerness, family, and other vulnerable themes while setting boundaries that protect your relationships and your wellbeing.How to approach submissions, rejections, and prize lists so they support a long-term poetry practice rather than define your worth.What reading and judging for major prizes can teach you about sentences, images, and books that stand out in a crowded field.How to sustain a poetry life alongside teaching, study, and care by staying attentive to everyday moments and small pockets of time.Resources and Links:📑Interview TranscriptAdrienne RichPoetry SchoolNight Sky with Exit Wounds by Ocean Vuong Submit your work to FaberPity by Andrew McMillanBilly-Ray Belcourt National Poetry Competition The Window by Mary Jean Chan Seamus Heaney Mary OliverWestern Lane by Chetna Maroo Prophet Song by Paul Lynch Whereas by Layli Long Soldier Contact page  About Mary Jean ChanMary Jean Chan is the author of the poetry collections Flèche and Bright Fear; Flèche won the Costa Book Award for Poetry and was shortlisted for multiple international prizes, while Bright Fear was a Guardian Best Poetry Book of 2023 and shortlisted for the Forward Prize for Best Collection, the Writers’ Prize, and the Dylan Thomas Prize. They co-edited 100 Queer Poems, co-wrote Siblings, teach poetry on the MSt in Creative Writing at the University of Oxford, and have judged major awards including the Booker Prize and the Dylan Thomas Prize. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Bestselling novelist Adele Parks on her writing life, routines and techniques, character work, and creative strategies that have kept her stories fresh and her readership devoted for over two decades.You'll learn:How Adele moved from imitating other writers to trusting her own voice and background.How loss and adversity can shape resilience and urgency in writing.Why Adele treats discipline as a secret weapon and uses daily word targets to deliver a book a year.How to test ideas and use character interviews to build stories.How Adele outlines chapters, tracks point of view balance, and keeps multiple narrators emotionally coherent.The truth about plot in commercial fiction and what to do if you feel like “nothing happens” in your writing.How to handle criticism and reviews while still writing primarily to fulfil yourself.Why Adele writes to connect with readers, what “adding to the sum of happiness” means to her, and how she stays grounded around money and success. Resources and Links:📑 Interview TranscriptAdele in Platinum MagazineRachel’s Holiday by Marian Keyes Our Beautiful Mess by Adele ParksPlaying Away by Adele Parks Lies Lies Lies by Adele Parks Adele’s Instagram  About Adele ParksAdele Parks is the author of 25 bestselling novels, including the Sunday Times number one hits Lies Lies Lies and Just My Luck; over six million English editions of her books have been sold, and her work has been translated into 31 languages. She is an ambassador for the National Literacy Trust and the Reading Agency in the UK, and in 2022 she was awarded an MBE for services to literature. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Self-published authors Anne Ditmeyer and Martin Lake share what it really takes to go indie, from choosing platforms and budgeting for editing, design, and ISBNs to redefining success, avoiding scams, and playing the long game of finding readers and building a sustainable writing life.  You'll learn:Why Anne and Martin chose self-publishing over traditional routes and how they framed readers as their gatekeepers.How both authors define success beyond bestseller lists, from “book as business card” to improving the craft across 25 books.The real timelines of an indie career, including slow early sales, backlist effects, and why self-publishing is a marathon, not a sprint.What a realistic budget looks like for editing, design, typesetting, audiobooks, and print on demand, plus where they chose to DIY or outsource.How they use platforms such as Kindle Direct Publishing, Lulu, IngramSpark, Draft2Digital, and Shopify, and why most sales still come through Amazon.Practical approaches to marketing that do not require a huge following, including series, mailing lists, events, workshops, and using your existing communities.The role of ISBNs, imprints, metadata, and print on demand for getting into libraries and bookstores, and why in-store placement is harder than it looks.Red flags to watch for with third-party “publishing services” and why due diligence can save you thousands in fees and frustration.   Resources and Links:📑Interview TranscriptMartin Lake’s Author PageOverride by Anne DitmeyerReedsyLulu FiverrBlurb Bookshop.orgIngram SparkAnne Ditmeyer Resources About the panelists:Martin Lake is a historical novelist who discovered his love of history and writing early in life and later combined those interests after careers as a teacher, college lecturer, conference planner, and business owner. He has written 25 novels and several short story collections set from ancient Minoan times to the present day, earning around $275,000 in royalties, most of it from self-published ebooks, and now focuses on writing series fiction, running writing groups, and sharing what he has learned about the indie long game. Anne Ditmeyer is a Paris-based designer turned writer, creative coach, and workshop facilitator who is American by birth and French by “hard work.” She runs global creative workshops such as Write Your Own Rules and Mapping Your Path, is known for her playful “banana mapping” exercises, and in 2024 self-published her first book, Override: What if there was another way? A pocket playbook for possibility, using platforms like Lulu, IngramSpark, and Amazon to distribute a small-format book that doubles as a business card for her workshops and speaking.  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Anna Davis, novelist, agent, and founder of Curtis Brown Creative, shares how to turn a messy first draft into a strong, market-ready novel through diagnostic editing, practical rewriting tools, and a clear understanding of what agents actually look for.You'll learn:Why every writer’s process is different (and why messy drafts are fine).How to diagnose problems mid-novel and bring a manuscript back to life.The Rewrite Doctor method: creating distance, interrogating your story, and planning the edit.How to stress-test structure, plot, and pacing without relying on rigid templates.Using prompts and “play” to loosen up when you’re stuck.How to choose between competing novel ideas and know which has real legs.What agents are truly looking for and how to make your submission stand out.Common myths about publishing (and what actually happens behind the scenes). Resources and Links:Curtis Brown Creative CoursesCBC Editorial Services Friend Request by Laura Marshall  The Rewrite Doctor CourseEdit and Pitch Your Novel Book a consultation with Curtis Brown CreativeWriters’ Hour  About Anna DavisAnna Davis is the founder and Director of Curtis Brown Creative, a leading UK writing school she launched in 2011. She’s the author of five novels published in twenty languages, a former journalist and Guardian columnist, and previously worked as a literary agent at Curtis Brown and a creative-writing lecturer at the University of Manchester. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Literary agent and author Kate McKean shares how to pitch like a human, read rejection letters usefully, and protect your joy so you can build a durable writing life. You'll learn:How to build a clear 1–2 line pitch others can repeat and sell.How to read rejection letters, spot strong notes, and decide when to revise.Query etiquette and timelines: when to follow up and how resubmissions work.Fixing weak nonfiction proposals with clearer scope, audience, and takeaway.Write for the reader: comp titles, positioning, and a useful synopsis.US vs UK agenting models and what that means for money and process.Why agents don’t steal ideas and why execution is what matters.Self-publishing realities: expectations, track records, and when it helps the book. Resources and Links:📑 Interview TranscriptAgents & Books SubstackMargo’s Got Money Troubles by Rufi ThorpeWrite Through It Howard Morhaim Literary Agency  About Kate McKeanKate McKean is a literary agent at the Howard Morhaim Literary Agency, author of Write Through It, and the writer of the Agents & Books newsletter; she represents a wide range of fiction and nonfiction and fields hundreds of queries each month. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Debut novelist Carys Shannon on how to stay true to your voice through submissions and agent feedback, why an editorially led indie press was the right home for her book, and the craft that brought it to life.We discuss:How to decide what your book wants to be and center its emotional life.Submission strategy after competitions: reading agent feedback without losing your vision.Indie presses 101: editorially led models, scale, and alignment.Contracts with a small press: advances, rights splits, and what to expect.Publicity with an indie: bespoke support and realistic reach.Craft choices that unlocked the book: first-person present vs close third, “killing your darlings.”Landscape as character.Redefining success through integrity of voice. Resources and Links:📑Interview TranscriptTruth Like WaterCree Hummingbird by Tristan Hughes Mslexia Indie Press GuideBig Magic by Elizabeth Gilbert  About Carys ShannonCarys Shannon is a Welsh writer whose debut novel Truth Like Water (Parthian Books) was longlisted for the Bath Novel Award and the Mslexia Novel Award, shortlisted for the Caledonia Novel Award, and winner of the Jericho Writers Festival of Writing Prize. Her short fiction has appeared with Honno Press, Parthian Books, and Mslexia Magazine, with work broadcast on BBC Radio 4. She’s originally from North Gower, Swansea, and divides her time between Wales and the Spanish Pyrenees. About Parthian BooksParthian is an independent, editorially led publisher based in Cardigan, Wales. Founded in 1993, it champions debut and regional voices across contemporary fiction, poetry, drama, non-fiction, and literature in translation.  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Head of Books at the Madeleine Milburn Agency, Liv Maidment, shares how literary agents read, evaluate, and champion submissions (from pitches and comps to strategy, timelines, and today’s AI-driven market), helping writers pitch their work clearly and confidently.You'll learn:How to build a snappy 1–2 line elevator pitch that helps everyone down the chain sell your book (“the art of summing something up in one or two sentences”).Tips for writing comp titles and using them smartly.Blurbs vs synopses: how the pitch sells your book while the synopsis tells your book.What strong synopses and author bios must include: how much to reveal, and why they matter.Why agent editorial and development with an agent still matter.Today’s submission etiquette: realistic timelines, when to chase, and how resubmissions work.Market and positioning: genres currently on the rise, platform and geography demystified (do you need social media, does location matter).Implications of AI in today's publishing landscape: contracts, transparency, and more.More exclusive insight and advice for writers from an expert on the other side of the publishing industry. Resources and Links:📑Interview TranscriptMadeleine Milburn WebsiteSubmission FAQs About Liv MaidmentLiv Maidment is Head of Books at the Madeleine Milburn Literary Agency, representing a prizewinning list of literary, upmarket, and book club fiction. She previously worked at The Blair Partnership and United Agents and has brokered major UK and North American deals, guiding debut and established authors throughout their careers.  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Indyana Schneider—international opera singer and novelist—shares practical ways to write rhythm and desire on the page, craft scene-level tension, and shape compressed-time narratives; plus lessons from drafting her debut on the Tube.  You'll learn:How to build sentence-level cadence: vary lengths and read aloud to tune flow.A simple spine for short-timeframe novels: day-by-day beats, rising stakes, a final choice.Where to start and stop scenes so pages move (start late, leave early).Writing desire without cliché: stay in character voice; revise for rhythm and clarity.Turning musical training into prose: sensory sequencing that guides attention.When to query (and what “ready” looked like) plus handling editorial feedback.Smart ways to measure success beyond sales and keep momentum across careers. Resources and Links:📑Interview TranscriptSince the World is Ending by Indyana Schneider28 Questions by Indyana SchneiderIf the World Was Ending by JP Saxe ft Julia MichaelsWhat Makes a Bestseller? | Jonny Geller | TEDxOxford ReaderBankOne Day by David NichollsFundamentally by Nussaibah YounisSo Thrilled for You by Holly BourneThe Transgender Issue by Shon FayeLove in Exile by Shon FayeI Love You, I Love You, I Love You by Laura DockrillIndy’s Instagram About Indyana SchneiderIndyana Schneider is an international opera singer and novelist from Sydney. She studied Music at Oxford and Opera in Hanover, completed training at the Zurich Opera studio, and now performs across the UK, Europe, and Australia. She is the author of 28 Questions and Since the World Is Ending, a novel set over a sweltering weekend in Vienna, steeped in music, desire, and consequence. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Natalie Lue, bestselling author and writer (Baggage Reclaim) shares how she shaped her mini-memoirs Let Go (Family & Friction) with The Pound Project, why intention is your best editor, and the inner tools that helped her write through grief, illness, and complicated family ties — without turning her life into content.You’ll learnHow to decide if you’re writing from the scar or the wound.Practical ways to protect yourself on the page: boundaries, pauses, and purpose.A simple test for what stays in your memoir and what gets cut.Why journaling and “scrap-paper noodling” reveal patterns you can’t see in real time.How a small, focused publisher like The Pound Project co-builds a project — and what they look for in pitches.The mindset shift of “hold it lightly” when outcomes are uncertain.Gratitude for your past self as a creative survival skill.Natalie’s reflection prompts:What am I pretending not to already know?What am I clinging to — and what would it mean to let it go?Who will I become if I let go? Who will I keep being if I don’t?What pattern keeps replaying in my journals — and what’s it trying to teach me?What do I need to feel safe enough to tell the truth?Resources and Links:📑Interview TranscriptThe Baggage Reclaim SessionsThe Pound ProjectEmail for The Pound Project - [email protected] Go by Natalie LueAbout Natalie Lue:Natalie is a writer, speaker, and host of The Baggage Reclaim Sessions, a podcast with 3M+ downloads across 140+ countries. Her books include The Joy of Saying No (Harper Horizon) and self-published titles such as Mr Unavailable and the Fallback Girl. In Let Go (The Pound Project), she explores a decade marked by estrangement, loss, illness, and publishing, showing how releasing what no longer serves can restore creative power and clarity. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Sarah Hall—twice Booker Prize–nominated author and the only writer to win the BBC National Short Story Award twice—on crafting fiction that is both lush and uncompromising, and how to captivate readers on the sentence level while staying true to creative freedom.We discuss:Her early reading life in the countryside and the characters who first sparked her imaginationLessons learned from an “unpublishable” first novel and how Haweswater found its true formThe discipline and intuition behind her writing process and when to share draftsWhy handwriting first drafts rekindled a sense of play and sharpened her editingHow to build short stories that hold “the world on a pin” and reverberate beyond the pageGiving voice to Britain’s only named wind in Helm and weaving folklore, climate themes, and playfulnessDiscerning a story’s ending and sustaining joy in the writing process About Sarah HallSarah Hall is one of Britain’s most acclaimed contemporary authors. Twice nominated for the Booker Prize and the first and only writer to win the BBC National Short Story Award twice, she is the author of ten acclaimed novels and short story collections, including Haweswater, The Electric Michelangelo, The Carhullan Army, and Burntcoat. Her latest novel, Helm, blends myth, climate anxiety, and playful storytelling to bring Britain’s only named wind to life.Resources and Links:📑Interview TranscriptHelmThe Helm Wind, the only named wind in Britain - the Met OfficeSarah’s WebsiteSarah’s booksHaweswaterThe Electric MichelangeloHow to Paint a Dead ManThe Carhullan ArmyBurntcoat“The Grotesques” - BBC National Short Story Award WinnerInterview with Sarah Hall in The GuardianFaber & Faber - Sarah’s publisherLee Brackstone - Sarah’s editorZ for Zachariah by Robert C. O’BrienSombrero Fallout by Richard BrautiganIs A River Alive? by Robert MacfarlaneLight Years by James SalterHilary Mantel’s Website For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Nicolas Cole—digital writer, entrepreneur, and co-founder of Ship 30 for 30, Premium Ghostwriting Academy, Typeshare, and Write With AI—on building a portfolio of writing businesses, ghostwriting as a path for writers, and how to balance art and commerce.  We discuss:How poetry kept him creatively grounded while building businessesWhy every piece of writing answers a question Career paths to making money as a writer todayThe power of ghostwriting for skill and incomeHow AI changes (and doesn’t change) the job of a writerBuilding consistent writing systems and habitsHow to focus when you have too many ideas + other mindset shifts to scale businesses and find creative clarity About Nicolas ColeNicolas Cole is a digital writer, entrepreneur, and co-founder of Ship 30 for 30, Premium Ghostwriting Academy, Typeshare, and Write With AI. He first rose to prominence as the #1 most-read writer on Quora, later writing a popular column for Inc Magazine. He has ghostwritten for hundreds of entrepreneurs, artists, and authors, and is the author of The Art & Business of Online Writing and The Art & Business of Ghostwriting. Today, he helps writers build sustainable careers by mastering both the art and the business of writing.Resources and Links:📑 Interview Transcriptnicolascole.comPremium Ghostwriting AcademyShip30for30Commercial Fiction Club   For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Chris Banks—writer, entrepreneur, and founder of ProWritingAid—on how to embrace what makes you unique, use AI as a tool for inspiration, and build resilience and joy into the writing process, from creating faster feedback loops to reframing the creative pit of despair.We discuss:Why “leaning into your weird” can unlock originality and stronger ideasWhere you might use AI for inspiration. How to overcome the ‘creative pit of despair’Why faster feedback loops can be helpful for your craft How gratitude fuels creativity and flowWhat both entrepreneurs and writers need to know about resilience and joy About Chris BanksChris Banks is a writer, entrepreneur, and the CEO and founder of ProWritingAid, the editing tool trusted by millions of authors worldwide. With a background in software development and a lifelong passion for writing, he built ProWritingAid to make the editing process more empowering for writers of all levels. His forthcoming book, The Writer’s Mind, explores how resilience, joy, and creative practice can help writers overcome obstacles and sustain their craft.Resources and Links:ProWritingAidChris Banks  Episode Sponsor: This episode is brought to you by Scrivener. It’s a tool many of us use at the Salon. It’s a great system to accompany you through the whole writing process from research, editing, organization, formatting, and exporting. To find out more about Scrivener, head to Scrivener.app. To get 20% off, use code WRITERSSALON.For show notes, transcripts, and to attend our live podcasts, visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Amie McNee—creativity coach and writer  behind the popular account @InspiredToWrite—on how to stay grounded through success and setbacks, forge a creative life on your own terms, and why art is both essential and revolutionary.We discuss:How to deal with rejectionAdvice for artists starting out on social mediaTips and reflections on self-publishing and book dealsWhy the world needs your artHow to start trusting yourself as an artist (and deal with jealousy)Having big dreams and low standardsAnd more exclusive insights for writers and creativesAbout Amie McNee:Amie is a trained historian turned creativity coach, writer, and speaker best known for her popular Instagram account, @InspiredtoWrite and The Unpublished Podcast. She’s self-published two historical fiction novels: The Rules Upheld by No One, Regrettably, I Am About to Cause Trouble. Her latest book is We Need Your Art: Stop F*cking Around and Make Something, a manifesto on the vital, human importance of creating. Resources and Links:Amie’s Ted Talk (The case for making art when the world is on fire)The Rules Upheld by No One by Amie McNeeAmie’s Instagram Amie’s SubstackWe Need Your Art by Amie McNeeThe Icarus Deception by Seth Godin Episode Sponsor: This episode is brought to you by Scrivener. It’s a tool many of us use at the Salon. It’s a great system to accompany you through the whole writing process from research, editing, organization, formatting, and exporting. To find out more about Scrivener, head to Scrivener.app. To get 20% off, use code WRITERSSALON.For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show! For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Poet, novelist, and teacher Joseph Fasano on how to find the unique language and rhythm in our work, building a meaningful online presence, and why he believes that embracing limits in life (and writing) is key to creative freedom.We discuss:Joseph’s creative evolution, from astrophysics to poetryWhy studying craft is essentialThe value of constraint and rhythm in unlocking creativityHow he found his voice, and why he writes persona poemsBuilding a meaningful career outside of traditional publishingAdvice for poets starting out (with or without an MFA)The story behind The Magic Words and teaching poetic thinkingHow faith and service shape his creative practiceAbout Joseph FasanoJoseph Fasano is an award-winning poet, novelist, and teacher whose lyrical storytelling has captivated readers on the page and across social media, where he’s built a following of over 100,000. His work—translated into more than a dozen languages—includes poetry collections (The Magic Words, Inheritance, The Last Song of the World), novels (The Swallows of Lunetto, The Dark Heart of Every Wild Thing), and lyrical prose. He’s received the Rattle Poetry Prize, the Cider Press Review Book Award, and a Poets’ Prize nomination. A passionate educator, Joseph teaches poetry workshops through the Fasano Academy and fosters creative community online.Resources and Links:📑Interview TranscriptFasano AcademyBoa EditionsNew PagesThe Magic WordsJoseph’s InstagramCaedmon by Denise LevertovEpisode Sponsor: This episode is brought to you by Scrivener. It’s a tool many of us use at the Salon. It’s a great system to accompany you through the whole writing process from research, editing, organization, formatting, and exporting. To find out more about Scrivener, head to Scrivener.app. To get 20% off, use code WRITERSSALON. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

George Walkley, AI strategist and former publishing executive at Hachette, on what writers need to know about artificial intelligence, how it’s reshaping the creative and publishing industries, and how to use it responsibly in your writing life.We discuss:How George transitioned from traditional publishing to AI consultingThe difference between AI probability and human creativityWhy everyone should develop “prompt literacy”How publishing houses and bookselling platforms are already using AIThe challenges of AI detection, authorship disclosure & ethical sourcingThe environmental cost of AI — and how it compares to other toolsWhy AI is already embedded in tools we use every dayHow writers can make informed, personal choices around AI useAnd more exclusive tips for writers and creativesAbout George WalkleyGeorge Walkley is an independent consultant specialising in AI and the publishing industry. He has developed and delivers the world’s first independent, CPD-accredited AI course aimed specifically at the publishing industry and has trained people from over 200 publishing organisations. Prior to this, he held senior roles at Hachette.Resources and Links:📑 Interview TranscriptOpen letter to publishersMistral AISociety of AuthorsJane FriedmanGeorge’s newsletterEpisode Sponsor: This episode is brought to you by Scrivener. It’s a tool many of us use at the Salon. It’s a great system to accompany you through the whole writing process from research, editing, organization, formatting, and exporting. To find out more about Scrivener, head to Scrivener.app. To get 20% off, use code WRITERSSALON. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Gretchen Rubin—bestselling author of The Happiness Project and The Four Tendencies on how self-awareness shapes her creative process, the habits that sustain her writing life, and how she wrote her latest nonfiction book Secrets of Adulthood.We discuss:How Gretchen found her voice and path as a writerDealing with naysayers & rejectionBuilding confidence and redefining “success” in the early stagesHow to structure and sustain a long-term writing practiceHer favorite aphorisms—and how she uses them as creative toolsWhy time management is personalHow to simplify big ideas into meaningful insightsAnd more exclusive tips for writers and creativesResources and Links:Books She's Reading:The English Understand WoolPiranesi by Susanna ClarkeUpcountry by Nelson DeMilleGretchen's Website & Books mentionedGretchen’s Website: https://gretchenrubin.com/Secrets of AdulthoodThe Four TendencesForty Ways to Look at JFKAbout Gretchen RubinGretchen Rubin is one of today’s most influential and thought-provoking observers of happiness and human nature. She’s known for her ability to convey complex ideas—from science to literature to stories from her own life—with levity and clarity.She’s the author of many bestselling books, such as The Happiness Project, Better Than Before, Life in Five Senses and The Four Tendencies, which have sold millions of copies in more than thirty languages. Her most recent book is Secrets of Adulthood.She’s also host of the popular podcast, Happier with Gretchen Rubin and founder of award-winning Happier app which helps people track their happiness-boosting habits.Our Sponsor:This episode is brought to you by Scrivener. It’s a tool many of us use at the Salon. It’s a great system to accompany you through the whole writing process from research, editing, organization, formatting, and exporting. To find out more about Scrivener, head to Scrivener.app. To get 20% off, use code WRITERSSALON. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Francesca Simon is the legendary author of over 60 books for children, including the global bestselling Horrid Henry series, which has been translated into 27 languages. Her books have sold over 25 million copies. She talks to us about early rejection, finding fame, reinventing her voice to write librettos, and her first foray into adult fiction with Salka: The exquisite retelling of the tragic myth of the Lady of the Lake. Francesca was appointed MBE in 2023 and continues to advocate for literacy and storytelling across generations.RESOURCES & LINKS📑Interview TranscriptSalka by Francesca SimonGoodreadsFrancesca’s Website For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

How do you write a great query letter, find the right agent, and stand out in today’s crowded submissions inbox? In this special compilation episode, four top literary agents: Ed Wilson, Lucinda Halpern, Madeleine Milburn & Sam Copeland, share their honest advice on getting signed, writing marketable books, and navigating today's publishing industry. * Timestamps: Ed Wilson - 1:01 Lucinda Halpern -  19:11 Madeleine Milburn - 37:20 Sam Copeland - 48:47   ABOUT THE LITERARY AGENTS  Ed Wilson is a literary agent and director at Johnson & Alcock, a London-based literary agency with a diverse and developing list of authors of fiction and nonfiction. He represents everything from award-winning literary fiction to bestselling crime, science-fiction, and fantasy.  Ed's profile at Johnson & Alcock Ed's Twitter account Johnson & Alcock's submission guidelines Full LWS episode: #071: Ed Wilson — Submitting to Agents & Navigating Publishing, Junior vs Experienced Agents, How to Follow up with Agents, Smaller vs Larger Literary Agencies * Lucinda Halpern is a New York literary agent and the author of Get Signed: Find an Agent, Land a Book Deal, and Become a Published Author. She represents a range of New York Times and internationally bestselling authors in the categories of business, health, lifestyle, popular science, narrative nonfiction, memoir, and upmarket fiction.  * Get Signed: Find an Agent, Land a Book Deal, and Become a Published Author Lucinda Literary Follow up question? Get in touch with Lucinda here. Full LWS episode: #96: Lucinda Halpern — How to Get Signed With a Literary Agent, Unlock Your Book’s Big Idea, Query Letter Essentials, Unconventional Ways to Engage With Beta-Readers * Madeleine Milburn has been responsible for discovering some of the highest-selling and award-winning contemporary authors who consistently hit the bestseller lists in the New York Times, including Nita Prose (The Maid), Costa Book Award winner and bestseller Gail Honeyman (Eleanor Oliphant is Completely Fine). She represents bestselling crime and thriller brands including C.L. Taylor, C.J Tudor, Mark Edwards and Teresa Driscoll. Website Submitting your work to the Madeleine Milburn Agency Full LWS episode:  #064: Madeleine Milburn — Catching an Agent's Eye & Building an Author-First Agency * Sam Copeland was shortlisted for Literary Agent of the Year at the 2020 and 2021 British Book Awards and selected for the Bookseller's Most Influential People in Publishing in 2020. He welcomes e-mail submissions and can be contacted on [email protected]. He is also a children’s author.  His Charlie Changes series was shortlisted for the Waterstones Children's Book of the Year shortlisted Sam Copeland  RCW Literary Agency Full LWS episode: #118: Sam Copeland — How to Catch The Eye Of A Literary Agent, Compelling Pitch Letters & Writing Funny Children’s Fiction For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

What if uncertainty wasn’t something to fear, but your greatest creative ally?Dr. Margaret Heffernan—author, entrepreneur, and TED speaker—on how artists and writers thrive in chaotic times. We also talk about embracing the unknown, navigating AI-driven anxiety, and staying creatively resilient in a world that rewards certainty.We discuss:Margaret’s early creative life and career across TV, tech & writingWhat artists can teach us about navigating uncertaintyWhy AI can’t replicate the human imaginationHow writers manage doubt, income & purposeThe danger of over-planning and the value of wanderingLessons from writing Embracing Uncertainty under deadlineMaking peace with the chapter that always fights backThe creative power of soft focus & soaking up the world About Margaret HeffernanMargaret Heffernan is an award-winning author, entrepreneur, and former BBC producer. She has written seven books, including Willful Blindness—named one of the most important business books of the decade by the Financial Times—and her latest, Embracing Uncertainty. Her TED Talks have over 15 million views, and she writes regularly for the Financial Times and BBC Radio 4. She is Professor of Practice at the University of Bath and mentors leaders around the world.Resources and Links:📑Interview TranscriptThe Human Skills We Need in an Unpredictable World - TED TalkEmbracing Uncertainty Unchartred Margaret’s Substack For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Celebrated writer and memoirist Melissa Febos on the art of the memoir,  the alchemy of personal experience and literary craft, and how to turn the raw material of life into art. We also her latest book, The Dry Season,  where she examines the solitude, freedoms, and feminist heroes Febos found during a year of celibacy.We also talk about:- Writing the unspeakable and undoing shame.- The role of research and personal obsession in memoir.- Finding structure through inventory, list-making & reflection.- Balancing vulnerability with privacy on the page.- How Melissa decides what’s hers to tell—and when.- Her advice on discouragement, creative play & sustaining the practice. ABOUT MELISSA FEBOSMelissa Febos is the nationally bestselling author of four books, including Girlhood, which won the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. She has received fellowships and awards from the Guggenheim Foundation, NEA, LAMBDA Literary, the British Library, and more. Her essays appear in The Paris Review, The New York Times Magazine, The New Yorker, and Best American Essays. She is a full professor at the University of Iowa and lives in Iowa City with her wife, poet Donika Kelly. RESOURCES & LINKS:📑 Interview Transcript (forthcoming)Order a Signed Copy of The Dry SeasonPre Order The Dry SeasonThe Dry SeasonMelisa’s WebsiteWhip SmartAbandon MeBody Work“Living Like Weasels” by Annie DillardBelgian Beguines For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Legendary Seth Godin, bestselling author of Linchpin, Purple Cow, The Dip, Tribes, and The Practice on wrestling with creative resistance, getting past self-doubt, and how to build a resilient creative practice that thrives—even in an age of AIWe talk about:Why writing isn’t about talent—but about creating the conditions for skillWhy “Do you like it?” is the wrong question to askAnd how to build a resilient creative practice that thrives—even in an age of AIHow to keep going when there’s no map and no promise of success*About Seth GodinSeth Godin is the author of 21 bestselling books that have reshaped the way people think about marketing, leadership, and creative work. His books have been translated into 39 languages and include Linchpin, Purple Cow, The Dip, Tribes, and The Practice. He’s also the founder of altMBA, the Carbon Almanac, and multiple pioneering ventures in the online business world. Seth writes one of the most popular blogs in the world and continues to inspire millions of creators to make and ship work that matters.*Resources and Links:📄 Interview Transcript (unedited)The Song of Significance by Seth Godin The Practice by Seth Godin altMBAHow to Decide by Annie Duke The War of Art by Steven PressfieldThe Carbon AlmanacElizabeth Gilbert on Hobby, Job, Career & VocationA History of Rock Music in 500 Songspurple.space  For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

How can you make your life and work more meaningful? Bestselling author Tim Duggan on ideating and writing bestselling non fiction books, creating killer opening lines and plotting. We also talk about how to unclog our creativity, find meaning in our work and life through a simple hack. We discuss:Tim’s outlining and editing process for non-fictionFinding the “anchor points” that define your personal valuesHow to identify and shape a powerful book questionThe case for working less, but more meaningfullyBuilding your Substack and ecosystem of trust with readersLessons from the happiest country on Earth*About Tim DugganTim Duggan is a bestselling author, entrepreneur, and former media executive with a passion for meaningful work and big ideas. He co-founded Junkee Media, one of Australia’s leading independent publishers, and served as Chair of the Digital Publishers Alliance. His books Cult Status and Killer Thinking became celebrated guides for purpose-driven businesses and creatives, and his latest, Work Backwards, explores how we can redesign work and life around what truly matters. Tim also writes on his Substack OUTLET, lives in Mallorca with his husband, and speaks globally about creativity, optimism, and the future of work.Resources and Links:📑Interview TranscriptCult Status by Tim DugganDoppleganger by Naomi KleinScrivenerThe Work Backwards SoundtrackOUTLET - Tim’s SubstackAtomic Habits by James ClearThe Book Publicist Perplexity AIGetting Things Done by David Allen For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Mark Haddon, bestselling author of The Curious Incident of the Dog in the Night-Time, A Spot of Bother, and The Red House on his process writing 18 books, including his latest book Dogs & Monsters, plus how he approaches success and failure.We discuss:Why writing begins before you start writingCreating strong beginningsHow poetry can expand your creative rangeWriting without a mapOn self-doubt, impostor syndrome & trusting your instinctsThe value of conflict, myth, and compression in storytellingPublishing realities, artistic risk, and protecting your creative sparkAbout Mark HaddonMark Haddon is the author of the internationally bestselling novels The Curious Incident of the Dog in the Night-Time, A Spot of Bother, and The Red House. His debut novel won the Whitbread Book of the Year Award and inspired a Tony Award–winning play. A multidisciplinary artist, Mark has also written award-winning poetry, radio dramas, children’s books, and TV screenplays. He teaches creative writing for the Arvon Foundation and lives in Oxford, England.*Resources and Links:📑Interview TranscriptMark’s InstagramMark’s booksDogs and Monsters by Mark HaddonOrigins of the Universe by Albert HinkelbeinThe Evolution of Man - Pictorial Encyclopedia of the Evolution of Man by J. JelinekConflict and Compassion Poems About WarThe Horses by Edwin Muir Poems by RS ThomasJackanoryHelm by Sarah HallTithonus| Greek MythologySappho FragmentsPaul Farley PoetEverything Ravaged, Everything Burned by Wells TowerGarnons-Williams & James SpackmanArvon’s courses*About Arvon:Arvon is the UK’s leading creative writing charity. For over 55 years, Arvon’s creative writing courses have been linking aspiring writers with successful authors, and they are a significant and celebrated part of the British literary landscape. Arvon passionately believes that everyone can benefit from the transformative power of creative writing. It hosts residential, online and community-based writing courses and events, embracing over 6,000 people each year, tutored by some of the most respected writers in the UK today. * For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

What does it take to craft a pitch that truly grabs attention in today’s publishing world? In this conversation, Jane Friedman—publishing industry expert and author of The Business of Being a Writer shares her journey into the publishing world and she shares her advice for writers looking to perfect their submission materials and navigate the ever-changing publishing landscape.We discuss:How to craft a compelling pitch that stands outThe balance between art and business for writersCommon myths about pitching and the publishing industrySelf-publishing vs. traditional publishing: What to knowProtecting your writing in the age of AIHow to adapt to the evolving publishing landscape and stay realistic about successUnderstanding the real costs and considerations of hybrid publishing*Resources and Links:📑Interview TranscriptRoxane Gay - World of WakandaMonica ByrneKate McKean SubstackJane’s WebsiteSubmissions materialsJane’s Website - publishing paths -  traditional vs alt publishingCreated By HumansJane’s books*JANE FRIEDMANJane Friedman has over 25 years of experience in publishing and is a trusted voice in the industry. She is the author of The Business of Being a Writer and publishes The Hot Sheet and The Bottom Line newsletters, which are read by over 40,000 writers and publishing professionals. Jane’s expertise has been featured in major outlets like The New York Times, NPR, and BBC. She’s an educator, speaker, and a leading authority on the business of writing. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Alda Sigmundsdóttir is a journalist, author, and independent publisher who has built a thriving literary life outside the traditional system. From blogging about Iceland to launching her own press, Alda has published over 11 books and grown a loyal global readership—while staying in full control of her creative work.We discuss: Alda’s early writing career and transition to self-publishingWhat she learned from being traditionally publishedThe freedom and responsibility of going indieHow she built and nurtured a global readershipHer approach to writing about people, culture, and the pastLessons from promoting across genres and writing memoirMindset shifts and skills that supported her success *ABOUT ALDA SIGMUNDSDÓTTIRAlda Sigmundsdóttir is a writer, speaker, and independent publisher based in Reykjavík, Iceland. She’s the author of over 10 books exploring Icelandic culture and society, and the memoir Daughter. She writes two popular Substack newsletters (Letter from Iceland and The Recovery Salon), runs her own publishing house (Little Books Publishing), and teaches a course on going indie.*RESOURCES & LINKS:📑Interview TranscriptAlda's 'Going Indie' course  - LWSAUTHOR for $100 off (Valid until the end of June)Free webinar - Building an Audience for your BooksAlda’s Substack Post - Women on TopLiving Inside the MeltdownThe Little Book of the Icelanders in the Old Days Daughter - Alda’s Memoir The Recovery Salon - Alda’s Second Substack Alda’s Website For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!

Award-winning and bestselling author Maggie O’Farrell Hamnet and The Marriage Portrait author takes us behind the scenes of her creative process—from the early struggles of starting out to the discipline and instinct that shape her acclaimed novels.We explore the irresistible drive to write, the role of characters in steering a story, and how she blends history with imagination. Maggie also shares her thoughts on revision, redrafting without ego, and what it really takes to endure in the writing life.We discuss:The insatiable urge to write and the challenges of beginning a novelLetting characters lead and reshaping a story mid-draftWeaving fact and fiction in historical narrativesWhy revision is where the real writing happensHonest feedback, creative resilience, and writing for the long haulABOUT MAGGIE O'FARRELLMaggie O’Farrell is the author of Hamnet (winner of the National Book Critics Circle Award) and I Am, I Am, I Am: Seventeen Brushes with Death, both Sunday Times number 1 bestsellers. Her other works include The Marriage Portrait, The Vanishing Act of Esme Lennox, After You’d Gone, The Hand That First Held Mine (winner of the Costa Novel Award), and Instructions for a Heatwave. Maggie’s work is praised for its lyrical prose, emotional depth, and its ability to bring overlooked historical figures to life.*RESOURCES & LINKS📄 Transcript (unedited)ArvonUpcoming Arvon CoursesThe Marriage Portrait by Maggie O'FarrellHamnet by Maggie O'FarrellI Am, I Am, I Am by Maggie O'Farrell“My Last Duchess” by Robert BrowningAlessandro Allori's portrait of Lucrezia D’ MediciRead Zoe's notes from the interview*This podcast was done in collaboration with Arvon, the UK’s leading creative writing charity. Arvon passionately believes that everyone can benefit from the transformative power of creative writing. It hosts residential, online and community-based writing courses and events, embracing over 6,000 people each year, tutored by some of the most respected writers in the UK today.  Find out more at arvon.org.*This episode is brought to you by our friends at Lulu. If you're interested in self-publishing, Lulu has free resources such as helpful tutorials, templates to help you layout a book, design for print, and they have a very watchable YouTube University channel. Our community anthology is in fact published using Lulu. Check them out at lulu.com. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers’ Hours: writershour.com.*FOLLOW LONDON WRITERS’ SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you’re enjoying this show, please rate and review this show!