PODCAST · arts
Love Songs (Version 2) by Sara Teasdale
by Loyal Books
With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize . In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee
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72
To E
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Barter
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Twilight
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Night Song at Amalfi
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The Look
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A Winter Night
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A Cry
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Gifts
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But Not for Me
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Song at Capri
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Child, Child
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Love Me
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Pierrot
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Wild Asters
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Song for Colin
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Four Winds
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Debt
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Faults
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54
Buried Love
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The Fountain
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I Shall Not Care
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51
After Parting
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50
A Prayer
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49
Spring Night
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48
May Wind
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47
Tides
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46
After Love
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45
New Love and Old
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44
The Kiss
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43
Swans
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42
The River
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November
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40
Spring Rain
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39
The Ghost
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38
Summer Night, Riverside
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37
Jewels
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36
Spirits House
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35
Mastery
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34
Lessons
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33
Wisdom
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32
In a Burying Ground
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31
Wood Song
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30
Refuge
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29
The Flight
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28
Dew
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27
To-Night
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26
Ebb Tide
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25
I Would Live in Your Love Forever
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24
Because
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23
The Tree of Song
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ABOUT THIS SHOW
With classical, lyrical tones, and frequently feminist-influenced themes, Sara Teasdale’s Love Songs established her as one of the leading writers in the new Romanticism movement. The book of poems, originally published in 1917, saw five additional printings before its 1918 edition owing to the tremendous demand for her work. The collection was selected as the 1918 winner of the Columbia University Poetry Prize . In spite of her commercial success and influence on other female poets such as Edna St. Vincent Millay, the style of Teasdale’s work fell out of fashion and has often been ignored in anthologies of work from that period. Here we offer a reading of the 1918 edition of her work. - Summary by Elise Dee
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