Moments shaped in the form of something to say on radio

Those Meddling Kids!

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com A story of childhood wonder, loss, and the consequences of chasing what we don’t fully understand, a cautionary tale about the stories we inherit, the memories we cling to, and the dangers of tampering with time-real or imagined. Photo by Egor Litvinov on Unsplash

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com This is a story about Gigi Riva, the legendary Italian soccer player who "led the modest team of Cagliari to win the Serie A championship in the 1969-70 season." While it portrays Riva as more than a player—a demigod whose name is whispered with reverence and his deeds immortalised—it’s ultimately a tale of childhood, wonder, memories, and a touch of mischievous revenge. Without giving too much away (there is a twist!), this 12-minute story will surprise and enchant, offering an unexpected journey through hero worship, nostalgia, and the magic of storytelling.

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com More of a borderline stream-of-consciousness than a tutorial. Despite beginning with a promising premise—teaching the listener how to carve a wooden spoon—the guide quickly veers off into obscure, yet weirdly specific, tangents that overshadow any practical advice. Listeners end up with some very useful advice, just not necessarily on carving wooden spoons. The ultimate guide that is certain to leave you frustrated if wooden spoon carving is what you're after! If you're looking for a practical tutorial, look elsewhere. If you're looking for a strangely compelling, albeit unhelpful, listening experience, then this might be for you. I created this story for Small Audio Art, a community created by Phoebe McIndoe with artists and audio makers looking for togetherness in a scattered world. This audio creation starts from the prompt 'wooden spoon'. Small Audio Art https://welcome2myhome.squarespace.com/home-2/3-wooden-spoons

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com A comedic game show called You've Got to Be Kidding Me tests contestants' knowledge of a dystopian society's new constitution and the decrees of their Glorious Supreme President. When I created this for the Silver Sound Biannual Sonic Dash competition in January 2025, it sounded like something fun and out of this world. By May 2025, in the US, they are talking about having people compete for a green card by taking part in a quiz show. Yes, it is depressing. And no, if someone had asked me, I would have chosen a different audio creation to be transformed into reality. Anyway, the piece was created from scratch within 48 hours in response to a prompt emailed to participants on Friday, January 3rd, 2025. All sounds and music in the audio drama were created by me and the rest of my family (my son Romeo and my husband Gianfranco) without any external support or pre-existing materials. None of us can compose music-the theme song is simply us singing. One funny bit trivia: all finalists met for a collective listening session on January 6th (does this date ring a bell?), and my entry was the only one dealing with contemporary politics and also the only one from Italy (that I know of). Written and produced by M. Cristina Marras Voices: Romeo M. Minutolo (the amazing Quiz Master); Gianfranco Bitti (the lucky Giuseppe); M. Cristina Marras (the wise but not so good after all Maria). Image Freepik www.freepik.com

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com This piece was one of the 15 finalists in Audio Flux Circuit 04. The prompt asked for a three-minute piece that referenced an object related to a first and included the sound of time passing (but not a clock). I decided to tell about the day I did something that no one in my family had ever done before me. I'd rather not tell you what so as not to spoil the narration. Featuring: strong sense of atmosphere, moods shift, and anticipation and a study on class, family, and the weight of expectation. Here more about Audio Flux. Flux https://www.audioflux.org/circuit04

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com Created for Phoebe McIndoe's Small Audio Art project "Exploring identity and belonging through the objects that make up a home. Join us every other month for community & creative prompts." https://welcome2myhome.squarespace.com/home-2 Artwork by Yasin Hoşgör for Unsplash

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com This piece is a reflection on the concept of space as sound. Space understood not as a visual concept, but as an auditory one, as the connective tissue between all of the objects in the world, carried to the perimeter and to the center. A voluminous environment that emerges from an exquisite global polyphony. This piece was inspired by Mathias Hinke's lesson 'Demonstrations and fun cultures' which explores the role of sound in specific non-musical social settings and practices. Manchester political rally reimagined by Cristina Marras. credits from Sounds of the Year 2023, released December 14, 2023 https://citiesandmemory.bandcamp.com/track/sound-s-matter-s-manchester-england

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com Ci sono delle interviste difficili da fare, non tanto per il tema trattato ma perché la commozione è fortissima, e quando l'intervistat* non riesce ad andare avanti per le lacrime, chi intervista non può lasciarsi travolgere dalle emozioni. Ma è difficile. Eppure è stato bellissimo far parte di quella folla immensa e composta che ha salutato Gigi Riva. In queste voci tutto l'amore e l'ammirazione di una città. Grande campione!

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com A swirl of sounds and sensations, listening to this piece is like entering a circus. Still, instead of clowns and illusionists, you'll find: libraries, librarians mistreating innocent children, thunders, revenge, dark nights, betrayal, tax fraud (just a little bit), more thunders, Berlin in the '80s, translations, revenge, triumph, cautionary tales. Disclaimer: no books were harmed while making this piece. Awarded Transom's Small, Random, Meaningful. https://transom.org/2023/every-library-in-my-life/ Special Mention at the Australian Black Snapper International Film Festival (Audio section). "Delicious and bittersweet treat to enjoy with headphones." Orecchiabile, 17 July 2024

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com A tale of cultural neo-colonialism. This podcast is inspired by my personal experience, as someone who grew up in Sardinia surrounded by stories and boasts about the journey of the famous English writer D.H. Lawrence, and his wife Frida through Sardinia. Lawrence visited Sardinia in 1921, after becoming bored with rainy Sicily. He spent just over a week there, during which time he wrote a book in which he described the island and its people. I find Lawrence's portrayal of Sardinia and its inhabitants myopic and insensitive, as he was unable and unwilling to understand or engage with anything that was different from the reality he was familiar with. Despite these criticisms, I embarked on a journey to retrace Lawrence's footsteps through Sardinia, exploring the breath-taking landscape of vineyards, pioneers, and love for the soil. Along the way, I encounter Stefano Soi, who demonstrates an awe-inspiring dedication to the land and an ability to embrace old traditions while planning and creating a sustainable future.

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com Ken Workman, from the Duwamish Tribe, is the Great-Great-Great-Great Grandson of Chief Si’ahl, colonially known as Chief Seattle, after whom Seattle is named. I had the privilege of talking to Ken and sharing his wisdom. The Duwamish Tribe has been fighting for federal recognition through multiple presidential administrations for more than 40 years. https://www.duwamishtribe.org/

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com 2ND PLACE AT THE UK INTERNATIONAL AUDIO DRAMA FEST'S AUDIENCE AWARD 2023 [WITH ENG SUBS] La magia del rally inizia molto prima della partenza: il rito della vestizione, l'adrenalina dei cinque secondi prima del 'Via!' - terribili e bellissimi. Gianfranco Bitti, appassionato rallysta, ci fa rivivere quello che si prova in un racconto ricco di suoni e di sensazioni. HERE WITH ENGLISH SUBS => https://youtu.be/KOVWlc-Zxh4

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com There is no generic description that captures the essence of darkness. And this is what makes darkness so compelling. Thank you to all the friends who have generously shared with me their thoughts. You are my inspiration. Thank you. Written, edited and produced by M. Cristina Marras Featuring (in alphabetical order): Hala Abdelnour, Christian Astourian, Fabio Bruno, Essan Dileri, Samantha Easton-Cavanagh, Brett Ellenport, Daniele Ferlito, Magica Fossati, James Jackson, Kenton Miller, Nicola Morelli, Peter ‘Chook’ O’Rourke, James Panichi, Maurizio Pascucci, Samuel Sakama, Andi Snelling, Cate Taylor, Chloé Thibaux, Claudia van Vliet, Frankie van Vliet, Michael van Vliet, Tony Yap. Photo RIcardo Gomez Angel on Unsplash Music Epidemic Sound This is part of my explorations on darkness. See also EXPLORATION #1 (games we play in the dark) https://soundcloud.com/kommunic8/explorations-on-darkness-1-games-we-play-in-the-dark EXPLORATION #2 (why is dark-ness) https://soundcloud.com/kommunic8/explorations-on-darkness-2-why-is-dark-ness

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com ON AIR FEST OFFICIAL SELECT 2022 https://vimeo.com/showcase/9319317 When I think about the dark, I think about a game that I used to play as a kid. I am here, in a house that is not mine. I’m here with my friend, I’ll call him Mario (I’ll tell you later why). I’m 11, he is one year younger than me. [See also Exploration #2 https://soundcloud.com/kommunic8/explorations-on-darkness-2-why-is-dark-ness] Text, Voice and Production by M. Cristina Marras Music Epidemic Sound

I HAVE LEFT SOUNDCLOUD after their announced that all uploaded stuff was going to be used to feed AI. Find me => https://talktome.transistor.fm or www.cristinamarras.com ON AIR FEST OFFICIAL SELECT 2022 https://vimeo.com/showcase/9319317 Imagine being unable to speak your native language, and that your choice is between using whatever language you were taught as a kid or to use English, if you want to be heard. Welcome to my world! Fluent in three languages but unable to communicate with my illiterate grandmother, who only spoke Sardinian, I found myself mourning the loss of culture and familial connection this bizarre situation brought. This piece was part of #AllTheBest programming http://allthebestradio.com/featured/459-lost-connections/ Written, edited and produced by M. Cristina Marras