PODCAST · arts
Music for the Prose
by Studio 4-88
This brand new poetry podcast began as a fun experiment between two like-minded artists who share a passion for music, verse and prose, one another's company, and the occasional Cote du Rhone. Intended to cover a variety of inspiring and compelling themes, it begins with pieces devoted to New York City, and continues on to some of the great male speeches of Shakespeare. Composer and conductor Daniela Candillari creates an original score set to recitation performed by Theatre and Film actress Kelli Ruttle.
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28
"Dance Interrupted" by Dana Stone
An improvised piece of music underscoring "Dance Interrupted" by Dana Stone.
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27
"Dance Interrupted" by Dana Stone - Behind The Mic
A little background on how we put "Dance Interrupted" together.
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26
"The Call" by Robert Golden
An improvised piece of music underscoring "The Call" by Robert Golden.
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25
"The Call" by Robert Golden - Behind The Mic
A little background on how we put "The Call" together
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24
"The Girls" by Robert Rubin
An improvised piece of music underscoring "The Girls" by Robert Rubin.
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23
"The Girls" by Robert Rubin - Behind The Mic
A little background on how we put "The Girls" together.
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22
"Romeo and Juliet" by William Shakespeare (IIii)
An improvised piano piece underscoring balcony scene from "Romeo and Juliet" by William Shakespeare (IIii).
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21
Romeo & Juliet - Behind the Mic
A little background on how we put "Romeo and Juliet" together.
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20
Biron, "Love's Labour's Lost" by William Shakespeare (IViii)
An improvised piano piece underscoring "Biron" from "Love's Labour's Lost" by William Shakespeare (IViii).
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19
Biron - Behind The Mic
A little background on how we put "Biron" together.
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18
Brutus, "Julius Caesar" by William Shakespeare (IIi)
An improvised piano piece underscoring "Brutus" from "Julius Caesar" by William Shakespeare (IIi).
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17
Brutus - Behind the Mic
A little background on how we put "Brutus" together.
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16
Shylock, "The Merchant of Venice" by William Shakespeare (Iiii)
An improvised piano piece underscoring "Shylock" from "The Merchant of Venice" by William Shakespeare (Iiii).
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15
Shylock - Behind the Mic
A little background on how we put "Shylock" together.
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14
Edmund, "King Lear" by William Shakespeare (Iii)
An improvised piano piece underscoring "Edmund" from "King Lear" by William Shakespeare (Iii).
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13
Edmund - Behind the Mic
A little background on how we put "Edmund" together.
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12
Aaron the Moor, "Titus Andronicus" by William Shakespeare (Vi)
An improvised piano piece underscoring "Aaron the Moor" from "Titus Andronicus" by William Shakespeare (Vi).
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11
Aaron the Moor - Behind the Mic
A little background on how we put "Aaron the Moor" together.
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10
"As I Began to Love Myself" by Anonymous
An improvised piano piece underscoring "As I Began to Love Myself"; author unknown.
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9
As I Began - Behind the Mic
A little background on how we put "As I Began to Love Myself" together.
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8
"Red Carpet Loneliness" by Carrie Richards
An improvised piano piece underscoring "Red Carpet Loneliness" by Carrie Richards.
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7
Red Carpet Loneliness - Behind the Mic
A little background on how we put "Red Carpet Loneliness" together.
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6
"Wynken, Blynken, and Nod" by Eugene Field
An improvised piano piece underscoring "Wynken, Blynken, and Nod" by Eugene Field.
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5
Wynken, Blynken, and Nod - Behind the Mic
A little background on how we put "Wynken, Blynken, and Nod" together.
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4
"Broadway" by Edith Matilda Thomas
An improvised piano piece underscoring "Broadway" by Edith Matilda Thomas.
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3
Broadway - Behind the Mic
A little background on how we put "Broadway" together.
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2
Mannahatta - Behind the Mic
A little background on how we put "Mannahatta" together.
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1
"Mannahatta" by Walt Whitman
An improvised piano piece underscoring "Mannahatta" by Walt Whitman
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ABOUT THIS SHOW
This brand new poetry podcast began as a fun experiment between two like-minded artists who share a passion for music, verse and prose, one another's company, and the occasional Cote du Rhone. Intended to cover a variety of inspiring and compelling themes, it begins with pieces devoted to New York City, and continues on to some of the great male speeches of Shakespeare. Composer and conductor Daniela Candillari creates an original score set to recitation performed by Theatre and Film actress Kelli Ruttle.
HOSTED BY
Studio 4-88
CATEGORIES
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