On Satire
by London Review of Books
Clare Bucknell and Colin Burrow attempt, over twelve episodes, to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in all of English literature. What is satire, what is it for, and why do we seem to like it so much? Clare Bucknell and Colin Burrow are both fellows of All Souls College, Oxford. Episodes will appear once a month throughout 2024, on the 4th of each month.
Episodes
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'A Far Cry from Kensington' by Muriel Spark
In the final episode of their series, Colin and Clare arrive at Muriel Spark, who would never have considered herself a satirist though her writing was as bitingly satirical as any 20th-century novelist's. A Far Cry from Kensington has a deceptively simple plot: Agnes Hawkins, working for a...
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'A Handful of Dust' by Evelyn Waugh
In 1946 Evelyn Waugh declared that 20th-century society – ‘the century of the common man’, as he put it – was so degenerate that satire was no longer possible. But before reaching that conclusion he had written several novels taking aim at his ‘crazy, sterile generation’ with a sparkling, acerbic...
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'The Importance of Being Earnest' by Oscar Wilde
By the end of 1895 Oscar Wilde’s life was in ruins as he sat in Reading Gaol facing public disgrace, bankruptcy and, two years later, exile. Just ten months earlier the premiere of The Importance of Being Earnest at St James’s Theatre in London had been greeted rapturously by both the audience…
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Byron's 'Don Juan'
Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in Don Juan, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the...
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Jane Austen's 'Emma'
What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of Tristram Shandy in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate...
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'The Life and Opinions of Tristram Shandy, Gentleman' by Laurence Sterne
'Tristram Shandy' was such a hit in its day that you could buy tea trays, watch cases and cushions decorated with its most famous characters and scenes. If much of the satire covered in this series so far has featured succinct and damning portrayals of recognisable city types, Sterne’s comic...
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'The Dunciad' by Alexander Pope
Nobody hated better than Alexander Pope. Despite his reputation as the quintessentially refined versifier of the early 18th century, he was also a class A, ultra-pure, surreal, visionary mega-hater, and The Dunciad is his monument to the hate he felt for almost all the other writers of his time....
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John Gay's 'The Beggar's Opera'
In 'The Beggar’s Opera' we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard...
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The Earl of Rochester
According to one contemporary, the Earl of Rochester was a man who, in life as well is in poetry, ‘could not speak with any warmth, without repeated Oaths, which, upon any sort of provocation, came almost naturally from him.’ It’s certainly hard to miss Rochester's enthusiastic use of…
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Ben Jonson's 'Volpone'
What did English satirists do after the archbishop of Canterbury banned the printing of satires in June 1599? They turned to the stage. Within months of the crackdown, the same satirical tricks Elizabethans had read in verse could be enjoyed in theatres. At the heart of the scene was Ben Jonson,...
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John Donne's Satires
In their second episode, Colin and Clare look at the dense, digressive and often dangerous satires of John Donne and other poets of the 1590s. It’s likely that Donne was the first Elizabethan author to attempt formal verse satires in the vein of the Roman satirists, and they mark not only the...
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Erasmus's 'Praise of Folly'
Clare and Colin begin their twelve-part series on satire with the big question: what is satire? Where did it come from? Is it a genre, or more of a style, or an attitude? They then plunge into their first text, The Praise of Folly by Desiderius Erasmus, a prose satire from 1511 that lampoons…
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Introducing On Satire
Colin Burrow and Clare Bucknell present their series, On Satire. Over twelve episodes, Colin and Clare will attempt to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in English literature, as they ask what satire is, what it’s for…
more
About this show
Clare Bucknell and Colin Burrow attempt, over twelve episodes, to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in all of English literature. What is satire, what is it for, and why do we seem to like it so much?
Clare Bucknell and Colin Burrow are both fellows of All Souls College, Oxford.
Episodes will appear once a month throughout 2024, on the 4th of each month.
Hosted by
London Review of Books