Pilot TV

Anya Taylor-Joy is our guest in the studio this week, talking both her new show Lucky on Apple TV and her (and Steph’s) love of dogs (32:50-50:51). But that’s not all, because the team also talk through the TV teachers they wish had filled them with knowledge during their formative years and reviewed three new shows besides. To wit: the return of twisted crime thriller The Crow Girl (1:10:07) on Paramount+, Hannah Waddingham and Octavia Spencer’s buddy action comedy Ride Or Die on Prime Video (1:32:00), and Will Ferrell’s golfing comedy The Hawk on Netflix (1:43:58).Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

We finally unveil (in typically shambolic fashion) our shows of the year (so far) list in this week’s episode as an arcane mathematical formula is applied to our individual favourites, distilling them into the definitive (probably) top 10 of everything out in 2026 to-date (17:33). Plus JK Simmons and Tom Brittney join us to chat MGM+’s new gangster show The Westies (37:18-50:58). We also watch Diane Morgan’s new comedy, Ann Droid, on BBC1 (1:42:17), and Jennifer Garner’s girls’ weekend drama The Five Star Weekend on Sky Atlantic (1:51:38). All that and se do a drop-in to discuss this year’s Emmy nominations (1:06:32) and James makes a landmark admission while discussing what we’ve all been watching.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

Esther Smith is our guest on this week’s show, talking all things Trying Season 5 (38:15-48:52). Plus we pick through the wreckage of the TV schedules this week to try and find shows that haven’t been consumed by the world cup, only to stumble across a Scottish crime drama in The Dark on ITV (58:20), a remake of Japanese supernatural story Human Vapor on Netflix (1:11:04), and the long-awaited second season of X-Men ‘97 on Disney+ (1:22:04). All that, and we even find the time to plan our perfect TV-themed getaways as well.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

Ever wondered what a ‘winter show’ looks like? Well fear not because Steph clues you in on this week’s show as we dive into another triad of televisual entertainment. First out of the gate this week is the final season of The Bear on Disney+ (51:06). Will the restaurant keep its doors open? Will Carmy and Syd be able to save the day? Will Ritchie yell obscenities across the kitchen? All is revealed in the show’s last hurrah. We also take a trip back to the high school origin story of Legally Blonde’s Elle Woods in Elle on Prime (1:05:50), and head back beneath the earth for a return to the Silo on Apple TV (1:15:45). And if that wasn’t enough, the team make their respective cases for characters who deserved more screen time than they ultimately received and stage a full-throated (steady!) recommendation of what we’re calling ‘the great unifier’, the one show that has aligned James, Kay, Steph and Boyd in unanimous admiration.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

We’re down to two shows this week as the world cup (or embargoes, depending on who you ask) closes its vice-like grip on the airwaves. But what a pair they are: we’re back in the spy business with Michael Fassbender in the return of Paramount+’s espionage drama The Agency, and on the missing persons beat with Colin Farrell as Apple’s sci-fi-cri Sugar makes its return. Plus we mull over some of the Pilot shows that have dragged us out of our comfort zone and not only does Kay Ribeiro make her triumphant return to the podcast this week, but Steph drops by as well, making this a rare full house.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

Thanks to the world cup (and a handful of embargoes), there are only two shows we can cover this week, but that’s okay because not only is one of the triumphant return of Game Of Thrones prequel spin-off House Of The Dragon (1:15:43), but the other is Welsh drama The Light In The Hall: Still Waters (1:01:38), which also exists under the Welsh name Y Golau: Dŵr, which James does attempt to say, albeit with a little assistance. Plus Javier Bardem joins us on the show to chat bringing Max Cady back to our screens in Apple’s adaptation of Cape Fear (35:07-46:23).Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

After being led astray within the liminal spaces between spaces in the Pilot TV office, Nicola Walker and Jemaine Clement finally make their way to the studio this week to chat their new Disney+ comedy Alice And Steve (35:23-54:53), which we also review (1:10:45) this week. Plus we re-live our nineties nightmares as cinematic uber-villain Max Cady makes his small screen debut in Apple’s remake of Cape Fear (1:25:01), and we delve into some traumatic true crime in Netflix’s The Witness (1:40:02). Elsewhere, the team try to name the current funniest show on TV and Boyd takes apart the Euphoria finale scene by scene (4:34-15:06 if you want to avoid spoilers).Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

The notorious RTD joins us on the podcast once more this week (31:27-58:11) as we take a look at his new show Tip Toe on Channel 4, which pits Alan Cumming against David Morrissey’s homophobic next door neighbour. Plus, we head off for a fornight in the sun with BBC1’s Two Weeks In August, and head back in time for epoch-hopping Sky One sci-fi La Brea. Plus James, Boyd and Steph undertake some home improvements, telly style, and you’ll also discover why everyone’s suddenly watching Yellowstone.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

This week’s show has a decidedly football-oriented theme (sorry) and not just because Boydy was still on a high after Arsenal’s win but because James Graham’s award-winning theatre production Dear England lands on our screens (1:31:40), given the full BBC1 treatment. And along those lines, both Jodie Whittaker and Joseph Fiennes join us on the show to talk all about it (44:07-58:24). Elsewhere, we slide back into the 1930s in a hardboiled gumshoe detective story with a superhero twist in Spider-Noir on Prime (1:13:37), and see if Netflix’s OAP Stranger Things, The Boroughs, lives up to its pedigree (1:36:09).Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

Two shows but three guests this week. Emilia Clarke comes into the Pilot studio to chat about her new cold-war espionage show PONIES on Sky (1:06:52-1:25:00). Plus, Jon Bernthal and Ebon Moss-Bachrach also jump on to chat their surprise drop from The Bear, ‘Gary’ (38:07-49:32). And if that’s not enough, we also make time for some consecrated canoodling in Channel 4’s Falling, in which Paapa Essiedu’s hot priest falls for Keeley Hawes’ hot nun, and you’ll discover why Steph is talking about having sex dreams about JLS and Dune. Honestly, it’s enough to make you want to find the nearest confessional.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

Yes, we’re back in Rutshire this week as the team (well, one of us) gets to dive back into the world of Jilly Cooper’s bucolic shagathon for Rivals series 2 (1:32:54), speaking of which, we also explore the other sexy ice hockey drama with Off Campus on Prime (1:43:52), get surprised by an unexpected new episode of The Bear (1:39:58), and look into the police mishandling of a notorious serial sex offender in Believe Me on ITV (1:17:59). Plus Steve Coogan sits down in the Pilot TV studio to chat Netflix’s Legends (47:39-1:06:22), the team mull over a selection of particularly ill-conceived character arcs, and there’s even more bee chat than last week as our apian allies drop by to make their feelings about the podcast known first-hand.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

This week’s show sees us pick up some of last week’s biggies with Tony Schumacher’s heist drama The Cage on BBC1 (1:38:54), Gemma Arterton-starring spy show Secret Service on ITV (1:14:57), and the second series of Amandaland, which also lands on the Beeb (1:26:27). Plus uber-screenwriter Jack Thorne chats through his craft with James (43:21-1:06:26), and we take a look at the evolution of small screen storytelling from the episodic shows of yore all the way up to binge-worthy one-drops.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!