Podcast Episodes – Story Archaeology

This audio re-telling of ‘The Battle of Moytura’ is especially designed for, but not limited to, a younger audience. In this final part. The heroes Ogma, the Dagda along with Lugh set out to put things right ensuring the land will become green and growing once more. Discover more about the The Cath Maige Tuired Notes for this story In this final section. Lugh, The Dagda and Ogma go to an un-named Fomoire feasting hall to recover the Dagda's harp. The Irish harp became a symbol representingIreland from the fouding of the Irish Free State in 1922 and had appeared on flags representing national and cultural identity long before that. It still appears on passports, coins and many official documents. Whether the symbol of the harp refers back to the Dagda's 'Harp of the Four Quarters' is doubtful but the Irish harp and the unique skills and knowledge of the early harpers is certain. If you would like to read the poetry of the Morrigan in translation you can find Isolde's unique translations here. These are very hard to find elsewhere as the early Irish is very obscure. Moytura secion 162 -167 Appologies for the slightly husky voice. I will re-record once my voice has recovered Statue of Turlough O'Carolan in Mohill Leitrim Music: Lamentum from SacrumProfanum , Ben Dwyer

his audio re-telling of 'The Battle of Moytura' is especially designed for, but not limited to, a younger audience. In part 11: The Great Battle, the Dé Danann, and the Fomoire come to blows and we discover what happens when the giant, Balor's withering eye is finally opened. The Labby rock Discover more about the The Cath Maige Tuired The Labby rock is a portal Domen. In folklore it is said to be the place where Nuada was buried. You can find the site where the Moytura story is set on the high plain to the east of Lough Arrow in County Sligo. Moytura 127 - 161 Music: Lamentum from SacrumProfanum , Ben Dwyer

Heapstown Cairn This audio re-telling of 'The Battle of Moytura' is especially designed for, but not limited to, a younger audience. In part 10: The Well and the Forge, Dian Cécht and Goibnu keep their promises but there are tragic results for Ruadhán, son of Bres when the Fomoire strike back. Discover more about the The Cath Maige Tuired Find out more about The Well of Octriul: Heapstown Cairn Notes for this story You can still see Octriallach’s cairn. It is near Loch Arrow. and today it is known as Heapstown cairn.  It is a megalithic passage tomb around 5000 years old and was once much higher than it is today. Keening was a traditional Irish form of vocal lament for the dead practiced by women until the early part of the 20th C. This tale suggests that it was connected with Brig. Cath Maige Tuired: 122 -126 Music: Lamentum from SacrumProfanum , Ben Dwyer

This audio re-telling of 'The Battle of Moytura' is especially designed for, but not limited to, a younger audience. In part 9: The Muster, Lugh gathers together the finest heroes and craftsmen from the Tuatha Dé Danann to find out just what marvels they can offer! Discover more about the The Cath Maige Tuired Notes for this story Part 9 is shorter and just offers the one story. Although nothing much happens it represents an important 'breathing space' before the events of the main battle begin. This is one of the sections of the text that demonstrates the tales oral origins.It is there to remind the audience of the main characters and all their special abilities. Cath Maige Tuired: 95-121 Music: Lamentum from SacrumProfanum , Ben Dwyer

This audio re-telling of 'The Battle of Moytura' is especially designed for, but not limited to, a younger audience. In part 8, What the Dagda Did Next , the 'Big Man' gets to consume a whole cauldron of food all by himself goes on to and encounters two extraordinary women Battle Poets. Discover more about the The Cath Maige Tuired Notes for this story I have had to take a slightly 'Lady Gregory' approach to this section as the description of the encounter between Dagda and Indech's daughter is, somewhat, explicit, and I want to ensure these re-tellings are fully appropriate for an older primary age-group, as well as an adult one. This encounter includes an example of a poetic 'battle-rap.' The original sequence which begins with the Dagda's name wordplay has the quality of early Rosc poetry where each short alliterative line re-translates the one that goes before. For more listen to this podcast conversation or read Isolde's post on the Names of the Dagda. It is well worth re-telling these stories as they introduce two of these powerful battle poets and illustrate the inportant roles expected to be undertaken by women in these early stories. Cath Maige Tuired: 83 - 94 Music: Lamentum from SacrumProfanum , Ben Dwyer

Jim FitzPatrick The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 5, Betrayal, Coipre the chief poet, finally manages to find a way of getting rid of Bress. But Bress comes up with a deceitful plan involving dark consequences. 10(ish) to adult! Discover more about the The Cath Maige Tuired Cath Maige Tuired 36 - 43 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun Chris Music: Lamentum from SacrumProfanum: Ben Dwyer

The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 3, Wasteland, Dagda tells how the Dé Danann were mistreated and starved and we meet the terrifying one-eyed Formoire giant Balor and discover his strange story, 10(ish) to adult! Discover more about the The Cath Maige Tuired Cath Maige Tuired: 26 - 32 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun. Chris Music: Lamentum from SacrumProfanum: Ben Dwyer

The battle of Moytura is bettter known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 2, Shadow of the Fomoire, we meet the the young warrior Bres. We discover just how he came to be chosen as the Dé Danann king and gets to uncover a dark Formoire secret!. ten(ish) to adult Discover more about the The Cath Maige Tuired Cath Maige Tuired 15 -25 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun Chris Music: Lamentum from SacrumProfanum , Ben Dwyer

Jim Fitzpatrick The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 1, The First Battle, we meet the Firbolg champion, Streng and the Dé Danann king, Nuada and discover what happened when they met at the first battle of Moytura. ten(ish) to adult Discover more about the The Cath Maige Tuired Cath Maige Tuired 1-14 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun. Chris Music: Lamentum from SacrumProfanum , Ben Dwyer

Every hero in Irish stories had something to boast about, a super-skill or a magical piece of kit! Finn and his friends were no different. They were the best fighters, the greatest hunters, and the most inspiring poets. Yes, you had to be good at poetry to join the Fianna! But there was one hero whose special ability was unique. Meet Conan Maol! Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren't considered as juvenelia. However they contain so much that younger audience will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, think these stories work best in this format. Have fun. Chris

New Scientific evidence supporting the origin of the altar stone at Stonhenge supports a better understanding of the of societal connections and collaborative co-operation to be found between the communities of early neolithic farmers throughout Ireland, Scotland, England and Wales. Join Chris in this new ramble and share her excitement! Links for this Episode Listen to 'A Conversation with Anthony Murphy' (This conversation is referenced throughout this Ramble) News of the new evidence on the Altar stone, Stonehenge from the BBC News of the discovery from 'The Guardian.' A short youtube video on the discovery. Further information on the discovery of the original bluestones location in Wales, This is the article that I quote in the podcast.

Professor Ralph Kenna As many friends of Story Archaeology will now have heard, Professor Ralph Kenna passed away and left the world we know, last Thursday. I received the sad news from his wife, Claire, last Friday. It is so very sad that it has taken me a few days to feel ready to write this post. I will stay in touch with Claire, and have sent her my deepest condolences but if any of you wish to leave a message of sympathy below I will willingly forward it on to his family. You can also send messages of sympathy through the link below. It feels as though Ralph has been a friend and colleague for years, but in fact, he first contacted me in early 2020. The impact he has had on me, and the work of Story Archaeology. in that time. is considerable. He now leaves a creative, imaginative, enthusiastic 'Ralph-shaped-space' but in his support for Irish Mythology through the 'Art for Sinann' competition and the on-going ÉIRÍ project, he has passed us an important legacy. I am certainly not, in any way, qualified to speak to his work as a statistical physicist. I clearly recall his patience in our first, quite lengthy, online conversation, as he tried to explain the processes that lead to his ground-breaking paper Maths Meets Myths: Quantitative Approaches to Ancient Narratives. I did read it, or did my best to read it, but I did appreciate that this process represented a innovative method of comparing the characters and structures of myth from various places and times, gathering some illuminating and very useful data. It was an inspiring cross-discipline approach; a way of working I very much admire! I also discovered that this paper, first presented in Moscow, was one of the most downloaded papers of the year! And, of course I mustn't forget that about a year ago, November last year, I think it was, he also published a futher paper, based on a similar approach, on the Kyiv bylyny cycle, the East Slavic epic narratives originating in modern-day Ukraine. Impressive! But I want to talk about Ralph's impact on Irish Mythology. I was delighted when I received Ralph's email, especially when I discovered that he was a longtime listener to Story Archaeology and was more than happy to help when he told me about his plans for a new project based on the character of Sinann, who gave her name to the River Shannon. Ralph had followed our explorations on Sinann, supported by Isolde's own translations, since the first episode of Story Archaeology. He was more than irritated when plans were made to set up a male, 'river god' sculpture in his home town of Athlone. In 2020, Ralph created a well-funded competition to raise awareness of Sinann and together, in October, with the support of Daniel Curley from Rathcroghan and Mal Rivers from the Irish Post, we launched the Art for Sinann competition, offering three prizes of 1000 euros. Ralph was also very active in promoting events to raise awareness of Sinann in Athlone. But Ralph didn't want to stop there! Data he had gathered in his papers on quantative approaches to ancient narratives, including the new paper on the Irish hero Fráoch’, demonstrated strong evidence suggesting more active agency of women ,in Irish stories, than in story cycles from other countries. I must admit, I was delighted with this. I always felt that this was the case, but here was real supporting evidence. We talked this over in one of our lengthy online chats and launched a second even bigger and better project in 2021, Ralph came up with the acronym ÉIRÍ for the event. This arts and information project was not only intended to promote the centrality of women in early Irish stories but was also designed to resonate with the celebration of the position of women in Ireland in the recent past, now, and in the future. You can find out all about the ÉIRÍ. competition on Story Archaeology, of course, and there are also several podcast episodes that explore the journeys of at least a few of the winners. Take a look at some of the schools' winners as well! ÉIRÍ derives from two early Irish words meaning 'to soar, rise up, stand up', both in the sense of growing to maturity as well as in the taking of deliberate action. We wanted the on-going project to grow, to rise up, and so ÉIRÍ has now become a group of like-minded people who all believe that the Irish stories are well worth celebrating, and what is more, still have a definite relevance for today. We feel the stories should 'rise up' and be counted. They matter! Plans have been prepared for future projects but, understandably, they have been on hold for a while. Yet Ralph has left us an inspiring legacy and, I for one, will do all I can so see it grow and hopefully 'soar'. There is one more thing I wanted to say. In Ralph's first email to me he wrote, Most of what I know about Sinann I know through your podcasts. I understand Isolde may no longer have time for research but, who knows, perhaps the adventure we embark upon will lead to something in the future – like a joint paper on this very project or something (I have no idea). He wrote this email about the time that Isolde was deciding to step back, largely for health reasons. His positive interest was a real support as I undertook the work of turning Story Archaeology around and pointing it in a new direction. Ralph never forgot about the Sinann paper that he had suggested. It was in our plans for this Autumn. Ralph wouldn't let it go. With his immense positivity and energy, he made it possible to get that paper written. What is more, in this, his last paper, he drew together so many members of the fledgling ÉIRÍ group into the telling of the journey of the story of Sinann. It is published, and available, although it still awaits peer review. And that paper could lead to new possibilities, new EIRI projects. As Ralph said back in 2020 'Who knows?' So let's rise up and soar! In her email to me Ralph's wife, Claire, said 'He is and always will be a hero'. I agree. Thank you Ralph. I will miss you. You can add personal messages of sympathy and find details of the funeral to take place shortly, in Athlone, through this link

The Táin Bó Cúailnge is an dramatic epic well worth the telling but with some challenging themes including broken loyalties and friendships with destruction laid on the land, for the sake of status and honour. Join Chris as she explores the telling of the tales and encounters a fresh resonance for our times. Links for this episode For podcast episodes and related articles on The boyhood deeds of Cú Chulainn, his training with Scathach, the birthpangs of Ulster, and more. For the podcst episode on Macha For related articles and textual translations concerning Macha (episode 2) For podcast episodes and related material on The stoy of Medb and her sisters; Fled Bricrenn or The further adventures of Nera (Series 3, episodes 3 to 9) For the original story of Nera and his Samhain adventure in the Otherworld For information on the Roscommon schools projects including the on-line Oenachs

So how old are the Irish stories? Come to think of it what exactly is meant by old, or medieval or any of the other terms so frequently used to describe mythological stories, and... does it matter? Join Chris as she follows a familiar route and sets up a few indicative, and hopefully useful, signposts along the way. Links for this episode These rambles are not intended as fully footnoted articles. They are intended more as observations, thoughts while out walking, if I attach my favourite metaphor. However, in this ramble I have made reference to the Justinian plague and its effects, as observed by early recorders, as well as modern archaeologists, botanists and dendrochronologists. If anyone is interested, I am happy to provide links to supporting sources. The whole of the Cath Maige Tuired is covered in series 2 , episodes 1-6 , or episodes 6 - 12 Here are Isolde's translations of the Morrigan's final prophecies a. Poems of the Morrigan and b. Declaration of Peace Series 6 covers The Táin Bó Cuailnge You will find links to all of Tocmarc Étaíne on this page Here is a link to the folktale The Giants of Knockmany Hill Goibniu and the Gobbán Sáor

This ramble, begun in Queensland, Australia and completed in Leitrim, Ireland. begins to explore the ways in which the environment in which the stories were told may change elements creating the tale. And, no, I didn't walk all the way! Loughnashade trumpet This ramble was a long time in the making, begun in late January in Brisbane and picked up again at the start of April. It is a big topic and I am very aware that I have hardly scratched the surface. I would be interested in your views. How much does climate and the local landscape influence stories from where you live? Just before the pandemic, I was working on a project in Longford called 'A Story to Share'. One focus was that of folk stories coming from all the diverse heritages shared by the class, particularly eastern European, in this case. Parents, and a few grandarents, had joined the class and we were happily exploring Baba Yaga stories. They all knew one or two but one mother said 'Those are of Russian origin'. 'How do you know that', I asked her? 'Too many gloomy birch forests' she replied. Links for this episode Listen to 'Tales of Sheebeg' The story of the excavations on Sheebeg About the Glasshouse Mountains The Gilla Decair

Join Chris on her ramble through the landscape of early Irish story and discover why many of the best stories contain the environmental messages which are still highly relevant today. Moytura 2000 Links for this ramble. Circling the Táin: seven Story Archaeology podcast episodes. Cath Maige Tuired: six Story Archaeology podcast episodes. Stories in the Landscape Conversations: A conversation with Professor Patrick Nunn. Moytura 2000

Some reflections on a journey to discover Irish stories. Join Chris as she explores Irish oral story transmission and wonders if even stories sometimes need careful map makers to prevent them them from being lost. Links for this episode If you would like to find out more about the infamous Giraldus Cambrensis Find out about his 'map making'. Find out a bit more about his opinion on Ireland Or just join in and tell him yourself! Read Edge of Memory: The Geology of Folk Tales and Climate Change by Patrick Nunn I will be sharing a Stories in the Landcape conversation with Professor Nunn very soon. And from the Story Archaeology Archive Colmcille and the Youth at Carn Eolairg Manannán's Prophecy of Mongán Listen to the podcast: Immrám Brain Mac Febul

Find out more about these new posts, 'Chris' Rambles'. Join Chris as she sets off, aided by an unusual sixteenth century map, encounters an excentric English polymath with big ambitions, and with the help of a medieval Irish monk, discovers a fresh view of the arrival of the Tuatha Dé Danann. And a good ramble is always best shared so please feel free to join in. Supporting links for this episode. Explore the map in an easily searchable format The Beauty of Maps: The programmes are not currently available on BBB i-player but there are trailers. View a short You tube video about the map from the Map House of London. John Dee, King Arthur, and the Conquest of the Arctic by Thomas Green Institute of Archaeology, University of Oxford published in the Journal, 'The Heroic Age'. A Letter Dated 1577 from Mercator to John Dee by E. G. R. Taylor This is a Jstor paper requiring sign in to access but limited numbers papers can be read online without cost. The Battle of Motura: The Arrival of the Tuatha Dé Danann Further information on Hugh of Ireland and the map

The first of a new Series of Story Archaeology podcast conversations on mythology and its 'Stories in the Landscape'. Join Chris and Daniel, archaeologist and manager of the Rathcroghan Visitor Centre as they discuss Cruachan Aí,the royal home of of Medb, Ailill and the Finnbhennach, the white bull of Connacht. Yet,this famous setting forms only one level in the rich archaeological 'Stories in the Landscape' of Roscommon. Take a 'virtual visit' to the Visitor Centre Find out about the The Táin March Festival Discover the Roscommon Schools' online Oenach projects . Archive episodes connected to this conversation. Series 6 'Circling the Táin' Series 3: Epsodes 3 to 7 in particular Coming soon. A conversation with Professor Ralph Kenna.

Join the Story archaeologists as they attempt to catch up and answer some of the questions that you have been asking. This Q&A session covers the topic of fír flathemon , 'The truth of the king' and delves into the complexities of the text, Lebor Gabála Érenn, the 'Book of the Taking of Ireland'. We also return to the strange phenomenon of the Morrigan's Mono-horse.

The briugu, Mac Dá Thó, is the proud owner of the marvelous hound, Ailbe. He also possesses a notorious pig. Now he finds himself faced with contending regional kings and their retinues of elite warriors, demanding the hound for themselves. Will serving up his gourmet pig at a grand feast save his bacon? Join the Story Archaeologists as they share the boasting and bragging from the best of the warriors of Ulster, and Connaught, and beyond. Read the text for yourself! Scéala Muicce Mac Dá Thó: read the text for yourself. Edited and translated into English by Nora Kershaw Chadwick Satirical Narrative in Early Irish Literature by Ailís Ní Mhaoldomhnaigh Bricriu's Feast Series 3.04-Fled-Bricrenn 1 - The-Feasting-Hall Series 3.05: Fled Bricrenn 2 - The Road to Crúachán Series 3.06: Fled Bricrenn 3 - Your Head or Mine? Series 3.07: Fled Bricrenn 4 - A Head to Head Discussion

The magnificent warrior women Scathach and Aife both play a major role in Cú Chulainn's future life and exploits but they are not the only women who actively engage with out young hero.. Join the Story Archaeologists as they attempt to come to terms with the number of  dalliances and romantic interludes encountered   by the young man on his ventures to Scathach's mysterious northern island in his quest to win his canny bride, Emer. Read the text for yourself! This episode discusses only the second half of this text. The first half was addressed in the previous episode, 6.05 : 'The Wooing of Emer." Tochmarc Emire la CoinculaindThe Wooing of Emer : translated by Kuno Meyer, based on LU and Stowe MS 992 (D. iv. 2)].Verba Scathaige: (Translation by P.L. Henry)We also referred to  Series 3.03 The Well and the Cheese, with reference to the violent death of Derbforgaille and Medb

Cú Chulainn meets his match In this episode we get to meet the marvelous Emer, the woman who bests  the young Cú Chulainn, at least, in terms of her sharp witted and far-sighted eloquence. Join the Story Archaeologists as we try to decode how Emer manages her young and unpredictable suitor and deals with her uncompromising father. Read the text for yourself! This episode discusses only the first part of this long text. The second half, where our hero goes to be trained in Alba, will form the basis of the next episode. Tochmarc Emire la CoinculaindThe Wooing of Emer : translated by Kuno Meyer, based on LU and Stowe MS 992 (D. iv. 2)].

Harder, Faster, Stronger, Better! In this episode, we get to examine some remarkable exploits of one of the central figures in the Tain tradition: Cú Chulainn.  We explore stories told by some of the characters who know the hero, remembering him as a child. Join the Story Archaeologists as we try to decide if  the young Cú Chulainn can be considered a 'child prodigy'  or merely a 'precocious brat'. Read the texts for yourself! Here are links to the texts and translations that we used for the childhood deeds of Cú Chulainn: "The Boyhood Deeds of Cú Chulainn." Ancient Irish Tales. ed. and trans. Tom Cross and Harris Slover. NY: Barnes and Noble, 1996. reprint The Boyhood of Cú Chulainn, from Táin Bó Cuailgne Recension 1; pp 135-148 [translation]: ed. and trans. Cecile O'Rahilly The sections we refer to are under the following titles: The Eulogy of Cú Chulainn The Boyhood Deeds The Death of the Boys The Fight between Eógan mac Durthacht and Conchobar [aka Cú Chulainn and the Battlefield Phantoms] The fate of the twenty-seven men and the reason why none dared to wound the Ulstermen when they were in their debility. The killing of the Smith's Hound by Cú Chulainn and the reason why he is called Cú Chulainn The Death of Nechta Scéne's Three Sons

In this episode, we continue our exploration of the troublesome conceptions and births that stand behind much of the material of the Táin tradition. This time, we examine the births of the doomed Deirdre, the fated Cú Chulainn and re-re-visit the importance of Macha's story. Join the Story Archaeologists as we attempt to disentangle webs of prophecy and poor decision-making, and try to understand what all these little worms are about! Read the texts for yourself! Here are links to the texts and translations that we used for the birth of Deirdre: from the Book of Leinster (LL) Longes mac n-Uislenn - edited by Vernam Hull The Exile of the Sons of Uisliu - translated by Vernam Hull late version translated by Douglas Hyde Deirdre Here are the texts on Macha: Noinden Ulad; The Story of Macha More Stories of Macha - Revisited   An original translation of Compert Con Chulainn, the Conception of Cú Chulainn, will be uploaded in the coming days   Need some revision? You may find it helpful to revisit our episodes on Macha: Series 1 - Mythical Women; Episode 2 - The Story of Macha Series 5 - Revisiting Mythical Women; Episode 2 - Revisiting Macha Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

The richly interwoven stories that make up the Táin tradition contain a wide diversity of characters. There is much to explore. Even their back stories have back stories! In this episode, we explore the back stories of two such characters: the well-known Ulster king, Conchobar Mac Nessa, and the lesser-known Ulster hero, Conall Cernach. Join the Story Archaeologists in the first of two episodes that uncover the significance of a few portentous conceptions and births.   Read the texts for yourself!   Scéla Conchobar, "The Tidings of Conchobar", from the Book of Leinster. edited by R. I. Best and Osborn Bergin translation by Whitley Stokes     Compert Conchobair, "The Conception of Conchobar", from Rawlinson B512 (incorrectly referred to in the episode as from the Yellow Book of Lecan) edited by Vernam Hull translation on the Celtic Literature Collective     Compert Conchobair, "The Conception of Conchobar", from Stowe 992 translation by Kuno Meyer     "The Conception of Conall Cernach", from Cóir Anmann, "The Fitness of Names" Cóir Anmann, edited by Whitley Stokes "The Conception of Conall Cernach", translated by Patrick Brown     Links to other books referenced in the episode "Even Cuneiform writing could not be managed left handed": "The Ark before Noah" by Irving Finkel (highly recommended)   "The journey across the Alps in Táin Bó Fraoich": “Worlds of Arthur.”  by Guy Halsall     Need some revision? You may find it helpful to revisit our episodes on Fled Bricrenn, Bricriu's Feast: Fled Bricrenn 1: The Feasting Hall Fled Bricrenn 2: The Road to Crúachán Fled Bricrenn 3: Your Head or Mine? Fled Bricrenn 4: A Head to Head Discussion Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

The Midwinter festival has been a time of over indulgence and conspicuous consumption for millenia! This year, we dig in to the Middle Irish story, Aisling MacConglinne, "The Vision of MacConglinne", a delicious debauch of extreme gastronomy.! Join the Story Archaeologists in a feast of fantastical food, with a generous side order of sumptuous satire. Read the full translated text here!   Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Welcome to Series 6, "Circling the Tain". In this series, we will delve into the fascinating web of stories making up the Tain tradition, with the Tain Bó Cúailnge, "The Cattle Raid of Cooley", at its core. We begin this exploration with the story of two talented swineherds and their shape-shifting,poetic quarrel. Join the Story Archaeologists as they begin to uncover just how much this entertaining story acts as a trailer for the complex of stories that make up the Tain tradition as a whole. Related episodes Without too big of a Spoiler Alert, we get excited again about Mongán in this episode! Here are the links to the podcast episodes on Mongán: Rowing Around Immrama 09: Mongan and His Missus Rowing Around Imramma 10: Mongán and the poets Rowing Around Imramma 11: The Mongan Mysteries Throughout this series, "Circling the Táin", we refer to the Ulster Cycle WordPress site by Patrick Brown. His site is a superb resource for this strand of old Irish literature. Peruse at your leisure The Ulster Cycle: Heroic Legends from Ireland - Patrick Brown Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Sculpture by Annette McCormack Brigid is  the much-loved irish saint of kildare as well a pre-Christian Celtic mythical figure.  But what connection is there    between the two? Just who is Brigid? Sift through the strata of her story  with the Story Archaeologists to uncover some unexpected surprises. Links to other  episodes  mentioned within the podcast. Further Discussion on the Well of Sláine: Airmid Revisited  Further discussion on Ethliu: Ethliu Revisited Further discussion on Rúadán and the forge of Goibniu Also mentioned in the episode: Corpse Carrying for Beginners and The Cow and the Time Machine   Don't forget to subscribe to get the latest podcasts! By The Story Archaeologists. Music: "Tam Lin" by Gian Castello.

ceramic on glass by Chris Thompson Airmed is the daughter of the great Dé Danann physician, Dían Cécht, part of a family of healers.  Together, they create the healing well of Sláine, which restores injured warriors at the Second Battle of Moytura.  But do the meanings of their names tell a different story? In our  revisit to what may seem at first reading, a side story in the great battle saga, join the  the Story archaeologists as they re-evaluate the role of Airmed and her family, finding their actions  central to the main theme of the epic Moytura  story. In this episode, and our update, we referenced many other episodes, including our entire second series on Moytura.. However, for now, we will include a couple of the most  relevant links. For the story of Dían Cécht, Miach and Airmed in the context of Moytura,  go to: The Battle of Moytura Episode 5: The Four Craftsmen. For examples of laws on sick-lying  ( crólige)  in context go to : Dindshenchas 09: Tocmarc Étaíne 1 – A Fly On The Wall and Dindshenchas 10: Tocmarc Étaíne 2 – The Re-Born Identity

This time of year is a frenzy of shopping, family gatherings and exchange of gifts. But is this simply a modern phenomenon? For this year's MidWinter Special, the Story Archaeologists dig as deep as their virtual spades will go, comparing the deepest layers of human settlement through medieval mayhem to the contemporary craft fair, searching for the common threads. Links from the Episode: Here is The Óenach Project, research conducted by Patrick Gleeson under the Department of Archaeology at University College Cork. Here is a talk given by Ian Hodder on entanglement at Göbekli and Çatalhöyük, "Origins of Settled Life". And finally, as promised in the episode, here's a link to a short animation, "Little Red Riding Hood: The Alternate Version" by An Snag Breac / Maker Magpie: Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Elin Gowand the cow Glas Gainach This is the first of two supplemental  episodes supporting  our recent podcast, Tales of Ethliu (revisited). "Elin Gow, the Swordsmith and the Cow, the Glas Gaianach" is a folktale collected in the southwest of Ireland by  Jeremiah Curtin in the late 19th century. The tale first appeared in "Hero Tales of Ireland". It is a great story that overlaps the better known, tale of  Balor and the stealing of a marvelous cow but this version answers the surprising question of how  the cow got to be kept by a sword-smith  in the first place and fills in some details of Cian's amazing adventures. Read "Hero Tales of Ireland online. https://archive.org/stream/herotalesofirela00curtuoft/herotalesofirela00curtuoft_djvu.txt Folklore from the Dingle Peninsular. Local  folklorist , Doncha Ó Conchúir talks about 'The Gate of the Cow", two pre-historic stone pillars near Ballyferriter, Co. Kerry. He tells a recent version of the last milking of the marvelous cow.  The stone pillars are very interesting. Maybe it is these pillars that gave rise to the story of the transformation of cian in the story we tell of Elin Gow. http://www.voicesfromthedawn.com/gate-of-the-cow/

Eithliu is a figure who seems to pop in and out of stories, taking no notice of traditional story cycles, or even how her name is spelt. Yet she rarely takes a leading role. In this "revisit", we return to this enigmatic and sometimes troubling character from Irish mythology and folklore. With the benefit of three years hindsight, we crack some previously un-noticed nutshells and discover new and unexpected aspects to the Kernel aka the Glas Gabhann aka ... Related episodes As ever, there are several later episodes that relate to Eithliu in her many guises, and we refer to them as we go through the episode. Here are the links to those episodes, if you want to refresh your memory! WARNING: Do not attempt all in one sitting! Story Archaeology will not accept responsibility for any damage to hearing or brain... Series 2 Episode 3 - The Coming of Lugh Series 2 Episode 9 - The Children of Tuirenn Part 1 Series 2 Episode 12 - An Experiment in Story Archaeology Series 3 Episode 3 - The Well and the Cheese Series 3 Episode 9 - Tocmarc Étaíne Part 1 (Episode 10 Part 2, Episode 11 Part 3) Series 4 Episode 7 - Echtrae Tadhg Mac Céin Series 4 Episode 9 - Mongán and his Missus Series 4 Episode 12 - In Search of Manannán Series 4 Episode 13 - In Search of Midir Series 5 Episode 1 - Revisiting Sinann Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Macha - a sculpture in bog yew by Davy Paton In the second of our "revisits", we look back at our discussions on Noinden Ulaid and the Dindshenchas stories of Emain Macha in Co. Armagh. This was the first discussion that we had about cóir, although we were then using the Egyptian term Ma'at, signifying natural order and justice. Reviewing this episode really highlights how far we've come in developing our terminology and methodology! If you didn't catch it the first time round, you can listen to the second half of the episode to hear that initial discussion, then skip back to our review notes at the beginning. Or just listen straight through to hear our notes first and the original discussion second - or try both and see which you prefer! Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Sinann, the river Shannon, from a painting by Chris Thompson Welcome to series 5 of Acallam na nÉces, "Revisiting Mythical Women". In our first episode, we take a look back at the stories of Sinann, and the themes that came up when we discussed them in our very first episode. We've added some new discussion to the beginning of the episode, highlighting how Story Archaeology has added to the ideas and approaches that started the whole project. Follow links below to related episodes and some new research into the longevity of stories, the compacted layers of medieval and 19th century scholarship and the central roles of poetry and dindshenchas. Related episodes Dindshenchas and the Art of Mythic Cartogrophy 2 - Dindshenchas and Dreamtime Rowing Around Immráma 8 - The Schocking Revelations Concerning King Cormac Mac Airt Rowing Around Immráma 12 - In Search of Manannán Articles "Ireland in the Ice Age" on The Ireland Story: http://www.wesleyjohnston.com/users/ireland/past/pre_norman_history/iceage.html "Ancient Aboriginal Stories Preserve History of a Rise in Sea Level" on The Conversation: http://theconversation.com/ancient-aboriginal-stories-preserve-history-of-a-rise-in-sea-level-36010 Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

In the last stop of our very circuitous Immrám of Immráma, we have a canter through a Fenian tale of surly servants, marine equines, hairy horrors and a battle with the High-King of the World. All in a day's work for Finn and the Fianna... But is it an Immrám? Is it a recognisably Irish tale or a Classical rip-off? Help pull the Story Archaeology oars into its final harbour and find out! Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Etain and Misir by Jim Fitzpatrick As we reach dry land after our long Immram,we encounter yet another  mystery. Midir was once a Lord of the Sidhe a judge, and a worker of wonders. He was, on  land, what  Mananann was, in the Land Under Wave. .  All is not what it seems. A mist of obscurity has gathered around Midir. Join the Story Archaeologists as they undertake a little restoration work. Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

This sculpture of Manannan, by John Sutton from Dungannon, disappeared from Binevenagh Mountain outside Limavady in January 2015. Those who stole the statue left a wooden cross in its place with the words; 'You shall have no other gods before me’. The statue was found one month later and is to be replaced. As we glimpse safe harbour after our mammoth Immram, we take the opportunity to get to know a favourite Otherworld character. But where does Manannan Mac Lir come from? Is he all he appears to be? This quest became so huge that we had to split it into two episodes. So join the Story Archaeologists as they part the mists to look for this maratime Lord of the Sidhe. Be prepared for more surprising navigational twists in the next episode! Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

In our third and final episode on the lost hero, Mongán, we piece together some intriguing potsherds. What has the son of Manannán to say to Saint Colm Cille? What happened when he had his "Frenzy"? Can we re-construct his death-tale, Aided Mongáin? Join the Story Archaeologists as they look for edges and corners in this poetic jigsaw. Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Taliesin by Heloise Christa In our second dip into Mongan's mysterious waters, we compare several stories showing off Mongan's miraculous poetic skill. As a boy-wonder, he humiliates his father's chief poet; as a king, he terrifies a poor student into a mysterious quest; and finally lets slip that he may have been here before... Join the Story Archaeologists as they dredge up a lost hero of Irish poets - one who can give Taliesin a run for his money! Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Fergus mac Léite gets to encounter the underwater world of the  Lupracán, a story which in the late middle / early modern Irish version, almost certainly, inspired Swift's wonderful satire, 'Gulliver's Travels'. The Story Archaeologists, ear herbs at the ready, dive right into the tale, but wonder how these small, but proud and fiercely independent, beings  have devolved, over the centuries into the scary  Leprechaun  travesties .that are dragged out every Paddy's day? The Saga of Fergus mac Léite   The king of the Lupracán’s journey to Emain, and how the death of Fergus mac Léite, king of Ulster was brought about.

In our very first Immrám, Immrám Bran, we met Manannán on his way to beget a wonder-child, Mongán. Now that we've finished rowing around the open seas, we've returned to dry land to find out what happened next. What we've found is one of the funniest stories we've ever looked at! So strap in your sides and prepare to get hilarious with the Story Archaeologists! Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Happy new year to our Story Archaeology listeners! Because we love ye thiiiiiis much, we're sending out a multimedia feast for our Samhain special. So, take a look at this video of a live Story Archaeology show, then have a listen to our episode, "A Tale to Remember", and peruse the attached texts and your leisure. Enjoy! Texts for this episode: The Fairy Palace of the Quicken Trees by P. W. Joyce The Palace of the Quicken Trees by Lady Augusta Gregory The Chase of Slieve Fuad by P. W. Joyce from "Fionn and the King of Alba's Son" Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

King Cormac Mac Airt is often called "The Irish Solomon". But was this legendary king quite the wise old judge suggested by that epithet? Find out with the Story Archaeologists in this long-awaited - and lon-running! - 2 hour dig for truth and justice. Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page, or e-mail us for other ways to support our work. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Passage of the Wisdom Keeper by Paul Bond The Adventures of Tadhg Mac Céin may seem like a Middle Irish vision of Theme Park Ireland, but this rollocking sea adventure has real surprises up its sleeve. Exactly what kind of Otherworld is it that our Jack-the-Lad hero has discovered? Join the Story Archaeologists as they plumb the unexpected depths of this hidden Immrám gem. Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

There are some characters in Irish story who are just hard to ignore. St Brendan the Navigator is one of them. Although his voyage is not one of the Immrama from the tale lists, he confidently sets of with his crew of monks to sail to the Land of Promise of the Saints. Join the Story Archaeologists as they follow in the wake of a saint. Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

The Galway Hooker, Eyre Square, Galway City: by Éamonn O'Doherty We are reaching the end of our voyage into “official” Immráma. As we turn for home with Mael Duin and his crew, we ask, “So what does it all mean?” Journey into new waters with the Story Archaeologists as we begin to chart our Immrám adventures. Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Story Archaeology is run on a voluntary not-for-profit basis. If you can afford a donation towards our running costs, we would be very grateful. The “Donate” button is on the right-hand-side of each page. Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

When Máel Dúin sets out on a voyage to avenge the father he has never known, he encounters a seascape of wonders and terrors where nothing is what it seems. Join the story Archaeologists as they follow in his wake, discovering some unexpected marvels. This episode is only the first installment of this maratime epic, and it lasts over 2 hours. So get comfortable and enjoy the journey! Don’t forget to subscribe to get the latest posts! Related Articles will be posted in the days to come… Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

This is Sydney Skybetter, Philip Montana, and Bryan Campbell performing in "The Voyage of the Húi Corra" (2008). Photo by Tony Dougherty. The tale of the Uí Corra may start out as an intriguing fairy tale, but their journey is not for the faint of heart. Their quest for knowledge soon deepens into a dark and stormy voyage of tortured souls and infernal visions. Join the Story Archaeologists as they plumb the contradictory depths of this under-appreciated Immrám. Don’t forget to subscribe to get the latest posts!  Related Articles will be posted in the days to come… Check our Reading List for further reading and resources. by The Story Archaeologists Music: “Tam Lin” by Gian Castello

Cat and Mouse decoration from the Book of Kells In the aftermath of the Battle of Mag Rath, the Men of Ross endure a harsh sentence: to be set adrift in the Atlantic Ocean. Inspired by this, Snedgus and Mac Ríagla, two of St. Colmcille's monks, decide to try it out for themselves. Hop aboard with the Story Archaeologists to explore another trench of watery wonders. Don’t forget to subscribe to get the latest posts!  Related Articles will be posted in the days to come. Check our Reading List for further reading and resources. By The Story Archaeologists. Music: “Tam Lin” by Gian Castello.