PODCAST · arts
Projecting Artlies into the Void
by Land Arts of the American West
In 2006, Land Arts of the American West was asked to create an ARTL!ES ‘archive’ at Cabinetlandia, a borrowed piece of land near Deming, New Mexico. The site is part of the Deming Ranchettes, desert scrubland throughout Luna County that was speculatively divided into 87,000 half-acre residential lots and sold in the 1960s. Bound by a major east-west railroad to the north, the voided subdivision containing our site is bisected by Interstate 10. Its original dirt roads have become faint shadows tracing property lines across an expanse of open horizon. This seemingly empty Chihuahuan Desert basin appears as a zone to traverse on your way between places. Void is the essential character of this place. Its transient nature and the ambulatory mode of Land Arts investigation prompted a dispersed response to the project. Instead of making a static container, our goal was to locate the actual issues within the landscape and archive the stories, or lies, returned in that exchange. After considera
Episodes
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Issue 01 - James E Peregoy
Projecting Artlies into the Void
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Issue 02 - Makayla Hallford
Projecting Artlies into the Void
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Issue 03 - Ella Lawson
Projecting Artlies into the Void
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Issue 04 - Larry
Projecting Artlies into the Void
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Issue 05 - Wade Worrell
Projecting Artlies into the Void
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Issue 06 - Don Heacox
Projecting Artlies into the Void
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Issue 07 - Wade Worrell
Projecting Artlies into the Void
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Issue 08 - Candy
Projecting Artlies into the Void
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Issue 09 - Specialist Daniel Jones
Projecting Artlies into the Void
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Issue 10 - Tim Weber
Projecting Artlies into the Void
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Issue 11 - Larry McDonalds
Projecting Artlies into the Void
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Issue 12 - Don Ridder
Projecting Artlies into the Void
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Issue 13 - Gloria Lopez
Projecting Artlies into the Void
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Issue 14 - Gertrude & Geraldine Kretek
Projecting Artlies into the Void
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Issue 15 - Juan Avalos
Projecting Artlies into the Void
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Issue 16 - Sabrina Gomez
Projecting Artlies into the Void
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Issue 17 - Barbara Hamilton
Projecting Artlies into the Void
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Issue 18 - Rona
Projecting Artlies into the Void
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Issue 19 - Roger Wever
Projecting Artlies into the Void
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Issue 20 - Maria
Projecting Artlies into the Void
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Issue 21 - Ernesto & Bessie Holguin
Projecting Artlies into the Void
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Issue 22 - Virgil Koppes
Projecting Artlies into the Void
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Issue 23 - Bill & Lynn Peary
Projecting Artlies into the Void
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Issue 24 - Pedro Barra
Projecting Artlies into the Void
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Issue 25 - Deborah Ward
Projecting Artlies into the Void
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Issue 26 - Second Lt Tony Goodwin
Projecting Artlies into the Void
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Issue 27 - Gertrude & Geraldine Kretek
Projecting Artlies into the Void
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Issue 28 - Maria Campos
Projecting Artlies into the Void
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Issue 29 - Phil Waier
Projecting Artlies into the Void
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Issue 30 - Darrell James
Projecting Artlies into the Void
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Issue 31 - Specialist Daniel Jones
Projecting Artlies into the Void
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Issue 32 - Tim Weber
Projecting Artlies into the Void
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Issue 33 - Larry McDonalds
Projecting Artlies into the Void
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Issue 34 - Wade Worrell
Projecting Artlies into the Void
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Issue 35 - Richard Hayes
Projecting Artlies into the Void
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Issue 36 - Vivian Moore-Craver
Projecting Artlies into the Void
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Issue 37 - Gary Gist
Projecting Artlies into the Void
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Issue 38 - Mike Bowie
Projecting Artlies into the Void
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Issue 39 - John
Projecting Artlies into the Void
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Issue 40 - Dennis Horak
Projecting Artlies into the Void
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Issue 41 - Jennifer Craig
Projecting Artlies into the Void
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Issue 42 - Page Hewitt
Projecting Artlies into the Void
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Issue 43 - Gary Gist
Projecting Artlies into the Void
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Issue 44 - Roger Wever
Projecting Artlies into the Void
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Issue 45 - Danielle Martinez
Projecting Artlies into the Void
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Issue 46 - Justin Barnes
Projecting Artlies into the Void
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Issue 47 - Dave Johnson
Projecting Artlies into the Void
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Issue 48 - Liz
Projecting Artlies into the Void
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Issue 49 - George Morrow
Projecting Artlies into the Void
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Issue 50 - Sean
Projecting Artlies into the Void
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ABOUT THIS SHOW
In 2006, Land Arts of the American West was asked to create an ARTL!ES ‘archive’ at Cabinetlandia, a borrowed piece of land near Deming, New Mexico. The site is part of the Deming Ranchettes, desert scrubland throughout Luna County that was speculatively divided into 87,000 half-acre residential lots and sold in the 1960s. Bound by a major east-west railroad to the north, the voided subdivision containing our site is bisected by Interstate 10. Its original dirt roads have become faint shadows tracing property lines across an expanse of open horizon. This seemingly empty Chihuahuan Desert basin appears as a zone to traverse on your way between places. Void is the essential character of this place. Its transient nature and the ambulatory mode of Land Arts investigation prompted a dispersed response to the project. Instead of making a static container, our goal was to locate the actual issues within the landscape and archive the stories, or lies, returned in that exchange. After considera
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Land Arts of the American West
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