Prose Edda (Brodeur Translation)

Fasti-Publius, a work by Ovidius Naso, delves into the Roman calendar, intertwining mythology with the celebration of various festivals throughout the year. This poetic exploration captures the essence of Roman religious and cultural life, making it a vivid reflection of ancient traditions and the human experience. Its themes of time, ritual, and the cyclical nature of existence continue to resonate today, reminding us of the importance of honoring our own cultural practices and the stories they tell. Ovid's lyrical style and keen observations invite listeners to appreciate the beauty of tradition and the connections that bind us across ages, making Fasti-Publius an enduring masterpiece worthy of exploration.

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate

The "Elder Eddas of Saemund Sigfusson" and the "Younger Eddas of Snorre Sturleson" are foundational texts of Norse mythology and poetry, capturing the rich tapestry of ancient Scandinavian culture. These works delve into the myths, legends, and heroic tales that have shaped the literary landscape and continue to resonate with themes of fate, heroism, and the complexities of the human experience. Their exploration of divine and mortal interactions offers timeless insights into the nature of existence, making them relevant for contemporary audiences seeking to understand the roots of storytelling and the universal questions that persist through the ages.

Also known as the Younger Edda or Snorri's Edda, the Prose Edda is a three-part work composed or at least compiled by thirteenth-century Icelandic scholar Snorri Sturluson. Along with the Elder or Poetic Edda written by an unknown poet a half-century earlier, the Prose Edda is a major source of much older Norse mythology as it had evolved through the generations. The two Eddas have had a profound effect on European literature in both style and content, not least on J.R.R. Tolkien's Middle-Earth fantasies. The first part of the Prose Edda is the Gylfaginning (The Tricking of Gylfi), dealing with the creation of the world and the major elements of Norse mythology. The second part, Skáldskaparmál, presented as a dialogue between Ægir, the God of the Sea and Bragi, the God of Poetry, is a fascinating textbook on skaldic poetry, including the uses of alliteration and kennings. The third part, Háttatal, is a trilogy of heroic poetry demonstrating the techniques of Skáldskaparmál (it is not included in this translation because of the translator's conviction that its highly technical nature "forbids" its effective translation into English). Arthur Gilchrist Brodeur, translator of Beowulf as well as the Prose Edda, was an intriguing person in his own right, writing pulp fiction along with his masterful scholarly translations and advocating radical political notions during the dangerous McCarthy era. - Summary by Expatriate