Radiant Abyss

The Return to Colour.

Here everything is spoken in slow motion, so we can talk with the trees.

Audio Still Life Partner Series "Return to Colour"

How many choirs in the distance?

The first of the extensive MODIAK concept project started in 2020. Exploring nonlinear music.

Found on an old CD in my Car.

You know those primes that are like double primes...

This is a Soundtrack selection from the 1992 SNES video game Space Megaforce, aka Super Aleste. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. The original composers are Keiji Takeuchi, Akiyoshi "Einosuke" Nagao, and Katsumi Tanaka for Compile / Toho. This upload is for appreciation only. To experience the soundtrack as intended please play the game. I hope you will enjoy this selection of creative and often overlooked music.

The world needs healing, Spend some time healing your mind. Listen and breath deeply. This Track contains only original audio, no AI was used the creation of this music. The cute doggo in the cover photo is "Yoda" a Chug (Chihuahua cross Pug). Listen and share in good health. Enjoy and Stay Noisy.

The world needs healing, Spend some time healing your mind. Listen and breath deeply. This Track is free to share, sample and remix, Contains only original audio, no AI was used the creation of this music. The cute doggo in the cover photo is "Yoda" a Chug (Chihuahua cross Pug). Listen and share in good health. Please thank MODIAK and Radiant Abyss for any non commercial usage of this song. Enjoy and Stay Noisy.

Mix Tape 5 of Super Nintendo Entertainment System sound tracks. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. This upload is for appreciation only. To experience the soundtracks as intended please play the games. However I hope you will enjoy this selection of creative and often overlooked music.

We disappear, were back on the grid, your mind is our hive, we live now.

Mix Tape 4 of Super Nintendo Entertainment System sound tracks. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. This upload is for appreciation only. To experience the soundtracks as intended please play the games. However I hope you will enjoy this selection of creative and often overlooked music.

Mix Tape 3 of Super Nintendo Entertainment System sound tracks. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. This upload is for appreciation only. To experience the soundtracks as intended please play the games. However I hope you will enjoy this selection of creative and often overlooked music.

Mix Tape 2 of Super Nintendo Entertainment System sound tracks. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. This upload is for appreciation only. To experience the soundtracks as intended please play the games. However I hope you will enjoy this selection of creative and often overlooked music.

Don't let this be our last tomorrow.

This is a Soundtrack selection from the 1994 SNES video game The Ninja Warriors. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. The original composer is Hiroyuki Iwatsuki for Taito. This upload is for appreciation only. To experience the soundtrack as intended please play the game. I hope you will enjoy this selection of creative and often overlooked music.

This is a Soundtrack selection from the 1993 SNES video game R-Type III: The Third Lightning (アールタイプ3 ザ・サード・ライトニング). Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. The original composer is Ikuko Mimori for IREM. This upload is for appreciation only. To experience the soundtrack as intended please play the game. However I hope you will enjoy this selection of creative and often overlooked music.

This is a Soundtrack selection of random pieces from various games. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. This upload is for appreciation only. To experience the soundtracks as intended please play the games. However I hope you will enjoy this selection of creative and often overlooked music.

This is a Soundtrack selection from the 1992 SNES video game Contra III: The Alien Wars. Presented thematically using emulated hardware to capture an accurate recording of the original audio. Additional processing has been done to enhance the listening experience. The original composer is Miki Higashino, for Konami. This upload is for appreciation only. To experience the soundtrack as intended please play the game. However I hope you will enjoy this selection of creative and often overlooked music.

This is a selection of Soundtrack rips from the 1992 SNES video game Final Fantasy Mystic Quest. These have been selected and arranged thematically, using the original (Emulated) hardware to capture as true and accurate of a recording as possible. Additional processing has been done to enhance the listening experience. The original composer is Ryuji Sasai and Yasuhiro Kawakami, for Square. This upload is for appreciation only. To experience the soundtrack as intended you are encouraged to play the game. However I hope you will enjoy this selection of creative and often overlooked music.

This is a selection of Soundtrack rips from the 1992 SNES video game The Legend of the Mystical Ninja. These have been selected and arranged thematically, using the original (Emulated) hardware to capture as true and accurate of a recording as possible. Additional processing has been done to enhance the listening experience. The original composer is Kazuhiko Uehara and Harumi Ueko, for Konami. This upload is for appreciation only. To experience the soundtrack as intended you are encouraged to play the game however you are able. However I hope you will enjoy this selection of creative and often overlooked music.

This is a selection of Soundtrack rips from the 1991 SNES video Game Gradius III. These have been selected and arranged thematically, using the original (Emulated) hardware to capture as true and accurate of a recording as possible. Additional processing has been done to enhance the listening experience. The original composer is Kukeiha Club with Miki Higashino for Konami. This upload is for appreciation only. To experience the soundtrack as it has been intended you are encouraged to play the game however you are able. However I hope you will enjoy this selection of creative and often overlooked music.

This is a selection of Soundtrack rips from the 1991 SNES video Game ActRaiser. These have been selected and arranged thematically, using the original (Emulated) hardware to capture as true and accurate of a recording as possible. Additional processing has been done to enhance the listening experience. The original composer is Yuzo Koshiro for Quintet/Enix, later SquareEnix. This upload is for appreciation only. To experience the soundtrack as it has been intended you are encouraged to play the game however you are able. However I hope you will enjoy this selection of creative and often overlooked music.

Things will change after I get my Money.

Look ma, no piano.

There is a piano in there, I promise.

Don't resist the future.

Preview of the long procrastinated 2020 MODIAK project "Audio Still Life." This is a rough mix of "Hello Emily." With any effort this project will be uploaded in full early 2026. Until then let me know what you think of the sound. Stay Noisy - MODIAK -

Hard Concept Loop of Demographic Inconspicuous

If we sing together they will never know who we are.

The magnetic tape on my VHS is degraded, It's hard to fix the tracking.

We run from gravity, its future pursues and consumes, the past is a singularity cracking dimensions, the waves move forward propelling our escape to the edges of the unknown.

You may rest here, you may sleep here The Solstice is as fresh as citron Close your eyes and think of summer

As ancient songs echo in the new; we've eaten the fruit and now we have to choose.

The morning is complex, the time moves in waves.

What would IOQ do?

What of the ark of light? You think you've found something new? I know, I've seen it all since the dawn of time. Yet, Emily through your eyes I can see everything anew, as if for the first time. Is this why we are doomed to visit? And even more doomed to part? Perhaps we are entangled in each other's mysteries for this reason; You are the chapter, I am the book. Emily, see me again for the first time...don't let me forget.

The stars were brighter in the beginning. I remember we were children in the abundance of light. Every time I see you fall asleep, I'll count the days to your resurrection. Don't worry Emily, Find me and I'll remind you of everything. Your dreams are a mockery of everything you'll do when you wake. Never forget that.

You're probably wondering what you're doing here. This world was never meant for us, from one end of the universe to the other, this is our prison. But you wouldn't know that. We'll meet again soon, Emily, you for the first time and another of countless millions for myself...Yet I always look forward to seeing you again. -The Skeleton King.

Hello Emily, the future draws near, so does the enemy I fear. It's a day to think sad thoughts and indulge ill wants. I bought a present for you and placed it in the centre of this bright galaxy, I hid it well. Emily, how do you still smile in times like these? I'll never understand humans.

What a burden life is, the ages amount to this? After all this time I can still see. Hello Emily, I'm dancing among the debris of the universe.

It is impossible to fall back in time, but there are rumours of hollow places near stars, you'd best not go too near. Emily...do you copy?

Light years my dear, light years of impassible light.

Your light will travel through space for eons. In a trillion years someone will know your tail. Hello, Emily, I'm on fire.

The balance of non-existence at the beginning and non-existence at the end, what is this thin island of light and joy? This precarious dance of life and death.

We were children at the dawn, I remember the days of light, the universe was warmer then. The ages have gone and I await an end that will never arrive. Though that is what I'm lead to believe. You know better Emily, you always do. I look forward to your wisdom, even though all you do is ask questions. Oh and by the way, did you know the human brain registers every 6 nanoseconds as an individual event? Hello Emily, can you see me?

Long slow layers building up and looping.

Is this how to wake up?

Resting you head on a car window as it drives down the road. Every bump from the cracks in the road sends rhythmic waves through your head. The rhythm of the road is etched into your bones and enriches the soul.